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Next still powering ahead in UK and Europe, will launch with Asian aggregators in 2026

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September 18, 2025

Next’s latest financial report on Thursday’s showed just how strong the fast-growing UK-based retail business is and also how much it has benefited from M&S’s cyberattack-linked issues this year.

Next

The figures didn’t come as a surprise given that Next had issued an upbeat trading statement for Q2 back in late July. But Thursday’s confirmed figures contained plenty of extra detail.

So let’s look at the numbers first. As full-price sales rose 10.9%, total group sales including markdowns and subsidiaries were up 10.3% at £3.249 billion. Statutory revenue rose 9.9% to £3.145 billion. Group profit before tax rose 13.8% to £515 million, statutory profit before tax jumped 17.8% to £509 million and group profit after tax rose 13.4% to £387 million. 

For the year to January 2026 the company expects full-price sales growth of 7.5%, which means 4.5% growth year on year in the second half, a lower number than the first half sales given that the weather may not be so compliant in the second half and that M&S is now just about back to full strength after it’s cyber attack during the spring. Next’s pre-tax profit for the full year should be £1.105 billion, up 9.3% and unchanged from previous guidance.

Digging into the detail

Year on year full-price sales growth for the UK Retail division (that is, its stores) was 5% with the Next brand itself also up 5%, wholly-owned brands and licenses (WOBL, accounting for only 7% of H1 sales) were flat in-store, but third-party brands were up 24%. 

Online for the UK, Next brand sales rose 7%, WOBL rose 15%, and third-party brands 12% for a combined total of 9%. 

Taking Retail and Online together, total UK full-price sales rose 6%, while WOBL and third-party rose 13% each and the final combined figure was an increase of 8%.

Next AW25

Moving abroad, International Next websites grew 20% for the Next brand, 47% for WOBL and 45% for third-party, giving a total of 26%. And International third-party aggregators rose 21% for the Next brand, and 325% for WOBL for a total of 33%. It meant total International sales for the Next friend rose 20%, for WOBL they were up 96%, for third-party they rose 45% and all of those combined meant a 28% increase.

And combining both the UK and International, Next brand sales rose 9% at full price, WOBL 33%, and third-party 16%, to combine for a total of a rise of 11.6%.

THE WOBL mix includes Cath Kidston, Lipsy, Laura Ashley, Bath & Body Works, Seraphine, FatFace and many more.

Its third-party branded business sells non-Next brands that it doesn’t wholly own or licence – such as Nike, Whistles, Boden and more. They had a good season, accounting for a fifth of group sales, and just over a quarter of its growth. The company buys these brands at wholesale prices, or sells them on a commission basis.

Higher-end brands, and aggregators

This part of the business is also helping it move more upmarket. Last autumn, for instance, it launched its higher-end Seasons webstore. Featured brands include Coach, Dragon Diffusion, Tory Burch, Marc Jacobs, Polo Ralph Lauren, Rixo, Carhartt and Belstaff – with more to follow as the business develops. Seasons is still small “and is likely to take years to scale,” we’re told. But Next said “the same was once true of our wholly-owned brands and licence businesses. Like them, if executed well, Seasons will give us access to new markets and potential growth in the future”.

New markets and potential growth are also a big part of the firm’s international growth and aggregators are key here. New aggregators for the business include About You (Europe), Amazon (France, Italy, Spain, Germany) and Nordstrom (US). Amazon’s sales have been ahead of its expectations but are limited to its basic and essential products. In H2 it plans to begin trading with a new European aggregator. It will also extend its presence on Amazon to The Netherlands and Belgium. And in H1 2026 it plans to launch with at least one major Asian aggregator. 

Next AW25

More than half its growth with existing aggregators came from the addition of wholly-owned brands and licensed products. It said this is “encouraging for our WOBL business, as it implies the effort we put into developing new brands and licences will have benefits beyond Next’s own platform”. 

Going forward, it sees the biggest opportunity with existing aggregators is to improve the breadth and availability of its product offer with them. The outsourcing deal it has with Zalando “is very important. We are in the process of consolidating our European warehousing with Zalando through their ZEOS business division. This means that our own EU websites will be served from the same stock pool as our Zalando business. The overall effect should be to significantly increase our stock availability on Zalando’s websites”.

Unusually enthusiastic 

In an unusually upbeat (unusual for Next, at least) statement, the company said the impressive results came on the back of a “palpable increase in creative energy in product departments. They are delivering newness whilst driving to deliver quality that exceeds our customers’ expectations at every price level”. It also said the energy extends to the development of its growing portfolio of new brands, licences and third-party brands and to the “creative energy and ingenuity” delivered by the teams developing its online platform.

It admitted that the above statements, coming from a business that’s usually quite low-key when it comes to results time may sound a little “gushing”, especially given that the season was marked by unusually favourable weather and the M&S disruption. But it assured observers that its “enthusiasm for its many opportunities is grounded in a cautious realism”.

It’s caution includes the belief that the medium-to-long-term outlook for the UK economy doesn’t look favourable, although it doesn’t believe it’s approaching a cliff edge. Instead it said expects anaemic growth for the national economy. But even with that, it thinks it’s own business is in a good place. Based on these results, it would be hard to contradict that.

