Vogue US sparked major debate when it ran a Guess ad featuring artificial intelligence–generated visuals in its August 2025 issue. The campaign stirred widespread backlash from readers, image professionals, and content creators, who see it as a warning sign for creative industries. The double-page spread showed a blonde model with light eyes and full lips wearing a sky-blue top and a black-and-white patterned dress. Vogue included a footnote confirming the images came from AI, but readers flooded the magazine’s social platforms with criticism.
The AI-created model in the Guess advertisement – Vogue US
Social media users and TikTok creators expressed frustration with the decision, citing Vogue’s legacy of groundbreaking photographers like Irving Penn, Lee Miller, and Erwin Blumenfeld. Critics argued that AI contradicted the magazine’s artistic foundation. Although Vogue stated that the ad came from its advertising department, not its editorial team, many readers still saw it as a symbolic turning point. The placement raised bigger questions about the industry’s reliance on human creativity.
Seraphinne Vallora created the AI visuals
Marketing agency Seraphinne Vallora designed the campaign. The company has promoted its synthetic models across Elle, Grazia, Harper’s Bazaar, the Financial Times, and the Wall Street Journal. On Instagram, the agency showcases its AI-generated visuals and promotes its ability to replicate real-life models through digital scans.
Brands like H&M have already used these AI body doubles, allowing real models to fulfill contracts without attending photo shoots. These avatars save time and reduce production costs.
U.S. laws such as the “right of publicity” protect personal features like a model’s face or voice. Companies must obtain consent before using AI likenesses. But disputes still occur. Scarlett Johansson, for instance, accused OpenAI of using her voice without permission—sparking another legal controversy.
Although the U.S., the UK, and the EU enforce laws to regulate AI-driven use of personal identity, industry professionals continue to raise concerns about the impact on makeup artists, stylists, photographers, and production crews.
Creative professionals push back
Many journalists and artists now use AI to streamline repetitive tasks, but this Guess campaign reignited fears that companies will use AI to replace—not support—creative professionals.
On Newstalk Tech’s TikTok account, correspondent Jess Kelly said, “This puts people out of work. And creatively, a photoshoot isn’t just about the model—it involves photographers, lighting crews, and an entire team working behind the scenes.”
Puma ad highlights how brands are embracing AI in advertising. – Puma
Governments and unions act on copyright
To protect human-created work, unions and lawmakers are stepping in. The European Union adopted the AI Act in April 2024 to regulate synthetic media. This legislation, rolling out through 2027, requires companies to disclose AI-generated content, publish training datasets, and respect intellectual property—even when using open-source tools.
In journalism, the International Federation of Journalists (IFJ) published formal recommendations in January 2025. “AI cannot replace human journalists,” the report stated, “and its production should not be considered journalism unless it undergoes proper human oversight.”
INA, the French audiovisual institute, published a report outlining AI’s risks and benefits in the newsroom. It praised AI for boosting speed, format diversity, and translation—but warned that it also encourages content standardization, audience detachment, and unchecked data mining. The authors argued that publishers risk prioritizing cost over quality.
AI won’t affect every media role equally
Despite industry anxiety, some roles may adapt instead of disappearing. A 2025 report by consulting firm BearingPoint examined how generative AI could impact broadcast journalism jobs. The study flagged roles like documentalists, subtitlers, motion designers, editors, and translators as highly automatable.
AI systems use the work of journalists and creatives to generate content. – Shutterstock
But BearingPoint identified other roles—such as reporters, web editors, data journalists, and community managers—that could shift toward supervising AI output, managing quality control, or using AI as a creative partner.
In short, the firm believes that many image and information professionals can evolve with the technology rather than get replaced by it.
Still, the reaction to Vogue’s Guess ad shows that industry players view AI as a serious threat to creative labor. As Condé Nast navigates this backlash, it faces a critical choice: either establish clear rules for advertisers—or risk weakening the very ecosystem that defines its brand legacy.
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New York–based fashion brand Guizio is expanding its retail footprint with the opening of its second store, at Aventura Mall in Miami, this month.
Guizio expands retail footprint with Miami store opening. – Guizio
Designed in collaboration with Brandi Howe, the new Miami store reflects the brand’s refined aesthetic and contemporary edge, while introducing elements inspired by Miami’s vibrant energy.
It opens with a robust assortment of womenswear, along with an exclusive, limited-edition Puma sneaker available only at the Miami location.
“Opening a Guizio store in Aventura Mall is such a special moment for me,” said Danielle Guizio, founder and designer. “It allows us to connect with our community here and share the brand’s energy in a new way. Bringing our world to Miami felt like a natural next step in growing Guizio, and we’re so excited for what’s ahead.”
Guizio founded her namesake womenswear label in 2014 and continues to offer ready-to-wear collections that celebrate the modern-day woman.
