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Puma doubles down on Hyrox link, CEO sees huge future for the sport

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October 1, 2025

Global sportswear giant Puma is building on its now-seven-year+ association with Hyrox, renewing and extending the partnership with the fast-expanding brand behind the World Series of Fitness Racing until 2030.

Puma

FashionNetwork.com spoke to its CEO Arthur Hoeld at a major Hyrox event in Hamburg. But first, let’s take a look at the details of its partnership.

It’s calling the extension “a powerful brand moment” and it’s easy to see why. The Hyrox community aims to “break 1.6 million” global members next year “cementing Hyrox as a global fitness phenomenon”. And let’s not forget this is a growing spectator sport too.

As part of the extension, Puma will now also serve as the exclusive title partner of the Hyrox World Championships and will coordinate a Puma x Hyrox signature event annually.

Of course, the Germany-based brand, where Hyrox is also based, will provide all the official sportswear.

It has also signed three additional elite Hyrox athletes as global brand ambassadors. 

For those not yet familiar with Hyrox, it’s an indoor functional fitness race that combines running with different functional workout stations, repeated sequentially. 

It attracted 900,000 athletes in the 2024/25 season and expects to top 100 races of various levels by 2026, becoming “a major movement in the industry by combining running and functional training into one fast-paced competition, [which] is the world’s fastest growing fitness sport”. 

And Puma saw the signs early, “recognising the great potential of this sport” since the first race in Hamburg in 2017 before becoming a global partner in 2023. 

Puma

Since then, Puma “has used the partnership as a successful platform to increase brand awareness with the sport’s many passionate participants and provide performance products that are tailored to the needs of the athletes”.

Calling the association “one of our strategically most important partnerships as a sports brand”, Arthur Hoeld noted it becomes a “great showcase for our innovative performance products… such as our combination of Nitro technology and industry-leading PumaGrip.”

He added: “Our products have proven that they support the different requirements of athletes in this very versatile sport and help them to achieve great results. We are very encouraged by the great feedback we have received from athletes and partners alike, which helps us position ourselves even stronger as a sports brand.”

Athlete roster grows

As part of the announcement at the first major event of the season in Hamburg, Puma also announced an expansion of its roster of elite Hyrox athletes. 

These include Men’s Open Doubles world record holder, Jake Williamson, Women’s Pro Doubles world record holder and Australia’s fastest female, Joanna Wietrzyk, and Hidde Weersma, the Dutch athlete who won the Men’s pro 25-29 World Championships in 2024 (he’s also the strength and conditioning coach of the the body responsible for the participation of Dutch athletes in the Olympic and Paralympic Games). 

They’re now part of a roster of more than 60 Puma athletes in the sport, including recently crowned 2025 Hyrox World Champion Linda Meier, 2024 Hyrox World Champion Megan Jacoby and three-time Hyrox World Champion and Men’s Pro world record holder Hunter McIntyre, among others.

Puma’s VP of Brand and Marketing, Richard Teyssier, added that “the continuation of this partnership reinforces Puma’s commitment to the growth of fitness racing and provides the right platform to increase our brand awareness within the Hyrox community and beyond”.

View from the top

Arthur Hoeld
Arthur Hoeld – Puma

Speaking further to Arthur Hoeld, we dug deeper to find out what’s special about Hyrox, why Puma will always be about performance sports rather than just style, and much more.

FashionNetwork.com: What is it about Hyrox that’s key for you?

Arthur Hoeld: Puma is a very dynamic brand in a very dynamic industry and celebrating the extension of the Hyrox partnerships [builds on that dynamism]. It is a great platform for us, that’s why I was very keen when I joined three months ago I asked how can we leverage [this partnership]?

FNW: It was clearly clever of Puma backing the right horse all those years ago by getting involved with Hyrox.

AH: It’s important to feel at the grass roots what’s happening, for who are the new players. For Puma it was seeing the potential of [Hyrox] becoming a global movement and being involved in that was important, not just the sport itself, but as a platform for developing new products, which [this] sport doesn’t have right now.

The sport and the competition element itself hasn’t been done before. Our industry has training products which are very static (like weightlifting) or you have running products, which we have as well and are very proud of. But the intersection between those two sports and all of its demand on the equipment, on technology, it is totally new. And we will be the ones to harness this together [with Hyrox] developing those products.

