When the FIFA World Cup kicks off in North America in June, the trophy won’t be the only prize up for grabs. Nike Inc. and Adidas AG will be battling on and off the pitch to win sales and to raise the profile of their brands in the US and around the world. With the games hosted in its home markets, and with Elliot Hill in place as chief executive officer for long enough to make a difference, the tournament is Nike’s to lose.
Sneakers by Nike
But Hill must see off the challenge from Adidas, led by Bjoern Gulden, who’ll be looking to cement the German firm’s position as a leader in sports-inspired fashion and using the brand’s buzz to capture a bigger slice of the market for products that help footballers kick more powerfully.
With the World Cup spread across the US, Canada, and Mexico, Nike has the natural advantage. North America is its biggest market, contributing more than 40% of sales in its most recent fiscal year. While the company is still struggling in China, helpfully Nike sales in North America are growing again. The company also sponsors the US and Canada teams. But it’s not just the sporting nations that matter these days.
Sport has undergone a “Kardashianisation,” where individual star power outshines club or national loyalties, and Nike has a strong roster here too.
Hill became Nike CEO in October 2024. It takes about 18 months for new products to go from design room to store. So the timing is perfect for a suite of new cleats and kits. For example, Nike’s teams will be wearing its Aero-Fit cooling fabric for the first time, which Hill likened to “air conditioning for the body,” to help its athletes cope with what experts fear may be extreme temperatures. It has also launched the latest version of its Tiempo football boots, worn by Brazil’s Estevao Willian.
And in a shot across Gulden’s three-striped bow, Nike is stepping up its efforts when it comes to football gear that can be worn off the pitch. It recently unveiled Hollywood Keepers, a streetwear collection based on the bold styles of 1990s and early 2000s goalkeepers. Versions to be worn by on-pitch goalkeepers will be unveiled closer to the World Cup, giving a strong hint of what Nike’s team uniforms will look like.
The CEO isn’t a whiz with product like Adidas’s Gulden, but the Nike veteran, who’s described by people who know him as living and breathing the brand, is inspiring staff, including its sneaker designers. Retailers seem to be warming to its World Cup selection, committing to 40% more football products by volume than for the 2022 World Cup, Hill said when he announced second-quarter results earlier this month. The tournament could be worth $1.3 billion in extra revenue to Nike, according to analysts at RBC Capital Markets.
The fresh kicks and kits will be backed by Nike’s muscular marketing budget, estimated at about $5 billion annually by RBC. Given the home crowd and such a high-profile opportunity to win with sport, as Hill describes his strategy, we can expect the full force of the Nike machine to be applied in June. It’s warmed up with a youth-led street football tournament called Toma el Juego, which means Take the Game, that’s taken place in Los Angeles and most recently Miami, and will arrive in another 20 cities around the world in 2026.
But Nike won’t have things all its own way. Adidas typically outperforms in football, given its rich heritage with the game. It is also providing the official ball for the tournament.
Gulden’s strategy is to take its success in shoes and clothing worn every day into performance wear, where Hill is also majoring. For example, the Adidas chief is expanding its Originals line, which is typically more associated with leisure wear, into sport. Expect its trefoil logo and retro three stripes to be in evidence at the World Cup.
But Gulden isn’t neglecting Adidas’s style credentials. While some fans will want replica jerseys, others may prefer a pair of sneakers in team colors. Jamaica, which Adidas sponsors, lends itself well to just that kind of collection. Gulden has talked in the past about making the clothes that sportsmen and women wear more stylish. Rather than than fashion being a distraction, he wants the teams Adidas sponsors, including host nation Mexico, to be excited about wearing its gear.
He estimates that the event could generate €1 billion ($1.2 billion) in sales. And he has an incentive beyond cash through the checkout: He wants to build the Adidas brand in the US and is thinking beyond soccer, to baseball, basketball, and American football.
Competition from challenger brands can’t be ruled out either. Puma SE sponsors Portugal, and new CEO Arthur Hoeld wants to establish the company as one of the world’s top three sports brands, with football one of his focus areas. Skechers USA Inc. has moved into the sport, sponsoring Bayern Munich forward Harry Kane. Privately held New Balance, which is aiming to reach $10 billion in annual sales over the next few years, from $7.8 billion in 2024, also has a big football business, sponsoring England winger Bukayo Saka. Reebok, meanwhile, is making a comeback under the ownership of Authentic Brands Group Inc.
So far, running brands such as On AG haven’t ventured into football, but the World Cup will be a platform to promote wider sport and fitness. So wild cards can’t be ruled out. Case in point: Athleisure brand Vuori luring tennis star Jack Draper away from Nike.
Hill must see off both Adidas and upstarts to make the most of the World Cup opportunity. Crucially, he must also avoid any self-inflicted wounds, such as Nike being criticised for making the women’s track-and-field kit too revealing ahead of the 2024 Olympics. And the Kardashianisation of sport poses its own risks, as individual players can be unpredictable. Remember Cristiano Ronaldo rejecting Coca-Cola at the delayed UEFA Euro 2020 games in 2021?
