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Growing number of emerging designer competitions staged by fashion labels to foster creativity

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Nicola Mira

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June 12, 2025

Alongside the main emerging designer competitions, like the Andam Prize, the LVMH Prize and the Hyères Festival, countless initiatives are flourishing as the fashion industry searches for hidden gems. A growing number of labels, often in association with fashion academies, have launched their own emerging designer competition, looking for young stylists or talented artisans that could potentially join their creative teams. A way to deal with the dearth of apprentices in the manual craftsmanship trades, and to inject fresh creative energy into a label.

​Chinese designer Kexin Zhang will join Louis Vuitton’s leather goods department – Louis Vuitton

Among the most recent initiatives, French luxury group Kering has selected the winners of its new competition for sustainable jewellery design, the ‘Kering Generation Award X Jewellery’, staged in partnership with CIBJO (the international association for the fine and costume jewellery, goldsmithing and precious gems trades) and the Poli.Design department of Milan’s Politecnico University. Kering invited 22 start-ups and students to create a piece of jewellery from scraps. The competition’s first edition, whose theme was ‘second chance, first choice’, was held on June 7 in Las Vegas, during the JCK World Jewellery Show.

The winner in the ‘student’ category was Korean designer Lee Min Seo from Seoul’s Hongik University, who makes jewellery using leather offcuts from the manufacture of janggu, a traditional Korean percussion instrument. Her reward will be an internship at one of Kering’s jewellery brands, Boucheron, Pomellato, Dodo, or Qeelin. The winner among the start-ups was Chinese brand Ianyan, whose jewellery creations are made from imperfect and/or cracked stones. The two winners will also be mentored by experts from Politecnico’s faculty in Milan.

At the end of 2023, Louis Vuitton launched, in partnership with 30 schools around the world, the ‘Accessories Design Graduates Initiative’, a competition recognising innovation and creativity in leather goods and accessories design. Chinese designer Kexin Zhang, trained at the Academy of Fine Arts in Tianjin (TAFA) and the Royal Academy of Fine Arts in Antwerp, where she specialised in jewellery design, has recently won the competition’s second edition, thanks to “her sense of detail and exceptional expertise.”

Zhang will join Louis Vuitton’s leather goods and accessories design departments to create new products, said Louis Vuitton. Working alongside the luxury label’s staff, she will design leather goods, accessories and jewellery items, taking part in a comprehensive introduction programme, and she will undoubtedly meet Johnny Coca, head of women’s leather goods at LVMH’s flagship label.

In March, Parisian label Ami presented the fourth AMI x IFM Entrepreneurship Award to Matho, a brand specialising in knitwear designed as an extension of the body, founded by Léa Mathonière Fallot. Matho won €20,000 in prize money and a mentorship. The jury also awarded the Coup de cœur prize to Telmet, an experiential brand led by Léo Ciavarella and César Noyer which combines fashion design and audiovisual creations. Telmet received a €10,000 cash prize. For Ami Paris, the award is a way to give concrete support to emerging designers.

Other labels are hiring emerging designers for special projects, for example one-off collaborations. They see in this approach the opportunity to refresh their offering without losing their brand identity, while creating commercial buzz. In return, they offer visibility to young talents who are often unknown to the public, giving them the chance to design ad hoc capsule collections. This was the case with AZ Factory, for example, as it sought to give continuity to the Alber Elbaz brand after the eponymous designer’s death.

A look created by Anglo-Indian designer Supriya Lele for Mango as part of the Spanish label’s young designers programme
A look created by Anglo-Indian designer Supriya Lele for Mango as part of the Spanish label’s young designers programme – Mango

Spanish fast-fashion label Mango has recently launched the ‘Mango Collective’ project, “to celebrate the creativity and innovation of emerging brands.” As its first guest stylist, Mango has chosen Anglo-Indian designer Supriya Lele, a finalist at the 2020 LVMH Prize, who has already made a name for herself in London, where she set up her label in 2017. “The goal is to launch one collaboration a year, featuring a collection jointly created with a guest brand or designer, with the idea of building a creative community,” said Mango.

Focus on artisanal and manual craftsmanship

Artisanal skills and handcrafting talent are also very much in demand, as shown by the plethora of initiatives being organised in this field. Loewe, LVMH’s Spanish leather goods label, was one of the first houses to create a craftsmanship award, in 2016, under the aegis of its then creative director Jonathan Anderson. At the end of May, Japanese sculptor Kunimasa Aoki was crowned as the winner of the 2025 Loewe Foundation Craft Prize.

In 2017, French footwear brand J.M. Weston established, through its corporate foundation, the ‘J.M. Weston Foundation Awards’, aimed at promoting an international exchange between young French and Japanese artisans. “The objective is to allow young shoemakers to work  for a period of four weeks at the best workshops in both countries,” said J.M. Weston, adding that the winners must complete during this time  “an exceptional project working with the support of local master craftsmen who will be training them in their methods.”

