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Why a major shift to US clothing production is unlikely

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March 13, 2025

President Donald Trump‘s Made in America push is prompting some U.S. clothing retailers to expand domestic production of everything from T-shirts to coats and suits, several executives told Reuters this week.

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But limited capacity makes a large-scale shift to U.S. production unlikely, and American-made clothing comes at higher cost because of elevated labor expense and tariffs on materials, the executives said.

In a meeting with American CEOs on Tuesday, including the head of Walmart, Trump repeated his vow to cut the 21% corporate tax rate to 15% for U.S. companies making products in the U.S., according to a person familiar with his remarks. He also defended his use of tariffs on imports and said they could multiply.

“We are getting a ton of inquiries from (U.S. retail) brands looking to reshore” by bringing production back to the U.S., said Mitch Gambert, owner and chief executive of Gambert Shirtmakers, a manufacturer of men’s dress shirts in Newark, New Jersey.

His firm supplies woven cotton button-up shirts to three Nordstrom stores, and the department store chain has asked him to boost that to 50 stores by the end of June, he said. Nordstrom did not reply to a request for comment.

At California-based privately-held retailer Reformation, vice president of operations Kathleen Talbot said she is placing more orders with its Los Angeles suppliers as the women’s clothing specialty chain adapts to Trump’s tariffs, and may consider other states like New York and Nevada.

“I believe in the spirit of trying to re-energize or invest in domestic manufacturing, but that’s going to take time,” she said.

Talbot said Trump’s planned tariffs on imports from Mexico, due to take effect in April, left the retailer scrambling to shift its supply chain. Reformation, which sells online and in more than 50 stores in the U.S., UK and Canada, sources clothing from six Mexican factories, all close enough to truck raw materials and finished goods over the border to LA and back.

Joe Ferrara, CEO of New York-based Ferrara Manufacturing, which makes clothing for Ralph Lauren and the U.S. military, said more retailers have approached him to test small-batch, quick-turnaround manufacturing of products such as wool coats and blazers. Ralph Lauren did not immediately respond to a request for comment.

Steve Lamar, president of the American Apparel and Footwear Association, said the industry group expects to see a modest increase in U.S. manufacturing.

“We don’t have the labor, skill set, materials, and infrastructure” to manufacture clothing and shoes on a large scale, Lamar said.

Americans are accustomed to buying low-priced China- and Asia-made clothing. About 97% of the clothes and shoes sold in the U.S. are imported, according to Lamar’s association. China is the biggest source of U.S. apparel imports, though its share has fallen over the past 15 years as clothing production in Vietnam and Bangladesh grew.

The U.S. clothing manufacturing sector has shrunk since 1990 as brands and retailers shifted to sourcing from factories in China, Vietnam, Bangladesh and other low-wage countries, enabling them to keep costs and prices down, said Yao Jin, associate professor of supply chain management at Miami University of Ohio.

“For the apparel industry, very few jobs will come back to the U.S. because our labor is not competitive,” he said.

For Gambert, the potential additional orders for shirts that sell for $300 to $500 represent a major increase for his 100-person factory.

They “would be a definite positive shot in the arm for my business,” he said.

He said about 90% of the 100 workers in his factory earn more than New Jersey’s $15.49 hourly minimum wage.

But Gambert Shirts’ limited production capacity has forced him to take a cautious approach to new retail clients.

“We certainly don’t want to overload it and kick out the existing customer base,” he said.

Gambert’s main competitors are shirt factories in China, Indonesia, Malaysia, Vietnam and India.
Another problem is that materials such as buttons, cloth and zippers are imported and subject to Trump’s tariffs. China is the biggest source of U.S. fabric imports.

Gambert’s button costs have increased 18% because of U.S. tariffs against China.

Alexander Zar, CEO of footwear and leather goods manufacturer La La Land Production and Design in Los Angeles, said he has received inquiries from sportswear brands interested in producing sneakers and running shoes in the U.S. Zar aims to raise $10 million from outside investors to buy new machinery for his 60,000-square-foot (5,600-sq-m) factory and meet increased demand.

