Connect with us

Fashion

TM Lewin store expansion continues and CEO has big plans for the future

Published

on


Published



November 24, 2025

UK menswear label TM Lewin is continuing its physical stores comeback and has opened its second standalone space at 360-365 Cabot Square in London’s Canary Wharf. It’s also got a brand new outlet store opening at the O2 on 28 November.

TM Lewin, Canary Wharf

We spoke to its CEO Dan Ferris about both the company’s store and products strategy ahead of the Canary Wharf opening. But first, let’s look at some of its recent history and that strategy.

The company has over-expanded pre-pandemic and went into administration when Covid hit. Bought out of administration, it went online-only with Ferris brought in to lead it back to health.

He oversaw it as an online-only business until this year. The new Canary Wharf space follows the firm’s Bow Lane flagship that opened earlier in 2025. That set the pattern for its store rollout and the new Canary Wharf full-price store again sees it focusing on the heart of London’s financial district.

Smart-meets-casual hybrid

That should be good news for its shirts and tailoring. Yet the formerly-formalwear-focused brand isn’t only about suits and shirts these days. The company has evolved in recent years as it has adapted to new ways of working with what it calls its ‘professional lifestyle’ products.

For instance, under this banner, smart-casual pieces (think rugby shirts, tees, chinos) account for around 25% of total revenue.

TM Lewin, Canary Wharf
TM Lewin, Canary Wharf

In fact, while many people think of TM Lewin as a ‘shirt brand’, maybe one day they’ll think ’T-shirt brand’. T-Shirts drive casualwear sales and account for around 70% of the brand’s more casual items.

Chinos are only around 5% of casualwear sales but since expanding the chino range last month (with new colours and fits), the brand has doubled the number of pairs sold compared to the month prior. Further chino expansion will come next year too.

Of course, formal clothing remains at the heart of the brand and opening new full-price stores should boost that further. While suits account for 10% of online sales, they make up 30% of in-store turnover so the new Canary Wharf location should be a boon here.

Interestingly too, while casualwear sales have risen, the company said dinner suit sales are up 30% year on year too. That’s a clear sign that formalwear’s days aren’t done. And with over 7,000 shirts having been sold in-store along with 30% of all sales being tailoring since the Bow Lane location opened, that’s even more evidence that the company’s dual smart+casual strategy is the way forward.

View from the top

CEO Dan Ferris
CEO Dan Ferris – TM Lewin

As for Dan Ferris, FashionNetwork.com spoke to him as he prepped for the Canary Wharf opening. And having see his headshot, we were quite surprised to find him dressed casually…

Dan Ferris: Well, that’s part of the turnaround story! There’s a lot of people that do still wear suits and shirts, but there’s a lot of people who now, especially when they’re working from home, wear things like sweatshirts. 

FashionNetwork.com: That was clearly a problem for the business in recent years though, rather than an opportunity as it is now.

DF: Yes, probably more so than [many other companies] due to the nature of the product that was sold. There weren’t too many people wearing suits and shirts at home during Covid! But what we’ve really developed over the last 18 months is really re-identifying what our customers, or what consumers generally, want.

TM Lewin

FN: And that appears to be a much wider spread of product types?

DF: Yeah. People do still wear shirts and suits to the office, and we’ve seen quite an uptick in demand recently with a lot of the banks, for example, going back five days a week. But there’s still a lot of hybrid workwear out there. So things like the quarter-zip sweatshirt, you could wear with a T shirt underneath, like I am at home, but you can also wear it to the office. We’ve expanded the product range to get that demand and start to try and target a younger customers in the 20s to 30s demographics. 

FN: Despite the change is the way men dress, that evolution must still have been a risk for a brand like yours.

DF: A big part of the turnaround was resetting the brand. So a challenge for us was, how do you make 125-year-old heritage brand relevant for the modern workplace? What we did was focus on shirt-making expertise and use the reputation and quality that the team was known for in shirts to show everyone else that we make these other great products. T-shirts and quarter-zip sweatshirts are underpinned by the shirt-making credentials that TM Lewin developed over a century.

FN: And the stores are part of that?

DF: We’re trying to make that come through in every touchpoint for the customers. So a big part of this relaunch has been getting TM Lewin back on the high street. We opened Bow Lane in April. That was a big success for us [and got] lots of press attention, commercial success, etc. We’re really happy with how that’s gone.

FN: So how do you put across that heritage image that’s been modernised in your stores?

DF: What we’ve tried to do there is juxtapose the aged wooden floors against minimalist white walls. It’s bringing that heritage into the modern world.

