Last week, Louis Vuitton unveiled a significant new space in Shanghai, “The Louis,” which seamlessly integrates retail, Le Café Louis Vuitton, and the “Louis Vuitton Visionary Journeys” exhibition within a magnificent boat-like facade.
Louis Vuitton’s new travel campaign captures the serene beauty of the Lijiang River, blending iconic trunks and the Soft Keepall with traditional bamboo rafts to reflect a harmonious dialogue between heritage and nature. – Credit by LV
Since the opening of the brand’s first store in Beijing’s Palace Hotel in 1992, Louis Vuitton embarked on its journey into the Chinese market with its iconic Monogram symbol. It wasn’t until the “Louis Vuitton: Voyages” exhibition at the National Museum of China in Beijing in 2009 that the brand’s design philosophy and historical heritage were systematically communicated to Chinese consumers for the first time, marking the completion of Louis Vuitton’s journey of cultural integration with the East.
Later, Louis Vuitton’s “City Guides” series—featuring 32 themed editions—blended its travel philosophy with urban cultural heritage, creating “portable city memories.” In 2022, the Louis Vuitton show in Anaya and the House of Louis Vuitton in Chengdu each became recognized cultural landmarks.
Luxury groups in China are increasingly embracing “cultural long-termism.” LVMH, Louis Vuitton’s parent company, outlined its 2024 China strategy as a shift from short-term traffic tactics to a long-term cultural approach. During the Q1 2025 earnings call, CFO Jean-Jacques Guiony reinforced this direction, emphasizing that sustainable growth in China relies on deeply understanding cultural consumption cycles—not merely reacting to technological trends.
Now, more than three decades later, the brand exemplifies the core principles of Chinese business wisdom through three major events.
Right time (天时 Tiānshí)
At the beginning of June, Louis Vuitton, in collaboration with China Post and DeepSeek AI, launched a pop-up store at the Shanghai Post Museum. This initiative transforms the brand’s travel philosophy into digital art and co-branded stamps, aiming to revitalize traditional letter culture amidst the resurgence of cultural tourism and the digital “Guócháo(国潮)” trend.
From June 7 to 15, 2025, Louis Vuitton opened a pop-up space at the Shanghai Postal Museum, showcasing its book series and stationery collections. – Credit by LV
Since its inception, “The Art of Travel” has been central to Louis Vuitton’s identity. Through publications such as the “City Guide,” which explores urban landscapes, the “Fashion Eye” series featuring evocative photography, and the “Travel Book” with its artistic reflections on destinations, the brand has crafted a narrative universe centered on exploration. These works embody the belief that “Life is a Journey,” inviting readers to embark on inspiring odysseys through each page. This collaboration has opened new channels of dialogue with the brand’s next generation of target consumers.
Right place (地利 Dìlì)
At the end of June, “The Louis” was completed at Taikoo Hui on Wujiang Road. This ship-shaped structure pays homage to Louis Vuitton’s nautical heritage and Shanghai’s port culture. Inside, a 1,200 sq. m. exhibition, a collaboration with OMA, and localized dining options—including Monogram dumplings—deeply integrate the spatial narrative with the city’s spirit. This integration of “spiritual symbols” demonstrates Louis Vuitton’s profound understanding of local culture, signifying that a fragmented, symbolic approach is obsolete in favor of a cohesive cultural interpretation.
Right people (人和 Rénhé)
Starting from July, the new travel campaign—beginning along the legendary Lijiang River landscape, captured by American photographer Alec Soth—showcases the Soft Keepall bag on a bamboo raft and Monogram Horizon suitcases with a convoy. Through an international lens, this campaign sheds the “Western gaze” and aims to evoke widespread emotional resonance with Eastern natural aesthetics.
Following Guilin, the travel campaign will continue to explore China’s diverse landscapes. Together with the other two major events, this initiative aims to seize timely opportunities, deepen urban connections, and cultivate cultural empathy.
