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The 40th Festival de Hyères opened on Thursday, buoyed by palpable enthusiasm

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October 17, 2025

The atmosphere on the forecourt of Villa Noailles was effervescent, with a tightly packed crowd delighted to be back together again this year at the Hyères International Festival of Fashion, Photography and Accessories. Yet this must-attend event for fashion and emerging talent had been under threat from a severe budget crisis. In the crowd, there was palpable relief and a determination to do everything possible to make this 40th edition a success.

Crowds flock to the opening of the 40th Hyères Festival – ph DM

On the roof of the imposing rationalist building that hosts the event on the heights of Hyères, in the Var, a flag bearing a multicoloured sun flies. The flag was designed by Jean-Charles de Castelbajac, who is on the Fashion competition jury. He stands alongside the other juries and institutional representatives on the new stage set up in the garden for the opening ceremony, set against the backdrop of another large rainbow sun. This new arrangement, a departure from the usual ritual at the villa entrance, gently signals the transition.

“This sun represents what Villa Noailles is all about: dream, creation… It’s the sun that will celebrate this 40th edition,” declared Pascale Mussard, the institution’s president, the first to speak on Thursday evening, thanking “all the people who make the Festival possible”.

The mayor of Hyères, Jean-Pierre Giran, followed suit, thanking, not without a certain emotion, all those present. “There are many of you here, and that’s what matters most, demonstrating your commitment to this project of creativity, modernity and youth,” he told the audience.

“This Festival project is one of a kind, particularly in terms of its reach and longevity,” emphasises Hugo Lucchino, the new general manager of the Villa Noailles art centre, who oversees not only the renowned competition for young designers but also other events such as Design Parade.

Having taken up his post just a few days ago, he pays tribute to his predecessor, Jean-Pierre Blanc, the Festival’s emblematic founder. The mayor and Pascal Morand, executive president of the Fédération de la Haute Couture et de la Mode, also pay tribute.

Before declaring the Festival officially open, Lucchino also thanked, “for their unfailing support,” the partners who have all stepped up at this pivotal moment for Villa Noailles. These include local institutional partners and the French Ministry of Culture, as well as private sponsors such as Chanel, Le 19M, LVMH, Hermès, Supima, Kering, American Vintage and Première Classe, to name but a few.

Support for creativity

“I’m really happy, I feel there’s incredible energy. You can sense that everyone is fully on board. We all want it to continue, because it’s a great festival,” said designer Lutz Huelle, who was on the jury in 2015. “We’re witnessing a kind of ‘reset’. The fact that there’s no jury president this year, but only fashion professionals, is a good idea, because Hyères is, above all, a Festival for young designers and students.”

Mauro Grimaldi, a consultant in the luxury sector who has been attending the event for thirty years, reiterated how important it is to support events of this kind.

“All anyone talks about is money, but it’s crucial to support independent creativity, because the young talent it generates is what feeds the fashion industry. That’s why this is a key edition,” he concluded.
 

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Zara turns to AI to generate fashion imagery using real-life models

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December 18, 2025

Zara has become the latest fast-fashion retailer to use AI to help create new images of real models in different outfits, speeding up the production process as part of an industry shift that could have a major impact on fashion photography.

Inside a Zara store

Zara’s AI experimentation follows Swedish rival H&M, which earlier this year said it had created AI clones of models to use in marketing. European online fashion ⁠retailer Zalando is also using AI to create imagery faster.

“We are using artificial intelligence only to complement our existing processes,” a spokesperson for ⁠Zara owner Inditex said in a statement. “We work collaboratively with our valued models- agreeing any aspect on a mutual basis- and compensate in line with industry best practice.”

Zara’s move was first reported by London business-focused newspaper ‍CityAM, which ‌cited an unnamed model saying Zara asked for approval to edit images of them ⁠with AI to show different items, ‌and that they were paid the same amount as if they ‌had travelled for another photo shoot.