FN: The figures cited earlier show that your stores are hugely important for your core formalwear sales. How big a percentage does formalwear remain for you?

DF: It’s about 60% still on the more formal side. We’ve definitely been helped with the return to office. People return and they start to replenish and refresh their shirts. And Bow Lane has been key for us on tailoring. It’s really hard to sell suits online. People [want to] find a good fit in a suit, otherwise you’re not going to pay the money for it. That’s really difficult to achieve online. A big part of executing the retail rollout is giving customers the physical availability to come and try things on in the store before, hopefully, they come back time and time again, online or wherever.

FN: TM Lewin used to have so many stores but you still only have two full-price spaces with the new Canary Wharf location. I assume more are planned?

DF: They all got closed during Covid. Bow Lane was the first [under the new strategy]. With Canary Wharf, you can see that we’re targeting that very [City of London] demographic. [But] a big part of our our growth plan over the next three years is to execute a rollout across the other areas of London as well as hopefully Manchester and Edinburgh. They’re high-target areas for us. A lot of our demographic is London-based, so we’ll want to narrow London and before we expand out, but we’ve got every intention of getting And we’ve got an outlet store too. We’ll get the December trade, hopefully, and then we are looking at another City location for Q1 next year. Then we just keep an eye out on those locations that we think are going to work for us. But we don’t want to go back to the old TM Lewin model where, I’m sure you remember, there was one on every corner or sometimes two!

TM Lewin, Canary Wharf

FN: In order to fund all this expansion, you must be in a better place financially now?

DF: We returned to profitability this year. We had to execute a turnaround before we went on this growth journey. We had to address a lot of legacy issues. We rebuilt the foundations of the business, and we’re in a good position now.

FN: And most of that will have been achieved online so your webstore will still be key? Do you sell internationally online?

DF: We’ll continue to grow the online business. It was UK-only for a while. We relaunched international trading last year. We actually sell to [almost] every country[and sales are] probably 25% international.

FN: What’s your biggest international market?

DF: Australia. The previous management had sort of cracked Australia, where I think they had five stores established at the point of Covid. In the US, TM Lewin is not so well known. But there’s still 10 times the population. Australia is our first [international] market, and then US is the next one. The key growth levers for us over the next three years are continuing to expand the product range with more of the ‘professional lifestyle’ products; the UK retail rollout; and then international expansion to that untapped global demand. We’re super-excited for all the opportunity out there.

TM Lewin

FN: That opportunity must also come with challenges though. Have you found problems this year with the whole tariff situation?

DF: Yes and no. It has an impact, of course, but there’ll be competitors, where their business model was predicated on taking advantage of the [de minimis] situation where their shirts would be under the minimum limit, so therefore they were getting shipped for 20% less than anyone else. That’s gone away now. We’ve absorbed the hits in our bottom line for the US, the rest of it is more of a knock-on effect for the supply chain generally. 

FN: And in terms of your general growth trajectory, you say you’re relatively small now. Where do you expect to be within a few years?

DF: The ambitious growth plan we’ve set for ourselves is to get back to £50 million [turnover] and maintain profitability. Pre-pandemic, it was £100 million, driven by a 66-store portfolio that had already been scaled back from 100 stores prior to that. We want to go fast, but we want to do it right!

Copyright © 2025 FashionNetwork.com All rights reserved.



Source link

Continue Reading

Fashion

Warped begins worldwide debut in Italy with its menswear line

Published

on


Published



January 21, 2026

Warped, a proudly Australian menswear brand, made its debut at the recent Pitti Uomo 109, unveiling its first-ever collection for Autumn–Winter 2026/27. Warped channels a strong, functional and authentic masculinity, free of artifice: a man capable of moving with equal ease through the Australian outback or a metropolis, without ever betraying himself. This vision translates into a collection that combines ready-to-wear, streetwear and active-functional pieces, underpinned by rigorous material research, responsible production, and a strong connection to Australia’s history and identity.

Jack Cassidy Williams, right, wearing Warped alongside one of his sons

The brand is so steeped in the free-spirited, authentic ethos of Mitch “Crocodile” Dundee, a cult figure of 1980s cinema who helped shape the image abroad of the no-nonsense Australian, that even the founder- who arrived in Milan with his two sons, aged 18 and 15, already active in the company- looks like the very character created by Paul Hogan.

