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The art of influence: Louis Vuitton’s narrative journey in China

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Last week, Louis Vuitton unveiled a significant new space in Shanghai, “The Louis,” which seamlessly integrates retail, Le Café Louis Vuitton, and the “Louis Vuitton Visionary Journeys” exhibition within a magnificent boat-like facade.

Louis Vuitton’s new travel campaign captures the serene beauty of the Lijiang River, blending iconic trunks and the Soft Keepall with traditional bamboo rafts to reflect a harmonious dialogue between heritage and nature. – Credit by LV

Since the opening of the brand’s first store in Beijing’s Palace Hotel in 1992, Louis Vuitton embarked on its journey into the Chinese market with its iconic Monogram symbol. It wasn’t until the “Louis Vuitton: Voyages” exhibition at the National Museum of China in Beijing in 2009 that the brand’s design philosophy and historical heritage were systematically communicated to Chinese consumers for the first time, marking the completion of Louis Vuitton’s journey of cultural integration with the East.

Later, Louis Vuitton’s “City Guides” series—featuring 32 themed editions—blended its travel philosophy with urban cultural heritage, creating “portable city memories.” In 2022, the Louis Vuitton show in Anaya and the House of Louis Vuitton in Chengdu each became recognized cultural landmarks.

Luxury groups in China are increasingly embracing “cultural long-termism.” LVMH, Louis Vuitton’s parent company, outlined its 2024 China strategy as a shift from short-term traffic tactics to a long-term cultural approach. During the Q1 2025 earnings call, CFO Jean-Jacques Guiony reinforced this direction, emphasizing that sustainable growth in China relies on deeply understanding cultural consumption cycles—not merely reacting to technological trends.

Now, more than three decades later, the brand exemplifies the core principles of Chinese business wisdom through three major events.

Right time (天时 Tiānshí)

At the beginning of June, Louis Vuitton, in collaboration with China Post and DeepSeek AI, launched a pop-up store at the Shanghai Post Museum. This initiative transforms the brand’s travel philosophy into digital art and co-branded stamps, aiming to revitalize traditional letter culture amidst the resurgence of cultural tourism and the digital “Guócháo(国潮)” trend.
 

From June 7 to 15, 2025, Louis Vuitton opened a pop-up space at the Shanghai Postal Museum, showcasing its book series and stationery collections.
From June 7 to 15, 2025, Louis Vuitton opened a pop-up space at the Shanghai Postal Museum, showcasing its book series and stationery collections. – Credit by LV

 
Since its inception, “The Art of Travel” has been central to Louis Vuitton’s identity. Through publications such as the “City Guide,” which explores urban landscapes, the “Fashion Eye” series featuring evocative photography, and the “Travel Book” with its artistic reflections on destinations, the brand has crafted a narrative universe centered on exploration. These works embody the belief that “Life is a Journey,” inviting readers to embark on inspiring odysseys through each page. This collaboration has opened new channels of dialogue with the brand’s next generation of target consumers.

Right place (地利 Dìlì)

At the end of June, “The Louis” was completed at Taikoo Hui on Wujiang Road. This ship-shaped structure pays homage to Louis Vuitton’s nautical heritage and Shanghai’s port culture. Inside, a 1,200 sq. m. exhibition, a collaboration with OMA, and localized dining options—including Monogram dumplings—deeply integrate the spatial narrative with the city’s spirit. This integration of “spiritual symbols” demonstrates Louis Vuitton’s profound understanding of local culture, signifying that a fragmented, symbolic approach is obsolete in favor of a cohesive cultural interpretation.

Right people (人和 Rénhé)

Starting from July, the new travel campaign—beginning along the legendary Lijiang River landscape, captured by American photographer Alec Soth—showcases the Soft Keepall bag on a bamboo raft and Monogram Horizon suitcases with a convoy. Through an international lens, this campaign sheds the “Western gaze” and aims to evoke widespread emotional resonance with Eastern natural aesthetics. 

Following Guilin, the travel campaign will continue to explore China’s diverse landscapes. Together with the other two major events, this initiative aims to seize timely opportunities, deepen urban connections, and cultivate cultural empathy.
 

More than a journey, Louis Vuitton’s new travel campaign captures the contemplative essence while travel becomes a transformative odyssey, and an invitation to uncover hidden beauty.
More than a journey, Louis Vuitton’s new travel campaign captures the contemplative essence while travel becomes a transformative odyssey, and an invitation to uncover hidden beauty. – Credit by LV

 
As Louis Vuitton’s presence in the Chinese market quietly extends beyond three decades, it has transcended its origins as a Western luxury symbol to become a cultural and commercial touchstone—growing in tandem with China’s ’90s-born generation of consumers.

