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L’Oréal is said to only consider beauty business at Armani

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Bloomberg

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September 22, 2025

L’Oréal SA, named by Giorgio Armani as a potential investor in the late Italian fashion mogul’s eponymous business, would only be interested in its profitable beauty arm, according to a person familiar with the matter.

Armani

The French beauty giant was one of three preferred bidders cited in Armani’s will for an initial stake sale of 15% in Giorgio Armani SpA, which his heirs were directed to complete within 18 months. The others were LVMH Moët Hennessy Louis Vuitton SE and EssilorLuxottica SA, and Armani also said the buyer would have the opportunity to raise its stake to a majority after three years.

Armani’s death this month at the age of 91 has triggered intense speculation and analysis about which company would make the most sense as a buyer. He created a sprawling empire ranging from ready-to-wear, haute couture and interior decoration, as well as eyewear with EssilorLuxottica. Watches bearing the founder’s name are also sold via Fossil Group Inc.

L’Oréal, which has a license with Armani to market its fragrance, makeup and skincare products until 2050, will assess the Armani sale process but will stick to its core beauty strategy, the person said on condition of anonymity.

Representatives for Armani and L’Oréal didn’t immediately respond to a request for comment.

Fragrance Deal

Armani’s beauty license likely generated €1.5 billion ($1.8 billion) in revenue last year, HSBC analysts led by Jeremy Fialko said in a note. That would represent about 10% of L’Oréal’s luxury division and 3.45% of total group sales.

The eyewear deal with EssilorLuxottica probably generated €500 million in sales, the HSBC analysts said.

It wouldn’t be out of character for L’Oréal to get involved in the Armani sale. This year it bought a minority stake in Jacquemus, the label of Simon Porte Jacquemus, to develop the fashion brand’s beauty products.

Analysts at Berenberg value Armani at up to €7 billion. It posted consolidated revenue of €2.3 billion in 2024, down 5% from the previous year on a constant currency basis. People familiar with the company’s accounts said that revenue was essentially generated by the fashion and other interior decoration lines, and didn’t include the royalties from the beauty business.

The bulk of Armani’s earnings before interest, taxes depreciation and amortization, which tumbled by almost a quarter to €398 million, came from the royalties from the license deal with L’Oréal, according to the people.

In naming both L’Oréal and LVMH as preferred bidders, Armani effectively chose two rivals who compete for the same customers: LVMH also sells high-end cosmetics and fragrances including Parfums Christian Dior and Guerlain. Its biggest brand, Louis Vuitton, recently added makeup to its beauty offering and is now selling lipsticks costing €140.

Still, LVMH may not be the right fit because Armani’s ready-to-wear category is complex and not meaningful in terms of scale for the French conglomerate, the HSBC analysts said. LVMH is also in a phase of “managing fewer better brands” rather than adding on to its portfolio, they added.

LVMH declined to comment.

According to HSBC, L’Oréal could choose to license out Armani’s fashion segment if it were to be the main buyer, in a similar way to what Estée Lauder Cos Inc did when it bought Tom Ford to take ownership of a valuable beauty license, and partnered with Ermenegildo Zegna NV to handle the fashion line. It also kept the Tom Ford eyewear license with Marcolin SpA.

Meanwhile HSBC didn’t rule out EssilorLuxottica as the Armani buyer, after the Franco-Italian eyewear giant’s purchase of streetwear brand Supreme. “We think this company could surprise again,” the analysts wrote.

A spokesperson for EssilorLuxottica declined to comment. After Armani’s will was revealed this month, the company said it would carefully consider what it called “this evolutionary prospect.”
 



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India’s Foxtale announces shift from D2C label to House of Brands

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December 10, 2025

Indian skincare business Foxtale has announced its shift from a direct to customer label to a house of brands as it launches Hula Hoop by Foxtale. The new brand offers targeted body care in an expansion of the business’ flagship skincare portfolio.

