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Momad reorganises calendar, bringing summer edition forward to July

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September 16, 2025

The fashion, footwear and accessories fair organised by Ifema is changing its strategy and bringing its dates forward from next year.

“Our fairs reflect the state of consumer demand, and it has been changing for some years now,” explained Julia González, director of Momad, Bisutex, Intergift and MadridJoya, revealing that the change of dates was chosen following a consultation held last June with the organising committees of each fair. In addition, this move will prevent the event from clashing with the Spanish Formula 1 Grand Prix, which will hold its first edition in September 2026, at the capital’s exhibition centre.

The next summer edition of Momad will take place from 23 to 25 July. – Fashion Network

Thus, the next summer edition of Momad will take place from 23 to 25 July, 2026, ahead of other European fixtures on the trade fair calendar such as Denmark’s CIFF and France’s Who’s Next. This strategy will see the fashion-focused fair staged as a standalone event, following the cross-sector project launched in 2021 under which the four fairs were run in parallel. However, the organisers are not ruling out bringing the essence of Momad to September in other formats, potentially even under a different name.

“We could do something more ‘boutique’ in July and respond to those who want to come in September with other alternatives,” González continued.

Meanwhile, the Intergift and MadridJoya fairs will also undergo a series of changes in their upcoming editions. The jewellery-focused fair will move to a single annual edition, dropping the February slot, while Intergift, dedicated to the gift, décor and homeware sector, will likewise shift to one annual edition, held in February.

An edition marked by a change of days and the redistribution of the fairs

This latest edition of Momad, held 11–13 September, was also notable for a slight shift in days, running from Thursday to Saturday rather than the traditional Sunday finish of recent editions.

“Thanks to this change, exhibitors will leave with a positive feeling, having been able to work even more,” said Juan José Estevez, director of the fairs business, noting that in past editions Sunday tended to be a quieter day. Pending the show’s official figures, the organisers said that attendance on the first day was up 20% on the equivalent day of the previous summer edition.

“The change has been very good,” said JVZ, the family-run company based in the Sevillian town of Utrera, from its stand, although it admitted that footfall in the aisles dipped on the event’s second day. A view shared by the Barcelona-based boho brand Meisïe, which shared a stand with Skatïe, a label created by the same founders. “We notice less traffic at the summer fairs than at the winter ones,” they noted, adding that “the fair used to be much bigger, whereas now it occupies only one hall, shared with footwear and accessories”.

Beyond the veteran brands, Momad also gave a place of honour to emerging designers such as Ana Sánchez, a designer based in the Badajoz town of Don Benito. The entrepreneur, who launched her brand in October 2020, took part in the event for the first time after receiving an award in the Code 41 Talent contest, supported by Momad and held as part of International Fashion Week in Andalusia. “I’m using this first participation as a showcase and to find suppliers,” Sánchez said, adding that she hopes to open an atelier in the near future.

Collective stand showcasing a selection of Colombian brands.
Collective stand showcasing a selection of Colombian brands. – Fashion Network

One of the novelties of the edition was the physical reorganisation of the spaces: Momad moved to Hall 10, ceding its usual Hall 8 to the Bisutex fair, in order to bring their locations closer and facilitate synergies. One of the brands that benefited most from this change was the Guadalajara-based clothing and handbag label Alexs which, in its third appearance at the Madrid fair, presented a new line of wool coats that “is proving very popular”. Beyond its participation in the fashion fair, designer Alejandro Muñoz, founder and creative director of the label, aims to continue growing with the launch of a new collection, which he hopes to present in the future on the emerging-talent platform Ego, organised within the framework of Mercedes-Benz Fashion Week Madrid.

Championing Colombian talent

Another of the major initiatives of the edition was the participation of a selection of Colombian brands in the “Puente” programme, an initiative promoted by the Bogotá Chamber of Commerce in collaboration with Bogotá Fashion Week. Through this project, which seeks to promote the development of small and medium-sized Colombian companies at national and international level, each participating brand had its own space within a collective stand.

“Things went well and the concept we brought was very well received. We made contacts from different countries and we are leaving with very positive impressions,” said Kott Risk, which was participating for the first time in Madrid after having shown in several editions of BFW.

For its part, the label With Love María also highlighted the welcome received: “It has been a very positive first experience. Everyone has been very warm and very attentive”.

This September’s edition featured 25 more exhibitors than the previous one, with debut brands such as Polín et Moi and the French label Cacharel, which is in the midst of a relaunch. Veteran labels such as Victoria, Surkana, Carla Ruiz, the Portuguese label Scusi and the Málaga de Moda collective also took part. In total, the fairs organised by Ifema Madrid brought together more than 700 exhibiting companies, including 300 at Momad, from 20 countries around the globe. The fashion and accessories trade fair will return to the Madrid exhibition centre from 5 to 7 February 2026 for its next winter edition.

