In the past, investment dressing broadly referred to pieces that would live in one’s wardrobe for years, even decades, due to their classic and versatile nature. Today, investment dressing refers to how well your purchase will retain and regain its initial cost when resold.
Popular vintage bag models, according to Vestiaire Collective – Courtesy
Vestiaire Collective, one of the most prominent pre-loved fashion sites, aims to guide its customers on both the selling and buying end. The Paris-based company hosted a panel discussion at the recently opened LuisaViaRoma store in Noho, New York, as the Italian retailer offers a curated selection of pre-loved items on Vestiaire Collective and in its stores.
Entitled “The Future of Luxury Resale: Trends, Investment Pieces & Brand Power”, the chat was moderated by Rahul Malik, chief growth officer of Business of Fashion, and featured Samina Virk, North America CEO of Vestiaire Collective; Barbara Torasso, US deputy COO of LuisaViaRoma aka LVR; and celebrity stylist Kate Young. FashionNetwork.com attended to learn just what brands are killing it in luxury resale.
The top 10 designer brands, according to Vestiaire Collective’s latest report – Courtesy
Virk kicked things off by explaining Vestiaire’s Value Ranking (VVR) system, which scores brands and names them best categorically. The report highlights that it’s not just the usual suspects like Chanel, Hermès, and Louis Vuitton. For example, on the top ten designer brands, Moncler, The Row, and Brunello Cucinelli came in first, second, and third place, respectively, while Golden Goose, Coach, and Etro hold those positions for best premium brands. Other categories include insider cool brands, forever pieces, exceptional finds, unicorns, vintage and trending styles.
“We looked at price accessibility, desirability—which we’re able to do because we can look at how many people have liked brands, products, page views, and more that assess engagement—and long-term worth and investment for resell,” Virk said of the new report findings.
She added that the cyclical nature of fashion and trends such as Y2K and quiet luxury also come into play. The report could be to clothes what the Kelley Blue Book is to cars or Apple‘s valuation of trade-ins for an iPhone. Vestiaire Collective plans to release reports seasonally, with the next one slated for fall 2025.
The affordable classics list, according to Vestiaire Collective – Courtesy
“We started working together three years ago with an exclusively online partnership where LVR clients can offer items for resale and receive a store credit equal to the valuation of the garment plus a 15 percent discount. Sustainability is important to LVR, and we want to support circularity,” Torasso said, adding, “When LuisaViaRoma opened the store in New York, we decided to have a section dedicated to certified vintage through Vestiaire Collective. Our buyers work with their servicing team, and every three, two, or three months, they choose different items in line with the trends of the moment.”
As an example, Phoebe Philo-era Celine tote bags were on display. Torasso stressed that having her vintage styles and newer designs on offer aids in the customer’s journey with storytelling.
“We drive them through fashion history and know that every trend is coming back. So, it’s about finding iconic pieces and a platform like Vestiaire Collective with such beautiful pieces that allows us to pick the best and offer our customers,” Torasso continued.
Exceptional finds list, according to Vestiaire Collective – Courtesy
Stylist Kate Young, who formerly worked at Vogue, feels scarcity drives some folks to seek resale buys and that people who incorporate pre-loved items have the best style.
“It’s hard to get the really coveted things if you don’t act quickly. So, you think, ‘I wanted that bag, but it’s gone, so what else would work? There’s a sentiment among traditional fashion editors of like, ‘well, I have the OG one.'”
She notes that clients are interested in vintage and sustainability. “It’s a misperception that they buy all their clothes; they wear a lot of borrowed samples. It feels more eco-friendly and now more than ever my clients are interested in it. Scarlett Johansson wore vintage to the Oscars. We got these 90s gowns in, and I was amazed at the quality. You don’t see that these days,” Young continued of one virtue of circularity.
More exceptional finds, according to Vestiaire Collective – Courtesy
“Vintage is one of our strongest differentiators at Vestiaire. We are an app and a community of buyers and sellers providing global access to amazing vintage, current, and past seasons. Vintage has seen a big increase recently and sells 30% faster than other seasons. Our vintage sales have increased by over 80% in the last few years. And every quarter, we’re seeing an increase in search, which shows that customers are demanding it more,” Virke added, noting that beyond affordability, clients are embracing an investment mindset for reselling resale merchandise.
Good investment pieces can be predicted by the demand for certain designers, which spikes when they change fashion houses. Torasso hinted that queries for Demna’s work for Vetements and Balenciaga are increasing, with Virk confirming that searches go up each time a new designer appointment is made.
Stocking and scaling pre-loved merchandise have been some of Vestiaire Collective’s most significant challenges, as well as combatting trust issues due to other platforms selling unauthenticated merchandise. Online closet access and AI tools are key to navigating the supply demands and the customer journey, according to Virk.
More exceptional finds, according to Vestiaire Collective – Courtesy
As the panel wrapped, the discussion inevitably led to the topic du jour: tariffs. One big question is how or if resale goods are subject to the same rules. Torasso laid an interesting spin on how the new rules may affect their customers.
“A portion of shoppers aren’t affected by price increases, so they will continue to shop. The portion that will be affected is the middle luxury shoppers. We know that 80% of shoppers shop on sale, not full price. This can only worsen. The curation is going to be much more important, so less inventory. We don’t need gigantic inventories that get unsold and then sold with a sale, creating waste in the world. The tariffs are going to drive efficiency for sure.”
Barcelona embraced both rebellion and romance during its 2025 edition of Barcelona Bridal Night. Among the high-profile names that have previously graced this event—Marchesa, Viktor&Rolf, Elie Saab, and Giambattista Valli—this year’s spotlight fell on iconic British label Vivienne Westwood. On April 24, the brand unveiled its newest bridal couture collection in the historic cloisters of the University of Barcelona, a 19th-century architectural landmark. The runway show, part of Barcelona Bridal Fashion Week running from April 23 to 27, drew more than 450 guests.
