Fashion
ModaLisboa Base announces events open to the general public
Published
September 26, 2025
ModaLisboa Base, co-organised with Lisbon City Council (CML), opens to Lisbon in the first week of October as a cultural platform showcasing designer fashion to diverse audiences, inviting guests to “consider fashion as a cultural and social asset, capable of creating dialogue, recognition and belonging,” said the organisation in a statement, unveiling free, open-to-all events — notably exhibitions, talks, workshops, networking sessions, parties, performances and even runway shows by multidisciplinary brands and creatives.
In this context, Lisboa Fashion Week (LFW) acts as a bridge between creators and the community, proposing that the shows be experienced simultaneously in the physical space of Pátio da Galé, where almost everything happens, and in the digital realm, broadcast via livestream — on LFW’s digital platforms and RTP’s website — and projected across the urban space at the ModaPortugal by CENIT/ANIVEC installation in Praça do Comércio — where the aforementioned historic building stands, which, before the 18th-century earthquake, served as the Paço Real and Casa da Índia — as well as at multiple locations across the MOP network. And much more.
For example, beat by be@t returns to LFW to present its third edition at MUDE – Museu do Design, featuring “four circular and innovative textile projects developed by teams comprising fashion designers and small and medium-sized enterprises”, according to the website, Modalisboa.pt. The partnerships Adriana Oliveira X Cordeiro e Campos, Francisca Campos X AAC Têxteis, Nicole Feliciano X ALLCOST and Luís Carvalho X Cordeiro e Campos will be on view from 1 to 5 October at MUDE.
Also at MUDE, on October 4 and 5, artist, designer and researcher Olga Noronha presents her show, the result of research and an aesthetic study of landscape, form and matter. It highlights “site-specific works and mixed approaches, both sculptural and a series of Lab Paintings ©, the result of the development of new materials in the laboratory to which Olga Noronha has been dedicated since 2018, and which emerge to express the imprecise variations of colour and the blending of senses and emotions,” ModaLisboa explained.
The installation ‘Soil and Loom – From Earth to Digital Weaving’ by ModaPortugal by CENIT/ANIVEC, which will be on display in Praça do Comércio between October 3 and 5, portrays the transition between tradition and innovation in the textile industry via regenerative agriculture, natural dyes and biodegradable materials that intertwine with digitalisation, automation and 3D design, weaving a sustainable, inclusive future as connected to the earth as it is to progress.
On Thursday, October 2, between 7 and 10 p.m., the Adidas X Sportino ModaLisboa Kick Off Party will take place at Sportino Chiado, at 85 Rua Nova do Almada.
“It is a party that symbolically marks the start of Lisbon Fashion Week and launches the collective energy for the days that follow,” the organisers announced, emphasising that the free-entry party is a preview of what is to come.
The following day, October 3, the Lisboa Fashion Week Afro Party, organised by Fourth Avenew and Cold Hearts, extends the night at Botanica 111, located at 111 Rua do Norte. A “fluid dialogue between music and fashion”, in an “immersive atmosphere” and a celebration of designers and musicians of African descent. Tickets are already on sale at Eventbrite.com, priced at €17.89.
Similarly, OFF Lisboa Fashion Week, powered by contracoutura, returns to support emerging talent, establishing links between international creatives and the ecosystem, with the programme still open and to be revealed soon on the website. Highlights include the Wide Shades Exhibition: ‘1st of the Month’, at 80 Rua da Boavista, with a group exhibition and DJ set, installations by Wesley Barros and Hana Vuckovic, ceramics by Patrícia Sousa and a fashion archive showcase.
Between October 2 and 5, Pop-up @ Cyber Café presents emerging brands such as Chaos Kid, Inês Gordo and Nexus Studio, accompanied by DJ sets and drinks, between 6:30 and 9 p.m. On October 4, the programme continues at 21A Rua do Vale Formoso with ‘Brunch contracoutura convida’, which harmonises music and gastronomy at the inauguration of the new space.
Finally, the dynamic, convergent space Fashion House, already reported on by FashionNetwork.com, adds new features to the programme with a performance by João Magalhães, on October 4, at 6 p.m., and new names added to the pop-up store. Open on October 2 from 12 noon to 5 p.m., and from October 3 to 5 from 12 noon to 8 p.m., with free entry, the pop-up features pieces by ARNDES, Bárbara Atanásio, BÉHEN, Dino Alves, DuarteHajime, Francisca Nabinho, Isza X Sara Valdez, Kolovrat, Luís Carvalho, Luís Buchinho, Mestre Studio, Nuno Baltazar, Ricardo Andrez, Roselyn Silva and Valentim Quaresma.