In an investor presentation, La La Land markets U.S. manufacturing as a way for brands to “avoid arbitrary tariffs and unexpected supply-chain congestion affected by international geopolitics.”

“While traditional shoe manufacturing in the U.S. may not be able to compete with global prices, localization offers substantial advantages when approached with the right technologies,” Zar said in an interview.

Given that Los Angeles’ $17.28 hourly minimum wage is among the highest in the country, Zar plans to invest in 3D printing and technology that could eliminate the need for stitching on running shoes, reducing labor costs.

Still, Zar said most of the shoes his factory produces will likely be higher-priced or limited edition.
Sportswear brand Adidas, which lists La La Land as a supplier, has no plans to change its supply chain, a spokesperson said when asked whether the company would buy more U.S.-made products. La La Land will produce “a special edition of shoes in very limited quantities” for Adidas, the spokesperson said.

Kim Glas, president of the National Council of Textile Organizations, favors Trump’s additional tariffs on apparel imports from China. But she said tariffs on Mexico and Canada hurt the industry that relies on sending U.S. cotton and wool, yarn, and fabric across borders for different stages of manufacturing. Confusion over tariffs is also unhelpful, she said.

“For U.S. domestic manufacturers to grow and invest, they need long-term certainty.”

© Thomson Reuters 2025 All rights reserved.



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10 trends from the Fall/Winter 2025-26 womenswear shows

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Nicola Mira

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March 14, 2025

The fashion weeks held in New York, London, Milan and Paris from February 6 to March 11 for the Fall/Winter 2025-26 women’s ready-to-wear collections heralded a return to more commanding, creative fashion, gradually eclipsing understated luxury. The collections showcased two underlying trends, often combining them to redefine femininity.

On the one hand, a powerful, free and independent woman, evident in the office looks, the broad-shouldered silhouettes and bolstered hips, with garments featuring virtuoso textures and bold, very 1980s volumes, and an emphasis on outerwear and maximalist details, like giant jewels and maxi belts. On the other, a more feminine vein emerged, via a range of flowing, transparent lightweight outfits. Some of them romantic, with lace details to the fore, especially on tights, and others more sensual, in a boudoir mood characterised by an abundance of flesh-coloured garments. A genuine desire to dress up again was clearly felt.

1 Outerwear

Max Mara, Fall/Winter 2025-26 – ©Launchmetrics/spotlight

 
Next winter, the garment worth investing in will be a fine piece of outerwear. Choosing from enveloping cashmere coats, especially a rich array of black ones, redesigned trench coats, cocooning tops, biker jackets in new XXL formats, jackets with oversized shoulders, hooded tops, thick cardigans, capes, and more. Some of them were even layered over one another. Exaggerated hips and reinforced shoulders added a dramatic touch to the ensemble. Shearling and leather coats in particular emerged as the new seasonal essentials. Not to mention fur coats.

2 Ubiquitous fur

Chloé, Fall/Winter 2025-26 – ©Launchmetrics/spotlight

Fur has become increasingly popular in recent seasons, and is now ubiquitous. It featured in every collection and across the entire women’s wardrobe, ranging from real fur, mostly vintage or recycled, to faux fur, reversed sheepskin, and amazing bouclé and tasselled wool treatments creating plush-effect garments.

Fur sneaked into every look, in the form of little details introduced to decorate accessories in unexpectedly amusing ways, but was also highly visible in extra-wide collars, sleeves, lapels and trims. Some designers presented dresses entirely made of fur, and even trousers, as well as a plethora of chapkas and similar types of trapper hats. Next winter’s it accessory will be the stole (in faux or real fur), as decreed by some of the coolest labels like Miu Miu, Prada, Marni, Chloé, and Ottolinger.

