Connect with us

Fashion

Mytheresa buoyant for LuxExperience in Q4/FY25, but YNAP brands remain work in progress

Published

on


Published



September 26, 2025

LuxExperience — the vastly expanded business that was once just Mytheresa but now also includes the YNAP brands — has released its Q4 and full-year results with it reporting “strong” figures for the legacy Mytheresa business.

MYTHERESA

Looking at just a few of the headline figures, that part of the operation saw net sales growth of 11.5% in Q4 and 8.9% for the full fiscal year with adjusted EBITDA growing 73%, despite ongoing macro headwinds. It also reported “exceptional customer economics” in the last quarter at Mytheresa with an increase in GMV for all customers of 13% and a 16.1% increase in GMV per top customer.

The increase in Average Order Value for Mytheresa was also pleasing at 10% in Q4 to reach €773.

And for the year, US net sales growth was 9.7% with that market now having a net sales share of 20.6% of the total business for Mytheresa.

CEO Michael Kliger said he was understandably “extremely pleased with the results of our Mytheresa business. We have demonstrated clear operational and financial leadership in digital luxury. LuxExperience is in a remarkable position to become the one and only destination for luxury enthusiasts worldwide, bringing together some of the most iconic brands in digital luxury retail”.

Digging deeper

So let’s look at the full numbers line-up for Mytheresa (not forgetting YNAP, which we’ll get to later). 

Mytheresa saw GMV growth of 11.1% to €265.9 million in Q4 and that 11.5% net sales rise mentioned above took it to €248.9 million. The gross profit margin was 48.3%, an increase of 90 BPs year-on-year and adjusted EBITDA rose to €16.1 million from €10.6 million. It had an adjusted EBITDA margin of 6.5%, up from 4.7% in the prior year period.

For the 12 months, GMV rose 8.2% to €988.5 million and the aforementioned net sales rise took it to €916.1 million. The gross profit margin of 47% was an increase of 130 BPs while adjusted EBITDA of €44.6 million was up from €25.8 million.

Red ink

Looking at the figures for Net-A-Porter and Mr Porter (NAP/MRP), the numbers are less pleasant with plenty of red ink. In the fourth quarter GMV fell to €267.4 million from €294.2 million, net sales declined to €255.3 million from €280.4 million and the adjusted gross profit margin was down at 50.7% from 51.3%. Adjusted EBITDA was a loss of €2.9 million compared to a profit of €15.3 million in Q4 of the previous year. Meanwhile, active customers declined and total orders shipped also dropped, although the average order value increased from €708 to €811.

Net-A-Porter

For the full year, GMV dropped to €1.09 billion from €1.23 billion and net sales were down to €1.04 billion from €1.17 billion. Adjusted EBITDA was a loss of €7.2 million after a profit on the same basis of €22.5 million in the previous year. Active customer numbers declined as mentioned above as did total orders shipped, but again, the average order value was higher.

Now looking at the Off-Price segment that includes Yoox and The Outnet, GMV declined in Q4, dropping to €159.1 million from €197.9 million. Net sales dropped to €159.1 million from €192.7 million and adjusted EBITDA was a wider loss of €28.5 million after a €12.9 million loss in the previous Q4. 

For the year, this part of the business saw GMV declining to €808.4 million from €935.8 million, while net sales dropped to €792.8 million from €912.8 million. Again, it saw an adjusted EBITDA loss, but this time it was €96.2 million, which is actually a smaller loss than in the previous year when the figure was €112.1 million. Again, active customer numbers and total orders shipped declined although the average order value increased from €249 to €292.

Reorganised group

The company said that at group level, its reorganisation to a new operating model has almost completed, including cost reduction actions having started while tech migration for luxury and simplification of the separate Off-Price tech stack has started. 

Looking at the different divisions, it appears to be business as usual at Mytheresa with the launch of exclusive capsule collections and pre-launches in collaboration with Dolce & Gabbana, Pucci, Versace, Chloé, Missoni, Alaïa, Bottega Veneta, The Row and many more. And it’s organised “impactful Top Customer events around the globe and ‘money-can’t-buy’ experiences” in partnership with luxury brands, including a Sicilian market experience with Dolce & Gabbana in Taormina, a private dinner with Aquazzura in Rome and a boat tour and pool party with Missoni in Ibiza.

For NAP/MRP, there’s been a lot of change with new leadership now in place, while for Yoox and The Outnet, it has taken clear steps to simplify and separate the business model from the in-season luxury businesses.

But clearly, those former YNAP business remain a work in progress. So what does it all mean for the current financial year (which began in July)?

