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Hogan fêtes iconic models on eve of 40th anniversary, targets expansion in Middle East, USA

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Nicola Mira

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March 2, 2025

Italian footwear brand Hogan continues to tap its cross-generational appeal and the consistently high quality of its premium product range, at prices that are affordable to more than just a select few.

Hogan, Fall/Winter 2025-26 – DR

Hogan was founded in 1986 and is owned by the Tod’s group. The brand “is on the eve of its 40th anniversary, which we’ll surely celebrate with a major event next year. Meanwhile, we’re honouring our four signature products, one for each decade, reinterpreting them with a contemporary, limited-edition series,” said Andrea Della Valle, president of Hogan and vice-president of the Tod’s group, speaking to FashionNetwork.com. “We’ll choose one iconic product for each market to tell Hogan’s story during these four decades, the story of a brand able to cut across trends from generation to generation,” he added.
 
What’s the secret of Hogan’s success, we asked Della Valle. “There is no secret in Hogan,” he replied. “It’s simply a matter of high product quality, of having a valuable archive and a significant heritage, which however aren’t enough by themselves, and always need to be blended with innovation. And then [sold] a reasonable price,” he explained.

“[Hogan] was born in the second half of the 1980s, when the word ‘sneakers’ wasn’t around yet. If people wondered which urban gym shoes to buy, the answer became ‘Hogan’, because we did produce the first urban-chic shoes, as we’d say today, shoes that women were able to use to go to the office and to move around in with ease, throughout the day,” said Della Valle. “In 1997, we invented a model of urban shoes with a slightly raised wedge sole, another first worldwide, which has been extensively imitated,” he added.

Hogan, Fall/Winter 2025-26
Hogan, Fall/Winter 2025-26 – DR

Hogan has recently opened monobrand stores in Amsterdam, in the Netherlands, and in Knokke, Belgium. “We have [stores] in all the main European capitals, and we’re now looking at Eastern Europe, and above all Asia,” said Della Valle. “We already have a strong presence in China and Japan, and we’ll expand by opening stores in the Middle East from 2026, via collaborations with local partners, and then move on to the USA. That had been our first export market, but later we decided to leave, since our products turned out to be too directional. But we’d like to go back to the US and tell Americans our whole story properly,” he added.
 
Stylistically, Hogan’s Fall/Winter 2025-26 collection has been inspired by the urban architecture of the brand’s home town, Milan. The abundance of marble, Ceppo stone and metallic details on the façades and entrances of many a historic Milanese palazzo was the starting point for a sophisticated yet laid-back range, translated into rare materials and a neutral colour palette. The models, some of them drawn from the brand’s rich archive, mix casual elegance with quirky details, underscoring Hogan’s artisanal heritage and quality leathers.
 
The Hogan ‘Olympia’ has been revamped with a contemporary vibe, resulting in a slim-fit, ultra-feminine design blending sophisticated lines with a sole inspired by the footballing world. The collection features sneakers and ballet flats in white and silver leather, suede and soft shearling.

Hogan, Fall/Winter 2025-26
Hogan, Fall/Winter 2025-26 – DR

The new Hogan moccasins and winter boots are characterised by a chunky design and the H-Stripes tread, combining functionality and urban chic. The ‘Cool’ sneakers come in a new version with oversize sole in ultra-light crepe. Their distinctive uppers and bold structure create a harmonious contrast of elegance and height. 
 
The collection’s handbags have a textured feel and a soft lightweight construction, and are designed to be used throughout the day. Their versatility is epitomised by the ‘Script Bag’, a modern, casual destructured shopping tote in a variety of sizes. It features the Hogan logo and its luxurious feel comes from the use of calf, suede and cowhide leather. Hogan’s fourth hero product is the compact, capacious ‘Flap Bag’, a functional reinterpretation of the classic camera bag, available in leather or crocodile-effect suede for extra suppleness and softness.

Copyright © 2025 FashionNetwork.com All rights reserved.



