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Saint Laurent, Miu Miu and COS were riding high this summer says latest Lyst Index

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November 5, 2025

The latest edition of the Lyst Index was released on Wednesday, covering Q3, and in a quarter in which all but three of the top 20 brands changed position, Saint Laurent took the number one spot for the first time.

Saint Laurent – Spring-Summer2025 – Womenswear – France – Paris – ©Launchmetrics/spotlight

That came as shoppers searched for its micro bags and boots, but particularly loafers with the label’s Le Loafer being the second-hottest product in the July to September period.

The seemingly-unstoppable Miu Miu held it second spot with Lyst saying it’s “maintaining its grip on the Zeitgeist from collegiate codes to ballet-core styling”.

Importantly as well, H&M Group’s COS brand jumped four spots to become the world’s third-hottest label with searches up 147% this quarter. The brand has been on a roll in recent periods and that doesn’t look to be slowing down as it shows that a mass-premium label can hold its own against the top designer names globally.

Meanwhile, at a very different price point but with a similar minimalist profile, The Row moved up two spaces to number four with 28% growth in demand. And Coach held its fifth spot as it saw a 29% quarterly rise in searches. 

Cos – Fall-Winter2025 – 2026 – Womenswear – Etats-Unis – New York – ©Launchmetrics/spotlight

The rest of the top 10 comprised Prada which was down two spots at number six, Bottega Veneta up two at number seven and Loewe down a massive six places at number eight in the wake of the departure of Jonathan Anderson. Ralph Lauren rose two spots to number nine following Taylor Swift’s engagement announcement in a Polo Ralph Lauren striped dress (this quarter’s ninth-hottest product), and Chloé was down two at number 10.

In the rest of the top 20, Moncler dropped one place to 11 to take it out out of the top 10, but Versace was up four places at number 12. Burberry continued its recovery with a four-spot jump to number 13 and Gucci did the same at number 14. 

Skims continued its product-driven ascent with a 271% year-on-year demand increase to join the top 20 at number 15. But it was followed by a number of fallers with Balenciaga down three places at 16, Jacquemus also down three at 17 and Alaia tumbling six spots to 18. 

Meanwhile Stone Island re-entered the top 20 at number 19 with a 115% quarter-on-quarter rise in searches, with Lyst saying it benefitted from the Oasis reunion tour halo effect. And Valentino returned to the top 20 in 20th place.

Nike moving fast

Interestingly, the ‘Moving Fast’ trio of brands this time weren’t dominated by high-end names. Nike was up 7% demand-wise signalling a potential comeback after it replaced its CEO and returned to performance-focused in innovation and strategic collaborations. And Madewell saw a 34% increase in demand riding the wave of the mall-brand renaissance with shoppers looking for slouchy shoulder bags, flats and jeans. The third brand, Nour Hamour, saw a 49% increase in demand this quarter for the refined, functional leather outerwear label blending Parisian polish with biker-inspired edge. 

Nike x Jacquemus
Nike x Jacquemus

As for those hottest products, top of the list was the Havaianas flip-flop with demand spiking 34% during the quarter. As mentioned Saint Laurent’s Le Loafer was next with The Row’s Eel Loafer also making the elite list at number four. The COS chunky cashmere sweater was in third place and it was actually a comeback for the item as it previously appeared in Q4 last year.

The Skims Nipple Bra was fifth which isn’t surprising on one level as it received a lot of publicity. It saw a 69% search spike in August with Lyst saying that once again it proved the brand ability to “turn conversation into conversion”.

Savette’s Slim Symmetry Pocket bag showed how short wide bags are proving popular, taking sixth place.

The previously referenced Nike comeback saw it with two sneakers in the top 10 including its Jacquemus collab Moon Shoe at number seven and its Shox TL at number eight.

That Polo Ralph Lauren dress was ninth and Coach’s Soft Empire Carryall 48 was 10th.