But if Hill can deliver some killer kicks without any own goals, there is all to play for in the summer tournament.
Nicolas Ghesquière and Ralph Toledano were among leading figures in French fashion who have been recognised in the nation’s annual New Year’s honours list.
Nicolas Ghesquière has held the role of women’s creative director at Louis Vuitton since 2013
Ghesquière, the women’s creative director of Louis Vuitton, was named Knight of the Legion of Honour, a high-level decoration in France, in the official list released on Thursday.
While Toledano, the former president of Fédération de la Haute Couture et de la Mode (FHCM), was promoted to be Officer of the Legion of Honour. He had already been made a Knight in 2003.
Reacting to the news, Toledano told Fashion Network: “This promotion is a new evidence of the exceptional support by the Macron administration to French fashion.”
“Fashion is my passion, and this award comes in recognition of the accomplishments realised with amazing brands and designers. I consider that creativity must always be front and centre, made by exceptional teams, to whom I owe everything,” added Toledano who in a storied career has previously been president of the house of Karl Lagerfeld; CEO of Guy Laroche, where he appointed Alber Elbaz designer; and of Chloé during Phoebe Philo’s most beautiful moments of invention.
“I think that it also rewards the achievements of my tenure as president of the Federation de la Couture et de la Mode, and notably the merger between IFM and l’ École de la Chambre Syndicale de la Couture Parisienne (FHCM’s predecessor) into l’ Institut Français de la Mode,” concluded Toledano, currently chairman of Victoria Beckham.
The list also revealed that three noted female figures in French luxury had also been promoted to Knight. Céline Brucker, general manager of L’Oréal France; Nathalie Célia-Kock-Chevalier, managing director of Bucherer France; and Diana Widmaier Picasso, co-founder and artistic director of jewellery house Mené.
Saks Global Enterprises’ chief executive officer Marc Metrick is stepping down from his role as the cash-strapped high-end retailer considers its restructuring options, including a Chapter 11 bankruptcy filing.
Marc Metrick spent almost three decades at Saks – Saks x Loewe
Metrick will be replaced by the department-store chain’s executive chairman Richard Baker, according to a statement Friday. Baker will hold both the CEO and chairman roles.
Metrick is leaving the company in order to pursue new opportunities, according to the statement.
The switch-up comes as Saks is weighing a potential bankruptcy after struggling financially over the past year despite raising billions of dollars from investors to finance a turnaround plan centred on the acquisition of Neiman Marcus.
Just days ago, Bloomberg reported that Saks is seeking to negotiate a deal with creditors after skipping an interest payment totalling more than $100 million that was due to bondholders. The company is contemplating raising emergency funds, selling assets or, as a last resort, filing Chapter 11 bankruptcy.
A filing would come just months after Saks restructured its debt in June, imposing steep losses on some creditors and taking on new, senior debt in an effort to fund what it called a “transformation strategy.”
Creative director Jonathan Anderson’s recoding of Dior’s archive is candidly and theatrically shot by David Sims in the brand’s new global campaign for Spring-Summer 2026. This season, Dior has gathered an eclectic cast with actors Greta Lee, Louis Garrel, and Paul Kircher, footballer Kylian Mbappé, and models Laura Kaiser, Sunday Rose, and Saar Mansvelt Beck.
Kylian Mbappé, shot by David Sims for Dior – Dior / David Sims
At once casual and theatrical, the campaign harnesses body language, ambience, and environment to share Anderson’s character-driven interpretation of Dior’s signature tailoring and nostalgic glamour. With a mix of colour and black and white images conceived as visual sketches, Sims highlights the garments’ architecture while creating a sense of calm.
Styled by Benjamin Bruno, the campaign presents Anderson’s fresh take on Dior’s design archive as a relaxed, wearable, and versatile wardrobe. Red carpet ready looks are shot with theatrical flair, giving the impression of an actor rehearsing for an upcoming role at home, while more casual ensembles mix textures to create a lived-in look.
Greta Lee, shot by David Sims for Dior – Dior / David Sims
Poppy Bartlett’s set design presents an aristocratic setting with parquet flooring, linens, boiserie, and eclectic yet minimalist furniture choices. The uncluttered backdrops are designed to keep the images concise and meaningful, encouraging the models’ personalities to do the talking.
“The Dior clique appears to embrace a liberated sense of style, willing to play with clothing and accessories,” announced the brand in a press release. “Style is how these individuals conduct themselves: the intuitive sense they have when their appearance feels right, and how they dress up each day to become a new character.”
Dior’s lived-in styling creates a ‘model off duty’ feel – Dior / David Sims
The campaign also highlights Dior’s latest It bags, from the tassel-covered Lady Dior to the soft Dior Crunchy along with the Dior Cigale, featuring its signature mini bow, and the Diorly. Some new iterations of these handbags are given their own frame in the campaign, hanging from a music stand or casually placed on an ornate table.