Fashion
Six autumn footwear collaborations where fashion meets craftsmanship
Published
2 months agoon
By
Maxwell Hart
Published
October 21, 2025
This season, fashion brands and iconic footwear labels are joining forces to launch new collaborations for autumn/ winter 2025. These creations celebrate craftsmanship, innovation, and the meeting of creative worlds. Here is a round-up of six collaborations defining the season.
Carel x Alphonse Maitrepierre
For Paris Fashion Week spring/ summer 2026, Maison Carel announces its third collaboration with designer Alphonse Maitrepierre, designing the footwear for the runway show of his collection titled “En plein cœur.”
Maison Carel, founded in 1952 by Georges Carel, is a benchmark of Parisian expertise in shoes and leather goods. Renowned for a style that is both pop and timeless, it made its mark in the 1980s through collaborations with Jean Paul Gaultier and Thierry Mugler. A forerunner in the footwear world since 1978, Carel continues to uphold a heritage that blends craftsmanship with creativity and innovation, while regularly supporting emerging designers.
Alphonse Maitrepierre is a Paris-based designer from Montpellier, recognised for his singular, avant-garde universe. He graduated from La Cambre, the Brussels school of visual arts and fashion, in 2016, and began creating garments three years before officially launching his eponymous label at the end of 2018.
In 2024, Maison Carel collaborated for the first time with Alphonse Maitrepierre at the autumn/ winter 24/25 Fashion Week with his “Less & More” collection. Carel created original pieces for the runway, reasserting its heritage. For their second collaboration, Carel again partnered with Maitrepierre for the spring/ summer 2025 collection, “Let’s Play”, marking the second time his creations were worn by the models on the runway at Paris Fashion Week.
The third collaboration, presented during Paris Fashion Week’s spring/ summer 2026 season, spotlights the “En plein cœur” collection at the Musée des Arts Décoratifs in Paris. This collection pays tribute to Paul Poiret and features designs crafted from upcycled materials, incorporating innovative techniques such as 2D and 3D embroidery, laser cutting, and ozone treatment. The shoes, both elegant and bold, embody Maitrepierre’s avant-garde spirit and Carel’s artisanal expertise. They will be available in limited quantities at select Carel boutiques and on the official website before the end of 2025.

The collaboration between Dr. Martens and Rick Owens continues with a new collection that revisits the English brand’s iconic boots.
Dr. Martens, founded in Northamptonshire, England, has become a global benchmark for durable, iconic footwear. Now present in more than 60 countries, the brand continues to produce certain models “made in England” while meeting global demand via manufacturing sites in Asia. Known for its durability and unmistakable style, Dr. Martens also stands out for creative collaborations that push the boundaries of design.
American designer Rick Owens launched his eponymous brand in Los Angeles in 1994 before relocating to Paris in 2003, where he has presented his collections ever since. His complementary lines, Rick Owens Lilies and Drkshdw, extend his avant-garde universe. A multidisciplinary artist, he has also developed a furniture collection and has been the subject of major retrospectives, including one at the Palais Galliera in 2025.
The new Dr. Martens x Rick Owens collection is grounded in the imposing Quad sole and waxed black leather. The 1B60 Pentalace Boot retails at €420, with pearlescent laces and wrap-around lacing. Dr. Martens’ iconic 1460 Megalace Boot is reimagined with extra-long laces forming pentagram motifs, and retails at €370. The Steel Toe Boot is a reinforced version with a steel toe and exaggerated laces, also priced at €370.
Each model features the signature yellow and pearlescent double stitching, as well as a special-edition AirWair heel loop. The campaign was photographed in Rick Owens’ Paris studio, starring artist and DJ Sissy Misfit. The collection is available from October 16 on both brands’ websites, in Rick Owens boutiques, and at select retail partners.

Sandro teams up with Clarks Originals for autumn/ winter 2025, centred on two icons: the Desert Boot and the Wallabee.
