Dimas Gimeno, founder of WOW – IV Congreso Aragonés de Comercio e Innovación
FashionNetwork.com: You mentioned at the beginning of your talk that retail defines a city’s identity. How can that identity be maintained in a world where commerce is increasingly uniform?
Dimas Gimeno: By focusing on the local. It’s essential to recognize that a city—and its retail—should represent local products. And that’s where I think Spain is particularly privileged, because it offers an extraordinary variety of craftsmanship and gastronomy. We are also manufacturers and home to thriving brands—that’s what tourists are looking for.
FNW: You maintain that omnichannel has not worked, despite being the big bet of many brands, and that we must move toward “phygital.” Why?
D. G.: Omnichannel is a concept—a goal. I think it was conceived the wrong way. Why do I think it didn’t work? Because, at the time, it was framed—quite logically for those of us already in the physical world—as the task of digitizing our offline reality. It made sense: if your business is there, you adapt the new to what you already have.
However, it has been demonstrated that this alone isn’t sufficient. It’s not about digitizing the physical, but about understanding that you have to be 100% digital and, from there, design your physical presence. Now they call it “unified commerce”; I call it “phygital.” The key is to understand that channels no longer exist. We must stop thinking in terms of “physical” and “digital.” There’s one customer who moves fluidly, engages with your brand constantly, and in different ways.
FNW: Do customers no longer make that distinction between channels?
D. G.: If you ask a customer about physical or digital channels, they probably don’t care. They may have discovered you on a social network; from there, if they decide to buy, they’ll naturally move to your e-commerce. And from e-commerce, you guide them into the physical store. Why? Because the physical store is where true loyalty is forged, the brand develops far more, and, above all, the conversion rate is much higher.
Think of the shopping basket we all recognize online: the key would be for that basket to be the same in-store and online. Omnichannel doesn’t work because it simply digitizes a physical process. And the first requirement for being unified is that your range is 100% available online. Many brands and retailers still haven’t achieved this because it’s highly complex.
FNW: How can small businesses face this challenge? These are the ones that give cities their identity.
D. G.: By being very true to themselves—making sure what they sell is authentic, different, and unique. In that respect, small businesses are unbeatable. They also have a tremendously valuable relationship with their customers. We’re talking about generations, neighborhoods, personal connections—that’s fundamental.
However, these businesses struggle to invest in technology because they’re too small. They should also make their physical offer purchasable online. But individually, they can’t do it. Platforms must emerge that aggregate many small players and, by pooling them, create a kind of digital marketplace that unites them. That’s where I think public funding should play a role.
Dimas Gimeno, in his talk in Zaragoza – IV Congreso Aragonés de Comercio e Innovación
FNW: Why do you believe the physical store is the future of retail?
D. G.: First, because I consider myself a shopkeeper and because I’ve been a salesperson; I know what I’m talking about and I know how important it is. It’s a wonderful profession, although it’s not always well-regarded because it demands hard work. But I’m an advocate because I’ve seen—and I know—what a well-executed physical store can do when a customer comes in and wants to buy everything. The digital channel can’t do that; only a physical store can.
If you add to that a distinctive, surprising product proposition and a salesperson who is well-trained, passionate about what they sell, and equipped with today’s technological tools, you’ll be creating something unparalleled. That’s the key to competing with the big platforms: it’s exactly what they can’t do.
FNW: Customer experience, along with omnichannel, is one of the most recurring concepts in recent years. What should retailers offer customers?
D. G.: If you asked someone from the last century about customer experience, they’d say, “What’s that?” The experience itself is a combination of various things. For example, you can have a beautiful store, but if the salesperson hasn’t treated the customer well, the experience is ruined.
It’s a space that catches the eye, where you want to be, but where there’s also someone who attends to you, cares about you, perhaps even knows who you are. And thanks to that person, when you plan to buy one thing, you end up buying seven. That—and leaving satisfied—is a shopping experience. It’s about getting to know your customer, bringing them the product they want, even beyond that, and ensuring they return. And that was already true in the last century.
FNW: You discuss the importance of sales staff, but is it challenging to find those profiles for retail, as is the case in the hospitality industry?
