Real estate services firm Cushman & Wakefield has published a study analysing data from over 2,000 rental transactions carried out in Europe in 2024. The study charts the evolution of the commercial real estate sector in the continent, where retail rents posted an overall increase compared to the previous year. The phenomenon was notable especially in retail parks, which reached record rental levels, and in the prime commercial high streets of Europe’s major cities, a thriving landscape for leading fashion labels. Prime high street rents recorded “strong growth on 44% of the 209 streets analysed – as opposed to 30% at the end of 2022 and 35% at the end of 2023 – while rents were stable on 53% of them,” stated the study.
The Champs-Elysées in Paris – Adam McCullough / Shutterstock.com
The highest increases were recorded on luxury shopping streets, due to “sustained demand and low vacancy rates. Italy stood out for its rent rises, as did commercial high streets in Hungary and Poland, which performed strongly.”
Rental fees on the Champs-Elysées in Paris also increased, after many international brands, notably sportswear ones, established a presence there on the eve of the 2024 Olympic Games. “Since space on the Champs-Elysées cannot be increased, rising demand has had an effect on the rental costs of smaller premises, a phenomenon that is replicated on the Parisian high streets most sought-after by retailers,” said Christian Dubois, head of retail France at Cushman & Wakefield.
In 2024, the number of commercial real estate transactions in Europe was on par with the previous year. There was “a predominance [of transactions for] premises under 600 square metres in almost all business segments, which accounted for 84% of transactions and 22% of rented space in 2024.”
Leisure sector transactions up 15%
Transactions for the leisure sector (climbing walls, VR hubs, music venues etc.) posted an above-average rise in 2024. While the fashion sector topped the ranking in terms of number of contracts signed (accounting for one third of transactions and 39% of rented space), the leisure sector boomed, recording a 15% annual increase in transactions and a 20% increase in commercial area leased compared to 2023.
The leisure sector has an appetite for large premises, and now accounts for 9% of the total commercial real estate area rented in Europe. “Leisure operators have successfully taken advantage of the space freed up by department stores, for example the former Debenhams building in Westfield London, most of which was taken over by Capital Theatre to transform it into a 620-seat auditorium,” stated the report.
At a time when rental costs are driven up by consumer caution and geopolitical uncertainty, brands are focusing their real estate strategy on “ways to maximise revenue while optimising costs.” They are therefore prioritising flagships, opting for quality over quantity. “We are also seeing a significant acceleration in cross-border activity as retailers look for growth in new markets, deploying store opening strategies often focused on individual cities rather than a country as a whole,” said Robert Travers, head of EMEA retail at Cushman & Wakefield.
Looking to 2025, the main element to monitor is the impact of international trade policy on commercial real estate, and therefore whether brands will be seeking new retail space or not. “These disruptive effects will not be felt as quickly as on the stock market, and they are unlikely to apply uniformly, but the new [trade] policies have added complexity and higher costs to the retail supply chain,” said Travers.
Southern California performance lifestyle brand Vuori continues its UK expansion, this time choosing the increasingly popular King’s Road for its third London store.
Following openings in Covent Garden and on Regent Street, the new Duke of York Square two-level store spans over 3,412 sq ft, “featuring unique interior design elements and brand details, creating a distinctive and immersive shopping environment”.
Designed to “encourage customers to explore” Vuori’s men’s and women’s collections, the layout organises products into key categories across leisure, active and lifestyle.
And “fostering a sense of community”, the lower level is a dedicated studio and events space to host wellness classes, events, and gatherings “that embody the Vuori lifestyle and enhance the overall shopping experience”.
The store also features a commissioned art installation featuring thousands of individual hand-cut bronze chain links that form a mountain silhouette, “paying tribute to the brand’s name” — ‘mountain’ in Finnish.
Other features include hand-carved oak panels, decorative shelving and rounded plaster walls that “create a warm, inviting atmosphere” while a central oak tunnel guides visitors through the collections via a glowing circular fixture overhead mimicking the sun.
Custom oversized light fixtures and oak arches define each alcoved section, “enhancing the store’s intimate feel”. And at one of the double-ended entrances, a hand-formed plaster message wall curves around the fitting rooms.
“We’ve been targeting a store on King’s Road since we entered the UK market,” said Andy Lawrence, SVP of International at Vuori. “We’ve worked with our partners at Cadogan to find a great location where we could connect with the Chelsea consumer and be a part of this iconic street. Opening this store represents a key milestone in Vuori’s expansion in the UK and across Europe.”
