The launch of Represent Woman is a big deal for the Represent label and it’s marking that fact inside luxury retailer Selfridges with a six-month pop-up, which opened on Monday. The collection is also available via the Selfridges webstore.
Represent Woman at Selfridges
Located on the womenswear third floor of the retailer’s London flagship — alongside a large mix of other premium and luxury labels — the 650 sq ft space is characterised by “the refined minimalist aesthetic typical of the brand”, replicating the interiors of its LA and Manchester stores.
It also features Represent’s “signature cement finish” and R initial throughout, brushed silver railings and detailing “encapsulating the brand’s essence” with a sleek, monochrome colour scheme.
The company’s head of womenswear Toni Purdie understandably pointed out that “launching this collection in its first season with such a prestigious retailer, is a landmark moment for myself, our team, and for the brand”. It’s undeniable that the chance to such a space within Selfridges’ flagship store isn’t something every new line gets.
Customers will be able to shop drop one of the women’s collection — dubbed Overdrive — at the pop-up and company founder George Heaton said: “We have put a lot into Represent Womanand wanted to come at it like a storm. The brand has grown so much over the past four years, so it felt like the right time and we’re so excited to see it launch.”
Meanwhile CEO Paul Spencer added: “The women’s team has already brought so much energy to the business, and we are sure we can translate that to the consumer. We have huge ambition to be a significant global player and launching women’s is a natural progression towards this.”
Once, at the birth of punk rock, New Wave and street style, the Lower East Side was the trendiest neighborhood in the world. At Coach this season, it is again.
Proudly mining the subcultures or lower Manhattan, and clearly referencing Larry Clark’s cult flick “Kids”, the latest collection by Coach was an ode to those glory days, even if it also riffed on the new generation’s desire to just be themselves.
The show was staged uptown on Park Avenue in the Armory, but the huge red brick set painted on toile suggested a forgotten factory under the old West Side Highway.
Coach’s cerebral creative director Stuart Vevers didn’t live through that golden era in New York – unlike the author of this review – but he sure has absorbed its attitude and style.
The key to the collection was a great series of figure-hugging biker and bomber jackets – in distressed leather or felt, finished with hyper high collars. All paired with gigantic washed-out heritage jeans, patched and lovingly repaired. Leo Fitzpatrick on the prowl.
Vevers, the father of two young kids, added a playful element – with half the cast sporting mini teddy bears, furry rabbits and even woolly carrots. While Vevers new series of sturdy and functional Twin Pocket bags recalled an even earlier era – Bonnie Cashin in the 1960s. A very youthful set of models, many culled from street castings marching around a synth-driven life group – Nation of Language.
One of the biggest differences between major runway shows in Europe and in U.S., is that neither London, nor Milan, nor Paris suffer from months of sub-freezing weather as New York does. And did again Monday.
The result is that in fall/winter collections always have lots of bulky padded clothing. Vevers’ solutions was ingenious – long but snug peacoats with funnel necks and multi-pockets; or floor-sweeping duffell coats or undertaker coats in leather or shearling. All of them had great defiance and insolence, which is what Vevers planned.
“I try to listen to the new generation all the time, and what I hear is they want the right to self-expression, in their lives and in their fashion,” concluded Stuart.
Californian fashion house Frame has chosen its first ever double act to promote its new denim Spring 2025 collection. An intimate scene pairs British actors Sienna Miller and Oli Green for the latest in the brand’s series of ‘Icon’ portraits with this ‘powerful duo’ becoming the first to portray its men’s and women’s collections.
Frame’s campaign series “continues to redefine a new era of storytelling, putting fashion at the intersection of entertainment and art, through compelling casting and creative direction”, we’re told.
So Miller was a “natural choice” for Frame’s co-founder and creative director Erik Torstensson, choosing “an icon of the screen and red carpet, who has transcended her generation to become one of Hollywood’s most celebrated movie stars”.
Meanwhile Green, the London-based actor (Mosquito Coast and The Crown) and model (fronting several fashion campaigns) is the “handsome, promising young actor” in the scene.
The denim Icons campaign, shot by Torstensson, “continues the seminal series set in the bedroom, lending immediate intimacy to the portrait of the couple”. In it, Miller showcases The Vertical in Laurence (high-rise waist, full-length inseam, classic button-fly closure) in debuting the brand’s newest classic straight leg jean in rigid denim. Green wears the relaxed heavy denim shirt and the straight jean in vicente, crafted from sustainable and recycled cotton.
Coty cut its annual profit forecast on Monday after missing second-quarter revenue estimates on Monday, as it grapples with slowing demand for cosmetics in the United States and a tighter control of beauty inventory by retailers.
Rimmel
Coty’s results come shortly after those of Elf Beauty and L’Oreal, which have flagged softer growth in the mass beauty market in the United States as customers splurge less on cosmetics and makeup kits.
This along with tight inventory management by retailers, drug store closures and weak traffic at department stores has led to slowing sales growth for Coty, which is now looking to expand its fragrance lineup.
Coty now expects annual adjusted per-share profit to be between 50 cents and 52 cents, compared with prior forecast of profit at the low of 54 cents to 57 cents range.
The company’s quarterly net revenue fell to $1.67 billion from $1.73 billion. Analysts on average had estimated sales of $1.72 billion, according to data compiled by LSEG. (Reporting by Ananya Mariam Rajesh in Bengaluru; Editing by Anil D’Silva)