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Triumph expands Digital Product Passport offer across Europe

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December 15, 2025

Lingerie brand Triumph is accelerating its commitment to product transparency with the wider-scale rollout of its Digital Product Passport (DPP).

Triumph

Following its pilot launch last year, Triumph is continuing to expand the initiative with 20% of its European product assortment now featuring a DPP, with plans to extend this further across additional collections in the coming years.

Highlighting detailed information on sourcing, fabrics, supply chain, certifications and factory partners, the DPP offers customers a transparent view into the production of each garment.

Customers can follow an integrated link to explore the full journey of their chosen product, from fabric specifications to the factories where each component is produced. 

Vera Galarza, Triumph’s Global head of Sustainability, said: “A bra is a complex product. From different lace colours sourced across multiple countries to the intricate design elements, every component requires thoughtful consideration. The Digital Product Passport empowers consumers to understand the full journey behind their purchase. We continue to find new ways to increase awareness of product provenance, and the expansion of this programme is a crucial step toward responsible and transparent practices across our supply chain.

“This continued expansion aligns with Triumph’s longstanding values: creating high-quality products that stand against fashion-fashion culture. By equipping customers with greater information and visibility, Triumph encourages more mindful consumption and strengthens the emotional connection consumers have with their lingerie.”

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Me+Em makes Yorkshire debut with Harrogate opening

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December 15, 2025

The ever-growing premium fashion brand Me+Em has opened its first boutique in Yorkshire, choosing Harrogate’s town centre Prospect Crescent for the new 1,300 sq ft space housed in a Grade II–listed former bank.

Me+Em

In keeping with the “global Me+Em design”, the Harrogate store features traditional English furniture mixed with modern design elements such as neutral-toned soft furnishings in fabrics by London-based designer Rose Uniacke.

The colour scheme for the “immersive space” is based on a  rich forest green, a nod to the nearby Yorkshire Dales.

Large-scale haberdashery fixtures are used to showcase accessories and wardrobe staples, while bespoke bronze rails display curated product edits from the seasonal monthly collections.

Founded in 2009 by Clare Hornby, Me+Em’s ethos is that women “shouldn’t have to choose between quality and cost” while based on ‘intelligent style’ with a focus on “ensuring pieces are both flattering and functional, with a wear-forever appeal”.

The move into Yorkshire marks the latest chapter in Me+Em’s expansion, with the Harrogate store joining seven boutiques in London, including Marylebone High Street, King’s Road, Chelsea, Brook Street, Mayfair, Elizabeth Street Belgravia and at Battersea Power Station, plus stores in Manchester, Edinburgh. It’s the first UK store not in a major city. Internationally, the brand has two New York stores, plus Dallas Greenwich, Connecticut, and a soon-to-be-added Beverly Hills, California debut.

Lastest results filed last January showed the business to be progressing strongly. Group revenue increased by 24% to £147.9 million, driven by the success of its international business where revenues increased 50%. Gross profit was up 24% to £82.3 million with an improvement in margin to 56% from 55%.

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Ganni appoints president for the Americas, bolsters its Paris office

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December 15, 2025

Copenhagen-based fashion house Ganni has announced the appointment of three executives to key roles: Marcelo Noschese as president, Americas; Marie Valot as director of communications and public relations; and Guillaume Dacquet as director of marketing and image. All three will report directly to Ganni’s chief executive, Laura du Rusquec, and will work closely with the Executive Committee.

Marie Valot, Director of Communications and Public Relations, and Guillaume Dacquet, Director of Marketing and Image. – DR

Based in New York, Marcelo Noschese will be responsible for Ganni’s retail, wholesale, and e-commerce operations across the Americas. He has held senior leadership roles at houses including Prada, Louis Vuitton, and Ferragamo. Prior to joining Ganni, he was CEO of Prada Americas, overseeing operations in the US, Canada, and Latin America.

Marie Valot joins Ganni as director of communications and public relations. She has more than 15 years’ experience in brand communications, VIP and influencer strategies, and international partnerships. She previously led international communications for Balmain, Nina Ricci, and KCD Paris, where she spearheaded global campaigns, media strategies, and cross-functional projects.

Guillaume Dacquet has been appointed director of marketing and image. He joins Ganni from Estée Lauder Companies, where he worked on international rebranding initiatives and long-term communications platforms. He has also held roles within LVMH Beauty, notably for the Dior, Guerlain, Givenchy, Fresh, and Stella McCartney brands, in positions spanning strategic planning, consumer research, and innovation.

These three appointments form part of efforts to strengthen Ganni’s global organisation. According to Laura du Rusquec, the company’s chief executive, these hires are intended to support the implementation of the company’s long-term global vision.

Founded in Copenhagen in 2000, Ganni is a contemporary fashion house stocked by numerous international retailers and operating boutiques in Europe, the US, and Asia. A certified B Corp, the company publishes an annual responsibility report and develops initiatives focused on innovation, notably through its ‘Fabrics of the Future’ programme and projects related to the circular economy. L Catterton acquired a majority stake in the company in 2017.

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