Through her collections, woven knits, structured suiting, and signature corsets are emboldened with asymmetrical details, purposeful cut-outs, ruching and custom hardware. The label has become a favorite among talent such as Sabrina Carpenter, Olivia Rodrigo, Rosalia, and more.
The opening follows the success of the brand’s SoHo flagship in New York, which opened in September 2024.
In October, this was not necessarily the frontrunner in the race to take over the IKKS Group. The French premium ready-to-wear specialist, owner of the eponymous brand as well as One Step and I.Code, attracted around a dozen bidders after being placed in receivership at the start of autumn, including the respective owners of The Kooples, Pimkie, Morgan and Caroll.
But in the home stretch, the duo of Michaël Benabou, co-founder of VeePee (then called Vente Privée) and head of the investment company Financière Saint James, and Santiago Cucci, a specialist in premium ready-to-wear and former head of the Levi’s and Dockers brands, who for a time supported the leadership of Dutch label G-Star, strengthened their bid. The entrepreneur, a sports enthusiast who knows the case well, having taken over as chairman of the HoldIKKS holding company last year, knows that competitions are decided right up to the last minute. Despite the loss of almost half the workforce, their offer, which safeguards 546 jobs and includes 119 directly operated stores, won the backing of the group’s works council (CSE) and was formally approved by the Paris Court for Economic Activities.
A few hours after the decision was made official, Cucci outlined his roadmap for IKKS to FashionNetwork.com.
Santiago Cucci headed Levi’s in the United States and set a new tone at Dockers – Archive Dockers
FashionNetwork.com: What was your reaction to the announcement of the court’s decision?
Santiago Cucci: We’re delighted to be taking over this iconic brand. I think it’s a brand that touches the hearts of the French. We all have a history with IKKS, whether from our younger years or through our children, often tied to festive moments. This means there’s a whole generation entering adulthood already very familiar with the brand and feeling positively towards it. That’s the capital we’re taking on today. And this affinity extends well beyond end consumers: of the 118 affiliates we contacted, 116 said yes.
FNW: Because beyond the 119 directly operated stores, you had to convince partners to come on board…
SC: Whether with affiliates, suppliers we had to renegotiate with, or across the entire value chain through to consumers, I believe the whole ecosystem still holds the brand in very high regard. Our job now is to make the brand desirable, using digital tools that deliver a strong and seamless customer experience.
FNW: You’re keeping 546 jobs, many of them in stores. What are the next steps, particularly on the social front?
SC: As we’re taking over the company, on Monday I’ll be in Saint-Macaire to meet the employees who are part of the project. We’ll be putting together a new management team across most functions over the next few weeks. I would like to thank the management team, who have done their utmost to steer the company through difficult conditions in recent years. In our takeover plan, we have committed to investing 700,000 euros to acquire the brand’s assets and inventories, and 700,000 euros to contribute to the PSE. Matters concerning those who are leaving will be handled by the court-appointed liquidator. However, we intend to rehire a few people to help secure the path forward over the coming months.
FNW: In your plan, a number of activities were to be discontinued. Where are you going to focus your efforts?
SC: We’re refocusing on IKKS’s adult business. We’re putting the junior business on hold. Even though that’s the brand’s roots, in France the leading player in the junior market is the second-hand segment. We have to accept that reality. But those consumers who were juniors are now adults and already have a relationship with the brand. At the same time, the group had been managing I.Code and One Step. It’s time to refocus on the flagship and discontinue the two brands and childrenswear. It’s important to note that the junior segment accounts for 82% of IKKS’s losses.
The IKKS Junior line will be put on hold – IKKS
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FNW: Does this mean that you think the adult part of IKKS, the core on which you’re refocusing, could be profitable fairly quickly?
SC: You’re right. As early as the first year—2026, which will be a transitional year—we have a profitable business model, with reinvestment back into the company.
FNW: Alongside the buyout, you announced a 16 million euro investment package. What are your investment priorities?
SC: We’ve budgeted almost 17 million euros to get the supply chain engine up and running again. It’s a real machine. We’re going to invest in boosting the brand’s desirability, and in IT infrastructure that is from another era, which we’ll upgrade in the first quarter. In my experience, I’ve always been quick to transform companies.
FNW: What will you bring over from your experience at Levi’s and Dockers? What do you think is essential to the successful evolution of a brand?
SC: We’re going to clarify the brand’s identity and values. We’ll enhance the customer experience, particularly by engaging more meaningfully with our community and relying a little less on promotions alone. To do this, we’ll invest in infrastructure and in our go-to-market. We’ll invest in production capabilities so we can be more flexible and hold inventory that matches market needs. We want to be less dependent on promotional periods.
