A few weeks before being announced as Jean Paul Gaultier‘s new creative director, Duran Lantink was awarded the Woolmark Prize 2025. The whimsical and talented Dutch designer had applied his expertise and vision of disproportionately swollen volumes to a wool creation. Each year, this event organized by The Woolmark Company – the representative body of the Australian wool industry – rewards contemporary design, with an endowment of 300,000 Australian dollars (around 172,000 euros). It’s also an opportunity to promote the properties of this natural fiber, at the heart of a broader commitment.
In addition to its promotional activities in the premium and luxury fashion sectors, The Woolmark Company is also working to protect an entire industry, which provides a livelihood for many family farms across the continent. This involves applied research projects, such as the recent development of its “denim lab”, as well as a major effort to organize the industry and raise its profile.
In this respect, assessing the CSR impact of the material is a major challenge. Damien Pommeret, the organization’s representative in Western Europe, reviews the initiatives undertaken by The Woolmark Company and its innovation center. In particular, he details its involvement in the ‘Make the Label Count’ initiative, launched in 2021 with other players in the textile sector. As Europe moves forward with the validation of new environmental assessment tools – in particular the PEF (Product Environmental Footprint) and the French method – this approach is taking on strategic weight today.
Damien Pommeret – The Woolmark Company
FashionNetwork.com: After years of consultation, Europe has just validated advances in methodologies for assessing the environmental cost of textiles. However, with certain approaches, the calculation could favor materials derived from the petrochemical industry to the detriment of natural materials. Was this an issue for you?
Damien Pommeret: We started sounding the alarm over three years ago. We took part in the creation of ‘Make the Label Count‘ to defend the advantages of using renewable and biodegradable fibers and to highlight the harmful effects of microplastic pollution. At first, we were pretty much alone, but the cotton and other natural materials sectors realized that there were aligned messages. Above all, there was a realization that we were small in comparison with other lobbies.
FNW: And now?
DP: Natural materials are starting to connect. Initially, brands and supply chains saw this as a pure risk, thinking that the issues were different. The collaborative aspect was complex. Especially as working on the technical details requires a lot of time and dedicated people. But now it’s more concrete. The fact that we created “Make the LabelCount”, which wasn’t linked to a specific material, allows us to get involved. The cotton industry contributes funds. The 64-member coalition is gaining in weight with the authorities, particularly in Europe.
The ‘Make the Label Count’ coalition has been lobbying since 2021. – DR
FNW: In concrete terms, what does this mean for an industry like wool, represented by Woolmark?
DP: It already carries weight with the Australian government and the wool industry. To change approaches, we have to share data with the French government. This data had not been consolidated for sharing and gives very detailed information on the Australian wool industry. We had to overcome legal and political fears about sharing it with Ecobalyse. But it’s up to the industries to share their data. Because in reality, the French government will never be able to know the progress made on coffee, avocados or natural textiles when it comes to establishing its results.
FNW: But how important is this sharing of data?
DP: It’s very important. In fact, petroleum-based materials have more data than natural materials, which adds value to the results in assessment systems. Strategic impact assessment tools were created to evaluate products produced by industries using calibrated resources. So it’s not adapted to agriculture and livestock farming, even if we’re trying to adapt it… The difficulty is that there are lots of different types of operation. We have to create the measurement tools and collect the data, which is much more complex. With Woolmark, we invest in these tools and follow technologies developed by start-ups to improve the situation. Because the biggest impact is on the farms. But that’s also where all the potential lies in protecting water resources and biodiversity.
FNW: In concrete terms, has this sharing of information improved the ratings of wool products via Ecobalyse?
DP: Yes, clearly. As they didn’t have any data, they worked with the information they did have: an impact study on sheep in the United States which served as the basis for calculating all wool products. But for textiles, 85% of Merino wool comes from Australia. In Australia, sheep farming is extensive, with 6 to 8 animals per hectare in semi-freedom. So the impact is not at all the same. With our data, this reduced the impact in the final results. The challenge now is to finance regular data collection and to go into more detail. Because this commits the sector to improvement and can be promoted to customers.
FNW:Can this be applied to other natural materials?
DP: Each sector can have its own elements. For example, American cotton has all these data. The key point is that it’s not just a matter of collecting data. It has to commit the industry, breeders, farmers and polyester producers to doing better, and consumers to consuming better. Otherwise, it’s pointless transparency. It’s necessarily a political issue. The aim is not to point the finger at industries and see people lose their jobs. The aim is to have a tool that enables us to optimize, to be more intelligent in manufacturing and consumption.
FNW: Except that, despite the improvement, wool is still not rated as highly as polyester…
DP: Admittedly, even if the result is better, we’re far from having won. For our part, we have to be transparent about the real impact of wool. But then, the criteria will have to include a projection onto a new way of consuming. The life and impact of a product after its manufacture are not the same for a natural product as for those made from petrochemicals. And this is not yet taken into account at European level. It’s a battle that needs to be fought. The other aspect is that we’re going to have to consume less to meet our environmental commitments.
Rating the CSR impact of clothing is becoming a strategic issue for the industry – DR
FNW: What do you mean by this?
DP: Let’s be clear: natural materials are not the ones that have the least impact, and are often intended for premium products. We’re not going to sell a 50-euro cotton t-shirt to every Indian. Each fiber has its own purpose. The aim is to be able to use fibers and products for their performance at the right level of consumption. While we obviously need to keep fashion affordable, the problem is volume. There’s a difference between accessible fashion and an industry that’s unbridled on environmental and social issues. We’re going to have to find a way of ensuring that Europe’s affluent classes don’t over-consume low-priced products. Which is the case today.“
Columbia Sportswear unveiled on Monday USA Olympic curling team uniforms and fan gear, renewing its role as the official uniform sponsor for the USA Curling National Team for the upcoming 2026 Winter Olympic games.
