“Viktor & Rolf. Fashion Statements”, the first major retrospective dedicated to the Dutch fashion duo Viktor Horsting and Rolf Snoeren, has arrived at the High Museum of Art in Atlanta.
Viktor & Rolf exhibition arrives in the U.S. at Atlanta’s High Museum of Art. – Viktor & Rolf
Running through February 8, 2026, the exhibition celebrates more than three decades of the brand’s avant-garde approach to fashion and art.
Organized by curator Thierry-Maxime Loriot and originally presented at Kunsthalle Munich in early 2024, the exhibition showcases more than 100 of the designers’ creations spanning over 30 collections.
Presented across eight thematic chapters—including “Russian Dolls,” “Fashion Statements,” “Zen Garden,” and “Upcycling Couture”—the show features both full-scale garments and the designers’ intricate “works-in-progress dolls,” dressed in miniature versions of their couture pieces.
“The singular and enchanted vision of Viktor & Rolf’s work offers a unique dialogue between art and fashion,” said Loriot. “For the first time in the United States, visitors will discover a unique contemporary installation featuring three decades of their avant-garde approach to haute couture, their exquisite and inventive craftsmanship and countless unexpected inspiration.”
Viktor & Rolf’s collections often juxtapose romance and power, exuberance and control, and classicism and rebellion with modern techniques. Signature motifs—bows, ruffles, embroidery, and sculptural silhouettes—are reimagined through patchwork, laser-cutting, and experimental fabric manipulation. Their boundary-pushing work has earned them critical acclaim and a devoted following among artists and celebrities including Lady Gaga, Madonna, Cardi B, and Tilda Swinton.
Beyond fashion, the pair have collaborated across disciplines, designing costumes for Robert Wilson’s dance and opera productions and exploring the intersections of fashion, painting, and sculpture in collections such as Wearable Art (Autumn/Winter 2016) and Performance of Sculptures (Spring/Summer 2016).
“We are thrilled that after Munich our work will be presented for the first time in the United States at Atlanta’s High Museum, an institution that always showcases groundbreaking artists and innovators,” said Viktor & Rolf.
“We have always felt strongly about the way museum shows complement our seasonal catwalk presentations. Exhibitions are more democratic than the runway: they allow more visitors, and they last longer. They can show that certain themes recur over the years and put a spotlight onto the sublime craftsmanship that goes into the creation of our pieces. We are looking forward to sharing more than three decades of our work with the American public this fall.”
In 2025, South Korean fashion takes another step up on the global stage. In a sector where technological innovations are redefining production processes, South Korea stands out for its ability to turn these developments into drivers of growth and global appeal, according to a Spherical Insights study published in November.
South Korean menswear makes its mark internationally, seen here at Pitti Uomo – Pitti Uomo
According to the South Korean Ministry of Trade, Industry and Energy (MOTIE), almost $27 million is set to be invested in 2025 to strengthen the national textile value chain.
This policy forms part of a broader strategy that provides more than $19 billion in support for firms operating in industrial textiles, the creation of an Industrial Textile Alliance, and a certification centre for technical products. The aim is to lift digital transformation across the sector from 35% to 60% and increase South Korea’s share of the global markets for industrial and sustainable textiles from 2-3% to 10% by 2030.
A dynamic domestic market
These ambitions are underpinned by an already robust industry. In 2024, South Korea imported $12.37 billion worth of clothing, including $5.08 billion in menswear. Exports totalled almost $2 billion, of which $1.7 billion comprised synthetic textiles and crocheted fabrics. This momentum reinforces a domestic market characterised by diverse demand, rapid trend adoption and strong cultural influence.
South Korea invests in its textile industry – Shutterstock
At the heart of this evolution lies the global rise of Korean menswear. Korean brands stand out for their attention to detail, mastery of cut and tailoring, and a strong appetite for exploring experimental materials, bold silhouettes and assertive colours. This stylistic approach, oscillating between minimalism and exuberance, meets a growing demand for pieces capable of expressing individual identity, according to the study.
Exports to be developed
The trends for 2025 confirm this direction: oversized cuts, unique patterns, bright colours, sustainable materials, a fusion of traditional and contemporary styles, as well as layering, athleisure and gender-fluid fashion, are at the forefront. From oversized kimono-polos to two-tone pink shirts, the Korean aesthetic offers a balance of comfort, experimentation and sophistication.
Ader Error is one of the young South Korean brands flourishing internationally (here, its collaboration with Zara) – Zara
This creative ecosystem is supported by a myriad of ‘flagship’ brands. Names already recognised worldwide such as Gentle Monster, Andersson Bell, Kusikohc, Hyein Seo and We11done fuel the country’s international aura through their distinct worlds, blending art, streetwear, craftsmanship and conceptual design. In 2025, other labels are taking centre stage: Ader Error and its deconstructivist streetwear, Wooyoungmi and its modern tailoring, ThisIsNeverThat and its distinctly Korean take on streetwear, as well as 87MM, Recto, Amomento, PushButton and Minjukim, whose gender-fluid offerings are gaining visibility.
By combining massive public investment, a capacity for innovation, cultural richness and creative power, South Korea is putting its fashion industry on an upward trajectory in 2025. It can be seen not only as an exporter of aesthetics, but also as a key player in technical and sustainable textiles, with the ambition of playing a central role in contemporary global fashion.
Hugo Boss recently unveiled an ambitious expansion of its growth plan and on Tuesday the German fashion giant said it has secured a revolving credit facility to “ensure the successful execution” of the ‘Claim 5 Touchdown’ growth plan.
Hugo Boss
The €600 million loan (which replaces another loan of the same amount) “was considerably oversubscribed and aims at providing the company with additional financial flexibility”. It’s also linked to the fulfilment of clearly defined sustainability criteria.
“This successful transaction highlights the strong trust our lenders place in our company and its long-term potential,” said CFO/COO Yves Müller.
The loan has a term of five years and includes two options to extend the term by one more year in each case, plus an option to increase the credit amount by up to €300 million.
The company unveiled its strategy in early December, saying its next phase aims to “realign, simplify, and strengthen the business”.
In the short term it’s sacrificing sales and profits as it said that currency-adjusted group sales and profits will both decline next year. But the refreshed strategy aims to “sharpen focus, discipline, and execution across the business”.
It now clearly has the long-term financing to put its plan into operation with the option of even more money on the table if required.
McQueen is aiming to attract attention to its SS26 pre-collection launch with a special installation in its store in the heart of fashion’s capital city, Paris.
McQueen
To celebrate the launch, the label has collaborated with well-known photographer Dafydd Jones, on the installation that features some of his most definitive works, curated by McQueen’s creative director Seán McGirr.
The Rue Saint-Honoré store installation includes 26 of Jones’s original works on public display. The curated selection sits alongside the McQueen pre-collection, “for which these photographs form a core inspiration”.
The installation has just launched and will be in the store until 29 January.
So who is Dafydd Jones? The British photographer is celebrated for his “sharp, satirical depictions of social life, particularly in the 1980s. His career began with prize-winning images of Oxford’s ‘Bright Young Things’, leading to decades of work published in major titles”.
And as well as being in the McQueen store for a limited period, his photos are held in collections including the National Portrait Gallery and the V&A in London.