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MarediModa: visitor numbers up by 3% at Cannes trade fair

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October 26, 2025

MarediModa, the leading trade fair for Made-in-Europe fabrics and accessories for the beachwear, lingerie and athleisure sectors, reaffirms its central role on the international stage. The 2025 edition, held at the Palais des Festivals in Cannes from 22 to 24 October, recorded significant growth in both attendance (+3%) and the calibre of visitors.

MarediModa 2025 at the Palais de la Croisette in Cannes.

“Over the three days of the fair we saw an increase in buyers compared with 2024,” said Claudio Taiana, president of MarediModa, in a statement, “particularly in the high and upper-mid segments of the market, with major international brands and luxury groups in attendance. By contrast, small brands and start-ups were slightly down. Italy once again ranks first by number of visitors (30%), followed by France, Spain – showing strong growth – the United Kingdom and Germany. Our customary end-of-fair survey also indicates more concrete decision-making and a renewed creative drive.”

Among the highlights of the 23rd edition was a focus on Spring/Summer 2027 trends curated by David Shah, titled “Making Waves”. A genuine call for change: making waves means going beyond the familiar, challenging convention and generating a profound and lasting impact on the fashion world.

Three projects captured the attention of visitors and exhibitors: Flash! celebrated the world of the sea with cutting-edge fabrics, exclusive prototypes and editorial photo shoots; Ath, with the claim “Freedom is not for sale”, explored the dynamism of athleisure, blending fashion and sport in a narrative of freedom and performance; Seam showcased the savoir-faire of third-party garment manufacturers, the essential link between creativity and realisation.

MarediModa 2025 at the Palais de la Croisette in Cannes
MarediModa 2025 at the Palais de la Croisette in Cannes

This year, The Link, the long-running talent-scouting competition dedicated to young designers from Europe’s most prestigious schools that encourages them to reinvent the codes of beachwear, underwear and athleisure, broke its records, with 128 entries from 37 countries, underscoring the initiative’s international scope and cultural value.

“Almost all of this year’s projects,” reads the jury’s report, “convey a positive and vital message, marked by a desire to rewrite the language of fashion with new symbols that are brighter, more inclusive and optimistic.”

During the event, the nine finalists presented their collections in dedicated spaces and in a catwalk show staged with the support of MarediModa and its exhibitors, who provided materials and technical assistance.

The winners of The Link 2025 were: for Beachwear, Mattia D’Aquila (Italy), Accademia PBS; for Underwear, Reka Kinga Bartha (Hungary), University of Art and Design in Cluj-Napoca; and for Athleisure, Michele Zazzeroni (Italy), Next Fashion School by Carlo Secoli.

A moment from the MarediModa 2025 fashion shows at the Palais de la Croisette in Cannes
A moment from the MarediModa 2025 fashion shows at the Palais de la Croisette in Cannes

But reaching the final is already a prize in itself, to the extent that the plaque awarded is the same for everyone, so the other two finalists in Beachwear, namely Emma Parastoo Kianinia (Iran, second) and Victoria Minascurta (Moldova, third); in Underwear, namely Marielena Nicolau (Cyprus, second) and Jessica Twomey (United Kingdom, third); and in Athleisure, namely Marta Fanciulli (Italy, second) and Melissa Isacco (Italy, third), should also be mentioned.

There was also space for the now customary awards recognising companies in the sector that have reached significant business anniversaries: France’s Interlinge, which marked 25 years; Italy’s Seride, which in 2025 celebrated 50 years in business; and France’s Plymouth Française, which reached an impressive 90 years in existence.

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Koio relaunches the Primo with Rose Anvil

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December 7, 2025

NYC-based footwear brand Koio is relaunching The Primo, the high-top sneaker that debuted the brand in 2015, in a limited-edition collaboration with leatherworker and YouTube creator Rose Anvil for its tenth anniversary.

Koio relaunches the Primo with Rose Anvil. – Koio

The updated Primo maintains Koio’s original Italian build standards, with internal upgrades including a full leather Strobel board, leather toe cap and counter, and a gum outsole. The upper is crafted from vegetable-tanned, untreated Vachetta calf leather sourced from Italian tannery Conceria Annarita, allowing the sneaker to naturally darken and develop a unique patina with wear.

“Reintroducing the Primo for our ten-year anniversary is incredibly meaningful,” said Johannes Quodt, co-founder of Koio. “It was the shoe that launched the brand, so bringing it back with Rose Anvil’s technical rigor felt like the right way to honor its legacy. The Vachetta leather will age beautifully, making this one of the most personal and character-rich versions we’ve ever created.”