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Copyright © 2025 FashionNetwork.com All rights reserved.
Published
January 21, 2026
Testoni hails from Bologna, Italy, but in 2022 the luxury footwear and accessories maker came under the umbrella of Chinese group Viva China, which controls the Li Ning brand (which has just shown at Milan Men’s Fashion Week) and the British brand Clarks, having previously been acquired by Hong Kong-based Sitoy Group in 2018. The Emilia-based label, founded in 1929 and specialising in men’s footwear, has since placed greater emphasis on womenswear and, following a rebrand from a.testoni to Testoni 1929, in 2025 opened a 200 square-metre flagship on Via Manzoni in Milan.
The Milan boutique is part of the brand’s relaunch plan. In the same vein, the company has taken on a larger showroom to support retail and wholesale activities, at Via Sant’Andrea 21, where the presentation of the Autumn-Winter 2026/27 collection was held. “We currently operate 30 single-brand stores; we have just opened a new one in Taipei,” Philip Yau, CEO of Testoni, tells FashionNetwork.com. “They are located mostly in Asia- in China, Japan, South Korea and, indeed, Taipei. But after focusing on the Far East, we now want to look more to Europe, with Italy as a starting point, and then move on to the US.”
“We had a presence in America in the past, but we had closed the business there. Now we will reopen that market, where we were selling 10 million shoes every year. We have a large distribution centre in Hanover, near Philadelphia. Retailers such as Macy’s and Nordstrom, with whom we have established contacts, can help us successfully resume business in that market,” continues Yau, who is also aiming for “operational, logistics, marketing and other synergies with the brands Clarks and Li Ning and with the group’s market reach.” “Asia remains a strong base for us at Viva China, where we own many companies,” he says.
There are around 60 multi-brand stores that sell Testoni, making distribution highly selective at the top end. “Testoni has always been a more retail-oriented brand, but we are working to expand into wholesale as well, which we believe can be a strong driver of growth,” adds Testoni’s general manager, Enzo Vaccari. “So wholesale expansions are planned, especially in the US and other overseas markets. Nor are we neglecting e-commerce, which is quite small at present. It can do much more; we will work on it by leveraging the synergies we can establish with Clarks’ platform.”
Autumn-Winter 2026/27 has seen an increase in men’s styles and focuses on the Testoni brand’s core offer: loafers, moccasins, clean lines, no eccentricities, underscoring its craftsmanship. “In three years we will celebrate our 100th anniversary, so we have a very rich archive that could certainly form the basis of a museum,” Vaccari adds. “It is one of our dreams, because in our archive there are original products from the 1940s through the 1950s and 1960s, and we have all the original designs by Marisa Testoni, the daughter of Amedeo Testoni, the founder. At the moment, these materials are kept in Piazza XX Settembre, near the Montagnola in Bologna, but we are working to rethink the space and reorganise everything properly. We wanted Bologna to be the focal point of this project, because it is the city where we were born, where the company’s history lies.”
Testoni also makes handbags, another line that has expanded in terms of styles, while men still account for 70% of revenue and production. “However, we are trying to achieve a better balance between the collections: we need to develop more bags dedicated to women,” Yau notes.
From a financial standpoint, the official 2025 year-end has yet to be finalised, so Philip Yau does not intend to disclose Testoni’s annual turnover, which nonetheless grew in the single digits. The leading markets are China, Taiwan and Hong Kong combined- Greater China- accounting for 40%, followed by Japan. “But the US is and will be a key market for Testoni and for the entire Viva China group, as is the Middle East, not only through wholesale distribution but also via retail openings currently under consideration,” explains Enzo Vaccari. “In America we have just returned; we want to find a major retailer, like Macy’s, which has more than 300 doors. In the meantime, there will be consolidation of retail in Asia, where we are looking at other markets, such as Singapore and Malaysia, which we would like to enter within a couple of years, depending on the opportunities that arise.”
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Copyright © 2026 FashionNetwork.com All rights reserved.
Published
January 21, 2026
Add designer to Jaden Smith’s considerable list of professions- along with actor, singer, and rapper- after the Californian creator dreamed up an impressive Dadaist display for his debut at Christian Louboutin.