3 Midi skirts and office looks

MM6 Maison Margiela, Fall/Winter 2025-26 – ©Launchmetrics/spotlight

Longer silhouettes are ushering in more sophisticated office looks, and the midi skirt is back with a vengeance. From New York to Paris, designers have presented their contemporary take on this rather retro item. Midi skirts came in mid-calf length, sometimes down to the ankles, in flared or pencil versions, with or without slits, pleated or tight like a sheath, and featured in absolutely all kinds of materials. Midi skirts have become the symbol of corpcore looks, sometimes matched with a sweater or a hooded top à la Grace Jones, or as part of couture suits with hourglass jackets and statement shoulders, often inspired by 1980s-style power looks.

4 Low-waisted, skinny trousers

Diesel, Fall/Winter 2025-26 – ©Launchmetrics/spotlight

Ultra-tight trousers are making a comeback, especially skinny jeans. Stirrup trousers too are back, as seen at Dries Van Noten, Victoria Beckham, Ferragamo and Elie Saab, often looking very much like leggings, worn under oversize blazers. But, in a new twist, trousers’ waists are nosediving, down low on the buttocks, as at Dsquared2, Dolce & Gabbana, Diesel, Hodakova and Duran Lantink.

5 Scarf sweaters and neck-warmer collars

Christian Wijnants, Fall/Winter 2025-26 – ©Launchmetrics/spotlight

Designers have focused their attention on the neck and shoulders, taking the opportunity to make extensive use of knitwear, with snug volumes and inventive constructions. For example, with broad scarves and stoles that morphed into pullovers and knitted dresses, enveloping the body. Removable knitted collars cropped up everywhere, extending into plastrons, neck warmers or pelerines to complete a look. Some wool scarves even went as far as turning into hoods and head coverings.

6 Romantic lingerie

Marine Serre, Fall/Winter 2025-26 – ©Launchmetrics/spotlight

From bodysuits to baby dolls, lingerie cropped up everywhere, confirming a general trend that has been well-established for several seasons. This time however, the emphasis was on a romantic aesthetic rather than on sensuality. Sensible underwear was often glimpsed beneath sheer tunics. Nighties turned into sexy evening dresses. In some cases, they showed up folded with their straps on the front of a skirt, as a simple reference to femininity. Lace details abounded, notably on black or red tights, a real must for next winter.

7 Snakeskin

Duran Lantink, Fall/Winter 2025-26 – ©Launchmetrics/spotlight

Animal-themed patterns were widely featured in many collections, with leopard, tiger, zebra, and cowhide prints and furs, but snakeskin effects in particular were a hit. They appeared in many leather garments treated like crocodile skin, as well as in knitwear and printed items decorated with this highly recognizable pattern. Snakeskin prints notably featured at Gabriela Hearst, and in some couture finishes at Tom Ford and Rick Owens

8 Layering and allover sleeves

Hermès, Fall/Winter 2025-26 – ©Launchmetrics/spotlight

Multiple garments, sometimes in double and triple layers, were used to create statement silhouettes with an original twist. The layering effect was even more marked with knitted items and an abundance of sleeves, wrapped several times around the neck or waist. At Alainpaul, a sweater’s sleeve slipped into that of a coat, while the other was worn around the neck. Elsewhere, sleeves vanished from the shoulders to crop up in unexpected constructions around the body. Or they were tied on the front in a pussy bow.

9 Belts galore!

Schiaparelli, Fall/Winter 2025-26 – ©Launchmetrics/spotlight

Designers have accented waistlines in every possible way. In jackets and dresses with tight hourglass silhouettes to emphasise the curves, an effect often accentuated by adding volume on the sides. Waistlines were often encased by maxi belts, worn over both outerwear and dresses, and even over other belts, in a multiple layering. Schiaparelli’s triple belt, for example, would add an avant-garde twist to any look.

10 Maximalist details

Vaquera, Fall/Winter 2025-26 – ©Launchmetrics/spotlight

The latest trick designers like to amuse themselves with is taking a detail and enlarging it to an extreme, turning it into an unusual item or element that will surely grab the attention. Vaquera came up with a gigantic version of its iconic bra, worn as a dress, a top, as a train or skirt. The US label hammered the point home by creating maxi buckles for its belts, as did Chloé. And it puffed up pearls into giant beads for XXL necklaces. Same concept at Chanel, where white pearls turned into mini bead handbags and heels, while at Véronique Leroy a round bracelet morphed into a big metal ball worn on the wrist.

