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Want a Rolex this year? It’ll cost you as luxury watch prices increase

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Bloomberg

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October 28, 2025

Time is ticking on that bargain Rolex. Try Cartier or Jaeger Le-Coultre instead.

US President Donald Trump’s shock 39% tariff on Swiss-made imports to the US is pushing up prices for luxury watches. As some consumers seek to beat the levies by choosing used watches instead, second-hand values are inflating again. But there are still deals to be found on the secondary market if buyers are prepared to forego the best-known names and models for something a little less obvious.

The luxury watch industry is feeling the effects of US tariffs – Rolex

Watches have been on a rollercoaster ride over the past five years. Interest exploded during the pandemic; with demand outstripping supply, waiting lists grew and many buyers turned to used timepiece, sending prices for popular models soaring. That all changed in spring 2022,  when markets gyrated, cryptocurrencies collapsed and interest rates spiked, bursting the second hand market.

That downward trajectory has now ended, at least for the leading privately held brands. Secondary watch prices rose 1.5% in the three months to September 30, compared with the previous quarter, the first clear pick up in values since the first quarter of 2022, according to the latest report from Morgan Stanley and research platform WatchCharts. 

The Bloomberg Subdial Index, which tracks prices for the 50 most-traded models , is up about 3.7% in the past six months measured in dollars.

To find out what’s driving the secondary gains, we need to look at the market for new watches. The punitive Swiss tariff rate is forcing brands to raise prices in America. Patek Philippe put through a 15% US  hike in mid-September, while Cartier lifted most models by 10%. After two increases this year, Rolex has yet to announce any further escalation. But retailers and collectors are keeping a close eye on its next move.

So far, the blow has been softened by stockpiling. But these extra inventories will be exhausted by the end of the year, Oliver Muller, founder of industry advisory firm LuxeConsult, estimates.

Some wealthy customers scrambled to secure their watch of choice before the hikes came into effect. Others are trading down, say from a gold Rolex to gold and steel, or just steel. It helps that Rolex offers similar options in different metals. Waiting lists are still growing. Rolex is expected to make 1.2 million models this year, with just 72,000 produced by Patek Philippe and 51,000 at Audemars Piguet, according to Vontobel Wealth Management. But for Rolex, waiting lists are concentrated on the highly desirable sport models, such as the Daytona, Submariner and GMT-Master. Other buyers are turning to used timepieces to beat the tariffs. Consequently, Subdial has seen a surge in secondary market activity this year. 

With more buyers, and the supply of used timepieces in the US largely limited to those already in the country, prices are stabilizing.

Equity markets and cryptocurrencies melting up- at least until recently- and the jump in gold prices may also be playing a part. And just as meme stocks are back, so might a little horology speculation be taking place; the two-and-a-half-year slide in values had piqued the interest of some collectors, particularly for Rolex, Audemars Piguet and Patek Philippe. The big three, which account for about 60% of the secondary market, led the previous boom and bust. Patek Philippe and Rolex are at the forefront of this year’s nascent recovery too.

A clutch of names, such as Cie Financiere Richemont SA’s Cartier, Swatch AG’s Omega and LVMH Moet Hennessy Louis Vuitton SE’s TAG Heuer also saw their secondary values increase in the third quarter, according to Morgan Stanley and WatchCharts. (Swatch saw the biggest lift thanks to its MoonSwatch, but these are lower priced models).

But many timepieces available on the secondary market still look attractive. Rolex is the only brand whose watches trade meaningfully above the retail price of new models  with an average premium of 15.7%. And even here, around half of the models still being made trade above retail. (When watches are discontinued, as ranges are refreshed or limited editions reach their end, their values typically increase).

At Patek Philippe and Audemars Piguet, the majority of watches trading above retail are from the most-hyped lines, namely Nautilus and Aquanaut, and the Royal Oak, respectively. No other brand has more than a handful of models commanding secondary market premiums.

At Cartier, watches still in production are on average 31% cheaper than new versions. That’s tempting for buyers enticed by the brand, which is gaining in popularity. Average prices for Omega and IWC models on the secondary market are  around 40% below retail. Little wonder the volume of transactions for these three brands have surged.

Another storied name gaining traction is Richemont’s Jaeger-LeCoultre. Yet prices declined by 5.2% in the third quarter, and most used models in the Reverso line, described by GQ magazine as the “It watch of 2025,” trade substantially below retail.