H&M and Zalando, like Inditex, have said AI would complement their creative teams’ processes and help them be more efficient rather than replacing them, downplaying the risk to photographers and production teams who work on fashion shoots. Inditex chair ‍Marta Ortega, daughter of the founder Amancio Ortega, has spoken in interviews about her passion for fashion photography.

Since 2021 her MOP (Marta Ortega Perez) Foundation gallery in A Coruna, the town in ‌northern Spain ⁠where ​Zara was founded, has hosted exhibitions showcasing the work of major photographers. It is ⁠currently ​showing Annie Leibovitz’s fashion photography, and previous exhibitions have spotlighted photography greats Steven Meisel– with whom Zara has worked extensively- and Helmut Newton.

Ortega has tried to move Zara upmarket, cutting ​store numbers to focus on fewer, bigger flagships with a more spacious, sophisticated feel. Isabelle Doran, CEO of the Association of Photographers in London, said ⁠the use of AI would reduce the ⁠number of times photographers, models, and production teams are commissioned, impacting a whole ecosystem of established professionals as well as early-career fashion photographers trying to get a foothold in the industry.

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Amid strong growth, France’s Zeta branches out into smart shoes

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December 18, 2025

French eco-conscious footwear brand Zeta has expanded its range to include smart shoes with its latest collection, Saudade, which it is showcasing at its pop-up at 3, rue Sainte-Croix-de-la-Bretonnerie, in Paris’s Marais, from November 5 until December 29, 2025.

Zeta steps into Paris with a year-end pop-up – Zeta

This move is very recent and, in its first two months, the new product category accounted for 20% of sales. It has also increased the number of Zeta’s manufacturing partners, with the brand producing exclusively in Portugal. It now works with five factories: two dedicated to trainers and three to shoes (loafers, ballet flats, and smart shoes). The brand also plans to include sandals in its next summer collection.

Portuguese at heart

When Laure Babin talks about Portugal, her long-standing attachment to the country is clear. This bond has been forged over the course of the Zeta adventure. Today, the entrepreneur and designer travels there several times a year, and the manufacturers have become ‘friends’. She is also supported in the creative process by a professional based in Portugal. The brand’s latest collection, entitled ‘Saudade’ (‘nostalgia’ in Portuguese), is inspired by the country’s time-honoured craftsmanship.

The brand presents its latest collection, entitled 'Saudade'
The brand presents its latest collection, entitled ‘Saudade’ – Zeta

Zeta’s creative approach is complemented by collaborations- for example with ready-to-wear label Émoi Émoi in 2024. Laure Babin also plans to announce a new collaborative release soon. Her dream partnership is to work with Flotte and develop rain-ready versions of the brand’s shoes. The brand also boasts a ready-to-wear range of essentials and recycled fleece jackets.

From grape pomace to coffee grounds

This stronger presence in Portugal is linked to the brand’s sustainability commitments, which have set it apart through the use of materials derived from agricultural waste. It began with grape pomace (for leather), then maize (for textiles), before collaborating with Nespresso on coffee grounds in 2022. After eight months’ work with a Portuguese manufacturer, the brand secured exclusive rights to the material for one year, before its availability was opened up to other market players. In 2023, the brand decided to move into leather made from olive pomace, the name given to the waste from oil production.

The brand bases all its production in Portugal
The brand bases all its production in Portugal – Zeta

With these commitments, Zeta hopes to secure B Corp certification and entreprise à mission status in 2026, as it prepares its applications. Securing these labels would mark a major step forward for this Bordeaux-based brand, founded in 2020 by Laure Babin, then a master’s student in management at IAE Bordeaux. Incubated at the Cité Numérique de Bègles in Nouvelle-Aquitaine during its first year of activity, the start-up was launched thanks to a crowdfunding campaign, enabling it to sell 3,000 pairs of shoes. Today, Zeta has grown, and is driven by a team of eight, regularly supported by freelancers.