In 2024, Thule, the Swedish specialist in accessories for cars, motorbikes and bikes, and in bags and luggage, acquired Reacha, a German brand known for modular trailers, producer of an innovative solution to transport kayaks and equipment for other sports on a bicycle trailer. The acquisition boosted Thule’s market position thanks to Reacha’s well-established know-how in car transport solutions for sports equipment, and it also gave Thule the opportunity to enter the bicycle trailer category. At the end of last year, Thule also bought Quad Lock, Australia’s leading brand of mobile phone accessories for bikes and motorbikes, entering another new product category. In fiscal 2024, Thule recorded a 5% revenue rise, to over SEK9.5 billion (over €873 million).
Reacha X Thule
“Reacha integrates seamlessly with our current bicycle transport solutions,” said Martin Pråme Malmqvist, international product manager at Thule, in a press release. “With Reacha joining the Thule family, we can offer people even more ways for transporting their equipment. Thanks to Thule’s extensive distribution network and global sales force, Reacha trailers will be accessible by a much wider audience,” he added.
The Thule group was founded in 1942 in Hillerstorp, in Sweden’s Småland region. In fiscal 2024, Thule recorded revenue of SEK 9.541 billion (about €873 million), up nearly 5% over the SEK9.132 billion generated in 2023. The group set its revenue record in 2021, with SEK 10.138 billion (€930 million). Operating profit in 2024 was SEK 1.622 billion (€148.5 million), up 8%, while gross operating margin was 17%, 0.5 percentage points higher than in 2023 (the margin record was set in 2021, at 22.5%). Net profit was SEK 1.122 billion (over €100 million), up 2%, and cash flow was SEK 2.31 billion (€211.5 million), up 25%. In 2024, Thule generated 4% of its net revenue in Sweden, 26% of it in the Americas, and 70% in Europe and the rest of the world.
The Thule Chasm luggage line
The group operates 35 international commercial offices, has 2,800 employees worldwide and is present in 138 markets, as well as having nine manufacturing sites in seven countries. The components manufacturing and assembly plants are located in Menen (Belgium), Hillerstorp (Sweden), Huta (Poland) and Seymour (Connecticut, USA). Roof boxes are produced in Haverhill (UK), Chicago (Illinois, USA), Neumarkt (Germany) and Itupeva (Brazil). The Piła site in Poland specialises in product assembly, while Thule’s corporate headquarters are in Malmö, Sweden.
By product category, Thule generated 59% of its 2024 revenue in the bike carrier, sports carrier and roof rack segment; 18% of revenue in the RV category; 13% in the juvenile and pets category; and 10% in packs, bags and luggage, a category that includes duffel bags, backpacks, laptop bags, suitcases, rucksacks, consumer camera bags and consumer electronics cases.
Thule has recently opened two stores in the UK, at Covent Garden in London and in Kingston-upon-Thames
Starting in 2025, the latter category will be renamed ‘bags and mounts’, and will also incorporate the products added following the acquisition of Quad Lock, completed in December 2024. Quad Lock is the market leader in performance phone-mount solutions, giving cyclists, motorcyclists and other travellers access to their mobile phones on the go. In 2024, it recorded a revenue of approximately SEK 1.4 billion (€130 million) and EBITDA margin of 25%, and its products are distributed in 100 countries.
Quad Lock is based in Melbourne, Australia, and its DTC sales account for 75% of revenue, compared to approximately 7% in the case of Thule. The acquisition will enable Quad Lock to tap Thule’s extensive dealer network, and has opened up interesting expansion opportunities for Thule, given that Quad Lock has a strong market position among cyclists and a large customer group within motorsports practitioners.
Mattias Ankarberg, CEO and president of Thule – Thule
“Thule has proven that growth and improved profitability are possible even in a challenging consumer market. In 2024, we launched more new products than ever before, added three new product categories, car seats, dog seats and a third through the Quad Lock acquisition, and strengthened our direct-to-consumer channel,” said Mattias Ankarberg, CEO and president of Thule, in a press release. “Updated best-sellers such as our market-leading jogging and all-terrain stroller Thule Urban Glide, our updated Thule Chasm duffel bag, and our next-generation multisport and bike trailer, Thule Chariot, have delivered excellent growth for us. By building on our strengths and scaling up what we excel at, we are well on track to reach our financial targets for 2030: a significantly larger Thule with even higher profitability,” added Ankarberg.