It’s not clear whether the momentum in the secondary market will last, but unless there’s relief on the Swiss tariff rate, prices for new watches are likely to escalate further. Anyone thinking of splashing their bonus on some serious wrist bling would be wise to take note.



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GoldenTree to buy about $200 million of Saks Global bankruptcy financing, Bloomberg News reports

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Reuters

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January 21, 2026

Global asset management firm GoldenTree will buy a chunk of a $1 billion ⁠bankruptcy financing for luxury retailer Saks Global, Bloomberg ⁠News reported on Tuesday, citing people familiar with ‍the ‌matter.

A Neiman Marcus store, part of the Saks business – Neiman Marcus

GoldenTree, which is founded ⁠by billionaire ‌Steve Tananbaum, has committed ‌to buy a roughly $200 million portion of the so-called debtor-in-possession financing, according to ‍the report.

Saks Global and GoldenTree did not ‌immediately ⁠respond ​to Reuters requests for ⁠comment.

The ​high-end US department store conglomerate filed for Chapter ​11 bankruptcy protection on January 13, after ⁠a debt-laden ⁠takeover.
 

© Thomson Reuters 2026 All rights reserved.



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Warped begins worldwide debut in Italy with its menswear line

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January 21, 2026

Warped, a proudly Australian menswear brand, made its debut at the recent Pitti Uomo 109, unveiling its first-ever collection for Autumn–Winter 2026/27. Warped channels a strong, functional and authentic masculinity, free of artifice: a man capable of moving with equal ease through the Australian outback or a metropolis, without ever betraying himself. This vision translates into a collection that combines ready-to-wear, streetwear and active-functional pieces, underpinned by rigorous material research, responsible production, and a strong connection to Australia’s history and identity.

Jack Cassidy Williams, right, wearing Warped alongside one of his sons

The brand is so steeped in the free-spirited, authentic ethos of Mitch “Crocodile” Dundee, a cult figure of 1980s cinema who helped shape the image abroad of the no-nonsense Australian, that even the founder- who arrived in Milan with his two sons, aged 18 and 15, already active in the company- looks like the very character created by Paul Hogan.

“Crocodile Dundee is not just a film to us; it’s a way of being in the world. It’s about a man who hunts crocodiles with his bare hands in the outback and stays true to himself even under the dazzling lights of the metropolis,” Warped founder Jack Cassidy Williams explained to FashionNetwork.com. “It’s the story of a man who enters a sophisticated system without changing who he is. Functional, direct, honest. This is who we are. We’re not here to bend to fashion’s unwritten rules, but to bring our own way of doing things: less artifice, more reality.”

Warped

“Everything in the collection is handmade by my family. We design it, select the fabrics, create the patterns, and develop everything together- my children and I- in Australia. Traditional garments with modern finishes, in terms of handle and functionality; we even offer waterproof clothing, such as GOTS-certified waterproof cotton. Then there’s denim. All the fabrics are 100% made in Italy,” Cassidy Williams continues. At the heart of the collection is extensive fabric research: 100% RWS wool; high-stretch scuba fabrics and bi-stretch wool; cotton denim with a 3D weave effect; water-repellent cottons, viscose and viscose/linen blends for suits, jackets and trousers; high-performance, ultra-comfortable fabrics; and kangaroo-leather laces- a material five times as strong as cowhide- hand-finished with raw edges and authentic details.

“The collection is, in a way, a tribute to America, because the theme is the so-called ramblin’ man, or the free man; it’s basically about my whole life,” says the Australian entrepreneur. “All those people who decided to forge their own journey, to walk the path of life without following someone else. Like Hank Williams, Jack Kerouac, Duke Ellington, Bird, Muddy Waters, Pinetop, or Woody Guthrie- men who honoured life. Nowadays it’s so difficult to be free that freedom really is a state of mind. It’s our first collection through and through; we practically finished it before boarding the plane,” Cassidy Williams laughs heartily, then slips on a floppy wide-brimmed hat, slings a kangaroo hide over his shoulder and, as he pretends to crack a whip in the air, looks even more like Mitch Dundee- all after letting us taste a kangaroo salami and crocodile snacks…

Warped

“Our family has a textile tradition of great depth- more than sixty years- so Warped also works with the best global manufacturers in the mid-luxury segment: lace from France, fabrics from Italy, and other high-quality materials sourced from factories in Turkey, Japan and Korea,” Jack Cassidy Williams continues. “These factories were chosen not for trend’s sake, but because they’re unique- each one different from the next.”