Footwear, an important lever for sustainable action

Why shoes? The answer is simple: footwear is typically polluting and universally consumed. It therefore represents a powerful lever for sustainable action. More than five years after its founding, the eco-conscious label is distributed in France, Italy, the US, and Asia through a network of 70 retailers. Born as a DNVB, Zeta was able to move into wholesale from its first year, with the support of the Cité du Vin in Bordeaux, which still sells its shoes. While the post-Covid era brought a new lease of life to physical retail, Zeta is now reinvesting in digital, at a time when the market is tightening.

Zeta tests the waters in Paris, where its target clientele is concentrated
Zeta tests the waters in Paris, where its target clientele is concentrated – Zeta

Even so, its Paris pop-up is an opportunity to test a direct presence in the French capital- favourable ground for its development, since Zeta’s target is urban 30- to 35-year-olds in the CSP+ bracket. ‘The response has been very positive so far,’ says Laure Babin. The pop-up enables the brand to meet its customers and reach an international clientele, showcasing its bestsellers and winter collection. This year, for the first time since its creation, the brand faced the issue of dormant stock and took part in Black Friday to clear it.

Protecting sustainable European businesses

‘We’re well established in the trainers sector,’ says Laure Babin, despite an ‘uncertain’ climate marked by falling purchasing power and unfair competition. Zeta has joined the complaint against Shein brought by the Fédération Française du Prêt-à-Porter Féminin (FFPAPF). This competitive pressure is particularly tough for the label, which intends to keep production in Portugal.

The brand now sells loafers, ballet flats and smart shoes
The brand now sells loafers, ballet flats and smart shoes – Zeta

At the end of 2024, the company organised its first fundraising round and raised €600,000, from its community but also from figures such as William Hauvette (founder of Asphalte), Philippe Berland (former CEO of La Redoute), and some of the founders of the green bank Green-Got. A crucial boost to accelerate its operations.

For the 2025 financial year, which ended last August, the company achieved annual growth of 20%, despite profitability challenges. Sales momentum is set to accelerate in the current financial year, reaching +70% by August 2026.

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Faguo and Losanje aim high with a series of upcycled pieces

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December 18, 2025

In February, the French low-impact clothing brand Faguo will launch several thousand T-shirts and a sweatshirt produced by Losanje, a specialist in the industrialisation of upcycling for clothing and accessories.

Faguo x Losanje

For this series, Faguo has opted to produce Lugny T-shirts, featuring the brand’s tree logo on the chest, along with the Dirac hooded sweatshirt. The former, available in blue and dark green, is priced at €60, while the latter, in blue, costs €105. The pieces were made from garments collected at sorting centres in France and across Europe, then cut and assembled by Faguo’s teams.

“We felt it was important to choose our iconic pieces for this collaboration, to help shift perceptions of upcycling,” Anaïs Barry, Losanje’s marketing and communications director, tells FashionNetwork.com. “Our aim is always to dress people with the smallest possible environmental impact. With upcycling, we reduce that impact by a further 90% compared with a standard Faguo garment. But we’re also counting on the pieces appealing in their own right as products.”

For Losanje, the stakes are high. The French company, whose aim is to prove that upcycling can be an industrial alternative to producing new clothes, has delivered what could be, in Europe and worldwide, the first 100% upcycled collection produced in several thousand unique pieces, according to Simon Peyronnaud, president and co-founder of Losanje.

“We’ve already released drops with brands such as Miu Miu and Marine Serre, collaborations that involved dozens or hundreds of pieces,” explains the executive. “This time, we’re looking at genuine repeatability. It’s been a highly instructive collaboration, and one we have high expectations for, to demonstrate that we can source existing materials here at home rather than from cotton fields.”

Faguo x Losanje

Losanje claims to have reused over 320 tonnes of textile products in five years via upcycling, through collaborations with the SNCF, La Poste, the Comité Paris 2024 and Roland-Garros, among others. To support its growth, the company recently inaugurated a new factory in Nevers, in the Nièvre department.

“We’re moving from a 700-square-metre industrial workshop to a real 2,500-square-metre factory, purpose-built to take us to the next level,” explains Simon Peyronnaud, whose company currently employs 25 people. He hints at several ongoing projects with brands and groups keen to invest in an upcycled offering.

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