Evoking a whole plethora of influences from Greek mythology and the Great Paris Exhibitions to Dadaism and the great movement for Civil Rights, in an elaborate set in a disused warehouse in Montparnasse. Mount Parnassus, you will recall, was the home to nine muses in arts and sciences.
Two fine works of footwear even had Greek names: The Plato Loafer, a 2017 model with Swisscheese like holes, which Smith updates with the new Neo CL signature on a steel silver coin. And the Asclepius Sling- named after the ancient god of medicine- with the same emblematic coin detail and metallic hardware on the backstrap.
“I brought my personal interest on Greek mythology in as I thought it would resonate with people, as humans at the end of the day are all very similar. I’m combining my perspective of being an African American designer, linked to my more Dadaist thinking into the heritage of a French maison,” explained courteous 27-year-old.
Close by stood a Nam June Paik worthy mound of TVs, with video showing images of Martin Luther King’s 1963 March on Washington, The Sphinx, and clips from Dadaist filmmaker Hans Richter.
“That art piece is about the overdose of information we experience. This revolution that we are in the midst of right now. And the fact that information is being thrown at us all the time. And the psychological effects of looking at 10 screens at the one time. While also drawing correlations between my ancestry and Christian’s ancestry, and the history of art,” said Smith, attired in a giant gangster jeans, an oversized parka and pearl encrusted beanie.
Another installation was a broken temple with fluted columns on which were perched Jaden’s new bags. Notably a series of humungous backpacks and biker satchels, some with a dozen exterior zippered pockets with gold lettering reading- coins, pills, keys, tools, phone, documents, phones, and chargers. Alongside a surrealist tote finished like a bucket of overflowing paint and a Dadaist style back made in a black and white photo of an urban madding crowd.
The whole space was dubbed Christian Louboutin Men’s Exhibition, as a small group of models bathed, inevitably, in red light, circulated wearing the new footwear and bags. Large red fabric rolls made into benches allowed one to enjoy a large video montage, including Jaden as a Wagnerian hero posed in front of gothic castles. Which is where we spotted founder Christian Louboutin, in a video stirring a large vat of red paint, before symbolically handing over a paintbrush to Jaden.
“It’s about craftmanship, extreme luxury, and highest level of design. That’s what Christian Louboutin is all about,” said Smith, describing the brand’s DNA.
Eyebrows were raised when Christian appointed Jaden to the position of creative director, as Parisian designers with two decades long CVs gritted their teeth that an untrained talent got such a coveted position. However, judging by this display, Jaden Smith has the chops, talent, and grace to be very effective in this role.
One suspects the gods of style and time are probably rather pleased.
Copyright © 2026 FashionNetwork.com All rights reserved.
Published
January 21, 2026
To coincide with Milan Fashion Week, the S|STYLE 2025- Denim Lab is setting up at Fondazione Sozzani for an edition devoted to the future of sustainable denim and water management in the textile industry. Led by the S|STYLE Sustainable Style platform, founded in 2020 by independent journalist and curator Giorgia Cantarini, this initiative forms part of an ongoing programme of research and experimentation into responsible innovations applied to contemporary fashion.
The exhibition, open to the public on September 27 and 28, features a site-specific art installation by Mariano Franzetti, crafted from recycled and regenerative denim. Conceived as an immersive experience, it brings fashion design, technological innovation and artistic expression into dialogue.
Water: a central issue in fashion sustainability
Developed in collaboration with Kering‘s Material Innovation Lab (MIL), the Denim Lab brings together a selection of young international designers invited to create a denim look using low-impact materials and processes. They benefit from technical support and access to textiles developed with innovative technologies aimed at significantly reducing water consumption, chemical use, and the carbon footprint of denim production.
This edition places water at its core, an essential issue for a fabric whose production has traditionally demanded substantial volumes of water, from cotton cultivation through to dyeing and finishing. Denim therefore serves as an emblematic testing ground, both familiar and closely associated with the environmental challenges facing the fashion industry.
The fabrics were developed by PureDenim Srl, a specialist in low-impact dyeing techniques, while treatments and finishes were applied by Tonello Srl, a recognised leader in sustainable washing and finishing technologies. The selected designers, from Europe, Asia, and Africa, each offer a distinctive interpretation of denim, blending formal exploration, textile innovation and reflection on the contemporary uses of clothing.
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