In a major surprise, Francesca Amfitheatrof, the acclaimed jewelry designer of Louis Vuitton, has quit the Paris-based luxury house—just six months after Amfitheatrof herself unveiled a new building in central Paris destined to be Louis Vuitton’s jewelry global headquarters.
Jewelry Designer Francesca Amfitheatrof exits Louis Vuitton – Photo: Louis Vuitton
“I am incredibly grateful to have been given the opportunity to create the jewelry and high jewelry collections for Louis Vuitton. After seven wonderful and intense years, I am so proud of these collections and the legacy I leave behind as I embark on exciting new endeavors, which I will be announcing soon,” Amfitheatrof said in a brief statement.
Vuitton declined to comment on the departure of Amfitheatrof, who is very much a superstar designer in the world of fine jewelry. Her tenure at Vuitton has been a huge critical success, like her most recent collection, Damier, inspired by the brand’s famed monogram print. The collection includes a line of checkerboard bracelets and rings, designed in slimline forms with raised centers—surprisingly light and almost snake-like around the wrist.
“We developed one Damier ring a year ago, and people went crazy for it, so I thought, let’s do a whole collection. Sometimes the wisest decisions are right in front of your eyes,” chuckled Amfitheatrof at its launch in the new HQ.
Le Damier – Louis Vuitton
Last year, while in high jewelry, she presented an exceptional new collection entitled “Awakened Hands, Awakened Minds,” inspired by Louis Vuitton’s spirit of travel and the mechanization of railways through interlaced V-shaped links. The collection mirrors the marvels of the Industrial Revolution in a symphony of platinum and yellow gold, diamonds, and golden yellow sapphires.
Louis Vuitton’s “Awakened Hands, Awakened Minds” high jewelry collection – Louis Vuitton
Amfitheatrof joined Vuitton in April 2018, an appointment that underlined how much Vuitton saw jewelry and watches as major growth areas for the luxury marque. Vuitton had begun inviting scores of major well-heeled clients to exotic locations like Hawaii and Courchevel in the Alps for several days of private viewing and shopping at jewelry galas.
At the time, then CEO Michael Burke noted that Vuitton had amassed a treasure trove of 200 million euros worth of precious stones. Upon her arrival, Vuitton devoted increasing amounts of retail space to her designs in its huge flagship in Place Vendôme, the most important retail center of luxury jewelry on the planet.
Very much a citizen of the world, Francesca Amfitheatrof was born in Tokyo and studied at three London institutions—Central Saint Martins, Chelsea College of Arts, and the Royal College of Art—yet speaks English with a slight Italian accent. Amfitheatrof’s first silverware collection was presented by Jay Jopling of London’s White Cube gallery in 1993. Her designs have been sold by Colette, Browns of London, Luisa Via Roma in Florence, Jeffreys in New York, and Joyce Hong Kong.
Her most important position prior to Vuitton was leading the jewelry design team at Tiffany, where, in 2013, she became the first woman to hold that position. Amfitheatrof quit that job in January 2018 when Tiffany announced that Reed Krakoff had been named the brand’s artistic director.
Previously, she had been a senior jewelry designer for UK royal jeweler Asprey & Garrard and designed for Chanel, Balenciaga, Fendi, and Marni. She also spent three years as curator of the Gucci Museo in Florence.
While at Tiffany, she developed a partnership with fashion-forward retailer Dover Street Market and featured Lady Gaga in the brand’s advertising campaigns, seen in a Super Bowl commercial.
During her time at Vuitton, Amfitheatrof continued to design for other brands. Earlier this month, her Instagram account featured a post of A$AP Rocky “wearing Psyche and Cupid, my first necklace for Maison Codognato,” the legendary Venetian jewelry brand.
In a major strategic change, Dsquared2 has ended its long-time licensing agreement with Staff International, the key operating company of Italian fashion billionaire Renzo Rosso, who, in turn, has already sued the designers in response.
Dean and Dan Caten – Giampaolo Sgura
However, six hours after DSquared2 announced the termination of its long-time licensing agreement with Staff International, the licensee sued the fashion house for breach of contract. The conflicting statements suggest that this issue looks like becoming a major court battle pitting one of Italy’s largest fashion empires against one of Milan’s hottest runway brands.
“Dsquared2 Group announces the immediate termination of its licensing agreement with Staff International S.p.A. Consequently, the group will assume direct control over the production and distribution of its ready-to-wear collections,” the Milan-based house said in a terse release Saturday lunchtime.
“This transition takes effect immediately and will commence with the upcoming pre-collection Spring/Summer 2026 sales campaign,” added Dsquared2, which was founded by twin brothers Dean and Dan Caten over three decades ago.
Staff International is the key production wing of Only The Brave, the holding company of Rosso, which also owns Diesel, Marni, Maison Margiela and Jil Sander, as well as the manufacturing license of Viktor&Rolf.
“Dsquared2 Group expresses its sincere gratitude to all those who have contributed to this collaboration and looks forward to fostering continued partnerships in the future,” the release added.
However, later Saturday, Rosso’s group responded forcefully: “Staff International reiterates its conviction that the license agreement is fully effective and confirms its intention to fully execute it until its natural expiry. Therefore, the company firmly rejects any possibility of early termination of the contractual relationship, and believes that legal conditions for early termination do not exist.”
The agreement with Staff International – which is said to last 25 years – dates back to 2002, and helped fuel the spectacular development of Dsquared2, the last runway label in Milan to have grown into a major global fashion brand.