A first look at Hula Hoop by Foxtale – Foxtale

 
“With Hula Hoop by Foxtale, we’re entering a new chapter in our journey,” said Foxtale and Hula Hoop by Foxtale’s founder and CEO Romita Mazumdar in a press release. “This is not just about launching a new brand; it’s about building a portfolio that can meet the evolving needs of consumers across multiple categories. Our ambition is to create category-defining brands rooted in efficacy, scientific rigour, and customer obsession.”
 
Positioned as “problem-solving body care,” Hula Hoop by Foxtale aims to deliver derm-grade solutions for concerns including body acne, pigmentation, keratosis pilaris, dryness, and overall skin health. The brand launched on December 9 with four products comprising a Brightening Body Wash, Exfoliating Body Wash, Brightening Body Lotion, and Exfoliating Body Scrub, available on its own e-commerce store and with a number of multi-brand retailers.

Hula Hoop by Foxtale is planning continued retail expansion in the coming months. “Our vision is to build brands that are scientifically advanced, culturally relevant and accessible at scale,” said Mazumdar. “Hula Hoop represents our commitment to innovation and our long-term goal of shaping the future of beauty and personal care in India.”
 
Over the past year, Foxtale has reported 250% year-on-year growth and a 50% repeat purchase rate on its direct to customer website. The business also announced that it has crossed the Rs 700 crore milestone in topline GMV.

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Milan Men’s Fashion Week schedules 76 events for January 2026, including 18 in-person catwalk shows

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December 10, 2025

Carlo Capasa reports a 3% drop in turnover for Italy’s textile and apparel industry in 2025- a relatively contained figure given the extremely challenging economic and geopolitical backdrop. The president of CNMI unveiled the upcoming Milan Men’s Fashion Week, to be held in Milan from January 16–20, 2026, announcing 76 appointments in total: 18 physical and seven digital shows, 39 presentations, and 12 events.

Zegna – Fall-Winter 2025/26 – Menswear – Milan – ©Launchmetrics/spotlight

Italian fashion: exports hold up in 2025, but 3,000 companies lost in three years

“We expect a decrease in turnover of only 3% for the full 2025 financial year for textiles and apparel, including accessories, because the last few months have been better than the first. Unfortunately, however, we cannot delude ourselves by looking only at the elements that drive the sector, as there are weaknesses and difficulties along the supply chain, as ICE president Matteo Zoppas has also pointed out,” explains Carlo Capasa. “A striking figure is that in 2022 we had 62,000 companies and now there are 59,000. We have lost 3,000 in three years. All together- we, the associations- with the support of the government, which is and remains fundamental, must do our utmost to overcome this phase.”

Exports amount to 87.5 billion euros, still a very high share of the total 93 billion euros in turnover. Moreover, Capasa recalls, in 2023 the shortfall in domestic consumption was 13 billion euros; now it is half that. “Unfortunately, if salaries have grown little compared to the cost of living, this weighs heavily on domestic consumption,” says the president of Camera Nazionale della Moda Italiana, adding that “imports have increased because we are importing much more from China (+11.8%), while exports have decreased because we are exporting much less to China (around -20%).”

The positive note, according to Capasa, is that US duties have been absorbed fairly well and, after an initial period of difficulty, trade relations with the US are improving. Companies are not standing still; many will present their Cruise collections in the US- Moncler, for example, will be in Aspen- as a signal of their intention to stimulate this key market.

Jewellery and eyewear, which performed strongly in recent years, have run into headwinds in 2025. Most notably, jewellery was down 4.1% in the first nine months, with eyewear down 2%. “We hope for a better result in 2026, since in the last two years we have lost 10 billion in turnover- a significant loss, also in absolute terms,” Capasa recalled.

Dsquared2 – Spring-Summer 2025 – Menswear – Milan – ©Launchmetrics/spotlight

In menswear, Italy is the world’s second-largest exporter after China, with an 8% share. “Here too, from April to August, after a negative start to the year, exports grew by 5% across all categories. The final outcome, after the first eight months were flat, is that we are at the same level as last year, so menswear has, in some respects, outperformed womenswear,” said the executive. Exports to the US were strong for menswear, outperforming other categories, rising by 9% from January to November.

