Milan Fashion Week kicked off Tuesday, but the flair and fanfare on catwalks will likely struggle to distract from a worrying slump in the luxury sector.
For six days, the northern Italian capital of fashion will showcase Autumn/Winter 2025-2026 women’s looks — while scrambling behind the scenes to react to macroeconomic headwinds cutting into sales.
Milan’s glamorous showcase for the latest fashion trends, which ends Sunday, comes during a difficult moment for Italian fashion, with estimates showing sales having fallen by 5 percent last year.
Italy’s woes are part of a global slump in the sector, driven by weakness in the key market of China, reduced appetite for high-priced goods, and widespread economic uncertainty.
Gucci — once the pride of fashion week but now the worst performer in Kering‘s portfolio — opened the fashion fest in Milan.
The French group earlier this month announced a jaw-dropping 23 percent drop in sales at Gucci, its flagship brand accounting for almost half of the revenue of the group, whose sales have not recovered despite an announced turnaround.
Just over two weeks before the show, Gucci announced the departure of its creative director, Sabato de Sarno — after just two years on the job.
It was up to the brand’s creative studio to sign off on an interim collection entitled “Continuum”, which drew on elements of the brand’s heritage, such as silhouettes from the 60s or minimalism from the 90s.
Fabrics were both classic and subversive, while the colour palette ranged from shades of green to gray, mauve and brown.
Instead of the traditional designer’s bow at the end of the show, dozens of people from the design studio came out to greet the audience.
“A brand is not a person, a brand is a story and it is the people who work there at all levels, that’s what we saw today,” Francesca Bellettini, deputy chief executive of Kering, told AFP.
Kering Chief Executive Francois-Henri Pinault tried to temper the fallout ahead of the show, telling analysts during its annual presentation this month that measures were being taken to “strengthen the health and desirability of our brands for the long term.”
“Gucci will come back. I have absolutely no doubt,” Pinault said.
The net profit of Kering — which also owns Saint Laurent and Bottega Veneta, the latter a bright spot in the portfolio — plunged 62 percent last year to 1.13 billion euros ($1.18 billion).
Consultants Bain & Company have estimated that only about a third of the world’s luxury brands experienced growth in 2024.
“Global luxury consumers, grappling with macroeconomic uncertainty and continued price elevation by brands, cut back slightly on discretionary items,” said Bain in a January report.
In Italy, the fashion sector, including eyewear, jewellery, and beauty, is expected to post turnover of just under 96 billion euros in 2024, a drop of 5.3 percent compared to 2023, according to forecasts by Italian Fashion Chamber.
The body’s president, Carlo Capasa, said earlier this month that the week of shows, buying, and networking demonstrated the sector’s willingness “to address the complexity of the moment the sector is facing.”
“Creativity, pragmatism, and flexibility,” will help the sector confront “such a challenging moment,” he told a press conference, with efforts needed to boost innovation and strengthen Italy’s supply chain.
He said the chamber would lobby the government for “support policies” for the sector.
The Italian leather and footwear sector is faring worse than fashion, with estimates from trade association Confindustria showing an anticipated revenue drop of 8.1 percent in 2024.
In Tuscany, the hub of Italy’s leather industry, nearly 100,000 people are estimated to be on furlough.
The Italian government has put aside about 110 million euros to boost the fashion sector this year and last.
But that hasn’t been able to pull some factories back from the brink of closure.
Swiss brand Bally – whose runway show is scheduled for Saturday — announced in December it would shut its production facility near Florence which employs 55 workers.
Negotiations with trade unions are ongoing to avert the closure.
Some brands are celebrating big anniversaries this year in Milan, notably Fendi‘s 100th birthday with a co-ed catwalk show under the interim creative direction of Silvia Venturini Fendi.
DSquared celebrates its 30th birthday while Kway celebrates 60 years since it was established in Paris in 1965.
Bottega Veneta will be absent, having postponed its first show under new artistic director Louise Trotter to September, after previous director Matthieu Blazy left for Chanel in December.
The Spanish fashion conglomerate Tendam has a new majority owner. Nine months after canceling its plans for an IPO in Spain, the investment vehicle of the Abu Dhabi royal family, Multiply Group, has acquired a 67% stake in the company from private equity firms CVC Capital Partners and PAI Partners. The deal values the company at over €1 billion, according to reports from the business daily Expansión.
Multiply Group acquires a 67% stake in Tendam, strengthening its presence in the global fashion market. – Tendam
The acquisition follows unsuccessful attempts to take Tendam public, as the market conditions failed to meet the expectations of CVC and PAI Partners. Both firms had been part of Tendam’s ownership since 2006, following a complex bidding war that also involved private equity firm Permira. In 2017, CVC and PAI Partners acquired Permira’s 33% stake, becoming the sole owners.
