The start of the year has been particularly dynamic for Stone Island. On Saturday, during Milan Fashion Week Men, the sportswear brand revealed its newly designed showroom on Via Tortona in Milan. And on January 23, the brand will inaugurate its new flagship store on the prestigious Rue Saint-Honoré in Paris, perfectly timed to coincide with Paris Fashion Week.
In both cases, the brand has transitioned to significantly larger spaces, underscoring its ambitious growth strategy and commitment to enhancing its presence in key markets. In Milan, Stone Island relocated from its long-standing space on Via Savona, where it had operated for two decades, to 31 Via Tortona, in the city’s fashionable southern district. The new venue, a repurposed garage and auto workshop, offers a fresh perspective on the brand’s identity.
The expansive 1,750-square-metre building was completely reimagined by Benedetto Camerana Studio, transforming it into a versatile, warehouse-inspired space featuring inner gardens. Flexible removable walls, both straight and curved, allow for customisable layouts tailored to various needs. Collections are presented in visually striking colour-coded blocks, with dedicated areas spotlighting Stone Island’s sublines: Ghost, Stellina, and Marina. Adding an innovative touch, the showroom also features two transparent refrigerators displaying the latest Ice Jackets—garments made with thermal fabric that changes colour based on temperature.
For its Fall/Winter 2025-26 collection, Stone Island has drawn inspiration from Japanese craftsmanship, pushing the boundaries of textile research and innovation. A standout feature is the brand’s first-ever nylon subjected to a colour corrosion process, creating irregular chromatic effects that evoke traditional Japanese hand-dyed indigo techniques. Another innovative piece is a knitted cardigan treated with manual spray-paint techniques using dual dyes, resulting in shifting contrasting colours that vary with light and viewing angle.
A year ago, Stone Island marked a turning point in its journey by launching a manifesto from Milan, signalling a new development phase under the leadership of Robert Triefus, who took the helm in June 2023. The brand introduced a community-driven approach to communication, significantly boosting its visibility. The opening of the Paris flagship store represents a pivotal step in this strategy.
Stone Island first entered the Parisian market in June 2011 with an 80-square-metre boutique at 316 Rue Saint-Honoré. The new flagship store, located nearby at 233 Rue Saint-Honoré, spans two levels, offering a significantly expanded retail space. Designed by the renowned OMA/AMO studio led by Rem Koolhaas, the store will unveil Stone Island’s latest retail concept, initially tested in the brand’s Chicago store and further refined since.
Stone Island was founded in 1982 by engineer and textile innovator Massimo Osti, and has recently undergone a transformative evolution. Carlo Rivetti, a key figure in the brand since 1983, acquired it in 1993 and led it to grow until selling it to Moncler in 2020. Since the acquisition, the brand has shifted its distribution strategy to emphasise direct-to-consumer channels. By September 2024, Stone Island operated 91 directly managed stores and 11 franchised addresses, with direct retail accounting for 46% of total revenue. During this period, direct sales surged by 29%, while wholesale revenue dropped 22%.
For the first three quarters of 2024, Stone Island reported €292.4 million in revenue, a 6% decline compared to the same period in 2023. Europe, the brand’s largest market, accounting for 69.7% of its revenue, posted a 9% drop in sales. Conversely, Asia, its second-largest market with a 23.3% share, saw sales soar by 18%. However, performance in the Americas sharply declined, with sales plunging by 25%.
Experimentation and innovation were the name of the game on the last day of Paris Haute Couture Week. Emerging couturiers took centre stage on Thursday, like Peet Dullaert, 35, from the Netherlands, and Miss Sohee, 28, from Korea. The latter staged her maiden couture week show, as a guest on the event’s official calendar. Dullaert and Miss Sohee unveiled Spring/Summer 2025 collections characterised by contrasting styles.
Dullaert, a Paris-based Dutch designer, showed for the first time at Paris Haute Couture Week exactly a year ago. In his third Parisian show, he juxtaposed glamourous looks with more everyday ones, like the suits and trousers sets or the black tweed maxi coat, worn back-to-front with the cuffs, pockets and buttons at the rear, which could morph into an evening dress if needed.
Dullaert’s couture looks were made from bodysuits and playsuits in tight stretch fabric, on which he added long, sheer flared skirts decorated with geometric patterns embroidered with gems, or made with swathes of silk draped directly on the body, giving the models real freedom of movement. The feeling of freedom was heightened by the use of a wrinkled high-performance fabric developed by the label.
Other looks were covered with thin tassels lined with sequins, or with crystals, with draped white and black tulle, taffeta and other glimmering silks. Dullaert’s looks were characterised by flowing volumes and silhouettes, but he didn’t shy away from intervening decisively in the garments’ construction, for example baring a shoulder or cutting his dresses with long slits along the legs.
The couture show by Miss Sohee, real name Sohee Park, was eagerly awaited. The London-based Korean designer showed twice before in Paris, and was a hit on the Milanese runways in February 2022, backed by Dolce & Gabbana. She pulled out all the stops in Paris, immersing her guests in a magical universe where eras and bold silhouettes mixed spectacularly, showcased inside the gilded halls and under the majestic chandeliers of the Pozzo di Borgo palace.