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Harrods buying director hails Fendi and Erdem collections, thinks shaggy textures are key

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As the world’s leading store buyers continue to analyse the key messages from Fashion Month so far, Simon Longland of Harrods has delivered his verdict.

Fendi – Fall-Winter2025 – 2026 – Womenswear – Italie – Milan – ©Launchmetrics/spotlight

The luxury department store’s fashion director of buying has given a thumbs-up to Fendi from Milan and London’s Erdem.

He said that “Fendi stood out as the highlight of Milan Fashion Week, delivering a collection that seamlessly blended heritage craftsmanship with modern sophistication. The house’s ability to balance tradition with contemporary allure made it a clear frontrunner of the season”.

As for Erdem, he thinks “London Fashion Week AW25 was a study in refined impact, with Erdem delivering the season’s most exceptional collection — its poetic elegance amplified by a masterful presentation at the British Museum”.

In terms of the fashion show event itself, he was also impressed by Dolce & Gabbana, which “mastered the art of spectacle, with models seamlessly transitioning from the runway to an open-air setting, where a live DJ set brought the energy of the show to the surrounding crowds. This immersive format blurred the lines between the exclusive fashion world and the city itself, creating a dynamic and inclusive experience”.

The key trends he’s focusing on from Milan include shaggy textures. “Shearling and faux fur dominated the runways, appearing in full jackets and coats as well as linings, and trims on trousers and skirts,” he said.

He also took note of the muted palette with a pop of red.

“Black and ivory formed the foundation of most collections, while shades of brown — from soft latte hues to deep espresso — emerged as the strongest colour story. Where designers did embrace colour, red was the undeniable standout, ranging from bright scarlet to deep Bordeaux,” he explained.

Longland noted the leather and suede resurgence too “as a natural complement to the shaggy trend… and not just restricted to outerwear pieces”.

Oversized knitwear was also key with “chunky, enveloping knitwear add[ing] to the season’s theme of tactile comfort and understated luxury”.

Erdem – Fall-Winter2025 – 2026 – Womenswear – Royaume-Uni – Londres – ©Launchmetrics/spotlight

But his must-have piece for AW25 from Milan was “a beautifully crafted shearling coat” that he thinks “is set to be the ultimate wardrobe investment for the season, embodying both warmth and timeless elegance”.

His key themes from London meanwhile included “green in its many shades — mint, apple, grass — woven through collections at Erdem, Huishan Zhang, and Emilia Wickstead, while embellishment took centre stage, from crystal-encrusted gowns to subtle sequin panels. 

“A 1960s influence brought reimagined pillbox hats, sculptural minis, and novelty PVC coats at Emilia Wickstead and Huishan Zhang, while colour palettes softened — muted yet intentional tones defining Roksanda, Erdem, and Edeline Lee”.

As with Milan, he saw outerwear as a key “statement of both function and indulgence” but here it seems to have been less about shaggy textures than luxe details, colour and functionality. 

Longland liked “Huishan Zhang’s crystal details and Simone Rocha’s pearl-embellished hardware [that] elevated utility into luxury. Nowhere was this more evident than at Burberry, where trenches, greatcoats, and rain capes in deep earth tones reasserted the house’s mastery of protection from the elements. The iconic check appeared with subtle restraint, reinforcing heritage through quiet sophistication”.

He thought art “left its mark” too, particularly in Erdem’s collaboration with Kaye Donachie that “brought portraiture to fabric”, while SS Daley “channelled Francis Cadell’s brushwork, and Roksanda reinterpreted Phyllida Barlow’s sculptural language into volume and form”.

Overall in London, he thought the season “was about restraint and impact — where luxury was deliberate, innovation measured, and the conversation between past and present more compelling than ever”.

Copyright © 2025 FashionNetwork.com All rights reserved.



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Oscars’ red carpet features sculptural and shiny gowns and some props

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March 3, 2025

“Wicked” star Ariana Grande walked the Oscars red carpet on Sunday in a sculptural flared pink top and a tulle skirt by Schiaparelli, one of several actors to make bold fashion statements.

