John Lewis has released its annual shopping trends report and said that the UK “saw a national obsession with feeling good” in 2025.
John Lewis
Trends that defined the year included chocolate browns, 1970s-inspired furniture, ‘West End Girl Winter’ and Claudia Winkleman’s wrist warmers.
Essentially “Britain shopped for joy in 2025”, swapping pared-back minimalism for expressive colour, comfort and ‘Nowstalgia’, while embracing wellness, repair culture and outdoor living more than ever,” we’re told.
‘Nowstalgia’ stands for “a revival of 90s music, fashion and culture”, with the Oasis reunion tour “sparking a boom in retro purchases across everything from tech, homes and wardrobes”.
Sales of bucket hats were up 40%, while parkas, baggy trousers and sheer dresses proved popular too. Interiors saw a retro revival, with chocolate brown and chrome taking centre stage.
The UK’s sunniest summer in years also reshaped outdoor living. Gardens became alfresco kitchens, handheld fan sales topped a record breaking 1 million — the most sold to date. With the seasons shifting, swimwear sales broke records with increases of 18% in September and 28% in October versus last year.
Repair culture saw a major revival too. Demand for pre-owned items and mending rose sharply with eight in 10 Gen Z John Lewis shoppers buying pre-owned fashion and 29% of those aged 18 to 28 saying they frequently wore something more than 30 years-old.
Key trends
Meanwhile, the trend for modern heritage – Scottish tweeds, oversized jumpers, long pleated skirts and waxed jackets – was given a boost by The Celebrity Traitors being the most watched TV series of 2025 (also helping the rise of Claudia Winkleman’s wrist warmers). But it was also driven by Barbour’s playful twist on its classic quilted jackets and its collaboration with Paul Smith; by Russell & Bromley’s “no nonsense Tough Line ankle boots”; and by customers “embracing layering and rejecting flimsy fast fashion”.
The retailer’s knitted bandana scarf sales increased year on year by 357% while sales of the Khaki Barn Jacket – lightweight but waterproof – shot up 62%. Barbour was John Lewis’s best selling womenswear and menswear brand during October, with menswear sales up 38% in comparison to last year. In fact, its Oxford Street store was taken over by the brand with tartan to celebrate an exclusive John Lewis collection.
Barrel leg jeans were the hit of 2024 and they remained “astonishingly popular” in 2025. They helped revive “all manner of looser denim cuts”. Of the 1,349 different women’s denim jeans available at John Lewis during 2025, the most popular cut has been the wide-legged, with 407 in this category, more than the 309 straight and 147 skinny.
But as well as the comfort of wide-legged and barrel-legged, “people want something more statement with their denim”, said Claire Miles, head of Womenswear Buying at John Lewis. This “encapsulated everything from Paige’s denim trench, Mango’s tie-neck denim shirt, Rejina Pyo’s brown wash jeans and And/Or’s ruffled denim top and its Clara Cape Denim Jacket”.
As for the West End Girl Winter trend, only set up during lockdown, Queens of Archive is an Irish-British brand that has made a splash with its 1960s and 1970s-inspired glamour: maxi dresses, silk-touch sleeves, plush velvet.
It has already become its most rented brand at John Lewis, closely followed by Charles Tyrwhitt. But in October, its Stella coat, with 1960s It-girl attitude, cracked vinyl A-frame and big cuffs, suddenly became its most wanted piece after Lily Allen wore it for the video of Tennis – one of the standout tracks on her West End Girl album and one of the most talked about cultural moments of 2025. Since the video was released, searches for ‘Queens of Archive’ on johnlewis.com jumped by 146% compared to a year ago.
Cashmere has become an all-year trend too. A generation ago, cashmere was a once-a-year luxury for most people. But people are now wearing cashmere all year as it’s no longer reserved for jumpers and super-cold days, short-sleeve cashmere, cashmere T-shirts and sleeveless cashmere vests have all proved very popular in 2025.
On johnlewis.com searches for ‘men’s cashmere jumper’ are up 145% so far in 2025 versus 2024. Searches for ‘cashmere’ saw notable peaks in April, July, September and November.
Beauty evolution
Moving on to beauty, cherry has been a hot colour on the catwalks over the last 18 months and beauty brands are also embracing it – both the colour and the scent.
Skin tints are also increasing in popularity, thanks to the shift in focus from heavy cover-up make-up to skincare-first. This year, John Lewis has started stocking more skin tints than ever before due to high customer demand and brand innovations.
And the 90s revival didn’t only affect fashion. A lot of the best selling beauty products have been glossy, cheerful and unashamedly late 1990s. Lancome this year has brought back the Juicy Tube, originally launched in 2000. The Clinique chubby stick, which first launched in 1997 but relaunched in 2011, has also had a refresh.
