Never before had the Pitti Uomo menswear show featured so many superb stands and original installations. Exhibitors have not held back from investing heavily in order to welcome their clients as well as possible, and even pamper them. As this overview shows, exhibitors have vied in creativity, presenting striking, eye-catching stands that were impossible to miss.
As always, the central pavilion of the Fortezza da Basso, the venue hosting the world-leading menswear show until January 17, was the most visited. Luxury labels, especially the major Italian menswear names exhibiting in the show’s Fantastic Classic section, attract sizeable crowds. Notably, thriving cashmere label Brunello Cucinelli, whose stand extended over nearly 200 square metres, three times as large as those of most of its neighbours.
Many of the stands were decked out like lavish lounges or chic libraries, often with a catering corner, very popular with buyers. Like the stand by Swedish brand Eton, occupying the area at the bottom of the venue’s large central stairs, looking like a private apartment with various entrances and a busy bar, enlivened by a DJ on Wednesday to make the atmosphere even more convivial.
Pitti Uomo exhibitors have tried to replicate in their stands the warm, sophisticated environment that is most conducive to business, thanks to wood panelling, parquet-style floors, sofas, armchairs, coffee tables and rugs. Some of the settings were designed to fully convey the relevant brand’s identity. Mountains were a ubiquitous theme, with snowy peaks featured on huge screens. The world of sports was another theme, exemplified by some stands’ tennis club look, or the pétanque court reproduced by American Vintage.
It was a competition for the most engaging attraction: Tuscan brand l’Impermeabile hired for the occasion a cigar roller lady from local producer Manifatture Sigaro Toscano! Danish brand Gabba called on illustrator Kay Van Bellen, some of whose designs featured on its T-shirts, to sketch the stand’s visitors. Gabba pulled out all the stops, setting up in collaboration with Isko a bar shaped like a giant denim bag, where it offered its clients beers, chips, stickers and other gadgets.
The quirkiest stands were to be found in the Dynamic Attitude section. Sun68, the fast-growing casualwear brand by Venetian group Numero 8, literally invited visitors to ride on a London Underground train, with windows and bright-red sliding doors. Sustainable Italian sportswear label Keeling brought a corner of the tropical jungle to the Fortezza, in the form of large verdant plants.
The trophy for the most spectacular installation must go to Dutch denim brand G-Star, which set up rows of pairs of jeans standing across its entire stand, reflected to infinity by a set of mirrors. At the entrance of the G-Star stand, a food truck in the brand’s livery proved a draw for many visitors.
Two cutting-edge stands, by brands exhibiting at Pitti Uomo 107 for the first time, foreshadowed the fashion of the future, arousing much curiosity. In the first, FabriX installed large AR screens inside consoles shaped like white cocoons, showcasing the work of a digital platform set up in 2022 by the PMQ creative hub with the backing of the Cultural and Creative Industries Development Agency of the Government of Hong Kong (CCIDAHK, formerly Create HK). The consoles allowed visitors to virtually try out digital looks created this season by French brands Mii Collection and Ouest Paris, and Chinese brands Pronounce and Xander Zhou.
Close by, the ‘Beyond Tailoring’ project, promoted by Italian manufacturing group Pattern via its D-House laboratory and various partners, gave a glimpse of what an innovative supply chain for womenswear and menswear could look like in the near future. The stand showcased various cutting-edge technologies, such as 3D printing, an ultrasound sewing machine, heat-fusion welding, and more.
Iceberg Jeans, the iconic streetwear line by Italian label Iceberg, is back. Under creative director James Long, the Iceberg Jeans line embodies a vibrant state of mind: fun, inclusive, contemporary, and accessible. Besides denim, the new collection includes outerwear, knitwear, tailored items, casual wear and accessories.
“I’ve always wanted to give Iceberg Jeans a new lease of life,” said Long, the creative director at Iceberg. “The brand has a unique energy, and like everything that Iceberg represents, it’s always about looking to the future with optimism. I love these designs, and I hope that others too will appreciate them and make them part of their everyday lives.”
Iceberg Jeans debuted in 1986, soon emerging as a bold brand bringing Italian design, with its mix of playfulness and wearability, to the world. Its success was fuelled by word of mouth, and by campaigns that have become pop culture icons, featuring celebrities such as Lil’ Kim and Paris Hilton. The new collection refreshes the positive essence of Iceberg Jeans’s heritage while looking to the future. The Iceberg Jeans Fall 2025 collection will be available at selected wholesale partners, Iceberg stores and online from June 2025.
Experimentation and innovation were the name of the game on the last day of Paris Haute Couture Week. Emerging couturiers took centre stage on Thursday, like Peet Dullaert, 35, from the Netherlands, and Miss Sohee, 28, from Korea. The latter staged her maiden couture week show, as a guest on the event’s official calendar. Dullaert and Miss Sohee unveiled Spring/Summer 2025 collections characterised by contrasting styles.