Reuters

Whoopi Goldberg wore a shiny blue gown with a flared skirt, while British actress Yasmin Finney sported a black dress featuring feathery attachments that shot over her head.

“A Complete Unknown” star Elle Fanning chose a lacy white gown with a full skirt and black belt, while “The Brutalist” best supporting actress nominee Felicity Jones wore a silver dress with slits and a tie around the waist.

Demi Moore, favored to win best actress for “The Substance,” won a sparkling silver gown with a train flowing behind her.

Zoe Saldana, a favorite to win best supporting actress for her turn in “Emilia Perez,” wore a multi-tiered maroon dress with a sparkling top and long gloves on her arms.

“A Complete Unknown” best supporting actress nominee Monica Barbaro won a voluminous high-waisted pink skirt with a sparkly top.
Halle Berry wore a strapless silver gown with shiny small tiles running down the dress, while Gal Gadot chose a bright red gown with a full skirt.

Among the men, the black tuxedo was popular and Oscars host Conan O’Brien sported one. But Jeff Goldblum picked a white jacket and a floral purple shirt with purple flowers attached to his lapel.

“A Complete Unknown” best actor nominee Timothee Chalamet chose a lemon yellow suit and shirt.

Colman Domingo, nominated for best actor for “Sing Sing,” amped up his look with a bright red jacket and shirt and black lapels to go with the black trousers.

Comedian Bowen Yang wore a pink shirt and an embroidered leather jacket with no tie.

The creators behind the animated film “Wallace & Gromit: Vengeance Most Fowl” carried props related to their film, and one of the directors of the documentary feature about Ukraine, “Porcelain War,” carried a small dog in his arms.

© Thomson Reuters 2025 All rights reserved.



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L’Oreal opens new North America Research & Innovation Center

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L’Oréal Groupe has officially opened its North America Research & Innovation (R&I) Center in Clark, New Jersey. 

L’Oreal opens new North America Research & Innovation Center. – L’Oreal

Representing a $160 million investment, the nearly 250,000-square-foot facility is L’Oréal’s largest R&I center outside of France and underscores its long-term commitment to the U.S. market, economy, and workforce. Construction of the center began in 2022, while full-scale operations commenced in February. 

The R&I Center will play a key role in developing L’Oréal’s American brands, including Maybelline, CeraVe, Redken, and Kiehl’s. Notable features of the facility include a 26,000-square-foot modular laboratory, a consumer co-creation center that accommodates up to 400 daily participants for product testing, and an on-site mini factory for scaling final formulations before full production.

“The U.S. plays a defining role in shaping the future of beauty. With its diverse and demanding consumers and world-leading innovation ecosystem, it is the ideal environment to drive our vision forward,” said Barbara Lavernos, deputy CEO of L’Oréal Groupe, in charge of research, innovation, and technology.

“This center embodies L’Oréal’s uniquely end-to-end innovation model, from upstream Advanced Research on new breakthrough ingredients to the downstream development of formulas ready for scale-up to deliver high-performance, safe, and responsible beauty solutions.”

The facility joins L’Oréal’s global R&I hubs in France, Brazil, South Africa, India, China, and Japan. It will employ more than 600 scientists, engineers, and researchers. The center will also collaborate with leading academic institutions, biotech firms, and startups to drive advancements in sustainability, inclusivity, and personalization across skin tones, hair types, and beauty preferences.

“The grand opening of our research center in New Jersey represents a transformative new chapter in L’Oréal’s storied history in the United States,” added David Greenberg, CEO of L’Oréal USA and president of the North America zones. 

“This investment will enable us to pioneer groundbreaking product innovations for American consumers that anticipate global market needs. And we’re not simply creating products; we’re building a prosperous future of economic growth, powered by American talent.”

Copyright © 2025 FashionNetwork.com All rights reserved.



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