“Crocodile Dundee is not just a film to us; it’s a way of being in the world. It’s about a man who hunts crocodiles with his bare hands in the outback and stays true to himself even under the dazzling lights of the metropolis,” Warped founder Jack Cassidy Williams explained to FashionNetwork.com. “It’s the story of a man who enters a sophisticated system without changing who he is. Functional, direct, honest. This is who we are. We’re not here to bend to fashion’s unwritten rules, but to bring our own way of doing things: less artifice, more reality.”

Warped

“Everything in the collection is handmade by my family. We design it, select the fabrics, create the patterns, and develop everything together- my children and I- in Australia. Traditional garments with modern finishes, in terms of handle and functionality; we even offer waterproof clothing, such as GOTS-certified waterproof cotton. Then there’s denim. All the fabrics are 100% made in Italy,” Cassidy Williams continues. At the heart of the collection is extensive fabric research: 100% RWS wool; high-stretch scuba fabrics and bi-stretch wool; cotton denim with a 3D weave effect; water-repellent cottons, viscose and viscose/linen blends for suits, jackets and trousers; high-performance, ultra-comfortable fabrics; and kangaroo-leather laces- a material five times as strong as cowhide- hand-finished with raw edges and authentic details.

“The collection is, in a way, a tribute to America, because the theme is the so-called ramblin’ man, or the free man; it’s basically about my whole life,” says the Australian entrepreneur. “All those people who decided to forge their own journey, to walk the path of life without following someone else. Like Hank Williams, Jack Kerouac, Duke Ellington, Bird, Muddy Waters, Pinetop, or Woody Guthrie- men who honoured life. Nowadays it’s so difficult to be free that freedom really is a state of mind. It’s our first collection through and through; we practically finished it before boarding the plane,” Cassidy Williams laughs heartily, then slips on a floppy wide-brimmed hat, slings a kangaroo hide over his shoulder and, as he pretends to crack a whip in the air, looks even more like Mitch Dundee- all after letting us taste a kangaroo salami and crocodile snacks…

Warped

“Our family has a textile tradition of great depth- more than sixty years- so Warped also works with the best global manufacturers in the mid-luxury segment: lace from France, fabrics from Italy, and other high-quality materials sourced from factories in Turkey, Japan and Korea,” Jack Cassidy Williams continues. “These factories were chosen not for trend’s sake, but because they’re unique- each one different from the next.”

Warped’s menswear collection for Autumn–Winter 2026/27 comprises around 40 looks spanning ready-to-wear, streetwear, and active-functional pieces. Jackets, suits, trousers, shorts, shirts, and T-shirts sit alongside a street and sportswear offer that includes hoodies, joggers and technical garments, all designed to be comfortable, durable, easy to care for, and genuinely wearable day to day.

Alongside the Warped men’s line, the company presented the Golden Age Sportswear (G.A.S) label in Milan, while the Warped Woman, and G.A.S Woman’s Street collections will debut in Italy from next Spring/Summer.

This article is an automatic translation.
Click here to read the original article.

Copyright © 2026 FashionNetwork.com All rights reserved.



Source link

Continue Reading

Fashion

Paris Menswear Tuesday: Études Studio, Auralee

Published

on


Published



January 21, 2026

Two indie fashion brands, Auralee from Japan and Études Studio from France, staged highly contrasting collections on Tuesday, the opening day of Paris Fashion Week Men, testifying to the dynamism of the season in the French capital.
 
Auralee: Purist fashion with polish
 
A moment of grace on Tuesday evening at Auralee, where Ryota Iwai’s deceptively understated designs never fail to impress.

Auralee’s answer to its question: “What makes winter joyful?” – Luca Tombolini

 
Staged in the Musée de l’Homme facing an illuminated Eiffel Tower, the show was the latest pure statement by a designer whose clothes blend subtlety with refinement.
 
Whatever fabric Iwai plays with always seems just right: whether speckled Donegal tweeds seen in brown knit pants for guys, or a frayed hem skirt for girls in this co-ed show. Leather or lambskin jerkins and baseball jackets, all were ideal.

Semi-transparent nylon splash vests or wispy trenches had real cool. While Iwai’s detailing was also very natty- like the flight jacket trimmed with fur.

A women's look by Auralee
A women’s look by Auralee – Luca Tombolini

 
He is also a great colourist- from the washed-out sea green of a canvas ranger’s jacket to the moody Mediterranean blue of a caban. Though his finale featured a quintet of looks in black. Most charmingly a languid, deconstructed double-breasted cashmere coat worn on a shirtless model- the picture of perfection.
 
There were perhaps not that many sartorial fireworks in the show, but there didn’t need to be. This was a purist fashion statement of polish and precision that this audience could only admire.
 
