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Hussein Chalayan is creative director of new AR social platform Zome

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February 5, 2025

New spatial social platform Zome has announced designer Hussein Chalayan as its creative director, as well as the launch of his first curated augmented reality (AR) content – geolocated at 700+ airports worldwide and attached to the real-time position of the Moon.

Hussein Chalayan – Photo: Cem Talu

The Zome x Hussein Chalayan capsules feature exclusive videos and prose by the designer, and also includes a Celestial Capsule that anyone anywhere in the world can access by simply pointing their smartphones or tablets directly at the Moon using the Zome app. There’s a major opportunity from brands to use it to reach consumers with inspiring content.

It’s a world-first project for the AR specialist, which is led by founder and CEO Theodore Wohng, and shows once again how new technology and fashion can intersect.

The app is available for Apple (including Apple Vision Pro) and Android devices, with the Zone platform aiming to allow “brands, artists and individuals to share and access geolocated and time-based Zome Message Capsules anywhere in the world – and even attach custom content to the sun, moon, planets and constellations”. 

Each Message Capsule can be placed in any desired location(s) and include multiple content types, from 3D models, spatial video and images to audio and text. 

The company said its Location-Based Message Capsules “encourage users to explore the physical world around them”, while Time-Based Message Capsules “can be geolocated to appear (or disappear) at set times in the future – opening up a wealth of possibilities for creating unique immersive experiences at key locations and events for both business applications and personal projects”.

That could mean individuals publishing music, art and writing anywhere around the globe in space and time, to brands, museums and festivals placing targeted and content-rich information especially for consumers and visitors.

Zome

Zome has already hosted specially created spatial Message Capsules in highlight projects delivered for NASA, Dover Street Market, music artists Raye and Duran Duran, and the London Symphony Orchestra.

Chalayan said: “I am delighted to join Zome. With a focus on the intersection of design, technology, and human experience, I believe my interdisciplinary background and expertise will make a meaningful contribution to the platform.

What draws me is its unique ability to merge art, innovation, and everyday life, offering a fresh perspective on how we can experience creativity. Spatial design moves beyond the confines of traditional settings, allowing concepts to be experienced in real time, not just observed within a gallery setting.”

Chalayan was twice named British Designer of the Year by the British Fashion Council and his work has been exhibited at the V&A and Design Museum in London and the Metropolitan Museum of Art in New York.

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S. Korean climate activist targets hyperconsumption

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February 5, 2025

Recovering South Korean shopaholic-turned-climate activist Lee So-yeon used to buy new clothes almost daily — until a $1.50 winter coat triggered an awakening that stopped her shopping entirely.

South Korean climate activist Lee So-yeon, who has not bought any new clothes for the past six years and now has a wardrobe consisting of used items that she received from friends and family – Photos: Anthony Wallace/AFP

While looking at the ultra-cheap padded jacket at an H&M shop in the United States, where she was working at the time, Lee asked herself how any item of clothing could be sold so cheaply.

The 30-year-old embarked on a deep dive into fast fashion production methods and was horrified at the human, social and environmental toll hyperconsumerism is having on the planet — and on the mental health of women who make and buy cheap clothes.

“I used to buy one new outfit each (working) day of the week,” Lee told AFP, adding that each item from major high street retailers would typically cost less than a dollar.

But the reason the clothes are so cheap, Lee learned, is because the women who sew for companies are paid little, while the business model itself is causing significant environmental harm.

Lee stopped buying any new clothes — and has not purchased a single fast fashion garment since her epiphany around six years ago.

Her much more compact wardrobe consists of used items that she received from friends and family, including a vintage leather jacket that once belonged to her mother.

Unlike fast fashion items, which are often designed to be thrown away after just a few wears, each piece is irreplaceable because it carries a unique story and history, she said.

“Ultimately, the most eco-friendly clothes are the ones already in your wardrobe,” said Lee.

Break the cycle

Lee now organises clothing swaps with her friends and family, and has written a book to promote the idea of valuing garments for “the story behind it,” rather than chasing ephemeral trends.

She is part of a small but growing global movement seeking to promote second-hand clothing and help people — especially women — opt out of the cycle of over-consumption.

The app Lucky Sweater provides a platform for users to trade items from their closets with each other, focussing on sustainable brands, founder Tanya Dastyar told AFP.

“We’re programmed to believe the only way to express my fashion or show that I’m beautiful or trendy… is new outfits,” Dastyar said.

“But you can still be fashionable and feel good and look great and not have to do that,” she said, adding that although trading clothes did not have the same quick dopamine hit as making a fast-fashion purchase, it was far more rewarding over time.