Born in Willowdale, Ontario, Dean and Dan Caten (Catenacci, originally) began their career path in fashion by moving to New York in 1983 to attend Parsons School of Design. In 1991, they arrived in Italy where in 1994, after numerous collaborations with major fashion houses, they first staged their debut runway collection. It marked the first in a long line of runway extravaganzas that would capture the attention of journalists and buyers for their unique blend of fashion, music and theatre.
The Catens went on to build a multi-million dollar business. And to dress everyone from Madonna in her iconic western video clip, “Don’t Tell Me”, to Beyoncé for her Super Bowl performance. The duo also has an impressive range, all the way to dressing the four-time English Premiership Champions, Manchester City. And a great HQ, a former electric energy headquarters converted into office, show-space, inn, gym and rooftop restaurant with swimming pool. They have become one of the city’s great fashion institutions without ever losing the DNA of the Wild North. And famed for their ovations, where they take their bow in matching outfits – whether disco dragoons, Klondike trappers or matinee idols.
Leave it to the Canadian duo to stage an epic 30th anniversary show in Milan this past season, the cast marching out of a wrecked brick garage, or arriving in a series of mighty wheels. From armored personnel carriers and Ford Mustang convertibles to an all-silver DeLorean and a vintage Rolls Royce – all took turns arriving in the huge warehouse done up like a nightclub.
All of the Caten’s great archetypes got an outing. Mad saucy trapper girls in giant puffers and lots of legs; a trio of rockers with Kiss goth makeup but in three-piece suits; Klondike gold diggers off to an all-night rave; sexy vampy rock goddesses with bumster leather pants and fur coats with trains; and a beautiful black rodeo gal with mini cocktail made of bands of Western belts. Leading to the arrival with sirens of a NYC police car, from which emerged a dominatrix leather police captain played by Brigitte Nielsen escorting two white collar criminals. You guessed it – Dean and Dan. Before, amid huge roars, JT and Doechii took the floor in a call-and-response duet surrounded by the entire cast.
Renzo Rosso’s fashion holding company OTB suffered a setback in 2024, seeing revenues fall 4.4 percent at constant exchange rates to 1.8 billion euros, recording EBITDA of 276 million euros and EBIT of 44 million euros. Retail (+7.4 percent), Japan (+16.3 percent) and North America (+13.3 percent) held up. Among the brands in the portfolio, Maison Margiela (+4.6 percent) and Diesel (+3.2 percent) performed positively.
In the past fiscal year, the Vicenza-based company sustained investments of 77 million euros, with a focus on the expansion of the retail network and major innovation projects.
The possible departure of DSquared2 will be seen as a setback for Rosso, who has long praised the brand as a dynamic creative force. Like every season, Rosso sat front row at the 30th anniversary show in Milan on February 25.
“Staff International will continue to act with the utmost transparency and determination to protect its rights, honour its contractual commitments and safeguard its reputation, and reserves the right to take any further action,” read the last paragraph in Rosso’s company statement.
Lululemon Athletica shares fell nearly 13% in premarket trading on Friday, after the sportswear maker provided downbeat annual forecasts as the broader apparel space battles an uneven consumer demand environment.
Reuters
The company, during its fourth-quarter earnings on Thursday, flagged that consumers were spending less due to increased concerns about inflation and the economy.
Lululemon joins a list of retailers rattled by uncertainty around U.S. President Donald Trump‘s erratic tariff decisions, which have shaken consumer confidence that was already weak with Americans being careful about shelling out more dollars on everything from groceries to nice-to-have items amid still-high inflation.
The company has also been losing market share to upstarts Alo Yoga and Vuori as it takes longer to rebuild its brand image despite launching a wide array of new clothing.
“Increased newness (is) not enough to offset macro-related slowdown,” Needham analyst Tom Nikic said in a note.
According to Piper Sandler analysts, the debate continues to be whether the real issue is brand maturity and saturation in a competitive market for Lululemon.
Some analysts said there is a growing consumer enthusiasm for Lululemon’s Glow Up tank tops and Daydrift high-rise trousers, but an uncertain environment dims hopes of a rebound in demand soon. “We started this year with several compelling new product launches, but we also believe the dynamic macro environment has contributed to a more cautious consumer,” CEO Calvin McDonald said on Thursday.
Lululemon’s forward price-to-earnings ratio for the next 12 months — a benchmark for valuing stocks — was 21.92, compared with 31.51 for Nike and 25.67 for Adidas.
“Newness restored, but not guaranteed to save current deceleration in growth,” said Jefferies analyst Randal Konik, adding that the theme still remains about growth fading.
Lululemon’s shares were trading at $299 before the bell. They had fallen more than 25% in 2024.
PayPal shares fell 4% on Friday after comments from a European Union lawmaker raised concerns that payments firms could get swept up in escalating U.S.-Europe trade tensions and potential tariffs. Uncertainty over tariffs and mounting trade actions have unsettled global markets, causing volatility, straining supply chains and shifting investor sentiment across industries.
Reuters
Earlier this week, U.S. President Donald Trump said larger tariffs could be placed on the European Union and Canada if they both work together “to do economic harm to the USA”.
“In the case of digital service providers, there is also a huge economic interest on the part of U.S. companies,” said Bernd Lange, the head of the European Parliament’s international trade committee. “In this respect, you can also look at charging fees on PayPal or Google.”
If imposed, the measures would pose a new challenge for the payments sector, which is typically shielded from tariffs as it does not depend on trade of physical goods.
Separately on Friday, a German government spokesperson also said “nothing is off the table” with regards to punitive measures in response to the threat of U.S. tariffs.