Thursday afternoon at New York Fashion Week witnessed three fashion statements by growing New York-based brands, Jonathan Simkhai, Love Shack Fancy and Collina Strada, where the last was the surprise star attraction.
Collina Strada: Sunset fashion moment on East River
Thursday’s most interesting show in New York was by Collina Strada, staged with great gusto on 6 East River Piers, before a flotilla of boats and ships.
All told, jet skis, Staten Island ferries, classic schooners, tugs and party boats sped around the East River, making a brilliant backdrop for this show.
Collina Strada’s founder Hillary Taymour is the reigning queen of fashionable recycling in New York, an eco-conscious innovator. This season she presented the collection in duets – each second look almost like a negative image of its partner.
Taymour is a courageous creator, who whips up barrel-leg wide denim jeans, paired with hyper ruffled satin blouses. Her shorts and culottes are craftily layered – street style with a couture twist. Gowns came in panels of fabric, often finished with askew mini trains.
The collection also included some great new Pro-Ked collab high-tops in pink kicking fabrics. Although most models wore Collina Strada’s signature sandals finished with shards of chopped up chiffon.
The mashed-up makeup of many ensembles was echoed in the brilliant soundtrack. Another mash-up of financial TV news casts and bulletins – riffing on neighbor Wall Street – and some great punchy rock songs, plus a track entitled Friendly Fascism by alternative industrial band Consolidation.
The show rose to a crescendo at the finale as the sun set on the distant Statue of Liberty. An apt image given how this show felt like a moment of liberation.
Jonathan Simkhai’s dude style disappoints
Jonathan Simkhai is one of New York’s hottest and most commercially successful young designers. His show this Thursday on Delancey Street was packed full of buyers – from Bergdorf and Selfridges to Neiman Marcus and Nordstrom.
Jonathan Simkhai
This season Jonathan riffed on Californian street culture – specifically the cult 2005 movie Lords of Dogtown, which showed how surfers had morphed into skateboarders.
He paired dhotis and sarongs with lush leather blousons or cut rawhide suits in skateboard pants and aviator jackets for guys. While for women he dreamed of white sheaths in bands of lace, toweling and fringed bouclé. Before going way too far with Aran sweater corsets and Princess Leia tunics. Ending with pale, sequined mini cocktails referencing a shimmering sea.
But while the notions were cool, the execution felt fumbled.
Last November Jonathan won the 2015 CFDA/Vogue Fashion Fund Award taking home $300,000 and a year’s worth of mentoring by major designers and industry execs. This collection, however, felt like a step back and nor forward.
Love Shack Fancy: Clothes that make women squeal
Love Shake Fancy makes clothes that encourage girls to squeal. Young best friends grab each other – and squeal — when they realize they’re both wearing Love Shack Fancy.
Love Shack Fancy
They did so scores of times at the latest presentation by the brand. The label’s founder and designer Rebecca Hessel Cohen doesn’t do shows. They’re more dance installations, where leggy models dance on platforms to classic rock.
Essentially, there are two looks at Love Shack Fancy: chiffon boudoir and sexy sequins.
Chiffon boudoir often comes in layers of lace, using underwear fabrics as skimpy tanks or corsets, sexy pants or frilly wee smocks.
Sexy sequins – which a good third of the guests wore – looked great when seen in tube tops or miniskirts worn by fit young women with good summer tans. Which, come to think of was true about a lot of the Love Shack Fancy crowd.
This season, Rebecca added in a Wild West twist – with posh hippie saloon gal looks, wearing some great new cowboy boots with spike or stiletto heels.
The cast joined in the squealing as they bopped around the mini stages on the rooftop of Nine Orchard, the former bank and now boutique hotel that is the nerve center of Dimes Square, the hippest neighborhood in today’s Manhattan.
Ann Summers has filed its accounts to the end of June 2025 and it’s certainly encouraging to see that the lingerie specialist — which has struggled in recent periods — looks to be heading towards a recovery despite still posting losses.
Knickerbox.com
The company said that its 2024/25 financial year was one of “resilience and strategic adaptation”.
Turnover was “stable”, although it actually increased slightly but not enough to make up for the impact of inflation. It rose to £93.4 million from £93 million, although the cost of sales also edged up slightly.
The business remained loss-making, as mentioned, but the operating loss before tax and exceptional expenses narrowed to £5 million from £9.8 million a year earlier. The loss on ordinary activities before tax, as well as the net loss, showed an even greater decline at £3 million compared to £13 million12 months before.