D. G.: The service sector as such has the same problem: it’s not a career that’s well regarded. At WOW, we are successfully attracting top salespeople and, above all, young individuals who are eager to pursue a career in this field. This challenge has always existed: you need a good recruitment process, but you also have to train and motivate your people.
Another important point is to offer a professional career path within the company, with room for growth. If the idea is to hire people, keep them for a year, and then replace them… who wants to be a salesperson in a model like that?
FNW: Speaking of WOW, what is the company’s current status?
D. G.: We have been around for three and a half years. At that time, our ambition and what we want to achieve haven’t changed, but there has been a learning curve in understanding the economic model. It’s one thing to be clear that you’re presenting something truly unique and innovative, and another to learn how to translate that into profitability.
If you’re doing something different, you have to understand how you achieve profitability. It’s something we’ve already learned: we’re not profitable yet, but it’s a horizon we can already see. The idea is that, at some point next year, or at the latest, by the beginning of the following year, we will be profitable.
The key to our growth continues to be our commitment to the physical store, and in Spain, Barcelona is a city where we’d clearly like to be. But our big bet is digital. In digital, you can explore markets more cost-effectively and with less risk. The important thing, in any case, is to be profitable: no company grows if it isn’t.
FNW: What percentage does the online channel represent in your business?
D. G.: We had to change our technology platform less than a year ago, and now we’re working with Shopify. So we’ve had to reset our digital operations. Online is now growing strongly, and our idea is that, in 2026, it will account for more than 15% of the business. Of course, in the long term, it has to exceed that percentage by a wide margin.
FNW: Is your platform also available outside Spain?
D. G.: Yes, although, for the moment, we are only shipping within the European Union. The plan is to begin entering new markets in 2026.
FNW: Which store performs better, Gran Vía or Serrano?
D. G.: Serrano is a more rewarding store because it’s bigger; it delivers results more quickly. However, Gran Vía is surprising us: it’s a much more eye-catching store, and now that we’re taking greater care of it and expanding the range, it’s going to bring us plenty of satisfaction. Serrano has a higher turnover because it’s larger and has a much more recurrent customer base; Gran Vía is surprising us because it’s experiencing the boom along this retail corridor.
FNW: You talk about curating the assortment—what does that mean?
D. G.: The first phase of WOW was product curation, but obviously, this isn’t just about selecting brands; otherwise, we’d be a magazine or a museum, and we’d charge admission. From there, we embarked on a journey to understand the economic model and move a little closer to something more traditional—more commercial, with more recognizable stores.
At one point, we carried higher-priced products from luxury and semi-luxury brands, and we’ve phased out many of them—not because they didn’t sell well, but because of the purchasing model. We’ve had to evolve toward a more profitable format. When luxury brands force you to buy the merchandise, that’s where the numbers don’t stack up; it’s not so much about choosing one product or another.
Curating the range remains key, and we want to invest even more in it—bringing in different, innovative brands that can’t be found in physical stores. That’s the value proposition, regardless of whether the brands are expensive or affordable.
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NYC-based footwear brand Koio is relaunching The Primo, the high-top sneaker that debuted the brand in 2015, in a limited-edition collaboration with leatherworker and YouTube creator Rose Anvil for its tenth anniversary.
Koio relaunches the Primo with Rose Anvil. – Koio
The updated Primo maintains Koio’s original Italian build standards, with internal upgrades including a full leather Strobel board, leather toe cap and counter, and a gum outsole. The upper is crafted from vegetable-tanned, untreated Vachetta calf leather sourced from Italian tannery Conceria Annarita, allowing the sneaker to naturally darken and develop a unique patina with wear.
“Reintroducing the Primo for our ten-year anniversary is incredibly meaningful,” said Johannes Quodt, co-founder of Koio. “It was the shoe that launched the brand, so bringing it back with Rose Anvil’s technical rigor felt like the right way to honor its legacy. The Vachetta leather will age beautifully, making this one of the most personal and character-rich versions we’ve ever created.”
The Primo first debuted in February 2015 at Koio’s Bowery pop-up, created by the founders as their ideal high-top sneaker. The silhouette remained a core style for five years before the brand shifted focus as its range expanded. Koio continued to receive requests from collectors and longtime customers to bring back the original design, prompting the reissue as part of the brand’s tenth-anniversary celebrations.
