VIPs and fashion insiders are jostling for invitations to one of the most-coveted shows at Paris Fashion Week: Matthieu Blazy’s debut at Chanel. But who is the 41-year-old designer?
The Franco-Belgian designer is relatively under the radar — not one of the celebrity names considered for the job — and was chosen for Chanel following a highly successful three-year tenure at Italian luxury label Bottega Veneta.
The new role marks a major promotion, catapulting him from a mid-sized Italian house to Chanel — the world’s second-largest luxury fashion label with annual sales of around $20 billion.
Blazy reportedly impressed during the recruitment process with his in-depth creative presentations. He embodies “a new generation with sincere humility,” Chanel fashion president Bruno Pavlovsky said when announcing his appointment.
Beyond his creative vision, that remark also underlined another of Blazy’s widely recognized traits: a lack of ego in an industry known for its larger-than-life personalities.
That makes him a strong fit for Chanel’s discreet family owners, Alain and Gérard Wertheimer, who were reportedly seeking a loyal and low-profile figure to become only the fourth creative director in the brand’s storied history.
“Chanel is a privately owned family house,” Serge Carreira, a fashion expert at Sciences Po university in Paris, told AFP following Blazy’s appointment. “The brand can take a long-term approach and allow time for things.”
Blazy’s biggest challenge will be leading Chanel into a new era after the 40-year reign of its legendary designer, Karl Lagerfeld.
Until last year, Chanel was led by Virginie Viard, Lagerfeld’s handpicked successor. The in-house team has designed this year’s collections.
‘Hottest tickets’
Blazy earned widespread acclaim at Bottega Veneta, where he modernized the iconic Italian leather goods house’s identity. He introduced a more daring, playful edge while broadening the product offering.
He led the launch of the brand’s first fragrances and high-end jewelry, and reinvented its signature “intrecciato” woven patterns with hit bags such as the Kalimero, Andiamo, and Sardine.
One of his most talked-about creations was a pair of $7,000 leather jeans, printed to look indistinguishable from traditional denim.
His Milan Fashion Week shows — attended by stars like Julianne Moore and Jennifer Lawrence — quickly became marquee events. “A top highlight, consistently among the hottest tickets,” said Robert Williams, luxury editor at The Business of Fashion, in comments to AFP.
But Chanel presents a different level of pressure. “The pressure to back up that creative edge with wearable designs is certainly a lot higher,” Williams added.
Blazy gave a glimpse of his aesthetic at the Venice Film Festival earlier this month, where British actress Tilda Swinton appeared in loosely cut white trousers and a short-sleeved blouse — an understated preview of what’s to come.
The full collection will be revealed in Paris on October 6, the penultimate day of Paris Fashion Week, which kicks off on Monday.
A heavy smoker who often dresses in jeans and a T-shirt, Blazy is known for his love of contemporary art and close friendship with Belgian designer Raf Simons — a mentor who hired him twice.
Raised in Paris by his art expert father and historian mother, Blazy grew up alongside a twin sister and brother.
“Tom Sawyer was my childhood hero,” he told The New York Times last year, referring to the free-spirited protagonist of Mark Twain’s novel.
His teenage rebellious streak led to him being sent to boarding schools in both France and England.
After completing high school, he studied fashion at La Cambre in Brussels. Upon graduation, he was hired by Simons — launching a career that has taken him through some of the most prestigious European and American fashion houses.
He first rose to public attention in 2014, as part of an anonymous collective that designed a collection for French label Maison Margiela.
British fashion journalist Suzy Menkes was so impressed with his fabric work that she publicly revealed his name in Vogue, writing: “You can’t keep such a talent under wraps.”
That exposure propelled him into new roles, including at Celine and later at Calvin Klein, where he rejoined Simons in New York.
Their two-year stint in the U.S. ended abruptly in 2018 when both were let go. Blazy described the moment to The New York Times, saying he found himself standing in the street with a cardboard box containing his office belongings.
“It felt like a movie,” he told The New York Times.
Wales Bonner has launched its lookbook for Autumn Winter 2026, shot by Malick Bodian. Exploring the romance of harmony, Wales Bonner reimagines classic uniforms through a sensuous, poetic lens.
