Miami Fashion Week kicked on Monday with the six-day fashion event set to showcase the latest collections from a mix of local and international talent, especially Latin American designers.
Courtesy
The CFDA-recognised MIAFW commenced with a press conference at the Freedom Tower at Miami Dade College, featuring speakers and guests including Lourdes Fernandez-Velasco, executive director, Miami Fashion Week; commissioner Oliver G. Gilbert, III; and Madeline Pumariega, Miami Dade College President; as well as a bevy of fashion designers, and other stakeholders.
Tuesday will see runway shows from Spanish designer Beatriz de la Cámara, known for her romantic silhouettes, and sustainable women’s Peruvian label Sitka Semsch, which fuses artisanal heritage with modern dress.
The MIAFW Summit with the Miami Fashion Institute will take place Wednesday, under the theme “The Future of Fashion is Built Here.” The summit will brings together more than 20 speakers, designers, and digital pioneers for a day of panels, keynotes, and innovation, with program featuring Nicole Miller, Naeem Khan, Angel Sanchez, and Shantall Lacayo, and other industry leaders.
The day will be capped off by the inaugural digital fashion show by the Miami Fashion Institute.
Thursday’s main event is the Miami Fashion Week Gala featuring the Naeem Khan fashion show. The Indian red-carpet designer is renowned for his gowns made of intricate beading, embroidery, and luxurious fabrics, with proceeds from the gala going to Miami Dade College’s Miami Fashion Institute.
Friday and Saturday’s schedule will feature four runway shows, including Puerto Rican-born, Miami-based designer, Brenda Noy, and Dominican Republic designer, Jenny Polanco, followed by Venezuelan fashion designer, Yenny Bastida, and Colombian-born fashion designer and winner of “Project Runway Season 17″, Jhoan Sebastian Grey, closing out the week.
In addition to the scheduled shows and events, participating designers in MIFW will gain exclusive access to the Mana Fashion Showroom, showcasing their collections to top buyers, retailers, and industry leaders.
“Miami Fashion Week is where creativity meets opportunity,” says Lourdes Fernandez-Velasco, executive director of Miami Fashion Week.
“From emerging Miami talent to international icons, we aim to inspire collaboration, spark innovation, and showcase fashion as a force for culture and sustainability.”
Sophie Kinsella, the highly popular British author whose bestselling novels have been translated the world over, notably the Shopaholic series, died just before her 56th birthday from a brain tumour she had been diagnosed with in late 2022.
Sophie Kinsella
Kinsella faced her condition with great courage, and described her experience in her last book, published in 2024, poignantly entitled What Does It Feel Like?
“We are heartbroken to announce the death this morning of our beloved Sophie (alias Maddy, alias Mummy),” posted Kinsella’s family, her husband Henry Wickham and their five children, as they gave the news of the author’s passing. “Despite her illness, which she endured with unimaginable courage, Sophie considered herself very fortunate to have such a wonderful family and friends, and to have had an extraordinarily successful writing career. She took nothing for granted and has always been grateful for the love she received,” the family added.
Kinsella, whose real name was Madeleine Sophie Townley, would have turned 56 in two days’ time and, as her family pointed out, she and her loved ones tried to make the most of their final days together. Kinsella, whose books sold 50 million copies and have defined chick lit as a genre, revealed her health problems to her many readers last year. She was diagnosed with glioblastoma, an aggressive form of brain cancer, and underwent surgery as well as several rounds of radiotherapy and chemotherapy.
“I didn’t reveal this earlier because I wanted to make sure my children were able to hear and process the news privately, adapting to our new normal,” she told her community of fans. Many of them, upon learning of the author’s death, paid tribute to her on social media.
The search for positive meaning despite a traumatic illness was at the heart of Kinsella’s last novel, in which the protagonist, a famous writer called Eve, begins to gather the memories of what really matters to her: long walks holding her husband’s hand, evenings spent playing parlour games with her family, and the treat of buying a dress she likes. The novel is made up of short chapters, each attempting to answer the most difficult issues shared by those navigating the labyrinth of pain. The book was also a way of staying close to those dealing with cancer, as Kinsella herself did in some of her statements after she revealed her illness.