Sandro, founded in Paris, has established itself as a byword for accessible luxury, with collections for men and women that are both refined and daring. Evelyne Chetrite, founder and artistic director since 1984, has developed a modern, sophisticated aesthetic, while since 2008, her son Ilan Chetrite has developed the Sandro Homme line by reinterpreting the classics. Today, the brand is present in over 750 locations worldwide.
Iconic British brand Clarks Originals is known for its artisanal know-how and signature designs that span generations. The Desert Boot, created in 1950 by Nathan Clark, was inspired by a handcrafted model discovered in a Cairo bazaar and has become a classic in both men’s and women’s wardrobes. The Wallabee, launched in 1968, has become a touchstone across subcultures, from fashion to hip-hop.
For this collaboration, Sandro reinterprets the men’s Wallabee in premium materials such as sand suede calfskin, cognac leather, and chocolate-coloured pony-hair effect leather. The shoe sits on Clarks’ signature crepe sole. The women’s Desert Boot is offered in an urban take crafted from exceptional materials, including beige shearling and cowhide-effect leather. Prices start from €225 for the Wallabee, €245 for the cowhide-effect Desert Boot and €265 for the shearling version. The collection is available from October 13.

Jil Sander and Puma relaunch their historic collaboration to offer a new interpretation of Puma’s iconic football boots, transformed into luxury leather trainers.
Jil Sander, founded in 1968 by Jil Sander, embodies modernity and refinement. The Milan-based brand, headed since March 2025 by Simone Bellotti, presents collections for women and men including ready-to-wear, shoes, bags, and accessories. Its approach is defined by elegance, purity of line, attention to detail, and innovation in materials. Jil Sander has been part of the OTB Fashion group since 2021 and is present worldwide through around 80 boutiques and its website, in addition to selected multi-brand retailers.
Puma, founded in Germany 75 years ago, is one of the world’s leading sports brands. It designs and markets footwear, apparel and accessories for sport and lifestyle. The company is present in over 120 countries and employs around 20,000 people. Puma regularly collaborates with designers and brands to bring sport and urban culture together, integrating fashion influences into its products.
The new Jil Sander x Puma collection revisits the iconic King Avanti football boot, renowned for its distinctive flap and clean lines. The model is crafted from premium leather, with the Jil Sander logo in gold foil on the side and the Puma logo on the flap, as well as the Jil Sander logo inside. Available in navy and in limited quantities, the unisex trainer has been available in selected Jil Sander stores and on the brand’s website since October 14. This first delivery forms part of an ongoing programme, with a second scheduled for March 2026.
Saucony x Engineered Garments

Saucony and Engineered Garments join forces to revisit the Shadow Original in a premium iteration, blending heritage and modernity.
Saucony, founded in 1898, is a world-renowned running and lifestyle brand. It stands out for its technical innovations and distinctive style, with technologies such as PWRRUN PB, PWRRUN+ and SPEEDROLL. Saucony offers high-performance footwear and apparel for road and trail, alongside sportswear, while developing its Originals line for lifestyle use.
Engineered Garments, founded in New York in 1999 by Daiki Suzuki, offers a singular approach to clothing. Each creation is designed to evolve with its wearer and incorporates subtle, meaningful details. The brand favours a thoughtful, experimental aesthetic, combining streetwear and formality while steering clear of convention.
The EG x Shadow Original reinvents the iconic trainer with a full-grain leather upper, perforated details, a wing-shaped front overlay and an embossed logo on the heel. The lining is pigskin leather, and the midsole and outsole are tonal. Each pair is presented in a co-branded box and dustbag. The trainer is available from October 17 on the Saucony website and from selected retailers, priced at €220.
Neighborhood x Sorel: the first collaboration

Neighborhood and Sorel join forces for the first time with a boot that bridges the urban and outdoor worlds. Designed to face winter with style and versatility, this collaboration embodies the spirit of both brands.
