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The 12 best catwalk moments this season

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In chronological order – starting in New York and ending in Paris – the 12 catwalk shows that had the most beautiful clothes; empowered the most women; packed the most punch; or took fashion into fresh aesthetic terrain.

Altuzarra

Wuthering Heights in the famed cathedral of finance the Woolworth Building. Brilliant double-face cashmere wrap coats, worn by heroines escaping a storm, like the famed novel’s protagonist Catherine Earnshaw.

Altuzarra – Fall-Winter2025 – 2026 – Womenswear – Etats-Unis – New York – ©Launchmetrics/spotlight

Alpine cashmere sweaters; black riding boots; jodhpur-style pants; fabulous hooded great coats; and soft blousons, ideal for the north Yorkshire moors of Wuthering Heights, or for New York’s sub-zero temperature on the day of the show. America’s most polished fashion statement.
 

Luar

One of two great design communities in BIPOC fashion alongside Willy Chavarria, Raul Lopez wowed in a lower Manhattan lobby with a great gutsy, provocative lust for love display.

Luar – Spring-Summer2025 – Womenswear – Etats-Unis – New York – ©Launchmetrics/spotlight

It’s title was “El Pato”, taken from Hispanic homophobic slang for someone effeminate. Lopez cuts with a scalpel: diagonally slashed tunics; fantasy pencil thin pants suits in a muddy crocodile print; fantastical Martha Graham body stocking-meets-cape looks. Nearly every passage winning cheers from his ecstatic front row. All the way to a fabulous bouffant space commander denim jackets, like an after-hours Lieutenant Uhura in Bed Stuy. Fashion fighting for diversity and inclusion.

Paolo Carzana

A star is born moment for Paolo Garzana and his first proper runway show, presented in a tiny wee pub called The Holy Tavern to just 40 patrons. A delightful gang of beguilingly disheveled dandies and molls, all attired in bizarrely dyed fabrics, crumpled and creased and sewn into Restoration-pirate chic.

Paolo Carzana Autumn/Winter 2025
Paolo Carzana Autumn/Winter 2025 – Courtesy

Beautifully bedraggled, the cast wore a collection that was tied, twisted, coiled and ruched – like extras from “The Raft of the Medusa”. The hottest new talent in the UK. And not a bad pint afterwards.
 

Marni

Francesco Risso may not be the most commercial designer in Milan, but he is the most crazily cool. A collaboration with Nigerian artists Olaolu Slawn and Soldier Boyfriend led to images of wolves, fox tails, dark birds and flying pigs.

Marni – Fall-Winter2025 – 2026 – Womenswear – Italie – Milan – ©Launchmetrics/spotlight

Paintings displayed on the show-space walls and printed onto many phantasmagorical outfits. Talk about composite cool fashion: Crombie coats that become cocoons, tube skirts that had plenty of kick, and shirt dresses morphed into gowns. All presented inside a surreal mock jazz club. Probably the single most original collection of the season.
 

Fendi

Silvia Fendi feted the century of the brand her grandparents founded with an often beguiling collection. Ironically this felt like the best possible examination paper for the job she already effectively carries out – creative director of the Roman house.

Fendi – Fall-Winter2025 – 2026 – Womenswear – Italie – Milan – ©Launchmetrics/spotlight

Flawless flared funnel collar coats worn as dresses; marvelous tubular leather coats in chevron and zig zag mink coats that reeked rich. Eva Herzigova in an accordion pleat silk cocktail; Edie Campbell in a strass encrusted tweed cocoon coat. Talk about passing a test with flying colors.
 

The Row

Poise, poetry and calm at The Row, where half the guests had to sit on the carpeted floor, the better to enjoy the purity of the clothes: begun by super trench-coats – shortened with precise panels; all nipped at the neck with two visible buttons.

The Row - Fall-Winter2025-2026 - Paris ©Launchmetrics/spotlight
The Row – Fall-Winter2025-2026 – Paris ©Launchmetrics/spotlight

Everything classy yet never attention seeking – double-face cashmere coats with tuxedo lapels, lambskin great coats in burgundy or soft spy coats with big lapels in black leather. Exactly the sort of clothes that every lady editor and buyer wanted to wear.
 