More than a journey, Louis Vuitton’s new travel campaign captures the contemplative essence while travel becomes a transformative odyssey, and an invitation to uncover hidden beauty. – Credit by LV
As Louis Vuitton’s presence in the Chinese market quietly extends beyond three decades, it has transcended its origins as a Western luxury symbol to become a cultural and commercial touchstone—growing in tandem with China’s ’90s-born generation of consumers.
This intergenerational brand evolution can be understood through the dimensions of time, place, and people—navigating market cycles, integrating into the local market, and solidifying consumer perception. This strategic progression, mirroring the ancient Chinese wisdom of “Right Time, Right Place, and Right People,” has propelled Louis Vuitton’s transformation from a mere “top luxury leather goods” brand to a “culturally beloved entity in China,” showcasing the brand’s enduring power of continuous evolution beneath its classic heritage.
Ferragamo appoints Alberto Tomba as a brand ambassador. The collaboration with the Italian skiing legend celebrates values shared by the Florentine fashion house: dedication, perseverance, resilience and attention to detail.
Alberto Tomba
Born in 1966, Tomba is the quintessential emblem of an Italy that invests in talent, commitment and the ability to push beyond one’s limits. His career is marked by major international successes, including three Olympic gold medals and two silver medals, two World Championship gold medals and two bronze medals, and 50 World Cup victories.
The Bologna-born skier is also the only athlete to have won races in 11 consecutive seasons (1987-1998) and to have claimed four World Cup discipline titles in giant slalom and four in slalom.
“Tomba’s sporting journey perfectly reflects Ferragamo’s philosophy: every achievement comes from sacrifice, every result from dedication. We share with him a deep sense of authenticity and a love of excellence, values that continue to inspire our daily work,” said Leonardo Ferragamo.
“Being chosen by Ferragamo is an honour,” Tomba commented. “I have always believed that sport and style share a common language: that of passion, rigour and the desire to improve every day. Representing a brand that embodies all this, and that brings Italian beauty and craftsmanship to the world, is a source of great pride.”
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New York–based fashion brand Guizio is expanding its retail footprint with the opening of its second store, at Aventura Mall in Miami, this month.
Guizio expands retail footprint with Miami store opening. – Guizio
Designed in collaboration with Brandi Howe, the new Miami store reflects the brand’s refined aesthetic and contemporary edge, while introducing elements inspired by Miami’s vibrant energy.
It opens with a robust assortment of womenswear, along with an exclusive, limited-edition Puma sneaker available only at the Miami location.
“Opening a Guizio store in Aventura Mall is such a special moment for me,” said Danielle Guizio, founder and designer. “It allows us to connect with our community here and share the brand’s energy in a new way. Bringing our world to Miami felt like a natural next step in growing Guizio, and we’re so excited for what’s ahead.”
Guizio founded her namesake womenswear label in 2014 and continues to offer ready-to-wear collections that celebrate the modern-day woman.
Through her collections, woven knits, structured suiting, and signature corsets are emboldened with asymmetrical details, purposeful cut-outs, ruching and custom hardware. The label has become a favorite among talent such as Sabrina Carpenter, Olivia Rodrigo, Rosalia, and more.
The opening follows the success of the brand’s SoHo flagship in New York, which opened in September 2024.
In October, this was not necessarily the frontrunner in the race to take over the IKKS Group. The French premium ready-to-wear specialist, owner of the eponymous brand as well as One Step and I.Code, attracted around a dozen bidders after being placed in receivership at the start of autumn, including the respective owners of The Kooples, Pimkie, Morgan and Caroll.
But in the home stretch, the duo of Michaël Benabou, co-founder of VeePee (then called Vente Privée) and head of the investment company Financière Saint James, and Santiago Cucci, a specialist in premium ready-to-wear and former head of the Levi’s and Dockers brands, who for a time supported the leadership of Dutch label G-Star, strengthened their bid. The entrepreneur, a sports enthusiast who knows the case well, having taken over as chairman of the HoldIKKS holding company last year, knows that competitions are decided right up to the last minute. Despite the loss of almost half the workforce, their offer, which safeguards 546 jobs and includes 119 directly operated stores, won the backing of the group’s works council (CSE) and was formally approved by the Paris Court for Economic Activities.