Founded in Canada in 1962, Sorel has long set the standard for high-performance winter footwear. From the legendary Caribou boot to modern designs, the brand is renowned for combining durability, comfort and bold aesthetics, appealing to snow sports enthusiasts and streetwear fans alike.
Since 1994, Neighborhood has defined Harajuku streetwear. Inspired by motorcycle, military and urban culture, the Japanese brand champions the “Craft with Pride” philosophy, blending craftsmanship with an avant-garde sensibility to create pieces that are both authentic and functional.
The fruit of this first collaboration, the Daystorm Horizon boot, combines a leather and rubber upper with both brands’ logos, a GORE-TEX waterproof membrane, a removable OrthoLite insole and a Vibram XS Trek outsole offering reliable grip and performance. Professional snowboarder Kazuhiro Kokubo appears in the campaign imagery, embodying the shared spirit of the two brands. The capsule has been available since October 18 on the official Sorel and Neighborhood websites.
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Fashion
New Look appoints new retail director to spearhead omnichannel strategy
Published
56 minutes agoon
December 8, 2025By
Maxwell Hart
Published
December 8, 2025
Women’s fashion brand New Look has a new retail director with Mark Matthews joining at “a pivotal time” for the 18-44 age-group-sector retailer. He replaces Elaine Cartwright who has just joined M&S as stores director of innovation and implementation.
With extensive retail experience across a range of brands — Bonmarché, George at Asda and Selfridges — Matthews will be responsible for New Look’s store estate and, importantly, implementing its omnichannel strategy across stores “to drive sales and enhance the customer experience”.
From those previous three businesses, his expertise spans operations, visual merchandising and in-store digital. He also brings “a strong track record of enhancing product ranges and modernising stores to improve service and sales”, while also having worked on “future store propositions that strengthen omnichannel integration and colleague engagement”, New Look said of its new appointment.
Key will be his focus on the brand’s omnichannel strategy “optimising its store network to better serve customers across the UK”, it added.
Matthews will be part of New Look’s director team, succeeding Cartwright who had spent over a decade at the retailer.
Helen Connolly, CEO of New Look, said: “Our store estate is a vital part of our omnichannel strategy, and… Mark brings extensive industry expertise and a customer-first mindset that will be key to our next phase of store development.”
That evolving strategy has already seen recent store upgrades, including concept launches at the Bluewater mall in Kent, and in Manchester, which have “delivered strong double-digit like-for-like sales growth, reflecting the brand’s focus on innovation, digital integration and elevating the customer journey,” New Look noted.
It said over the past five years it has “transformed the business and its digital offer, upgrading the website and app, developing a 10 million-strong engaged customer base and maintain category-leading positions in dresses, denim, outerwear, and footwear”.
Earlier this year, it announced a £30 million investment to power the next phase of its digital growth. Part of this investment has supported the development of New Look’s first loyalty app, Club New Look. Following a successful soft launch in summer, it now claims over 700,000 members, “which the store teams have played a significant role in securing”.
Copyright © 2025 FashionNetwork.com All rights reserved.
Fashion
Boux Avenue launches ‘unmissable’ CGI-based gifting campaign
Published
1 hour agoon
December 8, 2025By
Maxwell Hart
Published
December 8, 2025
Boux Avenue has embraced artificial intelligence to create its Christmas message. The result is “one of the most unmissable festive gifting campaigns of the season” with the lingerie/nightwear brand debuting “a premium, hyper-realistic CGI social media stunt that will instantly become a must-see brand moment”.
It’s harnessed the viral power of computer-generated imagery (CGI) to deliver a “fun, high-impact and festive spectacle that puts its desirable gift collection front and centre across the brand’s engaging Instagram and TikTok accounts… along with visibility across the brand’s e-commerce site… directly driving traffic to its full Christmas Gift range”.
The campaign’s narrative features a towering stack of Boux Avenue gift boxes dramatically strapped atop a moving vehicle. As the car rounds the corner, one of the oversized boxes falls, landing on a “glamorous passerby, creating an instant, magical transformation”.