Tom Ford

A sweet smell of a hit at Haider Ackermann’s launch collection for Tom Ford. Hyper-ironed leather looks with a soupçon of transgression. Impeccably cut – razor-sharp perfectos for gals; taut biker jackets for guys; redingotes for rockstars; surgeons’ coats for femme fatales.

Tom Ford – Fall-Winter2025 – 2026 – Womenswear – France – Paris – ©Launchmetrics/spotlight

Zegna spent $150 million buying the 20-year license to Tom Ford’s fashion and accessories division, which was not ever noticeably profitable. But this looks like one big bet that is going to pay off handsomely.
 

Róisín Pierce

A moment of grace at Róisín Pierce, who staged three intimate shows in the gilded elegance of the Hotel de Breteuíl, otherwise known as the Irish Embassy in Paris.

Roisin Pierce – Fall-Winter2025 – 2026 – Womenswear – France – Paris – ©Launchmetrics/spotlight

A delicate dreamlike meeting of cotton spirals, snowflake cotton, whisper-light embroidery and feathery tulle that confirmed Róisín as one of the most important young contemporary designers.
 

Givenchy 

Sarah Burton debuted with tremendous panache at Givenchy. Riffing on Hubert de Givenchy’s Bettina blouse; crisp tailoring; little black dresses for Audrey Hepburn; or fishnet tops that read “Givenchy Paris 1952”, the year the house was founded.

Givenchy – Fall-Winter2025 – 2026 – Womenswear – France – Paris – ©Launchmetrics/spotlight

A canny blend of silhouette, attitude and the best costume jewelry anywhere. A stylish home run for Burton, and Givenchy.
 

Issey Miyake

The season’s loudest applause went to Satoshi Kondo at Issey Miyake inside the Carrousel du Louvre. Marrying mannish blazers with beautifully inverted shirts, their sleeves falling before the waist.

Issey Miyake – Fall-Winter2025 – 2026 – Womenswear – France – Paris – ©Launchmetrics/spotlight

Heralding fabric innovations – like paper and polyurethane V-shaped blazers; or blends of alpaca and thermoplastic synthetic fibers to produce gargantuan rigid coats in fantasy folds and silhouettes. Blockbuster show, epic fashion. 
 

Louis Vuitton

Trans-Euro Vuitton, as Nicolas Ghesquière took just 400 guests to a mock rail station, beside a real one – the Gare du Nord. A fitting metaphor for the designer’s latest blend of futurism, active sport, techy materials and tongue in cheek humor.

Louis Vuitton – Fall-Winter2025 – 2026 – Womenswear – France – Paris – ©Launchmetrics/spotlight

Talk about taking risks: leather shorts cut like lotus flower-shaped Kiki Bachi basins, paired with transparent latex dusters. Graphic anoraks with road signage Vuitton logos; or tartan blankets brilliantly draped into sexy after-hour saris. For evening, samurai armor-shaped knit tops over vast folds of mille feuille chiffon dresses. No wonder French First Lady Brigitte Macron gave him the warmest imaginable embrace when Nicolas took his bow.
 

Miu Miu

Unquestionably, the single most influential show in fashion today.

Miu Miu Fall/Winter 2025
Miu Miu Fall/Winter 2025 – Courtesy

This season, Miuccia entitled the collection “Femininities”, and her exaggerated ideas – cone bras; triangular structures in felted wool; tailoring that sat off the body; ultra-see-through transparent silk all looked sensational. As did her hyper eclectic and sexually diverse cast. Vive la Resistance.
 

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John Lewis reports surging profits despite flat sales at department stores

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John Lewis Partnership’s (JLP) results for the year to the end of January showed the retailer in recovery mode. Although it’s not yet at peak performance, it’s clearly on the way back.

John Lewis/SS Daley

With its unaudited results on Thursday, it talked of “transformation delivering solid progress” as profit before tax and exceptional items tripled from £42 million to £126 million. Profit before tax grew from £56 million to £97 million, up 73%.

