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New-look Paris Fashion Week kicks off with Saint Laurent

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September 29, 2025

A blockbuster show by Saint Laurent dedicated to clothing “as a form of discourse” kicked off a hotly anticipated Paris Fashion Week on Monday that is set to underline the big changes underway at the top of luxury labels.

Saint Laurent – Spring-Summer2026 – Womenswear – France – Paris – ©Launchmetrics/spotlight

The Spring-Summer 2026 womenswear week began with France’s Victor Weinsanto who sent out drag queen Nicky Doll as a model for his corset-heavy collection inspired by the pomp and style of the Versailles Palace.

Newcomer Belgian designer Julie Kegels had Spanish singer Rosalia on the front row for her early afternoon debut event, where models stepped out of an apartment door and onto a catwalk in the upmarket Passy neighbourhood of the capital.

The day closed with a blockbuster Saint Laurent production on Place du Trocadero, opposite the Eiffel Tower, where models in black leather jackets or bold flowing fabrics walked between flowerbeds of white hydrangeas arranged in the shape of the label’s logo.

Creative director Anthony Vaccarello had the increasingly polarised politics of many countries on his mind as he argued that luxury clothing, instead of being a symbol of income inequality, could be a language of exchange.

“At a time when dialogue is fading, style becomes a form of discourse — not one that imposes but one that connects and adds nuance,” he wrote in his show notes.

This Paris Fashion Week, which follows a historic one in Milan, is set to feature around 10 different labels with new creative directors following a flurry of new appointments over the last year.

“We’re opening a new chapter, not so much for Fashion Week itself, but for what fashion will be over the next 10 years,” Pierre Groppo, fashion editor-in-chief of Vanity Fair magazine in France, told AFP.

VIPs and fashionistas are all jostling for the hottest ticket in the French capital, Franco-Belgian designer Matthieu Blazy‘s debut at Chanel, which will take place on the penultimate day on October 6.

Blazy was poached from Kering-owned Italian brand Bottega Veneta to take over at Chanel in December.

He faces the daunting task of turning the page on Karl Lagerfeld‘s decades-long dominance of the French powerhouse.

The “Kaiser” defined the hugely profitable brand up to his death in 2019 and was succeeded by his longtime co-worker Virginie Viard, who was seen as a successful continuity candidate.

Blazy, who first caught the eye as a designer at Maison Margiela, has given almost nothing away about his intentions after taking over one of the most sought-after spots in the fashion business in December.

Another hotly awaited moment in Paris will be Jonathan Anderson’s first women’s collection for LVMH-owned Dior, on October 1, after the Northern Irish designer’s well-received debut men’s line in June.

Attention will also focus on Pierpaolo Piccioli at Balenciaga, who is succeeding the streetwear-loving Demna, who has switched to struggling Gucci.

There is further change ahead too, with LVMH-owned Fendi announcing Monday that its veteran menswear designer Silvia Venturini Fendi, granddaughter of the label’s founders, would be moving to an honorary role.

The fashion world’s attention shifts to Paris after an emotional celebration on Sunday night in Milan of Giorgio Armani, who died earlier in September.

Many A-listers from Cate Blanchett, Glenn Close to Richard Gere turned out for the Giorgio Armani show, the final collection the Italian designer worked on before his death earlier this month.

It had originally been intended as a celebration of 50 years of Armani’s fashion house, but became a tribute to the legend, who died on September 4, aged 91.

Elsewhere in Milan, Demna’s debut at Gucci won praise from Simon Longland, head of fashion buying at upscale London department store Harrods, but the first collection from British designer Louise Trotter’s at Bottega Venetahe was “without doubt the highlight of the week”, he wrote.

Dutch designer Duran Lantink will be hoping he can create similar buzz when he sends down models for the first time in Paris for Jean Paul Gaultier.

The week will also see the debut of Jack McCollough and Lazaro Hernandez at Loewe, Miguel Castro Freitas at Mugler and Mark Thomas at Carven.

Some major designers will be showing only their second collections — often considered by industry insiders as more meaningful than the debuts.

They include Sarah Burton for Givenchy, Glenn Martens for Maison Margiela and Haider Ackermann for Tom Ford.

Paris Fashion Week comes at a tricky time for the luxury industry, which faces slowing demand in China, US tariffs on exports and uncertainty over the global economy.

Copyright © 2025 AFP. All rights reserved. All information displayed in this section (dispatches, photographs, logos) are protected by intellectual property rights owned by Agence France-Presse. As a consequence you may not copy, reproduce, modify, transmit, publish, display or in any way commercially exploit any of the contents of this section without the prior written consent of Agence France-Presses.



