Few couturiers have more momentum than Stéphane Rolland, who has just debuted his first scent, created in partnership with haute niche perfumer Henry Jacques.
Stéphane Rolland’s foray into fragrance – Parfums Henry Jacques
The uber discreet launch comes as Rolland puts the finishing touches to his new Paris HQ, a fresh maison inside an historic address at 39 rue Franklin Delano Roosevelt. It will officially open on December 1.
“It’s everything I need right in the heart of Paris,” said Rolland, as he took Fashion Network on a tour of the 900-square-metre couture house. It’s located in the former HQ of Gastinne-Renette, the armorer who was the official supplier of Emperor Napoleon III. Notably, the pistol used in a duel by George Duroy, the protagonist of Maupassant’s classic novel of ruthless ambition in 19th century Paris ‘Bel Ami’ was Gastinne-Renette.
However, this week, the French couturier is most excited about his debut scents, not shots. The project began when Rolland first met Henry Jacques’ CEO Anne-Lise Cremona 17 years ago in his former salon on Avenue George V.
“From the start I had a crush and realised that if I ever created a scent, I wanted Anne-Lise and her team to make it,” said Rolland. “Because they create the most exquisite, refined creations in scent. Which is why I had a unique emotion discovering their world. Henry Jacques is close to my philosophy. Because they are the most exclusive perfumer and use the rarest raw materials.”
In an era where niche perfumes are a new Eldorado – and where marques like Francis Kurkdjian, Frédéric Malle, and Memo have generated significant revenues and high valuations – Henry Jacques probably makes the most exotic elixirs.
Stéphane’s fragrance debut comes with two variations and three formats. Les Essences, a hyper exclusive perfume, and Les Brumes, or mists in French, which contains organic alcohol. Les Essences is priced at 1,975 euros and 3,170 euros for the 15ml and 30ml flacons, respectively. While Les Brumes, only available in the 75 ml format, costs 1,975 euros.
“Our scent is more expensive than gold!” cheers Stéphane.
Asked about his brief for the nose, Rolland replied: “Well, it was my life!”
“We striped him naked,” laughs Cremona. “For me Stephane is a really great architect, a creator of sublime gowns and structural style. I have a huge admiration for him. When he spoke of his dream for a scent, I realised we do very similar work – with similar codes.”
“It was really emotional,” continues Rolland. “I went back in time to my childhood, and family drama with my father and grandfather. They had a collection of great alcohol – the best whiskeys, bourbons, and cognacs. And they wanted to train me to be a connoisseur of fine alcohol. Which was not always easy.”
“But when I met the nose, Anne-Lise’s son Antonin Khalife, I immediately wanted him to work on this perfume. I felt very humble and small in face of his maturity. He understood me like a doctor. And guided me a certain way. I don’t like citrus fruits. Yet he came back with a blend of orange marmalade with Bourbon, and it was magic. I was pretty demanding. I wanted oriental – but not typically so. Paris chic elegance, but to travel. Contradictory demands – no oud inside the perfume, but incense, yes. So, in the end it’s oriental but occidental also,” laughs Rolland.
Couturier Stéphane Rolland – Stéphane Rolland
What truly sets the new Stephane Rolland & Henry Jacques scents apart is the recondite raw materials, like Rose de May, Centifoglia, which can cost around €40,000 a kilo. In this way, Henry Jacques creates its own rare version.
“Our Rose de May is biologic, organic, and we use horses to plough our furrows, and our own river to irrigate the land. Iris can cost €160,000 per kilo, and Stephane likes to use a lot! He really chose the priciest materials. Sure, you can find Rose de May in Sephora – but not like from Henry Jacques!” insists Cremona.
“That’s why we are really a métier d’art, a skilled artisan. If you make a few million copies of a scent, it has to be with an artificial synthetic rose. We don’t do that,” she snorts.
In her view, it was in the 90s when the whole industry went mass market, but Henry Jacques refused to go with the flow. So, for 30 years the company only produced sur mesure scents for great connoisseurs.
“As we built an exceptional laboratory, we have our own maison de composition. We do not use Firmenich or Givaudan. Unlike practically everyone else,” she snaps, referring to the two largest international fragrance suppliers.