Warped’s menswear collection for Autumn–Winter 2026/27 comprises around 40 looks spanning ready-to-wear, streetwear, and active-functional pieces. Jackets, suits, trousers, shorts, shirts, and T-shirts sit alongside a street and sportswear offer that includes hoodies, joggers and technical garments, all designed to be comfortable, durable, easy to care for, and genuinely wearable day to day.

Alongside the Warped men’s line, the company presented the Golden Age Sportswear (G.A.S) label in Milan, while the Warped Woman, and G.A.S Woman’s Street collections will debut in Italy from next Spring/Summer.

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Paris Menswear Tuesday: Études Studio, Auralee

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January 21, 2026

Two indie fashion brands, Auralee from Japan and Études Studio from France, staged highly contrasting collections on Tuesday, the opening day of Paris Fashion Week Men, testifying to the dynamism of the season in the French capital.
 
Auralee: Purist fashion with polish
 
A moment of grace on Tuesday evening at Auralee, where Ryota Iwai’s deceptively understated designs never fail to impress.

Auralee’s answer to its question: “What makes winter joyful?” – Luca Tombolini

 
Staged in the Musée de l’Homme facing an illuminated Eiffel Tower, the show was the latest pure statement by a designer whose clothes blend subtlety with refinement.
 
Whatever fabric Iwai plays with always seems just right: whether speckled Donegal tweeds seen in brown knit pants for guys, or a frayed hem skirt for girls in this co-ed show. Leather or lambskin jerkins and baseball jackets, all were ideal.

Semi-transparent nylon splash vests or wispy trenches had real cool. While Iwai’s detailing was also very natty- like the flight jacket trimmed with fur.

A women's look by Auralee
A women’s look by Auralee – Luca Tombolini

 
He is also a great colourist- from the washed-out sea green of a canvas ranger’s jacket to the moody Mediterranean blue of a caban. Though his finale featured a quintet of looks in black. Most charmingly a languid, deconstructed double-breasted cashmere coat worn on a shirtless model- the picture of perfection.
 
There were perhaps not that many sartorial fireworks in the show, but there didn’t need to be. This was a purist fashion statement of polish and precision that this audience could only admire.
 
Backed up by a great soundtrack – Sounding Line 6 by Moritz. Von Oswald or the cutely named Autumn Sweater by Yo La Tengo- the whole display won Ryota a loud and long ovation. Fully deserved too.
 
Études Studio: Resonating in IRCAM

Études Studio certainly know how to stage a show. The design duo invited guests into the bowels of the Institute for Research and Coordination in Acoustics/Music, or IRCAM a unique French concept dedicated to experimental sounds.

A look by Études Studio
A look by Études Studio – Collective Parade – Gaspar J. Ruiz Lidberg

Which we enjoyed a lot of thanks to Darren J. Cunningham, a British electronic musician known professionally as Actress. It made for a dramatic mood, as keys and chords swelled and raged throughout this show.
 
As a result, the design duo of Aurélien Arbet and Jérémie Egry titled this Autumn/Winter 2027 collection ‘Résonances.’ Terming it in their program: “A medley bringing into dialogue the minimalist experiments rooted in John Cage’s philosophy with the emergence of intelligent Dance Music in the early 1990s.”
 
The result was a rather moody series of clothes, made in a sombre palette of muddy brown, dark purple, black, black, and even more black.

Muted tones at Études Studio
Muted tones at Études Studio – Collective Parade – Gaspar J. Ruiz Lidberg

 
What stood out were the bulbous, off-the-shoulder puffers, worn over corduroy shirts or roll-necks- topped by some great rancher hats courtesy of Lambert. One could also admire sleek raingear; cool cocoon shaped jerkins and fuzzy mohair sweaters.  And appreciate a sleek A-Line coat and zippered knit safari jacket in a rare women’s look in this show.
 
Photoshopped faces in black and white scarves all looked very appealing, as did the brand’s debut bag, a satchel in tough canvas. And one had to applaud one great dull gold, wildly deconstructed puffer.
 
That said, the collection lacked proper kick and rarely resonated as the show title suggested it would. A decent statement about the mode, but far from a fashion moment. 
 

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