Turning to Fashion Week, the communications campaign, created with the City of Milan and Yes Milano, again shines a spotlight on new talents and emblematic locations in Milan, weaving a narrative that includes collaboration with the Milan Cortina 2026 Olympic and Paralympic Winter Games. The location chosen this time is the entrance to a historic 1940s building on Via Foppa. The campaign was shot by photographer Alessandro Burzigotti, with styling by Daria Di Gennaro and the support of Stilema Studio for set design, and is enriched with objects loaned by the Olympic Museum in Lausanne. The brands involved are Ascend Beyond, Cascinelli, Federico Cina, Gams Note, Meriisi, Moarno, Mordecai, Mtl Studio, Noskra, Setchu and Viapiave33.

MFW men’s January 2026: 9 new runway shows, 7 presentation debuts

The official Milan Fashion Week menswear show calendar will feature Ralph Lauren, Domenico Orefice, and Victor Hart for the first time. Meanwhile, the digital show calendar will welcome Absent Findings, Ajabeng, Kente Gentlemen, Raimondi, State of Chaos, and Subwae as new additions. Returning to the runway calendar are Zegna and Dsquared2, whose show will be followed by a party.

As for the presentations calendar, there will be seven new brands: Bottega Bernard, Dunhill, K-Way, Plās Collective, Moarno, Sagaboi, and Stone Island, while Ferragamo returns.

Ferragamo – Fall-Winter 2025/26 – Womenswear – Milan – ©Launchmetrics/spotlight

The major names in Italian menswear are all confirmed. Showing (or presenting) at this Fashion Week are leading names such as Brunello Cucinelli, Prada, Giorgio Armani, Corneliani, Tod’s, Brioni, Lardini, Kiton, Mordecai, and Montecore.

MFW men’s January 2026: anniversaries and events

This edition also sees the celebration of important anniversaries: Blauer will mark its 25th anniversary, Pronounce its 10th and Marcello Pipitone–Bonola its 5th. Among the events, EA7 Emporio Armani will celebrate in store the Milan Cortina 2026 Olympic and Paralympic Games. K-Way, together with Vogue and GQ, will present ‘Montagna Milano: The Alpine Club in Town.’ The event, open to the public, will take place over three days and include panels, workshops, and après-ski experiences.

Li-Ning will then celebrate movement, culture, and the brand’s evolution in sportswear with a runway presentation of its Autumn–Winter 2026/27 Men’s and Women’s collections. Stone Island will present ‘Prototype Research_Series 09, Air Blown Lamination On Knit’ through an installation by Ken-Tonio Yamamoto featuring garments born of non-industrial research and experimentation processes.

Finally, for this edition, Fondazione Sozzani will serve as CNMI’s space during Men’s Fashion Week, with the aim of supporting and promoting the new generation of designers. Domenico Orefice and Simon Cracker will show there, while the labels Bottega Bernard, Maragno, Marcello Pipitone–Bonola, Moarno, Mtl Studio, Pecoranera, and Sagaboi will be present with a showcase.

Ralph Lauren will show for the first time at Milan Men's Fashion Week
Ralph Lauren will show for the first time at Milan Men’s Fashion Week – Ralph Lauren

“It will be a vibrant space where many things will happen; it will be a pleasure to spend time there, because it is a special environment,” Carlo Capasa assured about the location chosen by CNMI at Fondazione Sozzani. “Streaming and international broadcasting of the Milan Fashion Week Collection will be ensured in this edition as well,” he added. “The event will be streamed on the Milan Fashion Week platform, which will also host a section dedicated to virtual showrooms, both multi-brand and mono-brand. This is an important point, because we must always remember that Milan has the most important fair in the world, which is the citywide showroom fair- 800 showrooms with 3,000 brands, open seven months a year, that showcase and sell to the world the visions of a great many designers.”

A Fashion Week intertwined with the Milan Cortina 2026 Olympic Games

“As with every Fashion Week, Milan becomes an international crossroads of meetings, contacts and relationships that constitute that precious heritage supporting creativity, know-how and innovation recognised all over the world. A Men’s Fashion Week with events and locations that will surely make it rich and interesting and that will herald a moment we hope will be fruitful for Milan and for fashion as a whole: the Olympic Games. A union that already begins with the advertising campaign,” recalled Alessia Cappello, councillor for Economic Development and Labour Policies with responsibility for Commerce, Fashion, and Design, in her speech.