In a “moment of delight”, her casual attire is swapped “for the most desired ‘off-duty’ look of the season”: a premium dressing gown paired with pyjamas adorned in a trending bow print.
With a snap of her fingers, part of the cityscape, including some of the classic London architecture and the delivery vehicle, receive a signature Boux Avenue print makeover, draped in pink textures and the bow pattern, cementing the campaign’s core message: ‘Because Christmas Feels Better In Boux’.
Chief design & product officer Zoe Price-Smith said: “As a London-based brand, we insisted on staying true to our roots, offering our customers and social followers a fun, delightful, and truly unmissable social moment that is set within the London cityscape.
“We chose CGI for its ability to deliver pure fantasy and stop-scroll appeal, to grab watchers’ attention and position Boux Avenue as a leader in both luxurious nightwear and innovative digital storytelling this Christmas season.”
She added: “This CGI stunt is more than just eye-catching content; it’s a way to create enticing digital engagement designed to break through the highly saturated Christmas advertising landscape. With viral media potential, the CGI demonstrates how Boux Avenue can effectively leverage digital media to drive immediate product desire and gifting traffic.”
Copyright © 2025 FashionNetwork.com All rights reserved.
Fashion
Galeries Lafayette’s Arthur Lemoine says opening in Mumbai presents a unique opportunity to be a pioneer in India
Published
2 hours agoon
December 8, 2025By
Maxwell Hart
Published
December 8, 2025
In mid-November, Galeries Lafayette inaugurated its first store in India. In partnership with India’s Aditya Birla Fashion and Retail, the business’ first department store in Mumbai opened its doors in the upmarket Kala Ghoda district, in the south of the metropolis. This street-front concept spans more than 9,000 square metres and, notably, is bringing several French brands to India for the first time. By entrusting its development in this market to local retail giant Aditya Birla, under a franchise agreement, the French group aims to tap into a luxury market valued at 10 billion euros in 2024, according to Business France, and expected to triple by 2030. Arthur Lemoine, CEO of Galeries Lafayette since earlier this year, shares the family group’s ambitions for this opening, outlines the network’s international development strategy, and analyses the situation of the French network, from relations with franchisees to the refurbishment of directly operated stores.
FashionNetwork.com: You’ve just made a landmark opening in India, in Mumbai. The Indian market was very closed off just a few years ago. What opportunities do you see there now?
Arthur Lemoine: India appears to us an extremely promising market, both in scale and momentum. Some long-standing cultural barriers are receding. We are seeing the emergence of new social groups, often educated abroad or building technology businesses, with different aspirations. Given these specifics, it seemed essential to partner with a seasoned local expert.
We met the Birla family, whose company knows the retail, fashion, and luxury sectors in India inside out. They share our family values and long-term vision. The major attraction is opening the first department store on the Indian subcontinent. It’s a unique opportunity to be a pioneer in Mumbai and across India. And we’re delighted to introduce customers to the department-store experience.
FNW: How does your approach differ compared with your openings in the Middle East or China, whether in terms of merchandising, accessibility, or brand selection?
AL: The first difference is that we have a standalone, street-front store, not part of a shopping centre. It’s a magnificent historic building from the 1920s. We designed it as a bridge between the Galeries Lafayette identity, reflecting the French art of living, and local roots in Mumbai, in the Fort district.
As pioneers, we are welcoming both brands already present and many new ones: 70% of the assortment is exclusive. Around 200 brands are entering the Indian market thanks to us.
FNW: There are 300 brands in all? What is the share of Indian brands?
AL: There are indeed 300 brands in total. The vast majority are international, because the aim is to bring novelty and reflect our identity. Nevertheless, we adapt to the Indian market through our assortments and by welcoming local brands. We rely on a local buying team with our partner to be as close as possible to customer expectations.

FNW: Regarding pricing and customs duties, how do you address this long-standing hurdle in India?
AL: We have worked with our partner brands to absorb cost differentials and align our pricing with Dubai. Dubai and Mumbai are very close geographically, only a few hours by plane. It was crucial to have price consistency between the two offers.