As for trends during the quarter, Lyst said that quiet luxury continues to have an impact with COS and The Row both demonstrating that. Meanwhile “conviction over reinvention” meant brands with “defined direction and consistent identity” were outperforming those that are in the middle of a creative transition. And brands like Skims and Coach are showing that viral products can also be very commercial, successfully converting social media buzz into actual sales.

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Jaden Smith dreams up a Dadaist debut at Christian Louboutin

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January 21, 2026

Add designer to Jaden Smith’s considerable list of professions- along with actor, singer, and rapper- after the Californian creator dreamed up an impressive Dadaist display for his debut at Christian Louboutin.

Jaden Smith’s take on the world of Christian Louboutin – FashionNetwork.com

 
Evoking a whole plethora of influences from Greek mythology and the Great Paris Exhibitions to Dadaism and the great movement for Civil Rights, in an elaborate set in a disused warehouse in Montparnasse. Mount Parnassus, you will recall, was the home to nine muses in arts and sciences.
 
Two fine works of footwear even had Greek names: The Plato Loafer, a 2017 model with Swisscheese like holes, which Smith updates with the new Neo CL signature on a steel silver coin. And the Asclepius Sling- named after the ancient god of medicine- with the same emblematic coin detail and metallic hardware on the backstrap.

“I brought my personal interest on Greek mythology in as I thought it would resonate with people, as humans at the end of the day are all very similar. I’m combining my perspective of being an African American designer, linked to my more Dadaist thinking into the heritage of a French maison,” explained courteous 27-year-old.

Mythology meets luxury
Mythology meets luxury – FashionNetwork.com

 
Close by stood a Nam June Paik worthy mound of TVs, with video showing images of Martin Luther King’s 1963 March on Washington, The Sphinx, and clips from Dadaist filmmaker Hans Richter.
 
“That art piece is about the overdose of information we experience. This revolution that we are in the midst of right now. And the fact that information is being thrown at us all the time. And the psychological effects of looking at 10 screens at the one time. While also drawing correlations between my ancestry and Christian’s ancestry, and the history of art,” said Smith, attired in a giant gangster jeans, an oversized parka and pearl encrusted beanie.
 
Another installation was a broken temple with fluted columns on which were perched Jaden’s new bags.  Notably a series of humungous backpacks and biker satchels, some with a dozen exterior zippered pockets with gold lettering reading- coins, pills, keys, tools, phone, documents, phones, and chargers. Alongside a surrealist tote finished like a bucket of overflowing paint and a Dadaist style back made in a black and white photo of an urban madding crowd.

Creator Jaden Smith
Creator Jaden Smith – FashionNetwork.com

 
The whole space was dubbed Christian Louboutin Men’s Exhibition, as a small group of models bathed, inevitably, in red light, circulated wearing the new footwear and bags. Large red fabric rolls made into benches allowed one to enjoy a large video montage, including Jaden as a Wagnerian hero posed in front of gothic castles. Which is where we spotted founder Christian Louboutin, in a video stirring a large vat of red paint, before symbolically handing over a paintbrush to Jaden.
 
“It’s about craftmanship, extreme luxury, and highest level of design. That’s what Christian Louboutin is all about,” said Smith, describing the brand’s DNA.
 
Eyebrows were raised when Christian appointed Jaden to the position of creative director, as Parisian designers with two decades long CVs gritted their teeth that an untrained talent got such a coveted position. However, judging by this display, Jaden Smith has the chops, talent, and grace to be very effective in this role.
 
One suspects the gods of style and time are probably rather pleased.

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The Denim Lab project examines the environmental impact of denim at Milan Fashion Week

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January 21, 2026

To coincide with Milan Fashion Week, the S|STYLE 2025- Denim Lab is setting up at Fondazione Sozzani for an edition devoted to the future of sustainable denim and water management in the textile industry. Led by the S|STYLE Sustainable Style platform, founded in 2020 by independent journalist and curator Giorgia Cantarini, this initiative forms part of an ongoing programme of research and experimentation into responsible innovations applied to contemporary fashion.