FNW: Is the idea also to reduce the share of revenue coming from markdowns?
SC: You have to be clear about prices. You can’t set a price and then run permanent promotions afterwards. So we’re going to bring more clarity for consumers to the pricing structure, especially at the start of the season. By the way, the design team has done a great job, which is why we’re keeping them on. Now we’re going to make this offer more visible, with a pricing structure that has to be logical. Encouragingly, the results for this reworked adult offer are positive.
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Launched in 2006 in Copenhagen, Danish menswear brand NN.07, founded by Victor Lindh and Ulrik Pedersen, is taking on the American market. After opening a store in Soho last year, the sustainable, minimalist, and timeless Danish wardrobe will be coming to a new store in Los Angeles in 2026. CEO Anders Rahr explains the brand’s ambitions to FashionNetwork.com.
Anders Rahr, CEO at NN.07 – DR
FashionNetwork: When did the brand enter the U.S. market, and how well is it received by the Californian public today? Anders Rahr: We’ve had a U.S. presence through wholesale for several years, and 2024 marked a more strategic step forward with the opening of our first retail store in Soho, New York. California has grown into one of our most engaged regions – both online and through retail partners. There’s a strong appreciation there for well-crafted, versatile pieces. People are really connecting with our timeless – yet expressive – take on menswear, and our focus on everyday wearability.
FNW: You have stores in New York, Copenhagen, and London. Are you considering other openings in the U.S.? A.R: Opening in Soho was a milestone for us. It’s our first physical space in the U.S. – in a city where we’ve experienced a consistent demand. The store gives us a chance to offer the full NN.07 experience: the product, the atmosphere, and the details that define us. We’re currently searching for the right location in Los Angeles and are aiming to open there in the second half of 2026. As with all our stores, it will be a thoughtful step, relevant for the city and built for a long-term presence.
FNW: What other developments does the brand have in mind for the American market? A.R: The U.S. is a key growth market for us. We have a team on the ground and local warehousing in place to support that growth. Wholesale remains a vital part of our model – we work with around 600 stockists globally – including strong U.S. retailers. However, the number of stockists is secondary to the relationship we have – we grow through partnerships that share our values on brand, quality, and how the consumer is served. We’re also looking with interest at other key cities in the U.S. for future retail opportunities, guided by where we see strong engagement. At the same time, we’re widening our partnerships with some of the country’s leading retailers to deepen our presence.
NN.07 Soho store – DR
FNW: Your brand will soon celebrate its 20th anniversary. How has it evolved over the last 20 years and how do you explain its current international success? A.R: NN.07 has always been grounded in timeless design and quality craftsmanship. Over time, we’ve grown – first across Europe and now globally – by staying consistent and building deep relationships with partners and consumers. It all comes from that clarity: we focus on doing a few things really well. Our focus remains on the product – creating the future classics. Garments that hold up, that people come back to, and that speak to a considered way of dressing. What’s ahead feels even more exciting than what’s behind.
FNW: Other Scandinavian brands are also doing well in California, such as Toteme, Anine Bing, and Ganni. How do you explain this new interest in Scandinavian brands in the American market? A.R: There’s a growing interest in brands that offer both quality and a clear point of view on timeless design. For us, it’s less about where you come from and more about the mindset you bring. Scandinavian design culture values purpose, restraint, and longevity – and when it comes to us, we have built on that with a design language that feels richer and more globally attuned. That balance seems to resonate in the US. We focus on creating garments that feel personal, adaptable, and made to last – pieces that are meant to be lived in.
FNW: Are there any other international developments planned in other markets? A.R: Yes, and our international approach is a city-by-city thinking. We have just opened dedicated space at Galeries Lafayette in Paris, and Harrods in London. We’re also preparing for further expansion of selective retail and wholesale in key cities across Europe and North America where we already have a loyal following and long-term potential.
NN.O7 winter collection – NN.07
FNW: Have you partnered with anyone in particular to accelerate your new developments? A.R: We’ve been fortunate to build strong partnerships – both with leading retailers and experienced talent. Across markets, we work closely with people who understand both our brand and the local landscape – whether that’s through retail, distribution, or strategic collaborations. In the U.S., we’ve brought on Justin Berkowitz (former men’s fashion director of Bloomingdale’s) as strategic partner to drive our retail expansion. His perspective and background in American menswear are a real asset as we grow.
FNW: How do you approach sustainability? Do you still limit production volume? A.R: For us, responsibility isn’t marketing – it’s a way of working. It guides how we design, what we produce, and the partners we work with. Building a strong brand also means building a better one. We make garments that are built to last – in both quality and style. That means designing with purpose, reducing waste and carbon impact, moving to plastic-free packaging, and choosing long-term suppliers we trust. We don’t have all the answers, but we stay transparent and committed to progress.