“We do everything in-house in La Motte en Provence,” explains Cremona, referring to an 11the century village north of St Tropez, where Henry Jacques also cultivates jasmine and Centifolia roses. Last year, the house even planted 10,000 new rose bushes.
So far, the new Stephane Rolland & Henry Jacques scents retail in all 10 Henry Jacques boutiques: London inside Harrods, Paris, Dubai, Abu Dhabi, Qatar, Singapore, Hong Kong, Kuala Lumpur, Tokyo, and Beverly Hills. Next year, the business will open in Milan, and in Shanghai and New York in 2027. Soon Stéphane’s scent will also be available in Rolland’s new maison and Henry Jacques online.
“Our boutique concept is that of a home, where we speak about the passion of perfumes. It’s the opposite to what you see in marketing boutiques. Our clients are really passionate, true connoisseurs,” insists Cremona, who was born in Lebanon into a French Italian family.
After a good deal of travel, Anne-Lise’s father Henry founded the perfume house in 1975 in Provence. With a simple concept – be the best in the market, without regard to price.
Hence, Stéphane Rolland’s first drop was just 300 flacons. They all sold out.
Speaking more generally, Cremona believes there is clearly consumer fatigue, in a business overdone by the marketing. Where very educated consumers don’t want to buy just any old thing. Hence the boom in in haute parfumerie with brands like Xerjoff, Frédéric Malle, and Memo, and the even more rarefied Henry Jacques.
“However, we go that bit further. We always use the most exceptional raw materials,” she adds, justifying their high price point. The house’s two best sellers are Blue Vanille at €955 and Roi sans Equipage – €865. While the top price for scents in gemstone-covered, crystal bottles ranges over €3,000.
In a half-century the family has built Henry Jacques into a real business, passing €50 million in annual revenues. With growth accelerating this year, as sales in Europe and the Middle East are up 68%
An industrious lady, Anne Lise splits her time between Provence, Paris, and a vacation home in Pantelleria, next door to the estate of the late, great Giorgio Armani.
Though in Paris, one finds her at Henry Jacques’ haute gamme boutique at 2 Avenue Montaigne, which even boasts its own garden. Where visiting clients and connoisseurs can lunch with views of the Eiffel Tower.
It’s just around the corner from Rolland’s new couture maison. An airy space that includes bridal and couture showrooms; a design studio and an atelier with 40 skilled petits mains.
One of the must-see shows in Paris couture, Rolland’s recent collections have been staged with grandeur. From a Maria Callas inspired catwalk shows inside the Palais Garnier to a marvellous staging within the Salle Pleyel concert hall that riffed on Josephine.
Rolland, who owns 100% of his own business, remains a rarity in an age when most young designer’s career path involves a job in LVMH or Kering. Now Rolland, one the last great independent couturiers, looks poised for a new élan.
NYC-based footwear brand Koio is relaunching The Primo, the high-top sneaker that debuted the brand in 2015, in a limited-edition collaboration with leatherworker and YouTube creator Rose Anvil for its tenth anniversary.
Koio relaunches the Primo with Rose Anvil. – Koio
The updated Primo maintains Koio’s original Italian build standards, with internal upgrades including a full leather Strobel board, leather toe cap and counter, and a gum outsole. The upper is crafted from vegetable-tanned, untreated Vachetta calf leather sourced from Italian tannery Conceria Annarita, allowing the sneaker to naturally darken and develop a unique patina with wear.
“Reintroducing the Primo for our ten-year anniversary is incredibly meaningful,” said Johannes Quodt, co-founder of Koio. “It was the shoe that launched the brand, so bringing it back with Rose Anvil’s technical rigor felt like the right way to honor its legacy. The Vachetta leather will age beautifully, making this one of the most personal and character-rich versions we’ve ever created.”
The Primo first debuted in February 2015 at Koio’s Bowery pop-up, created by the founders as their ideal high-top sneaker. The silhouette remained a core style for five years before the brand shifted focus as its range expanded. Koio continued to receive requests from collectors and longtime customers to bring back the original design, prompting the reissue as part of the brand’s tenth-anniversary celebrations.