The Primo first debuted in February 2015 at Koio’s Bowery pop-up, created by the founders as their ideal high-top sneaker. The silhouette remained a core style for five years before the brand shifted focus as its range expanded. Koio continued to receive requests from collectors and longtime customers to bring back the original design, prompting the reissue as part of the brand’s tenth-anniversary celebrations.

“The Primo was already a well-built sneaker, but replacing every internal synthetic component with leather significantly elevates the craftsmanship,” said Weston Kay, Rose Anvil. “Using untreated Vachetta leather means the shoe doesn’t just look good out of the box but it continues to improve over time.”

Koio’s work with Rose Anvil follows the success of their first collaboration—the Koio x Rose Anvil Capri Triple White—which sold out in less than 24 hours.

The limited-edition Primo is priced at $325 and is now available exclusively online.

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Victoria’s Secret raises full-year outlook on strong Q3

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December 7, 2025

Victoria’s Secret & Co. on Friday reported better-than-expected sales in the third quarter, prompting the U.S. lingerie giant to raise its full year outlook.

Victoria’s Secret raises full-year outlook on strong Q3. – Victoria’s Secret

The Ohio-based company said sales for the three months ending November 1 totalled $1.472 billion, up 9% from the third quarter of 2024 and above its previously communicated guidance range of $1.390 billion to $1.420 billion. Meanwhile, total comparable sales for the third quarter of 2025 increased 8%.

Victoria’s Secret recouped its earnings, reporting a net loss of $37 million, or $0.46 per diluted share, compared to net loss of $56 million, or $0.71 per diluted share, for the third quarter of 2024.

“With two iconic brands, Victoria’s Secret and Pink, a curated product assortment, high-emotion marketing and a relentless customer focus, we are reinforcing our leadership in global intimates and beauty,” said Victoria’s Secret & Co. CEO, Hillary Super.

“As we continue to advance our Path to Potential strategy, we are accelerating global growth, elevating brand distinctiveness, and unlocking greater value across our ecosystem to drive long-term profitable growth.”

Looking ahead, the company is now forecasting full-year net sales in the range of $6.450 billion to $6.480 billion, compared to prior guidance of $6.330 billion to $6.410 billion for the full year 2025. Adjusted net income per diluted share is estimated to be in the range of $2.40 to $2.65, compared to prior guidance of $1.80 to $2.20.

For the fourth quarter, the company is forecasting net sales to be in the range of $2.170 billion to $2.200 billion compared to last year’s fourth quarter net sales of $2.106 billion.

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Bernard Arnault pays homage to late Frank Gehry

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December 7, 2025

Bernard Arnault has paid homage to the late Frank Gehry, the brilliant Canadian-born architect who passed away on Friday in Los Angeles.

Frank Gehry

 
For Arnault, Gehry designed the Fondation Louis Vuitton, widely seen as the most important work of contemporary architecture ever commissioned by a luxury brand.
 
Gehry died aged 96 Friday after a short respiratory illness, bringing to an end a truly remarkable career that included buildings such the highly acclaimed Walt Disney Concert Hall in Los Angeles and titanium-clad Guggenheim Museum Bilbao, his greatest masterpiece.

“I am profoundly saddened by the passing of Frank Gehry, in whom I lose a very dear friend and for whom I shall forever retain boundless admiration. I owe to him one of the longest, most intense, and most ambitious creative partnerships I have ever had the privilege to experience. His oeuvre, crowned by the Pritzker Prize, is immense. He will remain a genius of lightness, transparency, and grace,” Arnault said in a release.
 
In October 2014, in the presence of French president François Hollande, Gehry and Arnault opened the Fondation Louis Vuitton, a brilliant Deconstructivist building with a price tag that ran to some €800 million. Riffing on late 19th-century French architecture which revolutionized the use of glass like the Grand Palais and combining that with computer technology and 3D design, Gehry created a beautiful structure. Built on the edge of the Bois de Boulogne, its unique shape suggested a giant sailboat gathering wind in its sails.
 

Fondation Louis Vuitton
Fondation Louis Vuitton – Courtesy

“Frank Gehry – who possessed an unparalleled gift for shaping forms, pleating glass like canvas, making it dance like a silhouette – will long endure as a living source of inspiration for Louis Vuitton as well as for all the maisons of the LVMH group. With the Fondation Louis Vuitton pour la Création, he bestowed upon Paris and upon France his greatest masterpiece, the highest expression of his creative power, commensurate with the friendship he bore our city and the affection he showed for our culture,” Arnault added.
 
Gehry was to go on a design several stores and handbags for Louis Vuitton and has two more buildings in the pipeline for the luxury marque. A super-store concept building on Rodeo Drive in LA, due to open in two years, and an adjacent structure beside Louis Vuitton Foundation. 
 
“My wife, my children, and I express our deepest condolences to his wife, Berta, and to his children,” concluded Arnault.
 

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