“The Primo was already a well-built sneaker, but replacing every internal synthetic component with leather significantly elevates the craftsmanship,” said Weston Kay, Rose Anvil. “Using untreated Vachetta leather means the shoe doesn’t just look good out of the box but it continues to improve over time.”
Koio’s work with Rose Anvil follows the success of their first collaboration—the Koio x Rose Anvil Capri Triple White—which sold out in less than 24 hours.
The limited-edition Primo is priced at $325 and is now available exclusively online.
Victoria’s Secret & Co. on Friday reported better-than-expected sales in the third quarter, prompting the U.S. lingerie giant to raise its full year outlook.
Victoria’s Secret raises full-year outlook on strong Q3. – Victoria’s Secret
The Ohio-based company said sales for the three months ending November 1 totalled $1.472 billion, up 9% from the third quarter of 2024 and above its previously communicated guidance range of $1.390 billion to $1.420 billion. Meanwhile, total comparable sales for the third quarter of 2025 increased 8%.
Victoria’s Secret recouped its earnings, reporting a net loss of $37 million, or $0.46 per diluted share, compared to net loss of $56 million, or $0.71 per diluted share, for the third quarter of 2024.
“With two iconic brands, Victoria’s Secret and Pink, a curated product assortment, high-emotion marketing and a relentless customer focus, we are reinforcing our leadership in global intimates and beauty,” said Victoria’s Secret & Co. CEO, Hillary Super.
“As we continue to advance our Path to Potential strategy, we are accelerating global growth, elevating brand distinctiveness, and unlocking greater value across our ecosystem to drive long-term profitable growth.”
Looking ahead, the company is now forecasting full-year net sales in the range of $6.450 billion to $6.480 billion, compared to prior guidance of $6.330 billion to $6.410 billion for the full year 2025. Adjusted net income per diluted share is estimated to be in the range of $2.40 to $2.65, compared to prior guidance of $1.80 to $2.20.
For the fourth quarter, the company is forecasting net sales to be in the range of $2.170 billion to $2.200 billion compared to last year’s fourth quarter net sales of $2.106 billion.
Bernard Arnault has paid homage to the late Frank Gehry, the brilliant Canadian-born architect who passed away on Friday in Los Angeles.
Frank Gehry
For Arnault, Gehry designed the Fondation Louis Vuitton, widely seen as the most important work of contemporary architecture ever commissioned by a luxury brand.
Gehry died aged 96 Friday after a short respiratory illness, bringing to an end a truly remarkable career that included buildings such the highly acclaimed Walt Disney Concert Hall in Los Angeles and titanium-clad Guggenheim Museum Bilbao, his greatest masterpiece.
“I am profoundly saddened by the passing of Frank Gehry, in whom I lose a very dear friend and for whom I shall forever retain boundless admiration. I owe to him one of the longest, most intense, and most ambitious creative partnerships I have ever had the privilege to experience. His oeuvre, crowned by the Pritzker Prize, is immense. He will remain a genius of lightness, transparency, and grace,” Arnault said in a release.
In October 2014, in the presence of French president François Hollande, Gehry and Arnault opened the Fondation Louis Vuitton, a brilliant Deconstructivist building with a price tag that ran to some €800 million. Riffing on late 19th-century French architecture which revolutionized the use of glass like the Grand Palais and combining that with computer technology and 3D design, Gehry created a beautiful structure. Built on the edge of the Bois de Boulogne, its unique shape suggested a giant sailboat gathering wind in its sails.
Fondation Louis Vuitton – Courtesy
“Frank Gehry – who possessed an unparalleled gift for shaping forms, pleating glass like canvas, making it dance like a silhouette – will long endure as a living source of inspiration for Louis Vuitton as well as for all the maisons of the LVMH group. With the Fondation Louis Vuitton pour la Création, he bestowed upon Paris and upon France his greatest masterpiece, the highest expression of his creative power, commensurate with the friendship he bore our city and the affection he showed for our culture,” Arnault added.
Gehry was to go on a design several stores and handbags for Louis Vuitton and has two more buildings in the pipeline for the luxury marque. A super-store concept building on Rodeo Drive in LA, due to open in two years, and an adjacent structure beside Louis Vuitton Foundation.
“My wife, my children, and I express our deepest condolences to his wife, Berta, and to his children,” concluded Arnault.