For the topline, the Luxury/Mytheresa segment is expected to continue growing its GMV. The Luxury/NAP & MRP segment is expected to “still slightly decline in GMV”. The Off-Price segment “will continue the restructuring of its operating and business model in FY26” and it expects GMV at Off-Price “to decrease considerably”. 

LuxExperience at group level is expected to have GMV of around €2.5 billion-€2.9 billion in FY26. And given the “uncertainties in the market and FY26 being a transition year”, it expects FY26 to see comparable profitability levels to FY25. 

Copyright © 2025 FashionNetwork.com All rights reserved.



Source link

Continue Reading

Fashion

GoldenTree to buy about $200 million of Saks Global bankruptcy financing, Bloomberg News reports

Published

on


By

Reuters

Published



January 21, 2026

Global asset management firm GoldenTree will buy a chunk of a $1 billion ⁠bankruptcy financing for luxury retailer Saks Global, Bloomberg ⁠News reported on Tuesday, citing people familiar with ‍the ‌matter.

A Neiman Marcus store, part of the Saks business – Neiman Marcus

GoldenTree, which is founded ⁠by billionaire ‌Steve Tananbaum, has committed ‌to buy a roughly $200 million portion of the so-called debtor-in-possession financing, according to ‍the report.

Saks Global and GoldenTree did not ‌immediately ⁠respond ​to Reuters requests for ⁠comment.

The ​high-end US department store conglomerate filed for Chapter ​11 bankruptcy protection on January 13, after ⁠a debt-laden ⁠takeover.
 

© Thomson Reuters 2026 All rights reserved.



Source link

Continue Reading

Fashion

Warped begins worldwide debut in Italy with its menswear line

Published

on


Published



January 21, 2026

Warped, a proudly Australian menswear brand, made its debut at the recent Pitti Uomo 109, unveiling its first-ever collection for Autumn–Winter 2026/27. Warped channels a strong, functional and authentic masculinity, free of artifice: a man capable of moving with equal ease through the Australian outback or a metropolis, without ever betraying himself. This vision translates into a collection that combines ready-to-wear, streetwear and active-functional pieces, underpinned by rigorous material research, responsible production, and a strong connection to Australia’s history and identity.

Jack Cassidy Williams, right, wearing Warped alongside one of his sons

The brand is so steeped in the free-spirited, authentic ethos of Mitch “Crocodile” Dundee, a cult figure of 1980s cinema who helped shape the image abroad of the no-nonsense Australian, that even the founder- who arrived in Milan with his two sons, aged 18 and 15, already active in the company- looks like the very character created by Paul Hogan.

“Crocodile Dundee is not just a film to us; it’s a way of being in the world. It’s about a man who hunts crocodiles with his bare hands in the outback and stays true to himself even under the dazzling lights of the metropolis,” Warped founder Jack Cassidy Williams explained to FashionNetwork.com. “It’s the story of a man who enters a sophisticated system without changing who he is. Functional, direct, honest. This is who we are. We’re not here to bend to fashion’s unwritten rules, but to bring our own way of doing things: less artifice, more reality.”

Warped

“Everything in the collection is handmade by my family. We design it, select the fabrics, create the patterns, and develop everything together- my children and I- in Australia. Traditional garments with modern finishes, in terms of handle and functionality; we even offer waterproof clothing, such as GOTS-certified waterproof cotton. Then there’s denim. All the fabrics are 100% made in Italy,” Cassidy Williams continues. At the heart of the collection is extensive fabric research: 100% RWS wool; high-stretch scuba fabrics and bi-stretch wool; cotton denim with a 3D weave effect; water-repellent cottons, viscose and viscose/linen blends for suits, jackets and trousers; high-performance, ultra-comfortable fabrics; and kangaroo-leather laces- a material five times as strong as cowhide- hand-finished with raw edges and authentic details.

“The collection is, in a way, a tribute to America, because the theme is the so-called ramblin’ man, or the free man; it’s basically about my whole life,” says the Australian entrepreneur. “All those people who decided to forge their own journey, to walk the path of life without following someone else. Like Hank Williams, Jack Kerouac, Duke Ellington, Bird, Muddy Waters, Pinetop, or Woody Guthrie- men who honoured life. Nowadays it’s so difficult to be free that freedom really is a state of mind. It’s our first collection through and through; we practically finished it before boarding the plane,” Cassidy Williams laughs heartily, then slips on a floppy wide-brimmed hat, slings a kangaroo hide over his shoulder and, as he pretends to crack a whip in the air, looks even more like Mitch Dundee- all after letting us taste a kangaroo salami and crocodile snacks…

Warped

“Our family has a textile tradition of great depth- more than sixty years- so Warped also works with the best global manufacturers in the mid-luxury segment: lace from France, fabrics from Italy, and other high-quality materials sourced from factories in Turkey, Japan and Korea,” Jack Cassidy Williams continues. “These factories were chosen not for trend’s sake, but because they’re unique- each one different from the next.”

