Easily New York Fashion Week’s best staged show so far has been Khaite, with a powerful and theatrical collection whose two leit motifs were Dorothy and David.
Presented inside the giant Uptown Armory, guests arrived to discover a huge circular runway with a 25-meter radius. Painted yellow to suggest the Yellow Brick Road, Khaite’s designer Cate Holstein explained. Though the far bigger inspiration was the late David Lynch, leading to a catwalk crammed with femme fatales on a mission.
Attired in a dark and dramatic wardrobe for the urban jungle, Khaite’s women are a hyper self-confident crew this season. Marching in a collection whose every single look had a twist or bash or dimple; their very polished imperfections the heart of the matter.
The key element was the scrunched-up leather jacket, as if the designer had squeezed each look into shape with her own hands.
Calfskin or rawhide jackets came in a multiplicity of modes and forms – worker or donkey, motorbike, bomber or flight. She even sculpted a truck driver’s leather blouson into an outstanding mini cocktail dress in one great visual sleight of hand. If they ever remake Lynch’s classic “Wild At Heart,” this is the collection the cast must wear.
Every single leather idea looked great. Each a reminder that the most contemporary New Yorker designer today is Cate Holstein. She is also no slouch when it comes to contemporary draping with billowing cocktails in slate silk or leopard print pony skin coat-dresses.
And just when it seemed a tad too commercial, Cate wowed with several avant-garde robes in massive cable wool coils.
Backed up by a roaring soundtrack that mashed up “I Put a Spell On You” by Marilyn Manson and “Luna” by the Smashing Pumpkins, this was a smash hit show.
With new stores opening in Texas, California and Madison Avenue, this stellar show was a timely reminder why Khaite is the hottest label in American fashion today.
Once, at the birth of punk rock, New Wave and street style, the Lower East Side was the trendiest neighborhood in the world. At Coach this season, it is again.
Proudly mining the subcultures or lower Manhattan, and clearly referencing Larry Clark’s cult flick “Kids”, the latest collection by Coach was an ode to those glory days, even if it also riffed on the new generation’s desire to just be themselves.
The show was staged uptown on Park Avenue in the Armory, but the huge red brick set painted on toile suggested a forgotten factory under the old West Side Highway.
Coach’s cerebral creative director Stuart Vevers didn’t live through that golden era in New York – unlike the author of this review – but he sure has absorbed its attitude and style.
The key to the collection was a great series of figure-hugging biker and bomber jackets – in distressed leather or felt, finished with hyper high collars. All paired with gigantic washed-out heritage jeans, patched and lovingly repaired. Leo Fitzpatrick on the prowl.
Vevers, the father of two young kids, added a playful element – with half the cast sporting mini teddy bears, furry rabbits and even woolly carrots. While Vevers new series of sturdy and functional Twin Pocket bags recalled an even earlier era – Bonnie Cashin in the 1960s. A very youthful set of models, many culled from street castings marching around a synth-driven life group – Nation of Language.
One of the biggest differences between major runway shows in Europe and in U.S., is that neither London, nor Milan, nor Paris suffer from months of sub-freezing weather as New York does. And did again Monday.
The result is that in fall/winter collections always have lots of bulky padded clothing. Vevers’ solutions was ingenious – long but snug peacoats with funnel necks and multi-pockets; or floor-sweeping duffell coats or undertaker coats in leather or shearling. All of them had great defiance and insolence, which is what Vevers planned.
“I try to listen to the new generation all the time, and what I hear is they want the right to self-expression, in their lives and in their fashion,” concluded Stuart.
Californian fashion house Frame has chosen its first ever double act to promote its new denim Spring 2025 collection. An intimate scene pairs British actors Sienna Miller and Oli Green for the latest in the brand’s series of ‘Icon’ portraits with this ‘powerful duo’ becoming the first to portray its men’s and women’s collections.
Frame’s campaign series “continues to redefine a new era of storytelling, putting fashion at the intersection of entertainment and art, through compelling casting and creative direction”, we’re told.
So Miller was a “natural choice” for Frame’s co-founder and creative director Erik Torstensson, choosing “an icon of the screen and red carpet, who has transcended her generation to become one of Hollywood’s most celebrated movie stars”.
Meanwhile Green, the London-based actor (Mosquito Coast and The Crown) and model (fronting several fashion campaigns) is the “handsome, promising young actor” in the scene.
The denim Icons campaign, shot by Torstensson, “continues the seminal series set in the bedroom, lending immediate intimacy to the portrait of the couple”. In it, Miller showcases The Vertical in Laurence (high-rise waist, full-length inseam, classic button-fly closure) in debuting the brand’s newest classic straight leg jean in rigid denim. Green wears the relaxed heavy denim shirt and the straight jean in vicente, crafted from sustainable and recycled cotton.
Coty cut its annual profit forecast on Monday after missing second-quarter revenue estimates on Monday, as it grapples with slowing demand for cosmetics in the United States and a tighter control of beauty inventory by retailers.
Coty’s results come shortly after those of Elf Beauty and L’Oreal, which have flagged softer growth in the mass beauty market in the United States as customers splurge less on cosmetics and makeup kits.
This along with tight inventory management by retailers, drug store closures and weak traffic at department stores has led to slowing sales growth for Coty, which is now looking to expand its fragrance lineup.
Coty now expects annual adjusted per-share profit to be between 50 cents and 52 cents, compared with prior forecast of profit at the low of 54 cents to 57 cents range.
The company’s quarterly net revenue fell to $1.67 billion from $1.73 billion. Analysts on average had estimated sales of $1.72 billion, according to data compiled by LSEG. (Reporting by Ananya Mariam Rajesh in Bengaluru; Editing by Anil D’Silva)