Sales were up 3% year-on-year at the group that owns John Lewis department stores and Waitrose supermarkets, hitting £12.8 billion.

The operating profit margin improved to 2%, up 0.9 percentage points, and customer numbers grew by 2% over the year. Cash generated from operations increased 23% to £532 million and it repaid a £300 million bond from cash reserves resulting in its lowest borrowings since 2002.

There was still no return of the coveted bonus for staff (or Partners as they’re known at the employee-owned business), but it has invested a further £114 million in Partners’ pay and up to £600 million in business transformation, which has taken priority over a bonus this year.

Waitrose supermarket sales grew 4.4% but at the John Lewis department store/webstore operation, sales of £4.8 billion were only “in line with last year” — that is, they were flat. And the identical £4.8 billion figure it had achieved in the prior year had actually been a 4% fall, so the latest period’s figures still didn’t get John Lewis back to where it had been a few years ago.

Beating the market

However, the John Lewis unit did perform “ahead of the market” sales-wise, “with momentum building across the year”. Its adjusted operating profit was £45 million. 

JLP said the year was pivotal for the department stores business “in what remains a challenging environment for the sector. We have taken steps to invest in the performance of John Lewis. Our focus has been on providing even better value through the return of the ‘Never Knowingly Undersold’ promise, improved customer service and better product ranges”.

That strategy showed early success, with the business experiencing contrasting halves within the year. H1 saw a 3% fall in sales and a £24 million drop in adjusted operating profit due to investments in growth. Marked improvement in H2 led to a 3% increase in sales and £8 million growth in adjusted operating profit, “creating momentum for the future”.

The John Lewis chain and webstore also turned in a good Christmas performance with 4.1% year-on-year sales growth over the eight weeks of peak, “and ‘Brand Buzz’, as measured by YouGov, at its highest for four years”.

JLP has invested heavily in its stores including brand new Beauty Halls in Oxford Street, High Wycombe and Cheadle, “and exciting branded shop fits across Home and Fashion”.

And it has been introducing “new and in-demand brands, with more than 200 launches from the likes of Marc Jacobs and Sign of the Times in Fashion, and Trinny London in Beauty”.

JLP chairman Jason Tarry said of all this: “These are solid results, which show that our customers are responding well to our investments in quality products, value and service. We have made good progress with much more still to do.

“Looking forward, I see significant opportunity for growth from both our brands. Our focus will be on enhancing what makes these brands truly special for our customers. This will involve considerable catch-up investment in our stores and supply chain, underpinned by a strong focus on the core elements of great retail.”

And outgoing CEO Nish Kankiwala added: “Tripling our profit is a significant testament to the progress of our transformation. Both brands are showing good momentum. Our strategic investments in product innovation, quality, service and value have yielded significant improvements in customer satisfaction, attracting more customers to shop with us.”

Copyright © 2025 FashionNetwork.com All rights reserved.



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Hugo Boss sees Q4 recovery but China stays weak and 2025 sales may undershoot 2024’s

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Hugo Boss’s Q4 and full-year results on Thursday talked of a “strong performance” during the quarter, with profitability set to increase “despite challenging market conditions”.

Naomi Campbell – Boss

The company appeared to rebound in Q4, but said that the current quarter remains muted and its expectations for the full year are for sales that might rise a little but that might fall.

More of that later. For now, let’s look at the past year and quarter. Currency-adjusted group sales for the year increased 3% to a record €4.3 billion in 2024, fuelled by a 6% Q4 rise.

That came after the company had clearly struggled earlier in 2024 with Q3 currency-adjusted sales, for instance, having been up only 1% and the business having issued an earlier profit warning.

In the past three months the company saw “accelerating momentum in the Americas” with full-year sales up 8% but Q4 rising 13%, and in EMEA those figures were up 3% and 6% respectively.

However, Asia/Pacific was down 2% in both the year and the quarter, “impacted by subdued consumer demand in China”. That’s clearly not showing any signs of bouncing back just yet.

Back with the positives, the company said it saw “robust revenue improvements in brick-and-mortar wholesale” with the year up 8% but Q4 rising 11%, and physical retail returned to growth with a flat figure for the year as a whole but a 2% rise in Q4.