Warped’s menswear collection for Autumn–Winter 2026/27 comprises around 40 looks spanning ready-to-wear, streetwear, and active-functional pieces. Jackets, suits, trousers, shorts, shirts, and T-shirts sit alongside a street and sportswear offer that includes hoodies, joggers and technical garments, all designed to be comfortable, durable, easy to care for, and genuinely wearable day to day.

Alongside the Warped men’s line, the company presented the Golden Age Sportswear (G.A.S) label in Milan, while the Warped Woman, and G.A.S Woman’s Street collections will debut in Italy from next Spring/Summer.

This article is an automatic translation.
Click here to read the original article.

Copyright © 2026 FashionNetwork.com All rights reserved.



Source link

Continue Reading

Fashion

Paris Menswear Tuesday: Études Studio, Auralee

Published

on


Published



January 21, 2026

Two indie fashion brands, Auralee from Japan and Études Studio from France, staged highly contrasting collections on Tuesday, the opening day of Paris Fashion Week Men, testifying to the dynamism of the season in the French capital.
 
Auralee: Purist fashion with polish
 
A moment of grace on Tuesday evening at Auralee, where Ryota Iwai’s deceptively understated designs never fail to impress.

Auralee’s answer to its question: “What makes winter joyful?” – Luca Tombolini

 
Staged in the Musée de l’Homme facing an illuminated Eiffel Tower, the show was the latest pure statement by a designer whose clothes blend subtlety with refinement.
 
Whatever fabric Iwai plays with always seems just right: whether speckled Donegal tweeds seen in brown knit pants for guys, or a frayed hem skirt for girls in this co-ed show. Leather or lambskin jerkins and baseball jackets, all were ideal.

Semi-transparent nylon splash vests or wispy trenches had real cool. While Iwai’s detailing was also very natty- like the flight jacket trimmed with fur.

A women's look by Auralee
A women’s look by Auralee – Luca Tombolini

 
He is also a great colourist- from the washed-out sea green of a canvas ranger’s jacket to the moody Mediterranean blue of a caban. Though his finale featured a quintet of looks in black. Most charmingly a languid, deconstructed double-breasted cashmere coat worn on a shirtless model- the picture of perfection.
 
There were perhaps not that many sartorial fireworks in the show, but there didn’t need to be. This was a purist fashion statement of polish and precision that this audience could only admire.
 
Backed up by a great soundtrack – Sounding Line 6 by Moritz. Von Oswald or the cutely named Autumn Sweater by Yo La Tengo- the whole display won Ryota a loud and long ovation. Fully deserved too.
 
Études Studio: Resonating in IRCAM

Études Studio certainly know how to stage a show. The design duo invited guests into the bowels of the Institute for Research and Coordination in Acoustics/Music, or IRCAM a unique French concept dedicated to experimental sounds.

A look by Études Studio
A look by Études Studio – Collective Parade – Gaspar J. Ruiz Lidberg

Which we enjoyed a lot of thanks to Darren J. Cunningham, a British electronic musician known professionally as Actress. It made for a dramatic mood, as keys and chords swelled and raged throughout this show.
 
As a result, the design duo of Aurélien Arbet and Jérémie Egry titled this Autumn/Winter 2027 collection ‘Résonances.’ Terming it in their program: “A medley bringing into dialogue the minimalist experiments rooted in John Cage’s philosophy with the emergence of intelligent Dance Music in the early 1990s.”
 
The result was a rather moody series of clothes, made in a sombre palette of muddy brown, dark purple, black, black, and even more black.

Muted tones at Études Studio
Muted tones at Études Studio – Collective Parade – Gaspar J. Ruiz Lidberg

 
What stood out were the bulbous, off-the-shoulder puffers, worn over corduroy shirts or roll-necks- topped by some great rancher hats courtesy of Lambert. One could also admire sleek raingear; cool cocoon shaped jerkins and fuzzy mohair sweaters.  And appreciate a sleek A-Line coat and zippered knit safari jacket in a rare women’s look in this show.
 
Photoshopped faces in black and white scarves all looked very appealing, as did the brand’s debut bag, a satchel in tough canvas. And one had to applaud one great dull gold, wildly deconstructed puffer.
 
That said, the collection lacked proper kick and rarely resonated as the show title suggested it would. A decent statement about the mode, but far from a fashion moment. 
 

Copyright © 2026 FashionNetwork.com All rights reserved.



Source link

Continue Reading

Trending

Copyright © Miami Select.