Copyright © 2025 FashionNetwork.com All rights reserved.



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Deputy CEO Giuseppe Musciacchio exits the company

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Translated by

Nazia BIBI KEENOO

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March 14, 2025

Arena is making waves in the executive world. The Italian swimwear giant, renowned for its high-performance swimwear, goggles, and accessories, has announced a major leadership change. Deputy CEO Giuseppe Musciacchio is stepping down, marking a new chapter for the brand. As of March 11, he has officially left all positions within Arena’s Board of Directors and its affiliated companies.

Giuseppe Musciacchio is now the former Deputy CEO of Arena – Arena

.

Musciacchio has been with the Tolentino-based brand for the past 18 years, gradually expanding his responsibilities since mid-2016 as Co-CEO and from mid-2021 as Deputy CEO. “Musciacchio has played a significant role in the development of Arena’s brand and business on a global scale, positioning the three-diamond brand as a key reference in the international swimming and aquatic sports community,” the company stated.

As of March 10, 2025, the group’s Executive Leadership team consists of Peter Graschi (CEO), Damiano Cafiero (CFO), Giorgio Farinelli (COO), Luca Belogi (CSO), Mark Pinger (General Manager North America), and Florian Übleis (CDSO).

“The Board of Directors is actively working to identify a successor and will announce further plans soon. In the meantime, Peter Graschi will take over Giuseppe Musciacchio’s responsibilities,” concluded the company, founded in 1973 by Horst Dassler, the German entrepreneur and son of Adolf (Adi) Dassler, the creator of Adidas. Dassler revived the Arena name—originally used a year prior for canvas shoes—capitalizing on the success of Mark Spitz at the 1972 Munich Olympics, where he won seven gold medals and set seven world records.

He secured Spitz under contract and acquired the Arena brand name from a company in Nîmes, near the city’s Roman amphitheater, registering it internationally. Arena made its official debut at the 1974 European Swimming Championships in Vienna. The Swiss investment firm Capvis acquired Arena in 2014.

Copyright © 2025 FashionNetwork.com All rights reserved.



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Prada’s CEO flies to New York as speculation swirls over Versace bid

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Reuters

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March 14, 2025

Luxury fashion powerhouse Prada is making bold moves. CEO Andrea Guerra has reportedly flown to New York, a source told Reuters, as the group engages in talks to acquire Versace from Capri Holdings—a deal that could bring together two of Italy’s most iconic fashion names.

A source revealed that on his visit to the U.S. financial hub, Prada CEO Andrea Guerra is joined by Lorenzo Bertelli, the son of the group’s key shareholders, Miuccia Prada and Patrizio Bertelli, who also serves as chief marketing officer.

Meanwhile, Capri Holdings, based in New York, announced on Thursday that Donatella Versace is stepping down as the brand’s main designer after nearly three decades.

Starting April 1, Dario Vitale, a designer from Miu Miu, a smaller brand within the Prada Group, will step into Donatella Versace’s role as chief creative officer of the Medusa-head brand. According to Morningstar analysts, this strategic move could pave the way for a potential Prada-Versace acquisition.

Prada declined to comment, and Reuters could not confirm whether Guerra’s trip was directly linked to discussions with Capri Holdings regarding a possible Versace deal.

Earlier this month, reports surfaced that Prada was nearing a €1.5 billion ($1.64 billion) agreement to acquire Versace. On February 20, a source told Reuters that Prada had been granted four weeks to review the financials of its smaller rival.

Beyond Versace, Prada is also rumored to be eyeing Jimmy Choo, another Capri Holdings brand, further signaling its ambitious expansion plans.

($1 = 0.9168 euros)

© Thomson Reuters 2025 All rights reserved.



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