FNW: How do you introduce the “department store” culture to a clientele not necessarily accustomed to it?
AL: Many of our Indian customers already shop abroad, particularly in Paris. This has guided our offer and services. For example, we have introduced valet parking services, as our customers travel a lot by car, and private reception lounges. These lounges are essential, particularly during the wedding season, when expectations around service and gifts are very high.
We’re also working on the food and beverage (F&B) offering, which will open next year. We need to find the right balance between a first-for-Mumbai proposition and local tastes. Finally, we are approaching this with humility: the ground and first floors are modular. This allows us to learn from our customers and adjust the format, which we can evolve into a multi-brand space or personalised corners in the months to come.
FNW: The Indian press has pointed out that you have entered into a 15-year commitment with your partner Aditya Birla Fashion and Retail…
AL: We don’t disclose the duration of our agreements. But it’s a long-term franchise agreement. Aditya Birla operates the stores and pays us a royalty in exchange for our brand and sourcing services.
FNW: What are your targets for this store? And why has the Delhi project been pushed back by two years?
AL: Our ambitions are threefold. Firstly, to achieve sales of around twenty million euros in the current phase, before welcoming luxury houses in personalised spaces. Secondly, to make this store the starting point for national expansion. The city of Delhi remains the priority, but the owner of the shopping centre we were aiming for has fallen behind schedule. So we’re looking at other opportunities.
The third objective is to create synergies with our French stores. We want to nurture the relationship with our Indian customers locally and, conversely, introduce our French stores to those travelling in Europe.
FNW: You’re developing in India, but several projects were also announced in China before Covid. How are you progressing in this market at a time when Harrods has announced its withdrawal from Shanghai?
AL: The Chinese market has evolved considerably. We had announced projects before Covid, but we chose to remain cautious and monitor the market. We are seeing the emergence of local players and a shift in spending towards experiences and travel. The health and real estate crises have also weighed on Chinese customers’ incomes. The department store business requires time and significant investment. For our part, it was wiser to put developments on hold to adjust our current business with our local partner. Today, we have three stores in mainland China. We stabilised the network during the health crisis and are now studying how to adapt to the new context.
FNW: Is international development still a growth driver? What other regions are you looking at?
AL: Yes, it’s obviously a growth driver. In addition to India, the Middle East is very dynamic. Our stores in Dubai and Doha are performing extremely well and resonate with our customers on Boulevard Haussmann and at our sites in the south of France. We are also looking very seriously at projects in Saudi Arabia, which is developing rapidly.
FNW: You took up your new position at the beginning of the summer. How has this position changed your approach to the department store, even though you already knew the company well? You’re putting together your own management team, so what ‘stamp’ would you like to put on the general management of Galeries Lafayette?
AL: It’s a company I know very well, both through my family and because I grew up with it. I decided to join the company 15 years ago and have supported it for many years. I’m fortunate to be taking up this position at a time of transition, since Nicolas Houzé (previously CEO of Galeries Lafayette) is now chairman of the group. This allows us to continue our exchanges. I’ve also contributed significantly to the strategy and projects implemented over the last few years. So it’s a smooth handover.
This transition was organised, in particular because my grandmother (Ginette Moulin, editor’s note) decided last year to resign as chair of Motier (the family holding company, editor’s note). This led to a number of structural changes over the past 18 months.
In my new role as CEO, I’m reviewing our organisation. My aim is to develop our in-house talent- I’m thinking of Alexandre, Alix, and Elsa– while welcoming talent from the industry, such as Harold. This new executive committee will support me in defining and executing the new strategic roadmap we are drawing up for 2026.
FNW: You use franchising as an international tool. But you have developed the model in the regions, handing over former directly operated stores in 2017. Following the difficulties encountered with certain partners, such as Michel Ohayon and Société des Grands Magasins (SGM), what is your assessment of this strategy?