A look from ‘Morning Raga’ by Wales Bonner – Malick Bodian
Inspired by an elemental simplicity, Wales Bonner presents design classics including suits, polo silhouettes, top coats, and chore jackets, reimagined through the label’s signature European heritage meets Afro Atlantic lens, for its Autumn Winter 2026 collection ‘Morning Raga.’ Driven by the pursuit of harmony in modernist architectural traditions, both men’s and women’s looks feature nostalgic tailoring and a subtle blend of textures, from Italian wool and satin to leather and metal studs.
A poetic suit by Wales Bonner – Malick Bodian
“From early design ideals of purity to the bold vision of figures like Indian architect Balkrishna Doshi, the collection presents a wardrobe between the practical and the sensual,” the brand announced in a press release.
The almost liminal set was designed by Jabez Bartlett and looks were styled by Tom Guinness. Jonny Lu Studio’s art direction continued the dreamy atmosphere of the campaign as models cast by Rachel Chandler pose in contemplative stances.
Men’s and women’s looks from ‘Morning Raga’ – Malick Bodian
Grace Wales Bonner launched her eponymous label in 2014, following her graduation from Central Saint Martins in London, and she won the LVMH Young Designer Prize in 2016. Wales Bonner was named as Hermès’ creative director of menswear in October last year.
Sweden’s IKEA will more than double its investment in India to over 200 billion rupees ($2.20 billion) in the next five years as the furniture retailer plans to open more stores and increase sourcing locally, a top executive said on Monday.
IKEA logo is seen in this illustration taken, February 11, 2025 – REUTERS/Dado Ruvic/Illustration/File Photo
IKEA, which opened its first India store in 2018 in the southern city of Hyderabad, will begin accepting online orders in four other cities where it currently does not have a physical presence, including Chennai and Coimbatore, in Tamil Nadu state.
“(India) is not a large IKEA country yet… But the belief in India is very strong that it will be one of our top markets,” said Patrik Antoni, CEO of IKEA India, in an interview with Reuters. The retailer’s India sales rose 6% to 18.61 billion rupees in the year ended August 2025, and Antoni said it plans to quadruple it, including by expanding store count to 30 from six.
The company plans to start online operations before opening a brick-and-mortar store in new cities- a first for IKEA globally- as young consumers shop online more to beat traffic, said Bhavana Jaiswal, country e-commerce integration manager. Its online sales account for over 30% of the total India sales. The retailer aims to raise the share to 40% of total sales.
IKEA will also double production for domestic stores and exports to 800 million euros ($930 million), said Antoni. The company’s move comes as global brands ramp up export production in India to cut costs, while consumer majors from shoemaker Asics to carmaker VinFast Auto also step up sourcing to meet domestic demand.
U.S. President Donald Trump doubled tariffs on imports from India to as much as 50% last year on some goods, forcing many industries to find new clients in other countries. Antoni, however, said it has not affected IKEA’s Indian suppliers much, as the brand, which has most of its stores in Europe, ships more to other markets.
Gaurav Gupta has opened its first flagship store dedicated to menswear. Located in New Delhi’s DLF Emporio, the boutique measures around 2,300 square feet and establishes Gaurav Gupta Man as a core pillar of the Gaurav Gupta brand.
Inside the first ever Gaurav Gupta Man store – Gaurav Gupta
The store inside the premium mall was designed by architect Karanbir Duggal in close collaboration with Gaurav Gupta, the brand announced in a press release. Its bold interior resembles a fluid maze, guiding the shopper through curved corridors, past slightly surrealist sculptures, through to rooms filled with the label’s occasion wear in a move to encourage exploration and discovery.
“This space reflects how I think about menswear today,” commented Gaurav Gupta about the intent behind the space. “It is fluid, sculptural, and introspective. The store becomes an extension of the Gaurav Gupta Man, where architecture and clothing exist in quiet conversation with one another.”
Gaurav Gupta mixes fashion and art in his new store – Gaurav Gupta
Gaurav Gupta first introduced his men’s offering in 2017 at fashion event GQ Fashion Nights and has dressed celebrities including Ranveer Singh. The new store caters to the label’s growing national and global menswear clientele with a selection of its signature tuxedos, bandhgalas, and ceremonial dress as well as new verticals including kurtas and Nehru jackets, shirts, accessories, bow ties, footwear, and finishing pieces.
“The concept of Shunya informed the way we shaped the space,” said architect Karanbir Duggal. “Emptiness was treated as an active element, allowing the architecture to feel calm, intentional, and deeply immersive rather than visually dense.”