Kinsella was born in the London suburb of Wandsworth on December 12, 1970. She graduated in PPE at Oxford University and briefly worked as a finance journalist before starting to write romance novels aged 24. She gained global fame – after publishing a few well-liked novels under her real name – with The Secret Dreamworld of a Shopaholic, published in 2000 as Sophie Kinsella, soon followed by Shopaholic Abroad. Then came another eight titles in the Shopaholic series and 13 standalone novels, from Can You Keep a Secret? (2003) to The Burnout (2023) and What Does It Feel Like? (2024), as well as a handful of young adult novels. The first two Shopaholic books were adapted into the film Confessions of a Shopaholic, released in February 2009 with Isla Fisher in the title role.
In 1991, Kinsella married Henry Wickham, whom she had met at Oxford. Together they had five children, and lived between Dorset and London, where she was treated.
In a crowded sports performancewear market, it’s important to have a strong message. So the Over+Above (O+A) brand is entering a new chapter with the tagline ‘Redefining Performance Wear for Body and Mind’.
Image: Over+Above
The online retailer’s ‘performance-first’ brand (‘created by athletes, for athletes’) is presenting a campaign to “renew its mission” by introducing ‘Freedom in Mind’ as a “bold creative campaign that signals a decisive evolution for the brand: performance isn’t only physical, it’s deeply human”.
This new chapter also marks the start of a series of ambassadorships, with ex-England rugby union captain Chris Robshaw joining in a creative partnership with endurance athlete and brand ambassador Ryan Libbey, “whose personal fitness journey and alignment with O+A’s values inspired the collaboration”.
The first of the campaign films was shot in the Peak District, following Libbey as he trained for an Iron Man challenge, “capturing not only the physical demands but also the emotional depth behind performance training”.
Through his journey, O+A “delves into the highs and lows of sport”, namely the vulnerability, setbacks, discipline, and breakthroughs, “experiences that the brand’s CEO, ex-England cricketer Matt Prior, and its ambassadors “understand intimately”.
At the heart of the campaign sits the ‘Director’s Cut’, “a more personal, direct, and fluid interpretation that weaves these layers into one cohesive narrative”.
At the core of the brand’s innovation lies its “market-leading” ProPrio product range that has been “anatomically engineered with patented kinesiology-inspired technology” that claims to have “already set a new benchmark in performance and compressionwear”.
The range includes full tights, half tights, calf sleeves, long-and short-sleeve tops and racquet sleeves, at oaperformance.com in sizes XS to XXL.
Womenswear brand Club L London has been expanding fast in recent periods and that can be seen from its newly-released 2024/25 results that saw profit before tax jumping 51%.
Club L London
For the 12 months to March this year, its turnover rose to £65.9 million from £44.4 million, a 48% leap.
Meanwhile gross profit rose as much as 62% to £37.8 million from £23.4 million, and the aforementioned profit before tax was up to £14 million from just under £3.1 million a year earlier.
Profit margins rose from 6.9% to 21.1% and net assets also grew significantly, from £9.1 million to £16.6 million, “reflecting the brand’s strengthened financial position and its capacity to continue investing in growth initiatives”.
Its net profit for the year rose to £10.38 million from £2.57 million.
The company said the performance was primarily driven by the brand’s strategic expansion into international markets and targeted investments in infrastructure and technology.
The US delivered 90% growth, Australia 83%, and the Middle East an “exceptional” 417% increase year-on-year. Europe also experienced saw triple-digit growth, “supported by an expanding international customer base and carefully executed localisation strategies across Germany, Poland, the Netherlands, and Saudi Arabia”.
The company launched localised webstores as part of this process “with end-to-end translation and cultural adaptations to ensure a seamless and locally relevant customer experience”.
Meanwhile, the opening of a dedicated US 3PL facility has improved delivery times — something that’s vital for European businesses aiming to crack the US market — as well as strengthening logistics capacity, and improving the overall customer experience.
Marketing chief Dan Sorensen said: “Following on from key infrastructural investments made previously, we’ve been able to scale profitably both domestically and internationally giving us an opportunity to serve our customers better across all borders.”
During the year in question and since it ended, the company has been extremely busy. Just before the latest financial year finished, it acquired Lavish Alice for an undisclosed seven-figure sum, “uniting two leading, legacy brands”.
Then in July, it launched a localised German website and in September launched on Middle Eastern e-commerce platform Ounass.