According to the same source, in addition to IPO attempts, CVC and PAI Partners had also explored other options for the company, including selling it to investors with an industrial profile or to the department store group El Corte Inglés.
Formerly known as Grupo Cortefiel, Tendam’s portfolio includes Women’secret, Springfield, Cortefiel, Pedro del Hierro, Hoss Intropia, Slowlove, High Spirits, Dash and Stars, OOTO, Milano, Fifty, and Hi&Bye. The group operates more than 1,760 points of sale across 80 countries, including standalone stores, department store corners, and franchises. It also maintains an online presence through over 33 websites.
What a difference a different colour and an Oscar-winning composer can make to a fashion show, as Gucci showed in its first post-Sabato De Sarno collection in Milan on Tuesday.
The debut show of the six-day Milan Fashion Week, the show and set were useful reminders of Gucci brand power, something far too many people have forgotten lately.
Gone was the deep purple that obsessed the banished creative director. Instead, the green room, invitations, curtains, and banquette seating inside the huge show space were hearty Castleton green. Even the catwalks were done in two massive interlocking green Gs.
A model walks the runway in Gucci’s Castleton green show space, reflecting a new direction for the house. – Photo Credits: Godfrey Deeny
Presented inside Superstudio Maxi, a giant party club in south Milan, the show was blessed with a fantastic original soundtrack by Justin Hurwitz, who won two Oscars for Best Original Song and Best Original Score for La La Land. He energetically conducted a live chamber orchestra before a front row, where Kering CEO and Gucci patron François-Henri Pinault sat beside Julia Garner, Jessica Chastain, Parker Posey, Jannik Sinner, Yara Shahidi, Dev Patel, Xiao Zhan, and Wen Qi—not bad going for a house without a designer.
A rousing performance that drove forward this show and collection, a cautious yet snappy array of Gucci hits over several decades created by the in-house design team. Ranging from ’60s fur and deep mohair peacoats; to knee-length skirts slit up the side, big-button tunics, or some perfectly cut Donegal tweed business suits. Dolce Vita damsels out for a stroll, certain to make heads turn.
Gucci’s runway featured rich textures and fluid silhouettes, blending heritage with modern elegance. – Photo Cresits: Godfrey Deeny
All the way to the 90s slip dresses, oversized coated blazers with peak collars, or bouclé wool mini cocktails. Best of all were the interlocking G-print velvet dresses and the semi-sheer skirts paired with velour leotards and worn with gold stirrup pendants, adding plenty of oomph. All this was worn with several new takes on the 1955 horse-bit bag that looked very commercial.
There was a time under Alessandro Michele, when the Gucci girl looked like she lived in Brooklyn. None of these girls looked like they ever took a subway.
Halfway through, the chamber orchestra changed rhythms and out came the menswear collection, featuring a sharp new double-breasted suit with an elongated jacket and slim pants, slashed at the back at the ankle and worn with natty leather slippers. Noting too awe-inspiring, but decent merch as were some great scrawny mohair cardigans. Though quite why there were six versions of the same coat, albeit in different materials was hard to comprehend.
Gucci’s menswear collection featured sleek tailoring with modern proportions and effortless elegance. – Photo Credits: Godfrey Deeny
“We wanted to make a brand statement,” said Gucci CEO Stefano Cantino. And the house most certainly did with an excellently staged show that ended with a score of young designers taking a joint bow at the bandstand. All dressed in Castleton green sweatshirts.
Despite it being one of those foggy days when clouds descend like lumpy porridge from the Alps and Milan looks very mournful, several thousand fans swarmed around outside, cheering each star as they exited. Gucci may have suffered several tricky years and seen revenues fall 20% in the most recent quarter, but judging by these fans; the label is still a major cult marque.
The house was mum about the eventual successor to De Sarno, though an announcement is expected in the next several weeks – with Hedi Slimane the designer with the shortest odds.
Business may have been weak but there is plenty of life in the house of Gucci.
Tougher laws on UK retail crime are taking their first steps through parliament today (Tuesday 25 February).
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The government’s Crime and Policing Bill, which will mostly apply in England and Wales, contains over 50 measures including stricter penalties for shoplifting of items under £200 and making it a new offence to assault a shop worker.
It also contains new ‘Respect Orders’, reminiscent of the Anti-social Behaviour Orders introduced by the last Labour government before being abolished in 2014.
Current laws don’t go far enough for shoplifting theft under £200 and such crimes can only be tried in a magistrates court.
Home secretary Yvette Cooper said: “The new Crime and Policing Bill is about taking back our streets and town centres, restoring respect for law and order, and giving the police and local communities the support and tools they need to tackle local crime.”
The British Retail Consortium warned in January that retail crime is “spiralling out of control”, hitting its highest level on record. Theft alone is now costing retailers £2.2 billion a year while violent and abusive incidents were up more than 50% last year. The crime prevention cost for stores is around £1.8 billion annually.