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Versace is the wrong fit for Prada’s ambitions

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Bloomberg

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January 15, 2025

Ready for Pradace anyone?

Italian luxury group Prada SpA may be evaluating a purchase of rival Versace, owned by Capri Holdings Ltd., the Italian daily Il Sole 24 Ore reported on Friday.

Versace – Spring-Summer2025 – Womenswear – Italie – Milan – ©Launchmetrics/spotlight

Collaborations are all the rage in luxury — indeed LVMH’s Fendi teamed up with Versace three years ago — but Pradace is one tie-up that should stay in the design room.

It’s not hard to see why Prada might be interested in the storied Italian house founded by Gianni Versace. For a start, Capri faces a challenging future since its $8.5 billion sale to Tapestry Inc. was blocked by a judge last October and the two companies abandoned plans to become the Italian LVMH. Capri is now widely expected to sell Versace.

Although the Michael Kors owner acquired the label back in in 2018 from the Versace family and minority shareholder Blackstone Group, it is still relatively rare for such assets to come onto the market. Versace is one of the most instantly recognizable fashion names in the world.

Meanwhile, Prada has engineered a remarkable turnaround, as the creative vision of Miuccia Prada — now joined by her co-creative director Raf Simons — has been augmented by top-class management under Chief Executive Officer Andrea Guerra. This has improved the nuts and bolts that sit behind the selling of luxury goods, such as serving top-end customers. Add in the success of Miu Miu, Prada’s sister label that has become the watch word for cool-girl style, and the company has generated the sort of sales growth that most rivals can only dream about.

Yet, with revenue of €5.4 billion ($5.5 billion) in 2024, according to the Bloomberg consensus of analysts’ estimates, Prada is still about 30% smaller than Kering SA’s Gucci.

Adding Versace, which is expected to generate about $846 million of sales this year, would help Prada get closer to its rival. The additional revenue stream would also be useful if Miu Miu’s stratospheric growth starts to slow.

Prada is known for its elegant clothing, and apparel still accounts for the bulk of Versace’s business. But Prada’s prowess in handbags — the real profit driver — and footwear could turbocharge Versace’s leather goods, which are still a relatively small part of the business.

Add in the fact that the two Italian brands would be able to generate cost savings, and the combination has merits.

But there would be some considerable hurdles to overcome to make the deal work. Capri paid a punchy $2.1 billion for Versace in 2018. Although sales initially expanded, growth has recently stalled. The label is expected to make an operating loss in the year to March. Meanwhile, luxury valuations have slumped, so price could be a sticking point. And while Versace regained its cool under former Burberry Group Plc CEO Jonathan Akeroyd, further work is needed, which would take time and significant investment.

On the face of it, that wouldn’t be too much of a problem — Versace’s opulence isn’t the hottest look right now so Prada would have time to develop the division before loud luxury makes a comeback. But this heavy lifting could be a distraction from ensuring that Prada and Miu Miu’s success continues. The junior label is already facing a future without its CEO Benedetta Petruzzo, who has been snapped up by LVMH to be managing director of Christian Dior Couture. And Prada has other opportunities, for example, introducing menswear at Miu Miu.

Prada’s last acquisition spree in the 1990s, when it was at the height of its previous success, didn’t live up to expectations. It acquired Jil Sander and Helmut Lang in 1999, only to sell them seven years later. Although Prada is a very different company today, it may be reluctant to expand again.

Finally, Versace’s ostentation looks at odds with Prada’s minimalist chic. Of course, Miuccia Prada’s creativity combined with Versace’s Italian glamor and incredible archive could have fashionistas salivating. It’s possible that Prada has more success by adding a company that is complementary to its namesake brand, rather than overly similar, in the way that Jil Sander and Helmut Lang were. Even so, the mix of the two aesthetics risks a wardrobe malfunction. And where would Donatella Versace, the steward of Gianni’s legacy for the past 30 years, fit in?

It’s possible other luxury brands are eyeing Versace. It could appeal to LVMH for example, although CEO Bernard Arnault tends to avoid turnaround situations as the investment in Moncler SpA demonstrates. Interest from Valentino majority owner Mayhoola as well as private equity firms would also be logical. Kering likely has its hands full turning around Gucci, although it has acquired a minority stake in Valentino.

So there’s room for a revitalized Versace. But not with Prada.

 



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Arnault says LVMH has no plan to relocate after remarks draw ire

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Bloomberg

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January 31, 2025

LVMH has no plans to relocate the luxury conglomerate, said Bernard Arnault, its billionaire chief executive officer, after remarks he made critical of France drew a backlash at home.

Bernard Arnault – ph DM

“I’ve obviously never said we would relocate the LVMH group,” Arnault said in a post on the company’s X account Friday. When he voiced discontent with France at an earnings presentation on Tuesday he only wanted to sound an alarm over tax measures that he deems will be “counter productive,” he added.

“What I said is that the tax measures that are being considered are an incentive to relocate, since they’re a tax on Made in France,” he said.

Arnault said on Tuesday that plans to raise corporate taxes in France are “a great idea to encourage people to relocate,” contrasting the atmosphere in his native country to the optimism he sees in the US following Donald Trump’s election as president. 