The app’s growing uptake indicates that people are hungry to shift their relationship with clothing and consumerism, she said.

People realise: “I don’t have to follow trends and I can just dress in a way that feels comfortable to me,” she said. “Is that like a mass market thing? No. But do I feel like it can be a movement? Yes.”

For Lee, breaking the cycle of cheap clothing consumption helped her improve her mental health.

As a teenager, she would worry about what to wear on school trips — when uniforms were not required — at least a month in advance and would go shopping to ease her fears.

“I felt a lot of pressure about how others would see me,” she told AFP.

But learning about Bangladesh’s 2013 Rana Plaza tragedy — one of the world’s worst industrial disasters that killed more than 1,130 garment factory workers, most of them young women — was a turning point.

The factory workers died making clothes for “women like me”, Lee said.

No second-hand?

The global fashion industry is one of the most polluting, accounting for up to 10 percent of greenhouse gas emissions, according to World Bank estimates.

Most modern clothes are made of synthetic materials like nylon and polyester, which are essentially plastic and do not biodegrade in landfills, industry data shows.

Keeping clothes out of landfills can help, but in South Korea, many still avoid used garments, said Kim Dong-hyun, who runs a used clothing export factory.

“People often don’t look favourably on someone wearing used clothes because they are seen as unwanted items,” Kim told AFP, noting he has found dirty diapers and food waste in the collection bins.

South Korea is the fifth largest exporter of used clothing in the world — and activists say many garments are essentially dumped in developing countries, which lack the capacity to process them.

At Kim’s second-hand clothing factory in Paju, outside Seoul, a mechanical claw categorised piles of used clothes to be exported overseas.

“Many people treat the clothing collection bin as just a trash can,” Kim said.

Copyright © 2025 AFP. All rights reserved. All information displayed in this section (dispatches, photographs, logos) are protected by intellectual property rights owned by Agence France-Presse. As a consequence you may not copy, reproduce, modify, transmit, publish, display or in any way commercially exploit any of the contents of this section without the prior written consent of Agence France-Presses.



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Jeweller Pandora sees lower growth in 2025 after strong U.S. holiday sales

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Reuters

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February 5, 2025

Danish jewellery maker Pandora said on Wednesday that its growth and profit margin this year would be lower than last, as it expects sluggish demand in Europe and slowing growth in Germany after a strong run.

Pandora, known for its charm bracelets, reported operating profit in line with expectations for the key holiday shopping quarter, but said Black Friday discounts had driven a bigger share of sales, weighing slightly on profitability.

The world’s biggest jewellery company by volume said it sees 7-8% organic growth in 2025. Organic growth for 2024 was 13%, better than the company’s guidance of 11-12%.

Pandora reported fourth quarter comparable sales growth of 9% in the U.S., helping drive 6% growth overall. Germany’s comparable sales grew by 28%, slower than the 42% growth in the third quarter, while revenues in France and Italy both fell.

“We had a very strong fourth quarter in the U.S. and Canada,” Lacik said in an interview. “It’s a stronger consumer demand and sentiment in the U.S. than we see in Europe, and one would probably think that that’s going to continue into this year.”

Pandora said performance in Italy and France was impacted by economic challenges and an “intense promotional environment” – competitive pressure to lower prices and discount products.

Fourth-quarter operating profit rose to DKK4.15 billion from a year-earlier DKK 3.67 billion, against a mean forecast of DKK 4.10 billion in an analyst poll provided by Pandora. Pandora’s operating profit margin was 34.7%, slightly above analysts’ average forecast.

The company expects an operating profit margin of around 24.5% in 2025, down from 25.2% last year.

Pandora, whose shares recently hit a record high, also launched a new share buy-back programme for up to DKK4 billion.

© Thomson Reuters 2025 All rights reserved.



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Agnès b. returns to perfumery with Extend Beauty

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Roberta HERRERA

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February 5, 2025

By securing a fragrance licensing agreement with Extend Beauty, the Parisian fashion house Agnès b. has made its long-awaited return to the world of perfumery. Thirty-eight years after the debut of its iconic fragrance “le b.,” this new partnership introduces a fresh creation available in two concentrations: an eau de toilette and an eau de parfum.

Agnès b. is back in the world of perfumery – DR

“Crafted by senior perfumer Isaac Sinclair, these fragrances capture Agnès b.’s personal inspirations and olfactory memories,” the house said in a statement. The debut collection is set to launch in fall 2025, available at select retailers through Extend Beauty as well as at Agnès b. boutiques in France and internationally.

Extend Beauty was founded in 1992, and it develops and distributes fragrances for various brands, including Le Coq Sportif. Its perfumes are now available in over 80 countries worldwide.
 

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