FNW: So you’re ahead of the game here? Are these new sports going to be the football and tennis of the future?

AH: Oh, yes, absolutely. In just seven years Hyrox risen from [an] idea based here in Hamburg and has become a major phenomenon that when we go to any major city right now we have the same amount of participants as the marathon — and marathons have been there for 100 years! We go to London, Berlin, New York, wherever, we command the same amount of attention by a growing group of very dedicated athletes and participants, so the potential is phenomenal. 

FNW: And it’s becoming a growing spectator sport too so that’s another avenue to tap?

AH: Absolutely. It’s broadcast on YouTube and is creating excitement and a major following around the world, but it’s only the very beginning. The dynamic that can start now is people coming to attend the games and watch them taking the broader community beyond the ever-growing active participants.

FNW: And does this have appeal beyond the male sports market?

AH: This is a very democratic unisex sport — men, women alike so I’m very keen on developing female products from the feet up. Anyone can do apparel and specifically in the German female training sector there is a lot of training apparel that has made great strides forward in the last 10 years. But if you want to crack footwear you have to be one of the established brands that can do footwear, and Puma is one of the very few that can do that. Our reputation for innovation and technology will give us a major advantage.

FNW: So how big will Hyrox association be?

AH: It will be bigger than training is nowadays but I think the potential of this new sport will be… well [he said, with a look suggesting that sky’s the limit].

FNW: Looking beyond Hyrox and more generally at Puma, some see this as a golden age for sportswear as a fashion statement. How much is the crossover to be a fashion brand as well as a sport brand important to you and Puma?

AH: [Under my watch] Puma will never be a fashion brand. Puma is and will be a sports brand. It distinguishes us and has distinguished us… rooted in traditional sports, new sports, the potential for innovation, in community-building and the excitement of sports as phenomena, that’s where we are. 

Of course, Puma has been making [style] archives over the last six or seven decades and we will continue to use that, but also match that with innovation. We are here to show serious people we are not just here for style purposes, we have authenticity and a great story to tell. But we are all about sports.

FNW: And how will you communicate that? Earlier campaigns this year for Puma centred on ‘Sporting Emotions’, will that theme continue?

AH: We’re looking at that currently but our communication and how we appear as a brand will have a significant grounding in our sport and innovation in our product. [Technical footwear brand] Nitro is an amazing platform, the technology is winning races in many, many places, but we have a significant opportunity still to tell what it is and how much it can support you as an athlete to run better, run faster. That’s what we will be talking about.

FNW: And is there plenty of upcoming tech, innovation?

AH: [We’ll be] developing further product around the Nitro platform and PumaGrip [footwear], then there will be new technology in apparel — moisture wicking and heat management — all of which are important for [Hyrox], which is predominantly done indoors and no one has really cracked the code for those things yet.

FNW: So are you close to doing that? 

Hoeld wouldn’t commit to answering that question, although he did offer a wry smile!

So it seems there could be news to come on that front. And there will be plenty of news on other subjects with an announcement on the brand elevation strategy due at the end of the month, news that the new London flagship store on Oxford Street “is progressing well” and will open before Christmas, and more store expansion announcements due later this year too.

Watch this space…

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Warped begins worldwide debut in Italy with its menswear line

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January 21, 2026

Warped, a proudly Australian menswear brand, made its debut at the recent Pitti Uomo 109, unveiling its first-ever collection for Autumn–Winter 2026/27. Warped channels a strong, functional and authentic masculinity, free of artifice: a man capable of moving with equal ease through the Australian outback or a metropolis, without ever betraying himself. This vision translates into a collection that combines ready-to-wear, streetwear and active-functional pieces, underpinned by rigorous material research, responsible production, and a strong connection to Australia’s history and identity.

Jack Cassidy Williams, right, wearing Warped alongside one of his sons

The brand is so steeped in the free-spirited, authentic ethos of Mitch “Crocodile” Dundee, a cult figure of 1980s cinema who helped shape the image abroad of the no-nonsense Australian, that even the founder- who arrived in Milan with his two sons, aged 18 and 15, already active in the company- looks like the very character created by Paul Hogan.

