From January 15 to 19, Maison & Objet will take over the Paris Nord Villepinte Exhibition Centre for a new edition themed “Past Reveals Future”, reaffirming its ambition to reconnect contemporary design with its roots to better shape its future.
Maison & Objet floor plan, January 2026 – DR
A must-attend event for décor, design and lifestyle professionals, Maison & Objet will explore the theme “Past Reveals Future” through a forward-looking analysis by the Goodmoods style consultancy, structured around four manifestos: metamorphosis, mutation, baroque and neo-folklore.
Maison & Objet will bring together the entire design ecosystem across six key sectors spread over seven exhibition halls. Signature and Projects unites high-end design, hospitality and bespoke projects. Décor and Design covers décor, furniture, lighting, textiles and tableware. Craft highlights exceptional craftsmanship and know-how. Fragrance and Wellness explores the world of wellbeing and scent. Fashion and Accessories presents fashion, jewellery and accessories. Gift and Play completes the line-up with gifts, toys and lifestyle concepts.
Halls 1 and 2 will also host the Collectif Design écoresponsable, integrated into the Signature and Projects areas. This space brings together an international selection of manufacturers of eco-designed materials and finishes for interior architecture, décor and furniture. Maison & Objet affirms its role as a driving force in promoting responsible solutions, without compromising on aesthetics or innovation.
In parallel with the fair, Maison & Objet In the City offers an itinerary exclusively for professionals, linking the fair to 100 of Paris’s leading décor addresses. Decorators, interior designers, galleries, major houses and artisans welcome international visitors to Paris. Nearly 1,200 journalists are expected, making the event a powerful driver of visibility and business for brands involved in major international projects.
The January edition brings together 2,300 brands, including 500 new ones, across six sectors and seven halls. In 2025, the fair welcomed 38,763 French visitors, representing 56% of the total, and 30,323 international visitors, or 44%. Maison & Objet In the City builds on the experience of Paris Design Week, now one of Europe’s leading design festivals, with 550 participants and more than 250,000 professionals and enthusiasts.
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Italian luxury brand Brunello Cucinelli, known for its $3,000 cashmere sweaters, bet big on department stores, a strategy now in the spotlight as iconic US High Street retailer Saks struggles to pay back debts.
A look by Brunello Cucinelli – Brunello Cucinelli
Saks Global, created after Saks Fifth Avenue parent Hudson’s Bay Company bought rival Neiman Marcus, saw its CEO depart this month, amid reports it was preparing for bankruptcy after missing an over $100 million interest payment. That’s put a harsh spotlight on the strategy of firms like Cucinelli that have bet heavily on high-end department stores, whose future is more uncertain in a weak global luxury market where many brands have shifted towards their own outlets.
The firm, however, is doubling down. Brunello Cucinelli, founder and chairman of his namesake firm, told Reuters that the company was sticking with its strategy, which gives a strong emphasis to the wholesale channel.
He said that so far it had only faced a one-month delay in payments from Saks Global, and at the operational level had not had any issues with the retailer. “We don’t foresee any economic risks, except for extremely limited ones,” Cucinelli told Reuters by phone. “And bear in mind, they would be the first (losses) in 45 years of business. Every year, we lose 0.1% from our multi-brands, which is practically nothing.”
Cucinelli is, however, more exposed than most. Co-CEO Luca Lisandroni in December lauded the cashmere king’s ties with Saks and heralded some of its “best results ever” in its stores around the US, “demonstrating the great centrality of this client in the global luxury landscape.” The Italian firm makes some 36% of its revenues from the wholesale channel and around 64% from its own retail outlets, relying more heavily on multi-brand distribution than some key luxury peers, according to data compiled by Reuters.
Over the past decade, luxury groups have shifted toward their own retail networks, giving them more control over pricing, inventory, and margins. Retail now accounts for some 90% of sales by Prada, 81% at Moncler, 87% at Zegna, and 75% at Gucci-owner Kering.
Cucinelli, which targets some of the highest-end wealthy customers, has proved to be among the most resilient brands in the industry hit by lower demand. Sales in both the wholesale and retail channel grew in the first nine months of 2025 and the brand raised its full-year revenue growth forecast to 11–12% in December.
Morningstar analyst Svetlana Menshchikova said that a possible Saks bankruptcy or restructuring could lead to “delayed payments, limited bad-debt exposure and maybe some lost sales if the department stores would fail to replenish their stock.”