So what happened in the 12-month period? Against the backdrop of persistent economic uncertainty, rising inflation and the ongoing cost of living crisis, Ann Summers said it managed to overcome major retail headwinds.
Trading conditions stayed tough with discretionary spend under pressure but it optimised its store estate while maintaining a strong presence physically with 75 locations. It also continued its expansion through third-party partnerships including its collaboration with LIWA, which has opened new opportunities in the Middle East
Its web channel remained a key part of its omnichannel strategy for both the UK and abroad. But during the year it made the strategic decision to close Connect, its direct selling channel. That ceased trading after the financial year ended, in October 2025.
A milestone was the launch of knickerbox.com in July 2024, so that came right at the start of the financial year in question. That brand is well known so should be a source of future growth.
Alongside the launch it also introduced KBX, its new in-house brand that claims to offer “stylish, effortlessly sexy, everyday lingerie”. The company said this strategic move allows it to connect with the border audience and strengthen its digital presence.
The company hasn’t posted a profit since the year to June 2021 and its losses have added up to £40 million since then. But this latest set of numbers, along with the new developments and strategic closures, suggests that the picture could change soon.
Target Corporation has opened a new concept store in New York’s SoHo district, introducing an experiential retail format.
Target opens new concept store in SoHo, New York. – Target
The location at 600 Broadway marks the debut of Target SoHo, a format the company describes as a “living, breathing style experience.”
It features curated zones built for product discovery. “Curated By”, a seasonal edit created in partnership with New York tastemakers, launches with actress and comedian Megan Stalter highlighting her Target picks across fashion, beauty and home. Meanwhile, “The Drop @ Target SoHo”, located on the first floor, will serve as a rotating showcase for monthly style collections.
The store also opens with the Broadway Beauty Bar, where celebrity makeup artist Katie Jane Hughes is curating her must-have Target beauty picks, and offering a social-driven space where guests can test products and create content.
Timed for the holiday season, Target is also introducing the “Gifting Gondola”, a photo-ready installation featuring exclusive merchandise, and a “Selfie Checkout” moment designed for social sharing.
“Style and design are part of Target’s DNA, and there’s no better place for us to showcase what’s next for our brand than in one of the style capitals of the world,” said Cara Sylvester, executive vice president and chief guest experience officer, Target.
“With Target SoHo, we’re bringing together the best of Target and the best of New York — elevated products, immersive storytelling and an experience that invites guests to explore, express and get inspired. This store is a bold reflection of our commitment to style, and it’s just one part of our larger investment in Target’s design-driven future that grows our roots even deeper in New York City.”
The company plans to continue evolving the location over the next year as part of a phased rollout. Target said the store will add new experiential zones, seasonal activations, and café and event programming through 2026.
The SoHo opening comes as Target increases its investment in New York, including a new headquarters space, partnerships tied to New York Fashion Week and now Target SoHo.
Designer Brands Inc., the Columbus, Ohio-based owner of the DSW Designer Shoe Warehouse, The Shoe Company and Shoe Warehouse retail chains, announced on Tuesday that net sales decreased 3.2% in the third quarter ended November 1.
Designer Brands Q3 sales dip 3.2%. – DSW
The company achieved net sales of $752.4 million. Comparable sales fell by 2.4%, with the U.S. retail segment down 1.5%, Canada retail down 6.6%, and the brand portfolio segment’s direct-to-consumer channel plunging 21.5%.
Reported net income attributable to the company reached $18.2 million, or $0.35 per diluted share. Adjusted net income was $19.6 million, or $0.38 per diluted share.
“Our third quarter performance represents another meaningful step forward in our transformation, as we demonstrated continued sequential improvement across multiple financial and operating metrics,” said Doug Howe, chief executive officer.
“Stronger consumer demand and improved in-store execution drove improved comparable sales in the third quarter compared to the second quarter. Our team also delivered a meaningful increase in gross profit and diligently managed expenses, which helped drive an increase in operating income over last year.”
Looking ahead, the company expects net sales to decline between 3% and 5% in fiscal 2025. Adjusted operating profit is projected in the range of $50 million to $55 million.
Howe added, “I’m encouraged that this positive momentum has extended into the early part of the fourth quarter, reinforcing the progress of our strategic initiatives and positioning us well as we close out the year. While macroeconomic pressures persist, we are confident in our ability to navigate the near-term environment and continue making progress on our long-term strategies.”