AL: The most important thing for us was the sustainability of the business. The department store business needs to reinvent itself, which requires major investment. We chose to concentrate our own investments on a limited number of stores, in our flagship on Boulevard Haussmann and in major metropolitan areas. For the others, franchising with local partners seemed the right option. We had good results with long-standing partners in a city like Rennes. It’s relevant because these partners know their customers better. It also enables us to promote the Galeries Lafayette brand in towns of very different sizes. Because our customers travel, it was a responsible decision to maintain this footprint and to keep these department stores in these towns.
While some partnerships work very well, as with our partner in Béziers, who has just opened in Nîmes, others have been more complex. With SGM, we realised that their commercial strategy was no longer compatible with the Galeries Lafayette identity. We therefore decided to part ways to preserve our brand image.
FNW: Have the specifications for your franchisees changed since then, to secure the brand?
AL: Our most precious asset is the brand. But as you’ve seen, we’re uncompromising when it comes to respecting our positioning. If our paths diverge, we find solutions to end the contracts.
FNW: Has the SGM Group’s strategy and association with Shein had an impact on your international partners and brands?
AL: We reacted so quickly that the question didn’t arise. It was an opportunity to reaffirm our positioning: to offer the best in creation, from accessible to luxury, with a responsible dimension via our Go for Good label, which today represents one in four products sold. Our partners and customers have fully understood and valued this response. When we welcome 37 million visitors to Boulevard Haussmann and 80 million unique visitors to our website, these are customers interested in responsible and creative products.
FNW: The strategy was to consolidate the network in France. But you’ve closed two stores in Marseille and one in Rosny, near Paris.
AL: The Rosny store was a Michel Ohayon franchise. As for the rest, a network has to be alive. The life of this network is made up of openings, like in Nîmes or, a little earlier, at Carré Sénart, which is doing very well, and adaptations, like in Marseille. Marseille is a special city, where the catchment areas have changed dramatically, and it is the only city in France with four department stores.
Conversely, we are investing heavily in our flagship store on Boulevard Haussmann and in our website, which is currently enjoying double-digit growth. We have also renovated Annecy and Lyon Bron, which are performing very well. We have overhauled our womenswear offer in Toulouse and our menswear offer in Strasbourg.

FNW: What’s the situation at the Champs-Élysées department store in Paris?
AL: It’s a distinctive store that suffered after it opened, first from the Gilets Jaunes protests and then from Covid. After three years of close observation from 2022 to 2024, we’re adapting the offer to better meet the needs of international customers and local Parisians. The evolution will continue with the rollout of a more suitable offer in 2026.
FNW: What are your upcoming projects?
AL: Our two major projects in the regions are the renovation of the fashion offer in Nice and a comprehensive renovation in Bordeaux. And on Boulevard Haussmann, we’re evolving the beauty offer with exclusives such as Victoria Beckham, Bottega Veneta, which has opened one of its first two fragrance-dedicated spaces worldwide, and the opening of Louis Vuitton Beauty. The second phase will bring the exceptional fragrance and skincare offerings of leading brands to the dome, echoing the in-store ranges. This evolution will take place in the first quarter of 2026.
FNW: What is your assessment of the Black Friday period, at a time when there is talk of double-digit growth in your online business, and what is the outlook for 2025?
AL: In 2024, we have returned to our pre-Covid business levels. We don’t report on Black Friday performance, but on the last two Saturdays in November we exceeded 200,000 visitors at Haussmann, a level of footfall equivalent to the last Saturday before Christmas last year.
This is encouraging momentum for December. We’ve seen strong growth in Haussmann business since the start of the year, with a dynamic French clientele at the flagship as well as across the network. We are also seeing strong momentum with European, Middle Eastern, and American customers.
But Christmas is obviously a key period in terms of business, as well as in terms of the links created with our customers through window displays. It’s naturally a time when we initiate actions to nurture customer relationships. This year, we launched an AI-based tool on our site to help with gift selection, and the initial feedback has been very encouraging. We expect to finish the year on a very positive note overall.
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