“The Primo was already a well-built sneaker, but replacing every internal synthetic component with leather significantly elevates the craftsmanship,” said Weston Kay, Rose Anvil. “Using untreated Vachetta leather means the shoe doesn’t just look good out of the box but it continues to improve over time.”
Koio’s work with Rose Anvil follows the success of their first collaboration—the Koio x Rose Anvil Capri Triple White—which sold out in less than 24 hours.
The limited-edition Primo is priced at $325 and is now available exclusively online.
Victoria’s Secret & Co. on Friday reported better-than-expected sales in the third quarter, prompting the U.S. lingerie giant to raise its full year outlook.
Victoria’s Secret raises full-year outlook on strong Q3. – Victoria’s Secret
The Ohio-based company said sales for the three months ending November 1 totalled $1.472 billion, up 9% from the third quarter of 2024 and above its previously communicated guidance range of $1.390 billion to $1.420 billion. Meanwhile, total comparable sales for the third quarter of 2025 increased 8%.
Victoria’s Secret recouped its earnings, reporting a net loss of $37 million, or $0.46 per diluted share, compared to net loss of $56 million, or $0.71 per diluted share, for the third quarter of 2024.
“With two iconic brands, Victoria’s Secret and Pink, a curated product assortment, high-emotion marketing and a relentless customer focus, we are reinforcing our leadership in global intimates and beauty,” said Victoria’s Secret & Co. CEO, Hillary Super.
“As we continue to advance our Path to Potential strategy, we are accelerating global growth, elevating brand distinctiveness, and unlocking greater value across our ecosystem to drive long-term profitable growth.”
Looking ahead, the company is now forecasting full-year net sales in the range of $6.450 billion to $6.480 billion, compared to prior guidance of $6.330 billion to $6.410 billion for the full year 2025. Adjusted net income per diluted share is estimated to be in the range of $2.40 to $2.65, compared to prior guidance of $1.80 to $2.20.
For the fourth quarter, the company is forecasting net sales to be in the range of $2.170 billion to $2.200 billion compared to last year’s fourth quarter net sales of $2.106 billion.
Bernard Arnault has paid homage to the late Frank Gehry, the brilliant Canadian-born architect who passed away on Friday in Los Angeles.
Frank Gehry
For Arnault, Gehry designed the Fondation Louis Vuitton, widely seen as the most important work of contemporary architecture ever commissioned by a luxury brand.
Gehry died aged 96 Friday after a short respiratory illness, bringing to an end a truly remarkable career that included buildings such the highly acclaimed Walt Disney Concert Hall in Los Angeles and titanium-clad Guggenheim Museum Bilbao, his greatest masterpiece.
“I am profoundly saddened by the passing of Frank Gehry, in whom I lose a very dear friend and for whom I shall forever retain boundless admiration. I owe to him one of the longest, most intense, and most ambitious creative partnerships I have ever had the privilege to experience. His oeuvre, crowned by the Pritzker Prize, is immense. He will remain a genius of lightness, transparency, and grace,” Arnault said in a release.
In October 2014, in the presence of French president François Hollande, Gehry and Arnault opened the Fondation Louis Vuitton, a brilliant Deconstructivist building with a price tag that ran to some €800 million. Riffing on late 19th-century French architecture which revolutionized the use of glass like the Grand Palais and combining that with computer technology and 3D design, Gehry created a beautiful structure. Built on the edge of the Bois de Boulogne, its unique shape suggested a giant sailboat gathering wind in its sails.
Fondation Louis Vuitton – Courtesy
“Frank Gehry – who possessed an unparalleled gift for shaping forms, pleating glass like canvas, making it dance like a silhouette – will long endure as a living source of inspiration for Louis Vuitton as well as for all the maisons of the LVMH group. With the Fondation Louis Vuitton pour la Création, he bestowed upon Paris and upon France his greatest masterpiece, the highest expression of his creative power, commensurate with the friendship he bore our city and the affection he showed for our culture,” Arnault added.
Gehry was to go on a design several stores and handbags for Louis Vuitton and has two more buildings in the pipeline for the luxury marque. A super-store concept building on Rodeo Drive in LA, due to open in two years, and an adjacent structure beside Louis Vuitton Foundation.
“My wife, my children, and I express our deepest condolences to his wife, Berta, and to his children,” concluded Arnault.