Backed up by a great soundtrack – Sounding Line 6 by Moritz. Von Oswald or the cutely named Autumn Sweater by Yo La Tengo- the whole display won Ryota a loud and long ovation. Fully deserved too.
 
Études Studio: Resonating in IRCAM

Études Studio certainly know how to stage a show. The design duo invited guests into the bowels of the Institute for Research and Coordination in Acoustics/Music, or IRCAM a unique French concept dedicated to experimental sounds.

A look by Études Studio
A look by Études Studio – Collective Parade – Gaspar J. Ruiz Lidberg

Which we enjoyed a lot of thanks to Darren J. Cunningham, a British electronic musician known professionally as Actress. It made for a dramatic mood, as keys and chords swelled and raged throughout this show.
 
As a result, the design duo of Aurélien Arbet and Jérémie Egry titled this Autumn/Winter 2027 collection ‘Résonances.’ Terming it in their program: “A medley bringing into dialogue the minimalist experiments rooted in John Cage’s philosophy with the emergence of intelligent Dance Music in the early 1990s.”
 
The result was a rather moody series of clothes, made in a sombre palette of muddy brown, dark purple, black, black, and even more black.

Muted tones at Études Studio
Muted tones at Études Studio – Collective Parade – Gaspar J. Ruiz Lidberg

 
What stood out were the bulbous, off-the-shoulder puffers, worn over corduroy shirts or roll-necks- topped by some great rancher hats courtesy of Lambert. One could also admire sleek raingear; cool cocoon shaped jerkins and fuzzy mohair sweaters.  And appreciate a sleek A-Line coat and zippered knit safari jacket in a rare women’s look in this show.
 
Photoshopped faces in black and white scarves all looked very appealing, as did the brand’s debut bag, a satchel in tough canvas. And one had to applaud one great dull gold, wildly deconstructed puffer.
 
That said, the collection lacked proper kick and rarely resonated as the show title suggested it would. A decent statement about the mode, but far from a fashion moment. 
 

Copyright © 2026 FashionNetwork.com All rights reserved.



Source link

Continue Reading

Fashion

Animer launches as French citizen-led union championing regenerative fashion

Published

on


Published



January 21, 2026

Not a label, not a lobby, not even a legal entity. That is how Arielle Lévy, president of the Une Autre Mode Est Possible (UAMEP) collective, characterises this nascent union. Animer, an acronym for “Acteurs Nationaux Indépendants Mode Engagée Régénérative,” aims to shine a light on all the initiatives undertaken by fashion stakeholders, from producers to brands, who are advancing responsible, regenerative fashion in France.

The union was founded by eight collectives involved in regenerative fashion – UAMEP

The union was officially launched on Monday January 19, following the petition initiated by Arielle Lévy against Shein in response to the watering down of the anti–fast fashion law. Titled “Paris deserves better than Shein,” the petition drew nearly 140,000 signatures. “I wanted us to unite because I realised how strong the civic voice was,” explains Arielle Lévy. “These collectives are doing superb work and, at a certain point, there is a desire to close ranks, to make society together,” she says.

“Breaking the isolation of initiatives across the regions”

In addition to UAMEP, a number of other collectives are behind Animer, including Fashion Revolution France, L’Âme du Fil (Angers), Collectif Baga (Marseille), Café Flax (Clermont-Ferrand), Le Comptoir de la mode responsable (Poitiers), Le Conservatoire de la Mode Vintage (Isère), and La Grande Collecte/Textile Lab (La Rochelle). “It’s a union of independent collectives, committed to their local areas and sharing the same societal project,” Arielle Lévy emphasises.

The union hopes to represent all French territories
The union hopes to represent all French territories – Collectif Baga

The union plans to focus its efforts on the ground, working across supply chains, regions, practices and even our shared imagination. With “hundreds” of stakeholders already on board via the various founding collectives, Animer is built on ten key ideas: dignity, value-sharing, traceability as a common language, less and better, circular design, smart re-localisation, carbon sobriety, inclusion and plurality, cooperation rather than “sterile competition”, and proof through action.

Animer’s founders plan to bring together all the initiatives active in regenerative fashion across the country. The union hopes to become a preferred interlocutor in defending a societal project focused on respect for the earth, and for men and women. With the help of Fashion Revolution, it aims to act in the national interest by engaging the general public and the country’s institutions.

This article is an automatic translation.
Click here to read the original article.

Copyright © 2026 FashionNetwork.com All rights reserved.



Source link

Continue Reading

Trending

Copyright © Miami Select.