USA Curling athletes Korey Dropkin and Cory Thiesse wearing Columbia’s USA 2026 Down Puffer and USA 2026 Fleece. – Columbia Sportswear
Under the agreement, Columbia will outfit athletes and coaches across the Men’s, Women’s, Mixed Doubles, and Wheelchair National Teams, and for the first time, provide replica versions for fans to purchase.
“Outfitting the United States Curling Team for the Olympic stage is an incredible honor and our teams have worked closely with USA Curling over the past several years to help propel them to the podium in Italy,” said Joe Boyle, president of Columbia Sportswear.
“The uniforms are a testament to our commitment to these ambassadors – and we’re proud to support these athletes as they compete at the highest level.”
The competition uniforms are designed to reflect both American heritage and the country’s natural landscapes. The dark jerseys feature eight cascading stars in red, white and blue, symbolizing the curling stones used in competition. Each jersey is also adorned with at least 250 stars, a nod to the upcoming 250th anniversary of American independence.
In addition to competition jerseys, pants and hats, Columbia will provide village wear for athletes, including USA-branded parkas. The parkas are insulated with Columbia’s Omni-Heat Infinity technology, and reimagined in a gold star pattern to honor the historic games.
Fans can shop the USA 2026 collection, which includes a patriotic down jacket, fleece styles, short-sleeve T-shirts, beanies and ball caps, priced from $40 to $300. The collection is now available on Columbia’s website and at select Dick’s Sporting Goods locations, with replica jerseys set to launch online in January.
Iconix’s entire brand portfolio and related royalty revenue will once again be fully consolidated within its operating structure, creating a unified brand platform representing approximately $6 billion in global retail sales.
Iconix to reunite North American brand portfolio. – London Fog
The company announced on Monday that it has completed an upsizing of its existing credit facility with affiliates of Apollo to discharge the company’s securitization financing facility, which has been outstanding since 2012. Iconix expects to complete the transaction by January 2026.
The securitization financing facility was secured by a pledge of North American brand intellectual property and licensing royalties for several of Iconix’s brands, including Ed Hardy, Starter, Danskin, Ocean Pacific, London Fog, Mossimo, Zoo York, Rocawear, and Iconix’s portfolio of home brands.
The retirement of the securitization facility marks a significant milestone in Iconix’s turnaround and resurgence following its take-private transaction in 2021. The company will now be able to pursue strategic alternatives involving the North American rights of its brands, including targeted investments and partnerships that were previously restricted.
“We have always believed that it is extremely important to reunite the North American brand rights under a cohesive operating structure in the US, which is obviously an incredibly influential market for our brands globally,” said Bob Galvin, chief executive officer, Iconix International Inc.
“For the first time in nearly a decade, and since we took over the business with our partners at Lancer Capital, we will have the opportunity to fully exploit all of our brand rights in the most optimal way.”
Since management changes in late 2018, Iconix has executed a significant turnaround, including improving its cost structure, deleveraging its balance sheet, repositioning its global brand portfolio, including acquisitions such as Hoodrich in 2023 and Salt Life in 2024. These efforts have been carried out in partnership with Apollo over the past three years.
“This expanded commitment to Iconix reflects the strong performance of the business and its brands. We’ve worked closely with the management team for several years and are pleased to support this transaction, helping to position Iconix to fully leverage its unified global brand platform,” added Kurt Hoffman, managing director, Apollo.
Japanese footwear and sportswear brand Onitsuka Tiger is entering the fragrance world with its first collection of four scents, simply named ‘One,’ ‘Two,’ ‘Three,’ and ‘Four.’
Onitsuka Tiger “One”
Named ‘Wearing Quiet Radiance,’ the eau de parfum line symbolises the beauty of contrast and was conceived by world-renowned perfumer Mark Buxton. The fragrances draw inspiration from the fusion of tradition and modern innovation, combining craftsmanship with contemporary design- elements that have defined Onitsuka Tiger’s heritage, according to a statement.
The entire process of creating the fragrance line, from the selection and extraction of materials to blending and bottling, takes place exclusively in Grasse, in Provence, the world’s perfume capital.
The four fragrances, designed to evoke a sense of stillness that allows one to reconnect with one’s essence, are encased in elegant, bright-yellow bottles that reflect the brand’s distinctive colour, and are available in Onitsuka Tiger stores and on the Japanese brand’s official website.
Onitsuka Tiger One is built around green and mint notes, followed by lemon and mandarin. White florals and jasmine form the heart, while patchouli, leather, and guaiac wood add depth and resonance to the fragrance. Onitsuka Tiger Two opens with bergamot and lemon, joined by geranium and frankincense. Finally, velvety musk and sandalwood envelop the skin.
Onitsuka Tiger Three showcases the spicy, citrus nuances of angelica, followed by violet and marine notes. Smoky and spicy nuances then gently unfurl. In Onitsuka Tiger Four, peppermint and bergamot make an immediate impression, while absinthe and nutmeg add a bold accent. As the fragrance evolves, vanilla and vetiver add depth, and the scent ends with the crystalline clarity of citrus notes.
Founded in Kobe in 1949 by Kihachiro Onitsuka, the Japanese label originally produced only basketball shoes before becoming a lifestyle brand within the Asics group following a 1977 merger.
Europe is gaining momentum in Onitsuka Tiger’s business, as is the US, but the brand continues to rely mainly on its Asian operations, particularly in China and Japan. According to company president Ryoji Shoda, the brand generated revenue of 120 billion yen last year (705 million euros), almost double the figure from six years ago, with sales of its heritage range still accounting for the bulk of its revenue and generating substantial profitability.
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