Each year, J.M. Weston awards four scholarships through this programme, two for French apprentices and two for Japanese ones. The selection of this year’s two Japanese winners is under way, and they will visit the J.M. Weston factory in Limoges, France, in September. The two French winners have already been picked, and are expected to travel to Japan in October, where they will be working at the Scotch Grain factory in Tokyo. The closing ceremony, with the presentation of the completed projects and the awards, will take place in Japan on October 31.

In 2023, Marseilles-based label Sessun launched an international competition for designers under 35 years of age operating in the field of interior design. For the competition’s third edition, Sessun awarded first prize to Sarah El Yousefy and Nina Ouchinsky. Their project will be realised and presented at Galeries Lafayette Haussmann in Paris in September. Second prize went to Gala Vernhes-Chazeau, and third prize to Constant Clesse and Clément Pasquier. Setting up designer competitions allows labels to boost their brand image while supporting the creative generations of tomorrow.

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Matalan’s Q3 and Christmas update shows return to sales growth

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January 20, 2026

Matalan is the latest big-name UK retailer to report on the Golden Quarter as well as the narrower festive season and it appears to have done well late last year.

It said that in Q3 (the three months ended 28 November) EBITDA was up 38% year-on-year “reflecting sales growth and market share gains”.

The fashion and homewares retailer said that pre-IFRS16 EBITDA jumped to £27 million during the quarter on the back of like-for-like sales growth of 2%, coupled with its ongoing focus on margin and efficiencies. This builds on the strong momentum delivered in H1 2026, with pre-IFRS16 EBITDA up 53% to £61 million in the financial year to date.

Its digital performance was “very strong” in Q3, with like-for-like sales up 11% and Black Friday delivering its strongest ever online sales day outside of the pandemic. That reflects the firm’s heavy investment in this channel of late and with a new native app due to launch later this year alongside a refreshed loyalty scheme, it’s clearly expecting the outperformance to continue. 

But its stores are a key part of its investment programme too and in particular, during Q3, its refreshed stores outperformed the wider estate by 12%. The company didn’t detail how the stores performed overall but did say that it plans to upgrade 40 more locations in its next financial year.

As for the nine weeks up to 2 January, like-for-like sales rose 1%, which is below the 2% recorded for Q3 but coming against a backdrop in which many retailers reported falls, it’s not a bad result.

Categories including women’s outerwear and men’s formalwear and sportswear performed particularly well and the retailer said it gained market share across both women’s and men’s in the period, “reflecting the renewed product offer and significant improvements in brand perception”.

Overall, it “outperformed the wider market in October through to December, delivering year-on-year sales growth ahead of peers”.

Executive chair Karl-Heinz Holland said: “Our business transformation continues to deliver tangible results, with another strong quarter of EBITDA performance, alongside a return to sales growth. This reflects our relentless focus on delivering better quality, style and value, underpinned by sustained investment in product, stores and digital. This has enabled us to outperform the market, despite a challenging trading backdrop. Looking ahead, we look forward to welcoming our new CEO next month and remain confident in the business delivering sustainable profitable growth.”

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Harrods buying chief hails Milan menswear’s ‘thoughtful luxury’

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January 20, 2026

With fashion weeks having kicked off in earnest this month, the world’s top buyers are gathering their thoughts about what they expect affluent shoppers to snap up come AW26 collections arriving in-store and Simon Longland, director of fashion buying at London’s Harrods, is among them.

Prada – Fall-Winter2026 – 2027 – Menswear – Italie – Milan – ©Launchmetrics/spotlight

Just back from the Milan menswear shows, he highlighted the importance of timeless fashion.

“Milan menswear has always lived between two opposing forces: Fashion with a capital ‘F’, and quiet luxury rooted in sartorial tradition and timelessness,” he explained. 

“This season, more than ever, the balance of the schedule leaned firmly towards the latter. The result was a Milan season defined by quality, cut, cloth and craft. There was a palpable sense that product integrity and the final customer were front and centre. Less noise, fewer theatrics—but a stronger, more coherent message around what modern luxury menswear looks like today: thoughtful, considered, and built to last.”

He hailed big names including Polo’s Purple Label, Zegna, Prada, Brioni and Dunhill both for the impact of the shows or presentations and the looks they included.

Zegna – Fall-Winter2026 – 2027 – Menswear – Italie – Milan – ©Launchmetrics/spotlight

“This season, the strongest ‘shows’ were the ones that felt complete: a clear point of view, real product conviction, and a wardrobe that moves the customer forward,” he said. “Ralph Lauren’s return to Milan brought scale and theatre, but crucially it was backed by wearable, elevated classics that translate beautifully across Polo through Purple Label.

“Zegna delivered that modern luxury sweet spot—quiet confidence, investment dressing, and a proposition built on longevity and wardrobe building rather than novelty.

“And Prada was Prada in the best way: intellectually sharp, slightly disruptive, and refreshingly anti-‘power uniform’—a collection that challenged the idea of what contemporary menswear authority looks like.