The opening look from the “Vivienne Westwood Bridal Collection 2026” – Barcelona Bridal Fashion Week
“The bridal world is very different from prêt-à-porter shows in Paris, but this event has been really well organized from the start, and everyone has been so kind. It’s been a pleasure,” said Andreas Kronthaler, Vivienne Westwood’s widower and current creative director, in a backstage interview. Kronthaler co-developed the collection over more than six months with Brigitte Stepputtis, the brand’s director of couture, design, and bridalwear.
The “Vivienne Westwood Bridal Collection 2026” featured 34 couture bridal looks, drawing primary inspiration from Barcelona’s streets and energy. “When I was designing, I was thinking about Barcelona and what would suit the city,” said Kronthaler, describing it as “incredible, stimulating, and full of life.”
Several designs reinterpreted the brand’s iconic floral print, originally inspired by the 18th-century Belgian painter and botanist Pierre-Joseph Redouté’s watercolor artworks. In addition to classic bridal fabrics like tulle, organza, and cotton, the collection featured washed georgette, linen, and more cotton, combined with corsetry and menswear tailoring elements. As a tribute to the punk and irreverent spirit that defined the house since its founding by Vivienne Westwood in the 1970s, several looks were styled with long, heavy chains draped around the models’ necks.
Vivienne Westwood Bridal Collection 2026 – Barcelona Bridal Fashion Week
“The brand has evolved so much since its beginnings, and I think its secret lies in its ability to transcend. It doesn’t stay the same—it breaks barriers,” said Kronthaler, known for his subversive creations. “We’ve been making bridalwear for a long time, but looking at today’s collection, I think it’s fantastic and could definitely be worn in the future.”
As part of a shared commitment to education and culture, the organization behind Barcelona Bridal Fashion Week and Vivienne Westwood collaborated to launch several initiatives in local design schools, including IED, LCI and ESDI. These initiatives included mentorship workshops and other projects. Around 300 students from these institutions were invited to a second exclusive show by the British brand at the same venue.
The creative director also shared an uplifting message: “Life is short—make the most of each day. Getting dressed helps. Wearing something nice can lift your day, especially when you’re not in the mood. That’s the power of fashion—for everyone, but especially the younger generation.”
Vivienne Westwood Bridal Collection 2026 – Barcelona Bridal Fashion Week
Andreas Kronthaler became the creative director of Vivienne Westwood following the death of the company’s founder at age 81 in late 2022. “Now I’m alone. But we were together for so many years, doing everything halfway, that I can’t tell where I end and she begins. I feel lucky, privileged, and confident,” said the designer. He added that he tries to look ahead and not take life too seriously these days. “I always think a small dose of humor is a great quality to have,” he concluded.
Barcelona Bridal Fashion Week, organized by Fira de Barcelona with the support of the Catalan government’s Department of Business and Employment, will conclude its 2025 edition on April 26. In parallel, the event is also hosting its annual trade fair from April 25 to 27, featuring around 450 national and international brands specializing in bridalwear, formalwear, eveningwear, and accessories.
British retailer Marks Spencer Group Plc paused orders on its website and app on Friday as it continued to manage the fallout from a cyber incident.
The company’s shares fell 4.3% on Friday afternoon in London as new details about the impact of the incident emerged, which has already caused several days of disruption affecting payment systems and some orders.
On Tuesday, the company said that it was making some “minor, temporary changes to our store operations to protect customers” as a result of the incident.
M&S, which has more than 1,000 stores in the UK, said in a statement that it wasn’t able to process contactless payments and that “click and collect” orders had been disrupted.
The retailer prides itself on offering consumers a so-called ‘omnichannel’ approach where they can buy both in stores and online. Still, online makes up the smaller proportion of the business, with web or app-based sales accounting for about 30% of the retailer’s UK clothing and home sales last year.
The retailer hired external cybersecurity experts to assist with investigating and managing the incident. “We are taking actions to further protect our network and ensure we can continue to maintain customer service,” the company said.
The cause of the disruption isn’t clear, and so far, no cybercrime gang has claimed responsibility for an attack. Several British retailers in recent years have experienced cyberattacks, often involving ransomware, in which hackers use malicious software to lock down computers and render them inoperable.
Having been appointed John Lewis Partnership’s interim chief financial officer in the autumn, Andy Mounsey has been handed the role permanently and with immediate effect.
Mounsey, who previously held the position of the Partnership’s Group Finance and Strategy Director, has been with the business for 13 years in a number of senior finance roles.
He said the group is “seeing solid progress in our key financial metrics and continued improvements in customer sentiment. The Partnership is in strong financial health and stepping up investment this year for customers and Partners. I look forward to working with the entire team to build on this progress and ensure the long-term financial strength of our unique business.”
Chairman Jason Tarry added: “Andy’s contribution as interim CFO has been invaluable, and it’s great to have him as part of the team. His deep understanding of the Partnership and the retail sector, combined with his extensive experience in various senior finance roles, makes him ideal for this position. I’m confident that Andy’s leadership will be instrumental in driving our financial strategy and ensuring the long-term success of the Partnership.”
Mounsey has clearly helped spearhead the ongoing JLP turnaround strategy following the arrival of former Tesco exec Tarry as chairman, replacing Sharon White a year ago.
Results for the year to the end of January showed the retailer in recovery mode, although it’s not yet at peak performance. Profit before tax and exceptional items tripled from £42 million to £126 million while profit before tax grew from £56 million to £97 million, up 73%.
Sales were up 3% year-on-year at the group that owns John Lewis department stores and Waitrose supermarkets, hitting £12.8 billion.