What an honour for Italy at Pitti Uomo 109! For the first time, Canadian clothing brand Kanuk is stepping beyond Québec to reach the rest of the world. President Elisa Dahan confirmed as much to FashionNetwork.com. “Yes, it’s true. If we exclude an episode in the United States a few years ago, this is the first time we are presenting ourselves outside our province. I mean truly outside Québec: we had never really begun to develop beyond Québec towards a global dimension- not even in the rest of Canada. And since we are a fashion brand rooted in outerwear, of course we’re starting with Italy.”
Kanuk, Fall-Winter 2026/27
Kanuk, a play on the slang nickname for Canadians (Canucks), has the snowy owl as its emblem. “We chose it because it never migrates; it always stays in Québec, no matter the temperature. It feels tailor-made for the philosophy of comfortable, welcoming Canadian country living,” Dahan points out. “A bit like us so far: we were founded in 1974 in a small workshop in Montréal with the mission of creating outerwear suited to Québec’s particular climate and lifestyle, and today we offer a total look.”
With a lifestyle focus, Kanuk is inspired by the spirit of rural Canadian life- farm-to-table family traditions, a distinctive generational heritage, and outdoor pursuits- while applying uncompromising artisanal standards to production. In the Autumn/Winter 2026/27 Heritage Collection, featuring 30 men’s and 30 women’s styles in a range of colours, the brand expands its ready-to-wear with new jumpers, knit sets, wool pieces, corduroy outerwear, and increased use of Kanuk’s signature sherpa, designed to complement its parkas. The colour palette reflects the season’s defining landscapes: warm earth tones, leafy greens, deep browns, and the muted golds of Canada’s transforming trees.
Kanuk, Fall-Winter 2026/27
With two mono-brand stores, one in Montréal and the second just opened in Québec City- “attracting strong tourist traffic,” according to the president- Kanuk sees e-commerce “performing very well and accounting for about a third of the business; but don’t forget that right now we are only distributed in about 30 major stores in Québec. The sky is the limit for what we can achieve from now on,” she smiles.
Elisa Dahan is very confident that Kanuk’s products will be highly appreciated in Europe, “because in Europe the weather starts one way during the day and can shift in the evening and at night- sometimes in the opposite direction- so you need functional versatility, style and lasting durability in what you wear: precisely Kanuk’s attributes, with its timeless pieces and 3-in-1 models with removable layers,” she says.
Elisa Dahan at Pitti Uomo 109 with Kanuk products – G.B. – FashionNetwork.com
Kanuk is not only apparel but also accessories, including gloves, scarves, and a super-plush bag, once again featuring the snowy owl. These designs are intended especially for cold climates. Across both the product range and the Canadian brand’s revenue- which rose by double digits last fiscal year- menswear and womenswear are split evenly, 50/50. Accessories account for 10% of turnover.
After Pitti Uomo 109, where she forged many connections with buyers, agents, and distributors, Elisa Dahan aims over the next two to three years to expand the brand into a strong network of quality retailers across Europe. “I’m not interested in quantity; ours is a beautiful brand with a lot of potential, but it needs to be surrounded by the right brands; for me, location is the most important factor to get right, and the business results will follow,” says the Kanuk president, who is also open to launching pop-ups or temporary stores in winter resorts as well as summer destinations, in Italy and beyond.
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Dolce & Gabbana entitled their latest menswear collection “The Portrait of Man”. Maybe they should have named it portraits of many, many men so wide-ranging and rambling was the result.
Presented on Saturday in their show space on Viale Piave in Milan, the collection certainly had plenty of great clothes. What it lacked was focus.
Even down to the order of show, where models suddenly leapt up from the audience, wandered about the set before finally cruising down the catwalk. Made of mock marble Formica even the runway jarred visually.
It didn’t help that the mood entering was sullen, as the thousands of fans that often crowd the sidewalks outside Dolce & Gabbana shows were absent due to the leaden sky and steady rain.
All that said, Domenico Dolce and Stefano Gabbana remain great tailors, and there were some sensational sartorial statements. Above all in the fabric of the moment, speckled Donegal tweed, made of blends of wool and cashmere. An opening pale stony gray suit with gangster silhouette jacket done with wickedly large lapels and wide pants was perfect. As was a three piece version, where the jacket was replaced by a black mohair sweater.