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Poshmark bolsters C-suite with Elizabeth von der Goltz appointment

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December 17, 2025

Poshmark on Tuesday announced the appointment of Elizabeth von der Goltz as its first chief revenue officer, as the resale platform looks to bolster its C-suite and drive organisational growth with the luxury veteran.

Matches Fashion

Joining Poshmark in January, Von der Goltz will oversee all commercial and marketing functions—including merchandising and sourcing, partnerships, customer acquisition and growth, brand and creative, and communications and social media. She will also “unite creative direction with commercial strategy into a cohesive revenue engine,” according to a press release from the U.S. firm.

“Elizabeth’s appointment marks a milestone moment for us,” said Namsun Kim, chief executive officer of Poshmark.

“We’ve always been a product and tech company at heart, but our next phase envisions pairing that DNA with commercial precision, creativity and brand strength. Elizabeth brings the rare combination of luxury fashion, digital retail strategy, and global merchandising and operational expertise. She is truly unique in her vision for channeling merchandising strategy into brand identity and translating brand equity into measurable growth and customer advocacy.”

With more than two decades of global experience in fashion, luxury, and e-commerce, ​Von der Goltz’s most recent roles include chief commercial officer at Matches Fashion; chief executive officer at Browns, and chief fashion and merchandising officer at Farfetch.

Earlier in her career, Von der Goltz held senior leadership roles at Bergdorf Goodman, before later serving as global buying director for Net-a-Porter.

“Throughout my career—from best-in-class brick-and-mortar to global e-commerce and luxury marketplaces—I’ve always focused on one question: what’s next for the consumer? As the industry evolves, the future is taking shape in social commerce, peer-to-peer connection, and circular fashion, and I’m thrilled to join Poshmark at this pivotal moment,” said Von der Goltz.

“The opportunity to merge world-class product and technology with strategic merchandising and brand creation is incredibly powerful. Resale and vintage have already become a mainstream part of shoppers’ closets and represent a structural shift in retail consumption. It’s an honor to join the leading fashion resale marketplace and its iconic community as chief revenue officer to help shape the next era of how people discover, buy, and sell fashion.”

The appointment of a chief revenue officer at Poshmark signals a shifting from a “purely product- and technology-led model to a more integrated and creative retail experience,” the company added.

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Paris City Hall eyes BHV as its boss comes under fire

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December 17, 2025

With three days to go before a crucial deadline for BHV, Paris City Hall on Tuesday signalled its interest in the department store’s building, intensifying pressure on its boss, who is embroiled in the Shein controversy, as well as employees’ “uncertainty” about their future.

(AFP – Thibaud MORITZ)

“At a time when the situation at BHV is causing very serious concern for jobs and for the future of central Paris, I wanted the city to equip itself to act pre-emptively,” declared Socialist mayor Anne Hidalgo at the Paris Council, which is due to adopt a motion to this effect.

If the owner of BHV were to “vacate the premises”, the city would “explore all options to put itself in a position to acquire the building in order to safeguard commercial activity and jobs, while enabling the development of a mixed-use scheme also including social and affordable housing”, the executive’s motion states.

The Société des Grands Magasins (SGM), which has owned the Bazar de l’Hôtel de Ville (BHV) retail business since 2023, also wants to buy the building from the Galeries Lafayette group, as the two parties are bound by a sale agreement that expires on Friday. However, SGM co-founder Frédéric Merlin caused an uproar in early October by announcing the opening, within BHV, of the first physical Shein store, an Asian ultra-fast-fashion brand accused of numerous ills such as unfair competition, and pollution.

“Investment funds”

The Banque des Territoires, an entity of the Caisse des Dépôts (CDC), has withdrawn from negotiations begun in June with SGM to help it purchase the building, citing “a breakdown of trust.”

Numerous brands including Dior, Sandro, and Guerlain have also left BHV in recent months, due to mounting unpaid bills or opposition to Shein.

All of which further complicates the task of Merlin, who is supposed to have completed his funding round on December 19.

“On that date, exclusivity lapses and we reserve the right to explore all the options open to us,” a Galeries Lafayette spokeswoman told AFP.

Refusing to see its name associated with Shein, the group has also terminated its contract with SGM covering seven provincial stores – rebranded BHV. For its part, SGM says the project is “moving forward” and “should be finalised in the coming days or weeks.”

Appearing before the National Assembly at the end of November, Merlin referred to “extremely precise discussions” with foreign, non-Chinese “investment funds.”