A few hours after the decision was made official, Cucci outlined his roadmap for IKKS to FashionNetwork.com.
Santiago Cucci headed Levi’s in the United States and set a new tone at Dockers – Archive Dockers
FashionNetwork.com: What was your reaction to the announcement of the court’s decision?
Santiago Cucci: We’re delighted to be taking over this iconic brand. I think it’s a brand that touches the hearts of the French. We all have a history with IKKS, whether from our younger years or through our children, often tied to festive moments. This means there’s a whole generation entering adulthood already very familiar with the brand and feeling positively towards it. That’s the capital we’re taking on today. And this affinity extends well beyond end consumers: of the 118 affiliates we contacted, 116 said yes.
FNW: Because beyond the 119 directly operated stores, you had to convince partners to come on board…
SC: Whether with affiliates, suppliers we had to renegotiate with, or across the entire value chain through to consumers, I believe the whole ecosystem still holds the brand in very high regard. Our job now is to make the brand desirable, using digital tools that deliver a strong and seamless customer experience.
FNW: You’re keeping 546 jobs, many of them in stores. What are the next steps, particularly on the social front?
SC: As we’re taking over the company, on Monday I’ll be in Saint-Macaire to meet the employees who are part of the project. We’ll be putting together a new management team across most functions over the next few weeks. I would like to thank the management team, who have done their utmost to steer the company through difficult conditions in recent years. In our takeover plan, we have committed to investing 700,000 euros to acquire the brand’s assets and inventories, and 700,000 euros to contribute to the PSE. Matters concerning those who are leaving will be handled by the court-appointed liquidator. However, we intend to rehire a few people to help secure the path forward over the coming months.
FNW: In your plan, a number of activities were to be discontinued. Where are you going to focus your efforts?
SC: We’re refocusing on IKKS’s adult business. We’re putting the junior business on hold. Even though that’s the brand’s roots, in France the leading player in the junior market is the second-hand segment. We have to accept that reality. But those consumers who were juniors are now adults and already have a relationship with the brand. At the same time, the group had been managing I.Code and One Step. It’s time to refocus on the flagship and discontinue the two brands and childrenswear. It’s important to note that the junior segment accounts for 82% of IKKS’s losses.
The IKKS Junior line will be put on hold – IKKS
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FNW: Does this mean that you think the adult part of IKKS, the core on which you’re refocusing, could be profitable fairly quickly?
SC: You’re right. As early as the first year—2026, which will be a transitional year—we have a profitable business model, with reinvestment back into the company.
FNW: Alongside the buyout, you announced a 16 million euro investment package. What are your investment priorities?
SC: We’ve budgeted almost 17 million euros to get the supply chain engine up and running again. It’s a real machine. We’re going to invest in boosting the brand’s desirability, and in IT infrastructure that is from another era, which we’ll upgrade in the first quarter. In my experience, I’ve always been quick to transform companies.
FNW: What will you bring over from your experience at Levi’s and Dockers? What do you think is essential to the successful evolution of a brand?
SC: We’re going to clarify the brand’s identity and values. We’ll enhance the customer experience, particularly by engaging more meaningfully with our community and relying a little less on promotions alone. To do this, we’ll invest in infrastructure and in our go-to-market. We’ll invest in production capabilities so we can be more flexible and hold inventory that matches market needs. We want to be less dependent on promotional periods.
FNW: Is the idea also to reduce the share of revenue coming from markdowns?
SC: You have to be clear about prices. You can’t set a price and then run permanent promotions afterwards. So we’re going to bring more clarity for consumers to the pricing structure, especially at the start of the season. By the way, the design team has done a great job, which is why we’re keeping them on. Now we’re going to make this offer more visible, with a pricing structure that has to be logical. Encouragingly, the results for this reworked adult offer are positive.
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