This intergenerational brand evolution can be understood through the dimensions of time, place, and people—navigating market cycles, integrating into the local market, and solidifying consumer perception. This strategic progression, mirroring the ancient Chinese wisdom of “Right Time, Right Place, and Right People,” has propelled Louis Vuitton’s transformation from a mere “top luxury leather goods” brand to a “culturally beloved entity in China,” showcasing the brand’s enduring power of continuous evolution beneath its classic heritage.

Written by Sissi Chu

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Outdoor brand DryRobe wins trademark case

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December 5, 2025

Specialist outdoor clothing producer Dryrobe has won a trademark case against a smaller label. The win for the business, which produces waterproof towel-lined robes used by cold water swimmers, means the offending rival must now stop selling items under the D-Robe brand within a week.

Image: Dryrobe

A judge at the high court in London ruled the company was guilty of passing off its D-Robe changing robes and other goods as Dryrobe products and knew it was infringing its bigger rival’s trademark reports, The Guardian newspaper.

The company said it has rigorously defended its brand against being used generically by publications and makers of similar clothing and is expected to seek compensation from D-Robe’s owners for trademark infringement.

Dryrobe was created by the former financier Gideon Bright as an outdoor changing robe for surfers in 2010 and became the signature brand of the wild swimming craze.

Sales increased from £1.3 million in 2017 to £20.3 million in 2021 and it made profits of £8 million. However, by 2023 sales had fallen back to £18 million as the passion for outdoor sports waned and the brand faced more competition.

Bright told the newspaper the legal win was a “great result” for Dryrobe as there were “quite a lot of copycat products and [the owners] immediately try to refer to them using our brand name”.

He said the company was now expanding overseas and moving into a broader range of products, adding that sales were similar to 2023 as “a lot of competition has come in”.

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France abandons bid for the total suspension of Shein’s website

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December 5, 2025

On Friday, France demanded a series of measures from Shein to demonstrate that the products sold on its website comply with the law, but dropped its initial request for a total three-month suspension of the online platform, which had been based on the sale of child-like sex dolls and prohibited weapons.

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At a hearing before the Paris court, a lawyer representing the state said that Shein must implement controls on its website, including age verification and filtering, to ensure that minors cannot access pornographic content. The state asked the court to impose a suspension of Shein’s marketplace until Shein has provided proof to Arcom, the French communications regulator, that these controls have been implemented.

Shein deactivated its marketplace- where third-party sellers offer their products- in France on November 5, after authorities discovered illegal items for sale, but its site selling Shein-branded clothing remains accessible. The state invoked Article 6.3 of France’s Digital Economy Act, which empowers judges to order measures to prevent or halt harm caused by online content.

“We don’t claim to be here to replace the European Commission,” the state’s lawyer said. “We are not here today to regulate; we are here to prevent harm, in the face of things that are unacceptable.” At the time of writing, the hearing is still ongoing.

In a statement issued last week, the Paris public prosecutor’s office said that a three-month suspension could be deemed “disproportionate” in light of European Court of Human Rights case law if Shein could prove that it had ceased all sales of illegal products. However, the public prosecutor’s office said it “fully supported” the government’s request that Shein provide evidence of the measures taken to stop such sales.

France’s decision comes against a backdrop of heightened scrutiny of Chinese giants such as Shein and Temu under the EU’s Digital Services Act, reflecting concerns about consumer safety, the sale of illegal products, and unfair competition. In the US, Texas Attorney General Ken Paxton said on Monday that he was investigating Shein to determine whether the fast-fashion retailer had violated state law relating to unethical labour practices and the sale of dangerous consumer products.

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Kappa goes local for football campaign that traces a ‘lifelong love of the game’

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December 5, 2025

BasicNet’s Kappa turns back the sporting clock for its new AW25 collection, which celebrates “local heroes in football” with a community-focused campaign “honouring the places and people that inspire a lifelong love of the game”.

Image: Kappa

The campaign shines a light on local talent Tyrone Marsh in his hometown of Bedford, revisiting the streets, pitches and community spots “that shaped his football journey”.

Local photographer Simon Gill, who had pictured Marsh during many home and away games, not only “captures the Bedford Town player in the spaces that helped define his skill”, but also highlights the brand’s “rich football heritage with contemporary streetwear energy, creating visuals that pay tribute to community, culture and grassroots football”.

The journey includes Hartwell Drive, the early days of his after-school kickabouts, Hillgrounds Road, synonymous with Bedford football culture, and then onto Faraday Square, locally identified by the concrete pitches and community spirit.

To reflect that journey, the AW25 collection “offers a sense of nostalgia” with Kappa’s long-standing history in fashion and sports “seen through the Omini logo placements and 222 Banda strip”.

The campaign sees Marsh wearing Kappa styles including the Lyman and Uriah Track Tops paired with the Ulrich Track Pants in classic colourways including navy and light blue.

The wider collection includes track tops, track pants, shorts, polos, sweatshirts and T-shirts, available at select retailers across the UK including 80s Casual Classics, Terraces Menswear and RD1 Clothing.

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