“The economic impact that the event will generate is not yet precisely known. Our research centre believes that dovetailing with the Winter Olympic Games will bring even more visitors and tourists to Milan- namely people who will be interested not only in fashion but also, and above all, in sport,” Cappello continued. “It will be a relay: Men’s Milan Fashion Week in January, the Olympics in February, women’s fashion week placed between the end of the Games and the beginning of the Paralympics. Usually the economic impact is around 80 million euros during men’s Fashion Weeks and 100 million during women’s Fashion Weeks, but we think it will be even higher this time. I also want to mention the very important synergy with Florence, with which there is a solid and fruitful relationship. Because men’s fashion week starts in Florence and ends in Milan,” concluded Alessia Cappello.

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Louvre thieves escaped with 30 seconds to spare, probe reveals

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December 10, 2025

The thieves who stole crown jewels from the Louvre in October evaded police with just 30 seconds to spare due to avoidable security failures at the Paris museum, a damning investigation revealed on Wednesday.

The glass entrance to the Louvre in Paris, France – DR

The probe, ordered by the culture ministry after the embarrassing daylight heist, revealed that only one of two security cameras was working near the site where the intruders broke in on the morning of Sunday October 19.

Agents in the security control room did not have enough screens to follow the images in real-time, while a lack of coordination meant police were initially sent to the wrong place once the alarm was raised, the report unveiled at the French Senate’s Culture Commission stated.

“It highlights an overall failure of the museum, as well as its supervisory authority, to address security issues,” the head of the commission, Laurent Lafon, said at the start of a hearing.

One of the most startling revelations was that the robbers left only 30 seconds before police and private security guards arrived on the scene. “Give or take 30 seconds, the Securitas (private security) guards or the police officers in a car could have prevented the thieves from escaping,” the head of the investigation, Noel Corbin, told senators.

He said that measures such as a modern CCTV system, more resistant glass in the door cut open with angle grinders, or better internal coordination could have prevented the loss of the jewels- worth an estimated $102 million- which have still not been found.

Major security vulnerabilities were highlighted in several studies seen by management of the Louvre over the last decade, including a 2019 audit by experts at the jewellery company Van Cleef & Arpels. Their findings stressed that the riverside balcony targeted by the thieves was a weak point and could be easily reached with an extendable ladder — exactly what transpired in the heist.

Corbin confirmed that under-fire Louvre boss Laurence des Cars had not been aware of the audit which was ordered by her predecessor, Jean-Luc Martinez. “The recommendations were not acted on and they would have enabled us to avoid this robbery,” Corbin said, adding that there had been a lack of coordination between the two government-appointed administrators.

Police believe they have arrested all four intruders, who escaped on powerful motorbikes, having carried out the heist in the Apollo Gallery in around 10 minutes in total, according to the investigation. The revelations on Wednesday are likely to pile more pressure des Cars, the first woman in the role who was appointed by President Emmanuel Macron in 2021.

Questions have swirled since the break-in over whether it was avoidable and why a national treasure that is the world’s most-visited museum appeared to be so poorly protected. France’s lower house of parliament is carrying out its own inquiry, while des Cars and Martinez are set to be grilled by senators next week.

Last month, France’s state auditor said security upgrades had been carried out at a “woefully inadequate pace” and the museum had prioritised “high-profile and attractive operations” instead of protecting itself.

Senior police officer Guy Tubiana, a security advisor at the culture ministry who took part in the investigation, told senators he was “stunned” by what he had discovered at the museum. “There was a succession of malfunctions that led to catastrophe but I never would have thought the Louvre could have so many malfunctions,” he said.

Staff at the Louvre at set to go on strike on Monday to demand management act against what they see as understaffing and overcrowding at the museum, which welcomed 8.7 million people last year. At the weekend, the museum revealed that a water leak had damaged 300 to 400 journals, books and documents in the Egyptian department in late November.

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