It also saw gross margin improvements of 30bps for the year and 90bps for the quarter, “driven by substantial efficiency gains in sourcing”.

Earnings before interest and tax (EBIT) fell to €361 million from €410 million, “impacted by retail impairments”, but free cash flow jumped to €497 million in 2024 from €96 million in 2023, “fuelled by improvements in trade net working capital and CapEx efficiency”.

Net income was down to €223.6 million from €269.8 million a year earlier.

As for its expectations for 2025, it said the “macroeconomic and geopolitical volatility [will] remain elevated, with business performance impacted by subdued consumer sentiment”.

David Beckham
David Beckham – Boss

Group sales should be anywhere from down 2% to up 2% but EBIT should rise between 5% and 22% to €380 million-€440 million. 

CEO Daniel Grieder was cautiously upbeat, saying: “Since 2021… we have made significant progress on our strategic journey and delivered above-trend growth. In 2024, we continued our growth trajectory, hitting record sales, supported by a strong performance in the final quarter. This success underscores the increased relevance of Boss and Hugo and highlights the great potential of our two brands.

“Yet the macroeconomic challenges intensified in 2024 and led to a sharp industry slowdown. We therefore focused even more on customer centricity and on our most impactful initiatives. From welcoming David Beckham for a multi-year partnership with Boss to unveiling our new denim line Hugo Blue and launching our new customer loyalty programme Hugo Boss XP, we kept customers inspired and engaged throughout the year. 

“We have not only capitalised on our growth opportunities, but also placed equal emphasis on improving cost efficiency. And I am very pleased that we made substantial progress in the second half. We managed to unlock meaningful productivity gains, which effectively limited expense growth and supported our bottom-line development. At the same time, we generated strong free cash flow in 2024, highlighting the strength of our business model.”

He reiterated that the firm’s “focus on delivering profitability improvements is sharper than ever. The solid foundation we have built over the past years fills us with confidence in our ability to succeed. At the same time, macroeconomic and geopolitical volatility remains high, weighing on consumer sentiment and impacting our business performance since the beginning of the year. Against this backdrop, we stay focused and vigilant, closely monitoring global market developments.”

Copyright © 2025 FashionNetwork.com All rights reserved.



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Bio-materials start-up Sequinova works with Stella McCartney on sustainable sequins

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All that glisters in fashion can also be sustainable. Sequinova, the London-based biomaterials startup, unveiled its “revolutionary” plant-based sequins at Stela McCartney’s Autumn/Winter 2025 Paris Fashion Week runway show.

Stella McCartney A/W25

And the collaboration marks “the world’s first commercial use of plant-based sequins… offering a sustainable alternative to fossil-derived plastics, without compromising on performance or shine”.

Sequinova’s sequins, which debuted on two of McCartney’s hand-embroidered mini dresses, will be commercially available later this year, the first time that customers will be able to purchase bio-based sequin garments.

Its flagship sequins are derived from sustainably-sourced wood and utilise a green chemical process. And by combining plant-based ingredients with bioengineered microorganism pigments, Sequinova is also developing high-performance, bio-based colours optimised to replace fossil-derived colourants.

Citing a global sequin market that’s expected to be valued at almost $17 billion and expected to nearly double over the next decade, Sequinova says it’s a major contributor to microplastic pollution, with the fashion industry responsible for 35% of the world’s microplastics . 

So Sequinova’s innovation “provides a much-needed solution to this pressing environmental and global health issue”, it says.

Clare Lichfield, co-founder of the firm, added: “Stella McCartney is a true pioneer and is the leading industry reference on next-generation materials. Our partnership with her makes commercial plant-based sequin garments a reality and marks the beginning of a revolution in the replacement of petroleum-derived plastic sequins, which cause such destruction to our environment.”

A spokesperson for the Stella McCartney brand added: “These sequins are beautiful and radiant, aligned with our vision of never compromising desirability nor sustainability. Having been a PVC-free brand since 2010, this colaboration brings us one step closer to collections that do not harm our community, fellow creatures and Mother Earth.”

Copyright © 2025 FashionNetwork.com All rights reserved.



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