Ankarberg also mapped out the group’s goals for the near future. Thule will focus on market-leadership positions in attractive product categories; on product-driven growth to expand its market share; on making new acquisitions to complement organic growth; on linking Thule’s culture as a premium brand to its products; on boosting supply chain efficiency and capacity, as well as visibility with consumers; and on continuing to invest in product development.
The Subterra 2 backpack by Thule – Thule
As a result of the group’s activity and its positive results, Thule’s long-term financial objectives remain unchanged, as set out by the board of directors and published in 2022: by 2030, the group is targeting a revenue of SEK 20 billion (€1.83 billion) and EBIT margin of over 20%.
Finally, with a focus on sustainability, the Thule group has signed the global commitment to achieve net zero greenhouse gas emissions (GHG) across its value chain by 2050, in line with the Paris Agreement target of a global average temperature rise not exceeding 1.5° C. In addition, the Science-Based Targets initiative has validated and endorsed the group’s GHG reduction targets throughout the value chain.
Barcelona embraced both rebellion and romance during its 2025 edition of Barcelona Bridal Night. Among the high-profile names that have previously graced this event—Marchesa, Viktor&Rolf, Elie Saab, and Giambattista Valli—this year’s spotlight fell on iconic British label Vivienne Westwood. On April 24, the brand unveiled its newest bridal couture collection in the historic cloisters of the University of Barcelona, a 19th-century architectural landmark. The runway show, part of Barcelona Bridal Fashion Week running from April 23 to 27, drew more than 450 guests.
The opening look from the “Vivienne Westwood Bridal Collection 2026” – Barcelona Bridal Fashion Week
“The bridal world is very different from prêt-à-porter shows in Paris, but this event has been really well organized from the start, and everyone has been so kind. It’s been a pleasure,” said Andreas Kronthaler, Vivienne Westwood’s widower and current creative director, in a backstage interview. Kronthaler co-developed the collection over more than six months with Brigitte Stepputtis, the brand’s director of couture, design, and bridalwear.
The “Vivienne Westwood Bridal Collection 2026” featured 34 couture bridal looks, drawing primary inspiration from Barcelona’s streets and energy. “When I was designing, I was thinking about Barcelona and what would suit the city,” said Kronthaler, describing it as “incredible, stimulating, and full of life.”
Several designs reinterpreted the brand’s iconic floral print, originally inspired by the 18th-century Belgian painter and botanist Pierre-Joseph Redouté’s watercolor artworks. In addition to classic bridal fabrics like tulle, organza, and cotton, the collection featured washed georgette, linen, and more cotton, combined with corsetry and menswear tailoring elements. As a tribute to the punk and irreverent spirit that defined the house since its founding by Vivienne Westwood in the 1970s, several looks were styled with long, heavy chains draped around the models’ necks.
Vivienne Westwood Bridal Collection 2026 – Barcelona Bridal Fashion Week
“The brand has evolved so much since its beginnings, and I think its secret lies in its ability to transcend. It doesn’t stay the same—it breaks barriers,” said Kronthaler, known for his subversive creations. “We’ve been making bridalwear for a long time, but looking at today’s collection, I think it’s fantastic and could definitely be worn in the future.”
As part of a shared commitment to education and culture, the organization behind Barcelona Bridal Fashion Week and Vivienne Westwood collaborated to launch several initiatives in local design schools, including IED, LCI and ESDI. These initiatives included mentorship workshops and other projects. Around 300 students from these institutions were invited to a second exclusive show by the British brand at the same venue.
The creative director also shared an uplifting message: “Life is short—make the most of each day. Getting dressed helps. Wearing something nice can lift your day, especially when you’re not in the mood. That’s the power of fashion—for everyone, but especially the younger generation.”
Vivienne Westwood Bridal Collection 2026 – Barcelona Bridal Fashion Week
Andreas Kronthaler became the creative director of Vivienne Westwood following the death of the company’s founder at age 81 in late 2022. “Now I’m alone. But we were together for so many years, doing everything halfway, that I can’t tell where I end and she begins. I feel lucky, privileged, and confident,” said the designer. He added that he tries to look ahead and not take life too seriously these days. “I always think a small dose of humor is a great quality to have,” he concluded.
Barcelona Bridal Fashion Week, organized by Fira de Barcelona with the support of the Catalan government’s Department of Business and Employment, will conclude its 2025 edition on April 26. In parallel, the event is also hosting its annual trade fair from April 25 to 27, featuring around 450 national and international brands specializing in bridalwear, formalwear, eveningwear, and accessories.