Dullaert, a Paris-based Dutch designer, showed for the first time at Paris Haute Couture Week exactly a year ago. In his third Parisian show, he juxtaposed glamourous looks with more everyday ones, like the suits and trousers sets or the black tweed maxi coat, worn back-to-front with the cuffs, pockets and buttons at the rear, which could morph into an evening dress if needed.
Dullaert’s couture looks were made from bodysuits and playsuits in tight stretch fabric, on which he added long, sheer flared skirts decorated with geometric patterns embroidered with gems, or made with swathes of silk draped directly on the body, giving the models real freedom of movement. The feeling of freedom was heightened by the use of a wrinkled high-performance fabric developed by the label.
Other looks were covered with thin tassels lined with sequins, or with crystals, with draped white and black tulle, taffeta and other glimmering silks. Dullaert’s looks were characterised by flowing volumes and silhouettes, but he didn’t shy away from intervening decisively in the garments’ construction, for example baring a shoulder or cutting his dresses with long slits along the legs.
The couture show by Miss Sohee, real name Sohee Park, was eagerly awaited. The London-based Korean designer showed twice before in Paris, and was a hit on the Milanese runways in February 2022, backed by Dolce & Gabbana. She pulled out all the stops in Paris, immersing her guests in a magical universe where eras and bold silhouettes mixed spectacularly, showcased inside the gilded halls and under the majestic chandeliers of the Pozzo di Borgo palace.
Miss Sohee’s ladies seemed to be ready for a grand ball with their shimmering, vibrantly coloured crinoline dresses, satin sheath dresses glittering with pearls, and statement coats whose long trains were ornamented with embroidered bucolic scenes, like a golden peacock or floral branches, rich in crystals and sequins. Looks worthy of the Venice Carnival.
Botticelli’s Venus seemed to have inspired Miss Sohee, scallops and seashells being among the key elements in her collection. A large shell rose like a fan at the back of a corset which extended into a long, faded-pink silk skirt. Elsewhere, shells encased the hips in two short bustier dresses in python and crocodile-effect leather, or added length to a bustier entirely decorated with gems that was sewn onto a tulle top dotted with mother-of-pearl drops.
Shells embroidered in small patterns featured on a silk duchesse dress, and more shells in silver pleated fabric turned into a micro hooded jacket over a Fantômas-style black velvet jumpsuit, with a double row of white pearls draped around the waist.
Nothing seemed too precious and extravagant for Miss Sohee’s ladies, who also wore more contemporary outfits consisting of lace jumpsuits, miniskirts and laced thigh-high boots. Park founded her label in 2020, after studying at Central Saint Martins in London, and her customers include scores of celebrities, among them names like Cardi B. and Bella Hadid.
All hail physical retail. The demise of the high street store predicted in the early pandemic period was wide of the mark as a near nine out of 10 of Britons visited a retail destination during October and November.
In fact, 88% now shop in-store, an amazing increase of 86.1% since last May. And it’s been heavily influenced by workers increasingly returning to city and town centre offices as well as consumers aged under 35.
That’s according the the latest Consumer Pulse Report by MRI Software/Retail Economics showing “high streets remain the lifeblood of the retail ecosystem”, leading in visitor frequency with an average of 2.2 visits per person per month “reinforcing their importance as destinations that bring people together.”
The survey reveals that 31% of office workers play a key role in high street retail, with visits peaking during lunch hours while 33% of themchoose to visit after 5pm on weekdays, particularly Tuesdays and Wednesdays which have become the popular days to venture into the office.
“As return to office becomes more widespread, the retail sector has an opportunity to maximise engagement and sales by leveraging these insights and presenting itself as a convenient shopping option for the hybrid workforce”, the report highlights.
Working from home is increasingly becoming a non-starter for many businesses with regular news stories about major companies insisting that their staff returned to the office full-time or at least three or four days a week.
Further, the under-35 demographic is increasingly motivated by experiential retail opportunities.
In November, this age group averaged 9.5 visits to physical retail destinations, more than double the frequency of those aged 55 and over.
Interestingly, the rise of social commerce, which enables shoppers to make purchases within social media apps such as TikTok and Instagram, “is likely influencing footfall into physical retail destinations and creating opportunities for in-store experiences”, the study claims.
Jenni Matthews, marketing & insights director, MRI Software, said: “The latest findings depict a retail sector that continues to adapt and remain relevant as consumer behaviours shift.
“With 88% of the UK population visiting retail destinations and under-35s driving experiential trends, it’s clear that physical retail remains a powerful touchpoint for engagement.
“Retailers have an incredible opportunity to leverage these insights, not just to meet consumer expectations, but to exceed them by creating vibrant, immersive destinations that align with changing consumer behaviours.”