“Crocodile Dundee is not just a film to us; it’s a way of being in the world. It’s about a man who hunts crocodiles with his bare hands in the outback and stays true to himself even under the dazzling lights of the metropolis,” Warped founder Jack Cassidy Williams explained to FashionNetwork.com. “It’s the story of a man who enters a sophisticated system without changing who he is. Functional, direct, honest. This is who we are. We’re not here to bend to fashion’s unwritten rules, but to bring our own way of doing things: less artifice, more reality.”

Warped

“Everything in the collection is handmade by my family. We design it, select the fabrics, create the patterns, and develop everything together- my children and I- in Australia. Traditional garments with modern finishes, in terms of handle and functionality; we even offer waterproof clothing, such as GOTS-certified waterproof cotton. Then there’s denim. All the fabrics are 100% made in Italy,” Cassidy Williams continues. At the heart of the collection is extensive fabric research: 100% RWS wool; high-stretch scuba fabrics and bi-stretch wool; cotton denim with a 3D weave effect; water-repellent cottons, viscose and viscose/linen blends for suits, jackets and trousers; high-performance, ultra-comfortable fabrics; and kangaroo-leather laces- a material five times as strong as cowhide- hand-finished with raw edges and authentic details.

“The collection is, in a way, a tribute to America, because the theme is the so-called ramblin’ man, or the free man; it’s basically about my whole life,” says the Australian entrepreneur. “All those people who decided to forge their own journey, to walk the path of life without following someone else. Like Hank Williams, Jack Kerouac, Duke Ellington, Bird, Muddy Waters, Pinetop, or Woody Guthrie- men who honoured life. Nowadays it’s so difficult to be free that freedom really is a state of mind. It’s our first collection through and through; we practically finished it before boarding the plane,” Cassidy Williams laughs heartily, then slips on a floppy wide-brimmed hat, slings a kangaroo hide over his shoulder and, as he pretends to crack a whip in the air, looks even more like Mitch Dundee- all after letting us taste a kangaroo salami and crocodile snacks…

Warped

“Our family has a textile tradition of great depth- more than sixty years- so Warped also works with the best global manufacturers in the mid-luxury segment: lace from France, fabrics from Italy, and other high-quality materials sourced from factories in Turkey, Japan and Korea,” Jack Cassidy Williams continues. “These factories were chosen not for trend’s sake, but because they’re unique- each one different from the next.”

Warped’s menswear collection for Autumn–Winter 2026/27 comprises around 40 looks spanning ready-to-wear, streetwear, and active-functional pieces. Jackets, suits, trousers, shorts, shirts, and T-shirts sit alongside a street and sportswear offer that includes hoodies, joggers and technical garments, all designed to be comfortable, durable, easy to care for, and genuinely wearable day to day.

Alongside the Warped men’s line, the company presented the Golden Age Sportswear (G.A.S) label in Milan, while the Warped Woman, and G.A.S Woman’s Street collections will debut in Italy from next Spring/Summer.

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Paris Menswear Tuesday: Études Studio, Auralee

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January 21, 2026

Two indie fashion brands, Auralee from Japan and Études Studio from France, staged highly contrasting collections on Tuesday, the opening day of Paris Fashion Week Men, testifying to the dynamism of the season in the French capital.
 
Auralee: Purist fashion with polish
 
A moment of grace on Tuesday evening at Auralee, where Ryota Iwai’s deceptively understated designs never fail to impress.

Auralee’s answer to its question: “What makes winter joyful?” – Luca Tombolini

 
Staged in the Musée de l’Homme facing an illuminated Eiffel Tower, the show was the latest pure statement by a designer whose clothes blend subtlety with refinement.
 
Whatever fabric Iwai plays with always seems just right: whether speckled Donegal tweeds seen in brown knit pants for guys, or a frayed hem skirt for girls in this co-ed show. Leather or lambskin jerkins and baseball jackets, all were ideal.

Semi-transparent nylon splash vests or wispy trenches had real cool. While Iwai’s detailing was also very natty- like the flight jacket trimmed with fur.

A women's look by Auralee
A women’s look by Auralee – Luca Tombolini

 
He is also a great colourist- from the washed-out sea green of a canvas ranger’s jacket to the moody Mediterranean blue of a caban. Though his finale featured a quintet of looks in black. Most charmingly a languid, deconstructed double-breasted cashmere coat worn on a shirtless model- the picture of perfection.
 