Longland thought the best presentation was Brioni “because it understood the moment: craftsmanship, ease, and a sense of journey—luxury that doesn’t shout, it lasts”.

But he also liked Dunhill, calling it “a masterclass in mood and restraint—an incredibly precise take on British elegance, with the kind of tonal sophistication that customers immediately understand”.

Giorgio Armani – Fall-Winter2026 – 2027 – Menswear – Italie – Milan – ©Launchmetrics/spotlight

As for the season’s top trends so far. In tailoring, he noted “a confident split: either slouchy, relaxed tailoring (softened shoulders, easier proportions), or clean, slim, sharply tailored lines for the customer who wants refinement without volume. Prada and the broader conversation around modern tailoring really underlined this shift”.

He also thought co-ords and tonal dressing were significant with “head-to-toe dressing in shades of one colour now a key styling language—particularly in neutrals and ‘quiet’ hues. It reads modern, premium, and effortless”.

Colour-wise, Longland called out the colours of nature: greens, greys, browns—earthy, mineral, and outdoors-referenced tones “that feel calm, grounded, and timeless”.

And as for materials, leather nd suede were crucial and could be found “everywhere in a more refined register—often softer, more tactile, and less overtly aggressive. It’s about texture, depth and longevity rather than statement”.

On the key item front, Longland’s backing bomber jackets that have “continued to evolve—less ‘street’, more luxury wardrobe essential: cleaner finishes, elevated fabrics, and styling that works over tailoring as easily as with casual trousers”.

And he sees a jacket or coat in “beautifully supple suede, ideally in chocolate brown or charcoal” as a “must-have” for the season. Why? “It perfectly encapsulates the season’s mood—luxurious yet understated, timeless yet modern, and endlessly versatile within a contemporary wardrobe”.

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Okkia, Le Béret Français, Aurora: spotlight on accessory brands at Who’s Next

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January 20, 2026

The Who’s Next trade show, held in Hall 7 of the Parc des Expositions (Paris XV) from January 17 to 19, put accessory brands centre stage. Eyewear, jewellery of every kind, bags, mittens, and headwear – buyers were spoilt for choice. Among these brands, a few caught the eye of FashionNetwork.com.

Italian Okkia and its affordable eyewear

Founded in 2016, this Italian brand specializes in affordable eyewear. – Okkia

Founded in 2016, Okkia is an Italian brand offering affordable eyewear, from prescription frames to sunglasses. It is exhibiting at Who’s Next for the first time, with ambitious international plans. Its attractive pricing — €25 for prescription glasses, €27 for sunglasses and €40 for both — helped it sell one million units in 2025. Already widely distributed across Europe, the brand is also present in the United States, several Latin American countries, Turkey and the Maldives. It now aims to establish itself in countries such as Australia, where it is not yet present, and to strengthen its global footprint. This year will see the launch of two new lines for Okkia, as well as a collaboration with Italian designer Seletti.

Lumielle Aurora 1896 umbrellas and Tokyo Hat caps

Lumielle Aurora 1896 holds umbrella licences for a number of brands, including Agnès b.
Lumielle Aurora 1896 holds umbrella licences for a number of brands, including Agnès b. – Lumielle Aurora 1896

Japanese premium umbrella brand Lumielle Aurora 1896 marked its second appearance at the show, having made its debut last September. The brand is seeking a foothold in European stores — a strategy only recently set in motion — but is, for now, hampered by its pricing. Made in Japan from textiles produced in-house in the Niigata region, these umbrellas, with wooden or bamboo handles, have so far found limited traction in Europe. Lumielle Aurora 1896 has, therefore, developed a more affordable line, presented at the show alongside parasols for hot weather. Aurora has also owned Tokyo Hat since 2007, a brand of caps and other headwear featured across several stands. With a more contemporary offer, Tokyo Hat hopes to win over retailers with a younger clientele and a taste for creative fashion.

The timeless Le Béret Français and Le Bonnet Français

Le Béret Français regularly benefits from French lifestyle trends
Le Béret Français regularly benefits from French lifestyle trends – Le Béret Français

Le Béret Français and its recently acquired subsidiary, Le Bonnet Français, were also in attendance this January. Le Béret Français, which holds the Entreprise du Patrimoine Vivant (EPV) label, aims to maintain its positive growth trajectory, particularly buoyed in recent years by the Rugby World Cup in France and the Paris 2024 Olympic and Paralympic Games. With €1 million in annual sales, the company nevertheless faces strong competition from other brands, whose product quality is not always on a par with its own, made in Bayonne from French wool. Even so, Le Béret Français can boast sales to a wide range of partners, including department stores, milliners and even museums, whose end consumers are very diverse.

Who’s Next also boasted a broad line-up of exhibitors, including Naked Wolfe and its colourful shoes, Zen Collective and its Buddhist bracelets, and Hinterveld and its thick mohair scarves.

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