But then, just when we were in the middle of daywear, an oily haired lothario model beside me hopped onto the runway – attired in matelassé black smoking jacket paired with pajama pants and slippers. Shifting the portraits from gentlemanly chic to patrician dandy.
For colder nights, Domenico and Stefano whipped up all sorts of dramatic shearling coats for posh hippie dudes. While at home, the duo want guys to wear faux leopard skin dressing gowns – just perfect for the Mediterranean sensualist.
Add in military great coats, piped velvet jackets and the coolest of hussar’ jacket and there was something for everyone in this collection. Even a sporting moment – football jerseys reading Soccer Club or 84, the year the boys opened their brand.
“Each man is seen as self-contained universe of a passions, memories and inattentions. The runway becomes a contemporary gallery of a living portraits, where every look functions as a psychological and sartorial self-portrait,” intoned a British-accented announcer pre-show as a video showed scores of models in their looks.
It certainly made for a commercial collection, but perhaps not a great show. One could not help thinking of fellow Sicilian Luigi Pirandello’s classic play “Six Characters in Search of an Author”. This show felt likes scores of models in search of a common.
Uniqlo is set to expand its U.S. footprint with its retail debut in Miami, Florida and Austin, Texas, and a new store location in Houston, Texas, this Fall.
Uniqlo to open first stores in Miami and Austin. – Uniqlo
The openings include two Miami stores at Aventura Mall and Lincoln Road, an Austin store at Barton Creek Square, and a Houston store at The Galleria.
The upcoming locations will feature Uniqlo’s signature LifeWear concept. Shoppers can expect regular store offerings such as RFID self-checkout stations, alterations services, and RE.Uniqlo donation bins, with select stores offering UTme! customizable t-shirts and tote bags, as well as RE.Uniqlo Studios for embroidery and repairs.
“Each new store opening is a thoughtful step forward for our brand,” said Fuminori Adachi, Uniqlo USA CEO. “As we expand, Uniqlo remains focused on opening stores in markets that matter most to our customers, where we can deliver the full Uniqlo store experience and build lasting relationships with local communities.”
The expansion follows Uniqlo’s successful entry into the Texas market in 2024 and reflects the company’s ongoing focus on retail-led growth in key regions. It currently operates over 2,500 locations worldwide, including 78 stores in the U.S.
Wearable technology company Whoop has announced a multiyear collaboration with designer Samuel Ross MBE as global creative director, marking Whoop’s first performance design collaboration.
Whoop and Samuel Ross MBE unveil multiyear design partnership. – Samuel Ross MBE
Dubbed “Project Terrain”, the partnership will deliver a bespoke capsule collection including limited-edition, customized Whoop bands, as well as new apparel pieces within the Whoop Body collection. The collection will roll out in limited-edition drops starting this year and continuing into 2028.
“At Whoop, we’ve always believed that wearable technology needs to be invisible or it needs to be cool,” said Will Ahmed, Founder and CEO of Whoop. “Working with Samuel Ross has been a true joy. He deeply understands wearable technology. Our members will feel something new and different when they wear this limited collection.”
Ross, founder of the award-winning studio SR_A and formerly founder of A-Cold-Wall*, has a history of reimagining culture, material science, and form through design. His portfolio includes collaborations with Nike, Converse, Oakley, Hublot, Acqua di Parma, and Beats.
Project Terrain will carry SR_A’s industrial and architectural ethos into Whoop’s design language, informed by utility, intentionality, and structural, materials-driven design approach.
“Whoop is shaping the future. That’s true progress, for all. It is one of the first design and technology companies of our generation, founded within our generation, by our generation, that is defining the right relationship to health, through advanced technology,” said Ross.
“I look forward to building the future with Will and the Whoop design teams. We have a clear, sharp vision to move global design expectations forward.”
The partnership also includes SR_A joining as an investor alongside partners Niall Horan and Cristiano Ronaldo. Whoop will support the SR_A Black British Artist Grant and host its recipient for an in-house design residency.