On Saturday March 1, 16 years after opening at 111 boulevard Beaumarchais in the Parisian district of Haut-Marais, pioneering concept store Merci has inaugurated a second address in the French capital, at 19 rue de Richelieu.
The new Merci concept store in Paris – Instagram/@merciparis
The new store, labelled Merci2, occupies the premises of a former post office, and adopts the same winning formula of the first Merci store, offering a mix of fashion, home decoration, lifestyle products and gourmet food.
Merci2 is located a stone’s throw from the Louvre Museum, and benefits from the growing footfall in that section of rue de Richelieu. The Rivedroit Paris and La Bonne Brosse brands have recently opened stores nearby.
Merci was created in March 2009 by Bernard and Marie-France Cohen, founders of premium childrenswear brand Bonpoint. In 2013, Merci was sold to HGD, the family holding company of the Gerbi family, founder of the Gérard Darel brand.
Creative communications agencyBrandnation has been appointed to handle the PR for retailer Outdoor and Cycle Concepts (O&CC) – the group behind British retail brands Cotswold Outdoor, Runners Need and Snow + Rock.
An integrated brief spans PR, influencer marketing, creative campaigns and corporate communications across the group’s three businesses. The account will be led by Joe Murgatroyd, partner and creative director at Brandnation.
The appointment comes at a time when O&CC is set to embark on a period of modernisation throughout the business “a focus within the brief which Brandnation will support in navigating”, the agency said.
O&CC marketing director Lucy Sutton said: “Brandnation was able to demonstrate a dynamic mix of energy, creativity and expertise that will help elevate our brands to new heights in 2025.
“[The aim is] to reach audiences in new ways through integrated creative storytelling – narrating the stories that will inspire people to enjoy their time outdoors to the full.”
The account win builds on the agency’s experience in the active outdoor sector that includes Columbia Sportswear, Merrell and Kathmandu.
In November, Brandnation announced new owners with its founder and managing director Mary Killingworth selling her majority stake in the business to an Employee Ownership Trust (EOT).
Primark is pushing ahead with growth in homewares, teaming up with digital retailer Pinterest on new collections inspired by the platform’s biggest trends for spring.
Having identified three key trends from the search data of Pinterest’s 12 million users, Primark has introduced ranges called Cosy Cottage, Minamaluxe, and Dainty Décor.
Launching in 100 Primark stores, the pair are also bringing the collaboration to life across more than 70 store windows. The ranges will be available to purchase in stores throughout March.
And to widen Primark’s digital ambitions, the ranges are also available to purchase via Pinterest using Click & Collect to offer customers “an immersive seamless shopping experience”.
To style the new collection before buying, shoppers open Pinterest Collages, an interactive tool to pull together their vision, allowing users to curate mood boards from the Primark range.
The pair are also offering a first-ever Collage masterclass tour, designed to help those “reimagine their dream space”, with in-store dates across the UK that will include flagship stores in London, Belfast, Liverpool, and Glasgow this month.
Heather Clark, head of retail at Pinterest UK, said: “Inspiration has a new home. “We’ve seen searches rise for pastel palettes, an understated luxury aesthetic and darling furnishings and with new ways to shop Primark’s trend-certified home range, it’s now even easier to bring this inspiration to life.”
The retailer’s head of design Sinead McDonagh added: “Pinterest is where so many of us go for home inspiration, but sometimes turning those saved Pins into reality isn’t always easy, especially on a budget.
“That’s why at Primark Home, we’re committed to making trend-led interiors affordable and effortless. Whether you prefer a minimalist vibe or playful patterns, here’s how to bring the latest trends into your space without breaking the bank.”
In January, Primark announced it was expanding the ‘lifestyle’ aspect of its retail offer, opening its first-ever standalone ‘Primark Home’ store in Northern Ireland on 6 March. The Donegall Place, Belfast, store will span span around 8,700 sq ft across one level, with the predominantly fashion retailer saying the “exciting new venture marks a significant milestone for Primark as the brand continues to expand its homeware and lifestyle offering”.
Sometimes friendship can inspire and influence. The Azzedine Alaïa Foundation in Paris is exhibiting a few dozen looks showing how the styles of the Franco-Tunisian designer and of Thierry Mugler interacted with each other, despite their profound differences.
Voluptuous waistlines, statement shoulders, looks sometimes inspired by Africa. The Azzedine Alaïa, Thierry Mugler, 1980-1990, deux décennies de connivences artistiques exhibition, open until June 29 in Paris, showcases more than 70 dresses, coats and jumpsuits by the two designers, loaned from Alaïa’s personal collection.
The exhibition’s leitmotif is a chromatic journey that begins with a series of black garments and continues with a sequence of white, red, green and gold looks.
Mugler, who died in 2023, was famous for his feel for glamour and fantastical looks, while Alaïa, who passed away in 2017, was better known for his lower-key style.
Nevertheless, both “greatly admired the 1930s and 1950s, and they referenced Hollywood much more clearly than other designers,” said Olivier Saillard, fashion historian and the exhibition’s curator, speaking to AFP.
Azzedine Alaia Foundation
In some of the looks, the similarities are so striking that “we don’t really know who designed what,” said Saillard.
Alaïa and Mugler first met in the late 1970s. Alaïa, who was working for some of the great houses at the time, was asked by Mugler to create the dinner jackets for his Fall/Winter 1979-80 collection.
The collaboration encouraged Alaïa to embark on a solo career, urged by Mugler, who went as far as to accompany Alaïa in New York in 1982 for his first major show, to help him with production and with the language.
A few years before his death, Mugler said that his friend “had encouraged him to partake of life a bit more, so that his designs would be less fantastical, and more suited to real women,” said Saillard.
Conversely, “Mugler thought that, following their closeness, [Alaïa’s style] had become curvier. His lines suddenly became much more enveloping and sensual,” he added.
This is why the Alaïa Foundation “decided to set up the exhibition as a dialogue, to show the two designers’ kindred spirits,” said Saillard.