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Flourishing South Korean menswear aims to strengthen international standing

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December 17, 2025

In 2025, South Korean fashion takes another step up on the global stage. In a sector where technological innovations are redefining production processes, South Korea stands out for its ability to turn these developments into drivers of growth and global appeal, according to a Spherical Insights study published in November.

South Korean menswear makes its mark internationally, seen here at Pitti Uomo – Pitti Uomo

According to the South Korean Ministry of Trade, Industry and Energy (MOTIE), almost $27 million is set to be invested in 2025 to strengthen the national textile value chain.

This policy forms part of a broader strategy that provides more than $19 billion in support for firms operating in industrial textiles, the creation of an Industrial Textile Alliance, and a certification centre for technical products. The aim is to lift digital transformation across the sector from 35% to 60% and increase South Korea’s share of the global markets for industrial and sustainable textiles from 2-3% to 10% by 2030.

A dynamic domestic market

These ambitions are underpinned by an already robust industry. In 2024, South Korea imported $12.37 billion worth of clothing, including $5.08 billion in menswear. Exports totalled almost $2 billion, of which $1.7 billion comprised synthetic textiles and crocheted fabrics. This momentum reinforces a domestic market characterised by diverse demand, rapid trend adoption and strong cultural influence.

South Korea invests in its textile industry
South Korea invests in its textile industry – Shutterstock

At the heart of this evolution lies the global rise of Korean menswear. Korean brands stand out for their attention to detail, mastery of cut and tailoring, and a strong appetite for exploring experimental materials, bold silhouettes and assertive colours. This stylistic approach, oscillating between minim­alism and exuberance, meets a growing demand for pieces capable of expressing individual identity, according to the study.

Exports to be developed

The trends for 2025 confirm this direction: oversized cuts, unique patterns, bright colours, sustainable materials, a fusion of traditional and contemporary styles, as well as layering, athleisure and gender-fluid fashion, are at the forefront. From oversized kimono-polos to two-tone pink shirts, the Korean aesthetic offers a balance of comfort, experimentation and sophistication.

Ader Error is one of the young South Korean brands flourishing internationally (here, its collaboration with Zara)
Ader Error is one of the young South Korean brands flourishing internationally (here, its collaboration with Zara) – Zara

This creative ecosystem is supported by a myriad of ‘flagship’ brands. Names already recognised worldwide such as Gentle Monster, Andersson Bell, Kusikohc, Hyein Seo and We11done fuel the country’s international aura through their distinct worlds, blending art, streetwear, craftsmanship and conceptual design. In 2025, other labels are taking centre stage: Ader Error and its deconstructivist streetwear, Wooyoungmi and its modern tailoring, ThisIsNeverThat and its distinctly Korean take on streetwear, as well as 87MM, Recto, Amomento, PushButton and Minjukim, whose gender-fluid offerings are gaining visibility.

By combining massive public investment, a capacity for innovation, cultural richness and creative power, South Korea is putting its fashion industry on an upward trajectory in 2025. It can be seen not only as an exporter of aesthetics, but also as a key player in technical and sustainable textiles, with the ambition of playing a central role in contemporary global fashion.

This article is an automatic translation.

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Hugo Boss reveals new financing to turbocharge its updated strategy

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December 16, 2025

Hugo Boss recently unveiled an ambitious expansion of its growth plan and on Tuesday the German fashion giant said it has secured a revolving credit facility to “ensure the successful execution” of the ‘Claim 5 Touchdown’ growth plan.

Hugo Boss

The €600 million loan (which replaces another loan of the same amount) “was considerably oversubscribed and aims at providing the company with additional financial flexibility”. It’s also linked to the fulfilment of clearly defined sustainability criteria.

“This successful transaction highlights the strong trust our lenders place in our company and its long-term potential,” said CFO/COO Yves Müller.

The loan has a term of five years and includes two options to extend the term by one more year in each case, plus an option to increase the credit amount by up to €300 million. 

The company unveiled its strategy in early December, saying its next phase aims to “realign, simplify, and strengthen the business”. 

In the short term it’s sacrificing sales and profits as it said that currency-adjusted group sales and profits will both decline next year. But the refreshed strategy aims to “sharpen focus, discipline, and execution across the business”. 

It now clearly has the long-term financing to put its plan into operation with the option of even more money on the table if required.

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McQueen Paris installation links to inspirational Dafydd Jones photos

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December 16, 2025

McQueen is aiming to attract attention to its SS26 pre-collection launch with a special installation in its store in the heart of fashion’s capital city, Paris.

McQueen

To celebrate the launch, the label has collaborated with well-known photographer Dafydd Jones, on the installation that features some of his most definitive works, curated by McQueen’s creative director Seán McGirr.

The Rue Saint-Honoré store installation includes 26 of Jones’s original works on public display. The curated selection sits alongside the McQueen pre-collection, “for which these photographs form a core inspiration”.

The installation has just launched and will be in the store until 29 January.

So who is Dafydd Jones? The British photographer is celebrated for his “sharp, satirical depictions of social life, particularly in the 1980s. His career began with prize-winning images of Oxford’s ‘Bright Young Things’, leading to decades of work published in major titles”.

And as well as being in the McQueen store for a limited period, his photos are held in collections including the National Portrait Gallery and the V&A in London.

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