Personalized jewelry brand Hart has opened its first New York location, marking a major milestone for the Charleston, South Carolina–based company as it expands beyond the south.
Hart opens first NYC store in Nolita. – Alex Frank
Known for custom charm necklaces, ready-to-wear jewelry, and modern talismans, the Nolita boutique is designed to offer an immersive and personalized shopping experience. The new boutique is located at 251 Elizabeth Street in Nolita, placing the brand in one of Manhattan’s most design-forward retail neighbourhoods.
The Nolita opening represents the brand’s third permanent retail location overall and its first outside the southern U.S., following its Charleston flagship and a second store in Nashville’s 12 South district.
Le Tout Paris celebrated France’s most famous fashion writer Sophie Fontanel this weekend, when the noted scribe was awarded the Chevalier de Légion d’Honneur.
Sophie Fontanel
Presented inside the Left Bank’s most happening art space Nemmours Gallery, there was practically designer gridlock at the event: with Jean Charles de Castelbajac, Simon Porte Jacquemus, Alexandre Mattiussi, Rabih Kayrouz, Elite Top, and Ines de la Fressange all in attendance.
After celebrating her 21 published books, dating back to her 1995 debut Sacré Paul, French costume designer and film producer Rosalie Varda pinned the famed medal onto the lapel of the classic two-button black Yves Saint Laurent jacket Fontanel wore with white sailor pants.
Sophie Fontanel with guests
“When I acquired this jacket in a vintage store, the boutique owner told me when I put it on that it would lead to something historic. And looks like he was right,” joked Fontanel, whose invitation read Sacré Sophie.
In a novel touch, the new chevalier pinned personal notes to scores of guests on the gallery’s white walls. “Honour to Veronique Nichanian for our so French stateless voyages,” read one referring to Hermès soon to depart menswear designer. “Honour to Simone Porte Jacquemus, for a regard that says everything,” or “Honour to (documentary filmmaker) Loïc Prigent for the fraternité carried out to this extent.” While de Castelbajac was lauded for his “true nobility. A smile.”
Notes by Sophie Fontanel
Colleagues were also kindly treated: Madame Figaro’s fashion editor Delphine Perroy praised “for the smile that heals everything,” while yours truly had a note that read: “Honour to Godfrey Deeny for the tender authority.”
In an impressive career, Fontanel has been editor in chief of French Cosmopolitan; TV star Nulle part ailleurs- France’s number one talk show of the 90s; Grand Reporter of Elle; and, for the past decade, columnist for news weekly L’Obs. Plus, her pithy commentary on all things fashionable has won her 489K followers on Instagram.
Sophie Fontanel’s note to Godfrey Deeny
Not bad going for a lady whose grandmother fled the Armenian genocide to France a century ago clutching, legend has it, a page of Vogue up her sleeve.
The house of Dior has named UK actor Josh O’Connor to be its latest brand ambassador, joining soccer legend Kylian Mbappé in the brand’s style diplomatic corps.
Josh O’Connor for Dior – George Eyres
“Dior is delighted to welcome Josh O’Connor as the new ambassador for Jonathan Anderson’s collections,” the Paris-based house said in a release.
The actor had previously been a presence at several runway shows of J.W. Anderson, who was appointed overall creative director of Dior in June 2025.
O’Connor first grabbed attention and international fame with his performance as Prince Charles in hit series The Crown- for which he won a Golden Globe Award for Best Actor .
Subsequently, he has garnered critical acclaim in a variety of films, including Luca Guadagnino’s Challengers, in which he wore clothes designed by Anderson in this studied melodrama about competing players and emotions in tennis.
O’Connor has also worked with Guadagnino in an ad campaign for Aston Martin, shooting an elegiac road movie short in sun-dried Sicily.
“Josh O’Connor embodies a singular, sensitive, and undeniably modern expression of masculine elegance, perfectly in sync with the contemporary Dior style,” added Dior about the Cheltenham, England-raised thespian.
The Very Group has published its results for Q1 of FY26 (the 13 weeks to late September 2025) and they show the e-tail giant still loss-making but seeing “further improvements in profitability and a return to top-line growth compared to the same period in the prior year”.
The launch of The Very Collection in September 2025 was a key development for Very UK
It comes after what it described as “robust” results for FY25, even though they included a major pre-tax loss linked to a writedown of an inter-company loan made to the then-controlling Barclay family’s holding company as lenders prepared to take over the business.
Now owned by major lender Carlyle and reportedly up for sale, the company said that the market remains challenging but the group saw revenue growth of 2.4% to £460.8 million in Q1. At the star Very UK operation, revenue (which accounts for the bulk of the firm’s total retail sales) rose 3.7% to £406.7 million.
Growth was achieved in both Retail revenue with group sales of goods up 0.9% to £341.3 million and in Finance revenue, which jumped 5.8% to £112.9 million.
The company added that the Very UK operation saw strong results within its higher-margin Home category that rose 10.9% year on year, while its Sports offering increased 12.3% following the introduction of a number of key new brands in the second half of the previous year.
Meanwhile the Toys and Beauty category continue to perform well with 6.4% growth, of which Beauty alone saw 4.1% growth.
That said, Fashion and Sports combined declined 1% in a tough market but, as mentioned, Sports was strong. Parts of the Fashion market were buoyant as well with a 30.1% increase in casual womenswear sales, in part supported by the launch of its new own-brand offering The Very Collection in September 2025. Given that Q1 only ran until the end of that month, it looks likely that the collection will be able to contribute even more in the future.
This all led to gross profit rising to £173.4 million from £163.3 million, or a statutory gross margin rate of 37.6% up 1.3%pts.
It also said that its continued focus on cost controls contributed to a 16.3% increased in pre-exceptional EBITDA to £63.4 million.
That said, it still made a total pre-tax loss of £24.9 million, wider than the £23.1 million loss in the previous year. Similarly, the net loss of £31.4 million was larger than a loss of £23.1 million of the year before, although the company is clearly moving in the right direction on an underlying basis.