Designers brought together for the S|STYLE 2025 – Denim Lab project – Denim Lab

The exhibition, open to the public on September 27 and 28, features a site-specific art installation by Mariano Franzetti, crafted from recycled and regenerative denim. Conceived as an immersive experience, it brings fashion design, technological innovation and artistic expression into dialogue.

Water: a central issue in fashion sustainability

Developed in collaboration with Kering‘s Material Innovation Lab (MIL), the Denim Lab brings together a selection of young international designers invited to create a denim look using low-impact materials and processes. They benefit from technical support and access to textiles developed with innovative technologies aimed at significantly reducing water consumption, chemical use, and the carbon footprint of denim production.

This edition places water at its core, an essential issue for a fabric whose production has traditionally demanded substantial volumes of water, from cotton cultivation through to dyeing and finishing. Denim therefore serves as an emblematic testing ground, both familiar and closely associated with the environmental challenges facing the fashion industry.

Outfit created for the Denim Lab by designer Gisèle Ntsama, one of the participants
Outfit created for the Denim Lab by designer Gisèle Ntsama, one of the participants – Maison Gisèle

The fabrics were developed by PureDenim Srl, a specialist in low-impact dyeing techniques, while treatments and finishes were applied by Tonello Srl, a recognised leader in sustainable washing and finishing technologies. The selected designers, from Europe, Asia, and Africa, each offer a distinctive interpretation of denim, blending formal exploration, textile innovation and reflection on the contemporary uses of clothing.

This article is an automatic translation.

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It’s official, Next wins race for Russell & Bromley in pre-pack deal

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January 21, 2026

Next has won the bidding race to take over the Russell & Bromley premium footwear business, ending almost a century-and-a-half of family ownership.

Russell & Bromley

Working with bidding partner and stock clearance specialist Retail Realisation, it’s set to takeover the 147-year-old retailer under a pre-pack administration deal.

Crucially, it means 33 of the company’s standalone stores/outlets and nine concessions (many of them in Fenwicks branches) are likely to eventually close.

The extent of the challenges Russell & Bromley faced can be seen from the fact that this is only a £2.5 million cash deal. Next is also paying £1.3 million for some of the retailer’s current stock with Retail Realisation handling the clearance of the rest.

Assuming the deal gets court approval on Wednesday afternoon, Next will own the intellectual property and just three of the stores.

Those stores are in London’s Chelsea and Mayfair, as well as the Bluewater shopping centre in Kent. Interestingly, that Bluewater store is just a stone’s throw away from the former House of Fraser branch that this year will reopen as a Next megastore.

The remaining stores and concessions will continue to trade for “as long as [they] can” as Interpath’s Will Wright and Chris Pole “assess options for them”. Russell & Bromley currently has around 440 employees.

A source close to another bidder, Auralis, told The Times it was disappointing that its offer, which aimed to safeguard jobs and stores, wasn’t given greater priority by those running the sale.

Russell & Bromley CEO Andrew Bromley called the sale decision a “difficult” one but insisted it’s “the best route to secure the future for the brand… we would like to thank our staff, suppliers, partners and customers for their support throughout our history”.

So what are Next’s plans now. That’s not clear. There had been a lot of attention focused on its likelihood of closing the store chain in the run-up to the sale but on Wednesday, Next said that it will “build on the legacy” of the business and “provide the operational stability and expertise to support Russell & Bromley’s next chapter”.

Next had also been reported to be eyeing a similar deal for LK Bennett, but Sky News reported that it has stepped away from this.

It remains one of the most acquisitive retailers on the UK high street, however, and in recent years has bought brands such as Cath Kidston, Joules, FatFace, Made and Seraphine. It also has deals to handle other key brands in the UK market such as Gap, Victoria’s Secret and Laura Ashley.

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