Miss Sohee’s ladies seemed to be ready for a grand ball with their shimmering, vibrantly coloured crinoline dresses, satin sheath dresses glittering with pearls, and statement coats whose long trains were ornamented with embroidered bucolic scenes, like a golden peacock or floral branches, rich in crystals and sequins. Looks worthy of the Venice Carnival.
Botticelli’s Venus seemed to have inspired Miss Sohee, scallops and seashells being among the key elements in her collection. A large shell rose like a fan at the back of a corset which extended into a long, faded-pink silk skirt. Elsewhere, shells encased the hips in two short bustier dresses in python and crocodile-effect leather, or added length to a bustier entirely decorated with gems that was sewn onto a tulle top dotted with mother-of-pearl drops.
Shells embroidered in small patterns featured on a silk duchesse dress, and more shells in silver pleated fabric turned into a micro hooded jacket over a Fantômas-style black velvet jumpsuit, with a double row of white pearls draped around the waist.
Nothing seemed too precious and extravagant for Miss Sohee’s ladies, who also wore more contemporary outfits consisting of lace jumpsuits, miniskirts and laced thigh-high boots. Park founded her label in 2020, after studying at Central Saint Martins in London, and her customers include scores of celebrities, among them names like Cardi B. and Bella Hadid.
All hail physical retail. The demise of the high street store predicted in the early pandemic period was wide of the mark as a near nine out of 10 of Britons visited a retail destination during October and November.
In fact, 88% now shop in-store, an amazing increase of 86.1% since last May. And it’s been heavily influenced by workers increasingly returning to city and town centre offices as well as consumers aged under 35.
That’s according the the latest Consumer Pulse Report by MRI Software/Retail Economics showing “high streets remain the lifeblood of the retail ecosystem”, leading in visitor frequency with an average of 2.2 visits per person per month “reinforcing their importance as destinations that bring people together.”
The survey reveals that 31% of office workers play a key role in high street retail, with visits peaking during lunch hours while 33% of themchoose to visit after 5pm on weekdays, particularly Tuesdays and Wednesdays which have become the popular days to venture into the office.
“As return to office becomes more widespread, the retail sector has an opportunity to maximise engagement and sales by leveraging these insights and presenting itself as a convenient shopping option for the hybrid workforce”, the report highlights.
Working from home is increasingly becoming a non-starter for many businesses with regular news stories about major companies insisting that their staff returned to the office full-time or at least three or four days a week.
Further, the under-35 demographic is increasingly motivated by experiential retail opportunities.
In November, this age group averaged 9.5 visits to physical retail destinations, more than double the frequency of those aged 55 and over.
Interestingly, the rise of social commerce, which enables shoppers to make purchases within social media apps such as TikTok and Instagram, “is likely influencing footfall into physical retail destinations and creating opportunities for in-store experiences”, the study claims.
Jenni Matthews, marketing & insights director, MRI Software, said: “The latest findings depict a retail sector that continues to adapt and remain relevant as consumer behaviours shift.
“With 88% of the UK population visiting retail destinations and under-35s driving experiential trends, it’s clear that physical retail remains a powerful touchpoint for engagement.
“Retailers have an incredible opportunity to leverage these insights, not just to meet consumer expectations, but to exceed them by creating vibrant, immersive destinations that align with changing consumer behaviours.”
Giving hope to many middle-aged men, David Beckham (49) stars in the new Boss intimates campaign, as the fashion brand stages a major launch of its new Boss One Bodywear collection.
Designed by the Team Laird agency, the campaign’s directed by fashion photography duo Mert and Marcus who apply their distinctive cinematic style to both video and stills of Beckham, who’s first seen pulling up in a classic sportscar and entering a New York City warehouse apartment. On screen, Beckham invites the viewer in (to the beat of the rock anthem In the Air Tonight) before revealing himself wearing just the new black Boss One Bodywear trunk.
The launch is supported by a 360-degree marketing campaign. In a brand first Beckham will appear before audiences in cinemas and at home, appearing in campaign clips on the big screen and on streaming platforms such as Amazon Prime, Netflix, HBO Max, Paramount Plus, and Sky TV.
Stills of Beckham will appear on billboards and in selected high-traffic locations, as well as in Boss stores and department stores around the world. On social media, the campaign will see close to “100 talents of the moment” show off their Boss Ones across various platforms.
Also as a debut for the brand, vending machines will be placed at key locations in Europe and the US, selling hero products from the collection “in a fun, interactive way”. Additionally, over 100 dedicated pop-ups will appear in premium retail locations worldwide, featuring the complete first drop.
The collection consists of men’s underwear essentials, including trunks, briefs, tank tops and T-shirts in minimalist black and white. Crafted from a blend of cotton and elastane, the selection “offers all-day comfort and confidence”.
It will be available on boss.com, at dedicated pop-ups, at Boss stores globally, and via selected wholesalers from 1 February.
Daniel Grieder, CEO of Hugo Boss, said: “The launch of the Boss One Bodywear collection marks another milestone and a new chapter in our long-term strategic partnership with David Beckham.
“It is also a testament to our joint dedication to style and excellence. Bodywear is an iconic product group, and with this campaign, we aim to inspire customers and fans of the brand worldwide more than ever.”