“The company has consistently highlighted the US wholesalers as key clients and an integral part of its brand image and business model,” she said. “Although we do not expect a severe impact on the company given Cucinelli’s global footprint and strong balance sheet.”
Saks Global’s financial troubles reflect wider challenges in the $417 billion global luxury market, which is battling to emerge from years of stalling sales. The US luxury retailer, which operates Saks Fifth Avenue, Neiman Marcus, and Bergdorf Goodman, missed an interest payment due at the end of December and it is preparing to file for bankruptcy, the Wall Street Journal reported last month. Founder Cucinelli credited department stores in part for that and said he had faith in Saks and the 400 multi-brand stores he said the brand worked with worldwide.
“We do 40% of our business with multi-brands and I’m absolutely delighted,” he said, calling department stores the “true custodians of the brand.”
“To make it even clearer how much we believe in multi-brand (stores), hypothetically speaking, I would buy Saks Global tomorrow if I were an interested investor.”
Recycling Europe Textiles (RET), the European association representing the textiles reuse and recycling sector, has urged the EU Commission to introduce ecodesign rules mandating the presence of at least 10% of recycled fibre content in textile products from 2028.
RET believes that the forthcoming European regulation on ecodesign for textile products is a decisive opportunity to accelerate the industry’s transition to a truly circular model. In a position statement published on January 7, the organisation underlined that introducing mandatory recycled-content requirements is essential to strengthen the recycling industry and respond to the growing pressure on textile-waste collection and treatment systems in Europe.
According to RET, the sector currently faces a critical juncture, characterised by an excess of low-quality textile waste, weak demand for recycled fibres, and funding constraints. The situation is likely to worsen as the separate collection of used textiles became mandatory in Europe in January 2025, and given the growing consumption of apparel products driven by the ultra-fast-fashion phenomenon. Without clear market signals, RET warned, increasing volumes of used textiles risk being incinerated or sent to landfill, rather than reutilised to make new products.
To reverse this cycle, RET is advocating a strict, targeted definition of ‘recycled content’ that prioritises post-consumer textile waste generated in Europe, excludes open-loop sources such as PET bottles, and discourages the generation of industrial textile waste. The aim is to promote genuine fibre-to-fibre circularity and ensure that recycling efforts focus on the main textile-waste stream in the European market.
Targets-wise, RET is proposing the progressive introduction of mandatory recycled-content requirements for textile products, starting with a company-portfolio-level approach and moving to product-level targets from 2030. The proposals stipulate a minimum of 10% of recycled fibres by 2028, 15% by 2030, and 30% by 2035, with a growing share sourced from European post-consumer waste. These targets, according to RET, would send clear predictive signals to the market, creating steady demand for recycled fibres and unlocking investment in new sorting and recycling technologies.
Another mainstay of RET’s position is the need for robust and credible verification systems. The association supports a hybrid model combining chain-of-custody systems, mass-balance methodologies and greater traceability, especially at the collection and sorting stages. In this context, the EU’s Digital Product Passport is regarded as a key tool for strengthening transparency, as it requires clear information on the amount, type and origin of the recycled content incorporated into textile products.
“Mandatory recycled-content targets are among the most effective policy instruments for transforming the European textile industry. By promoting genuine fibre-to-fibre circularity, the European Union can reduce resource extraction, boost innovation and recycling capacity, and support a resilient and competitive European textile recycling sector,” concluded RET.
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Swiss watches and travel gear maker Wenger has launched its first e-commerce-enabled brand website in India as the House of Victorinox brand increases its focus on the country through direct-to-customer retail.
Wenger has increased its focus on the Indian market – Wenger
“Wenger has long been celebrated globally for its Swiss craftsmanship, superior quality, and functional yet stylish design ethos,” said Victorinox India’s managing director for sales and marketing Debraj Sengupta in a press release. “By launching our own e-commerce platform in India, we are enabling consumers to experience authentic Wenger products directly from the brand. This marks a significant step in strengthening our footprint in a market that values trust, durability, and premium lifestyle experiences at an affordable price.”
The online store retails Wenger’s complete product portfolio, including its Swiss-made watches and travel gear for men and women. Highlighting India as a key market for premium lifestyle and travel accessories, Wenger’s online offering also features curated bundles, seasonal offers, and brand stories designed to celebrate its heritage, which dates back to 1893.
“With the launch of Wenger’s dedicated e-commerce platform, we are deepening direct consumer engagement and making authentic Swiss craftsmanship more accessible,” said Siddharth Mudaliar, national manager for e-business at Victorinox India. “This initiative is central to our long-term digital and retail strategy for India.”
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