There were perhaps not that many sartorial fireworks in the show, but there didn’t need to be. This was a purist fashion statement of polish and precision that this audience could only admire.
 
Backed up by a great soundtrack – Sounding Line 6 by Moritz. Von Oswald or the cutely named Autumn Sweater by Yo La Tengo- the whole display won Ryota a loud and long ovation. Fully deserved too.
 
Études Studio: Resonating in IRCAM

Études Studio certainly know how to stage a show. The design duo invited guests into the bowels of the Institute for Research and Coordination in Acoustics/Music, or IRCAM a unique French concept dedicated to experimental sounds.

A look by Études Studio
A look by Études Studio – Collective Parade – Gaspar J. Ruiz Lidberg

Which we enjoyed a lot of thanks to Darren J. Cunningham, a British electronic musician known professionally as Actress. It made for a dramatic mood, as keys and chords swelled and raged throughout this show.
 
As a result, the design duo of Aurélien Arbet and Jérémie Egry titled this Autumn/Winter 2027 collection ‘Résonances.’ Terming it in their program: “A medley bringing into dialogue the minimalist experiments rooted in John Cage’s philosophy with the emergence of intelligent Dance Music in the early 1990s.”
 
The result was a rather moody series of clothes, made in a sombre palette of muddy brown, dark purple, black, black, and even more black.

Muted tones at Études Studio
Muted tones at Études Studio – Collective Parade – Gaspar J. Ruiz Lidberg

 
What stood out were the bulbous, off-the-shoulder puffers, worn over corduroy shirts or roll-necks- topped by some great rancher hats courtesy of Lambert. One could also admire sleek raingear; cool cocoon shaped jerkins and fuzzy mohair sweaters.  And appreciate a sleek A-Line coat and zippered knit safari jacket in a rare women’s look in this show.
 
Photoshopped faces in black and white scarves all looked very appealing, as did the brand’s debut bag, a satchel in tough canvas. And one had to applaud one great dull gold, wildly deconstructed puffer.
 
That said, the collection lacked proper kick and rarely resonated as the show title suggested it would. A decent statement about the mode, but far from a fashion moment. 
 

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Animer launches as French citizen-led union championing regenerative fashion

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January 21, 2026

Not a label, not a lobby, not even a legal entity. That is how Arielle Lévy, president of the Une Autre Mode Est Possible (UAMEP) collective, characterises this nascent union. Animer, an acronym for “Acteurs Nationaux Indépendants Mode Engagée Régénérative,” aims to shine a light on all the initiatives undertaken by fashion stakeholders, from producers to brands, who are advancing responsible, regenerative fashion in France.

The union was founded by eight collectives involved in regenerative fashion – UAMEP

The union was officially launched on Monday January 19, following the petition initiated by Arielle Lévy against Shein in response to the watering down of the anti–fast fashion law. Titled “Paris deserves better than Shein,” the petition drew nearly 140,000 signatures. “I wanted us to unite because I realised how strong the civic voice was,” explains Arielle Lévy. “These collectives are doing superb work and, at a certain point, there is a desire to close ranks, to make society together,” she says.

“Breaking the isolation of initiatives across the regions”

In addition to UAMEP, a number of other collectives are behind Animer, including Fashion Revolution France, L’Âme du Fil (Angers), Collectif Baga (Marseille), Café Flax (Clermont-Ferrand), Le Comptoir de la mode responsable (Poitiers), Le Conservatoire de la Mode Vintage (Isère), and La Grande Collecte/Textile Lab (La Rochelle). “It’s a union of independent collectives, committed to their local areas and sharing the same societal project,” Arielle Lévy emphasises.

The union hopes to represent all French territories
The union hopes to represent all French territories – Collectif Baga

The union plans to focus its efforts on the ground, working across supply chains, regions, practices and even our shared imagination. With “hundreds” of stakeholders already on board via the various founding collectives, Animer is built on ten key ideas: dignity, value-sharing, traceability as a common language, less and better, circular design, smart re-localisation, carbon sobriety, inclusion and plurality, cooperation rather than “sterile competition”, and proof through action.

Animer’s founders plan to bring together all the initiatives active in regenerative fashion across the country. The union hopes to become a preferred interlocutor in defending a societal project focused on respect for the earth, and for men and women. With the help of Fashion Revolution, it aims to act in the national interest by engaging the general public and the country’s institutions.

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