“There’s a different mood” between the two countries, the billionaire told reporters on the sidelines of LVMH’s annual results, at one point comparing his return to France to a cold shower. 

In an interview on RTL radio Friday, Sophie Binet, leader of the French union CGT, likened comments like Arnault’s to a sign that “the rats are leaving the ship.”

Arnault, in his post on Friday, said LVMH is “proud to employ directly and indirectly some 200,000 people in France.” 
 



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Iceberg Jeans is back under creative director James Long

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Ansa

Translated by

Nicola Mira

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January 31, 2025

Iceberg Jeans, the iconic streetwear line by Italian label Iceberg, is back. Under creative director James Long, the Iceberg Jeans line embodies a vibrant state of mind: fun, inclusive, contemporary, and accessible. Besides denim, the new collection includes outerwear, knitwear, tailored items, casual wear and accessories.

Iceberg Jeans

“I’ve always wanted to give Iceberg Jeans a new lease of life,” said Long, the creative director at Iceberg. “The brand has a unique energy, and like everything that Iceberg represents, it’s always about looking to the future with optimism. I love these designs, and I hope that others too will appreciate them and make them part of their everyday lives.”

Iceberg Jeans debuted in 1986, soon emerging as a bold brand bringing Italian design, with its mix of playfulness and wearability, to the world. Its success was fuelled by word of mouth, and by campaigns that have become pop culture icons, featuring celebrities such as Lil’ Kim and Paris Hilton. The new collection refreshes the positive essence of Iceberg Jeans’s heritage while looking to the future. The Iceberg Jeans Fall 2025 collection will be available at selected wholesale partners, Iceberg stores and online from June 2025.

Copyright © 2025 ANSA. All rights reserved.



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Paris Haute Couture Week celebrates young designers with Peet Dullaert and London-based Miss Sohee

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Translated by

Nicola Mira

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January 31, 2025

Experimentation and innovation were the name of the game on the last day of Paris Haute Couture Week. Emerging couturiers took centre stage on Thursday, like Peet Dullaert, 35, from the Netherlands, and Miss Sohee, 28, from Korea. The latter staged her maiden couture week show, as a guest on the event’s official calendar. Dullaert and Miss Sohee unveiled Spring/Summer 2025 collections characterised by contrasting styles.

Peet Dullaert, Spring/Summer 2025 – ©Launchmetrics/spotlight

Dullaert, a Paris-based Dutch designer, showed for the first time at Paris Haute Couture Week exactly a year ago. In his third Parisian show, he juxtaposed glamourous looks with more everyday ones, like the suits and trousers sets or the black tweed maxi coat, worn back-to-front with the cuffs, pockets and buttons at the rear, which could morph into an evening dress if needed.

Dullaert’s couture looks were made from bodysuits and playsuits in tight stretch fabric, on which he added long, sheer flared skirts decorated with geometric patterns embroidered with gems, or made with swathes of silk draped directly on the body, giving the models real freedom of movement. The feeling of freedom was heightened by the use of a wrinkled high-performance fabric developed by the label.

Other looks were covered with thin tassels lined with sequins, or with crystals, with draped white and black tulle, taffeta and other glimmering silks. Dullaert’s looks were characterised by flowing volumes and silhouettes, but he didn’t shy away from intervening decisively in the garments’ construction, for example baring a shoulder or cutting his dresses with long slits along the legs.

The couture show by Miss Sohee, real name Sohee Park, was eagerly awaited. The London-based Korean designer showed twice before in Paris, and was a hit on the Milanese runways in February 2022, backed by Dolce & Gabbana. She pulled out all the stops in Paris, immersing her guests in a magical universe where eras and bold silhouettes mixed spectacularly, showcased inside the gilded halls and under the majestic chandeliers of the Pozzo di Borgo palace.
 

Miss Sohee, Spring/Summer 2025 – ©Launchmetrics/spotlight

Miss Sohee’s ladies seemed to be ready for a grand ball with their shimmering, vibrantly coloured crinoline dresses, satin sheath dresses glittering with pearls, and statement coats whose long trains were ornamented with embroidered bucolic scenes, like a golden peacock or floral branches, rich in crystals and sequins. Looks worthy of the Venice Carnival.
 
Botticelli’s Venus seemed to have inspired Miss Sohee, scallops and seashells being among the key elements in her collection. A large shell rose like a fan at the back of a corset which extended into a long, faded-pink silk skirt. Elsewhere, shells encased the hips in two short bustier dresses in python and crocodile-effect leather, or added length to a bustier entirely decorated with gems that was sewn onto a tulle top dotted with mother-of-pearl drops.
 
Shells embroidered in small patterns featured on a silk duchesse dress, and more shells in silver pleated fabric turned into a micro hooded jacket over a Fantômas-style black velvet jumpsuit, with a double row of white pearls draped around the waist.
 
Nothing seemed too precious and extravagant for Miss Sohee’s ladies, who also wore more contemporary outfits consisting of lace jumpsuits, miniskirts and laced thigh-high boots. Park founded her label in 2020, after studying at Central Saint Martins in London, and her customers include scores of celebrities, among them names like Cardi B. and Bella Hadid.
 

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