Against this backdrop, Nicolas Bonnet-Oulaldj, the deputy mayor responsible for commerce, told AFP that City Hall was ready to “step in” from Friday.

300 million euros

Given the amount involved – 300 million euros, according to him – the city would not buy on its own but via, for example, a semi-public company with private shareholders, says Bonnet-Oulaldj, who would like to make it “a showcase for brands made in Paris and in France, and for young designers.”

Building housing would require a modification of the PLU (local urban plan), as the plot is “classified as a department store.”

This “announcement adds further uncertainty to the future of BHV”, which directly employs some 750 staff, its inter-union alliance responded, asking “to be received as soon as possible by Paris City Hall.”

“The future of BHV depends not only on the finalisation of the acquisition of the building” but also “on the continuity of commercial operations”, it warned, expressing alarm at the “dire situation” of the store, where Shein sales are “nowhere near making up for the shortfall across the rest of the store.”

Hidalgo’s surprise announcement drew criticism from the right. Aurélien Véron (LR), spokesman for Rachida Dati’s group on the Paris Council, condemned it as an “improvised PR stunt”, three months ahead of the municipal elections.

Recently, Merlin set out his plans in LSA magazine, including a new payment system for suppliers. But “nobody believes it”, scoffed Guillaume Nusse, CEO of Clairefontaine-Rhodia, which pulled out of BHV over “unpaid bills and broken promises,” speaking to AFP.

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Flourishing South Korean menswear aims to strengthen international standing

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December 17, 2025

In 2025, South Korean fashion takes another step up on the global stage. In a sector where technological innovations are redefining production processes, South Korea stands out for its ability to turn these developments into drivers of growth and global appeal, according to a Spherical Insights study published in November.

South Korean menswear makes its mark internationally, seen here at Pitti Uomo – Pitti Uomo

According to the South Korean Ministry of Trade, Industry and Energy (MOTIE), almost $27 million is set to be invested in 2025 to strengthen the national textile value chain.

This policy forms part of a broader strategy that provides more than $19 billion in support for firms operating in industrial textiles, the creation of an Industrial Textile Alliance, and a certification centre for technical products. The aim is to lift digital transformation across the sector from 35% to 60% and increase South Korea’s share of the global markets for industrial and sustainable textiles from 2-3% to 10% by 2030.

A dynamic domestic market

These ambitions are underpinned by an already robust industry. In 2024, South Korea imported $12.37 billion worth of clothing, including $5.08 billion in menswear. Exports totalled almost $2 billion, of which $1.7 billion comprised synthetic textiles and crocheted fabrics. This momentum reinforces a domestic market characterised by diverse demand, rapid trend adoption and strong cultural influence.

South Korea invests in its textile industry
South Korea invests in its textile industry – Shutterstock

At the heart of this evolution lies the global rise of Korean menswear. Korean brands stand out for their attention to detail, mastery of cut and tailoring, and a strong appetite for exploring experimental materials, bold silhouettes and assertive colours. This stylistic approach, oscillating between minim­alism and exuberance, meets a growing demand for pieces capable of expressing individual identity, according to the study.

Exports to be developed

The trends for 2025 confirm this direction: oversized cuts, unique patterns, bright colours, sustainable materials, a fusion of traditional and contemporary styles, as well as layering, athleisure and gender-fluid fashion, are at the forefront. From oversized kimono-polos to two-tone pink shirts, the Korean aesthetic offers a balance of comfort, experimentation and sophistication.

Ader Error is one of the young South Korean brands flourishing internationally (here, its collaboration with Zara)
Ader Error is one of the young South Korean brands flourishing internationally (here, its collaboration with Zara) – Zara

This creative ecosystem is supported by a myriad of ‘flagship’ brands. Names already recognised worldwide such as Gentle Monster, Andersson Bell, Kusikohc, Hyein Seo and We11done fuel the country’s international aura through their distinct worlds, blending art, streetwear, craftsmanship and conceptual design. In 2025, other labels are taking centre stage: Ader Error and its deconstructivist streetwear, Wooyoungmi and its modern tailoring, ThisIsNeverThat and its distinctly Korean take on streetwear, as well as 87MM, Recto, Amomento, PushButton and Minjukim, whose gender-fluid offerings are gaining visibility.

By combining massive public investment, a capacity for innovation, cultural richness and creative power, South Korea is putting its fashion industry on an upward trajectory in 2025. It can be seen not only as an exporter of aesthetics, but also as a key player in technical and sustainable textiles, with the ambition of playing a central role in contemporary global fashion.

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