The so-called lipstick effect has been visible this year too but John Lewis said the beauty product of choice as an affordable-but-still-luxury treat has been a premium fragrance.
The average selling price of perfumes at John Lewis jumped this year from £73 to £102. A lot of the premiumisation has been driven by the arrival of new luxe brands, including Jo Loves, Penhalligon’s, Byredo and Loewe. Seven of the total 58 brands available are new this year.
Peter Ruis, MD of John Lewis, said of all this: “This Shop Live Look report highlights the joy and the buzz we have seen in our stores over the past year. It’s clear that customers really embraced colour, comfort and fun again — from big garden parties, 90s tunes on repeat or butter dishes making a comeback. Our stores have never felt more alive with new premium collaborations, pop-up Topshops and cookery workshops, and a glass of fizz in the new John Lewis Lounge. It’s clear the era of Department stores as destinations is having its own ‘Nowstalgia’ moment – and we’re ready to bring more of that in 2026.”
Louis Vuitton has named Grammy Award–winning artist Future as its newest ambassador, deepening the maison’s ongoing commitment to celebrating talent across cultural landscapes.
Louis Vuitton names Future as its newest ambassador. – Louis Vuitton
The Atlanta-born rapper, producer and composer continues to dominate the global music landscape. Most recently, he released back-to-back chart-topping albums, “We Don’t Trust You” and “We Still Don’t Trust You”, which became an international phenomenon and further cemented Future’s status as a cultural trailblazer. Over the course of his career, Future has earned 11 number-one albums and multiple chart-leading singles.
“Future embodies the core values of Louis Vuitton, including creativity, artistry, and a pioneering spirit that resonates with international audiences,” the maison said in a statement. “His unique style and creative vision make him an invaluable addition to the Louis Vuitton family.”
It’s not the first time Future collaborates with Louis Vuitton. He attended Louis Vuitton’s Men’s Spring–Summer 2026 show in Paris at the invitation of Pharrell Williams, a longtime friend and creative collaborator. Earlier this year, Future also appeared at the 2025 Met Gala, themed “Superfine: Tailoring Black Style,” wearing a custom Louis Vuitton grey quarter-zip ensemble layered with a tie, designed by Williams.
Rent the Runway announced on Monday sales for the third quarter rose 15.4% to $87.6 million, with the U.S. rental platform clocking growth across its subscriber base.
Rent the Runway
The New York-based firm said ending active subscribers grew 12.4% to 148,916 during the three months, and average active subscribers totalled 147,645, up 12.9% on the prior-year period.
Meanwhile, total subscriber numbers lifted 6.1% to 185,166 during the quarter ending October 31.
In line with strong sales growth, the company reported a net income of $76.5 million, as compared to a loss of $18.9 million in the third quarter last year.
“This year we’ve repositioned ourselves for sustained growth in the category,” said Jennifer Hyman, co-founder and CEO of Rent the Runway.
“Not only did we execute operationally on our stated goals to return to our customer-obsessed origins, reinvigorate our brand, and drive double-digit growth in subscribers; but we also restructured our balance sheet, closing the recapitalization transactions in October that offer improved financial flexibility to better position us for continued growth.”
Earlier this year, Rent the Runway said it will hand over a controlling stake in the company as part of a plan to cut debt and grow.
The deal, with lender Aranda Principal Strategies and other partners, will wipe more than $240 million of debt from Rent the Runway’s balance sheet, according to an emailed statement released in August.
Looking ahead, Rent the Runway said it forecasts revenue of between $323.1 million and $325.1 million for the full-year.
Elisabetta Caldera, 55, has been named global chief people and organization officer for Chanel Ltd., succeeding Claire Isnard, 64, starting next month, the company told Bloomberg News in a statement.
Isnard is retiring after more than 17 years at the group, which had a workforce of around 38,400 employees last year. Caldera will join Chanel’s leadership team, reporting to Chief Executive Officer Leena Nair, and be based in London.
Caldera spent more than four years as global chief human resources officer at Aegon Ltd. where she was also part of the insurer’s executive committee. The Italian executive previously spent 17 years at Vodafone Group Plc in various HR roles until 2021 when she joined Aegon.
Under CEO Nair, the former head of HR at Unilever Plc, Chanel has been rebuilding the roster of top managers at the company as an older guard retires.
Chanel, known for its No. 5 fragrance, is privately owned by the billionaire brothers Alain and Gerard Wertheimer whose fortunes are estimated at about $43 billion each, according to the Bloomberg Billionaires Index.
The company, founded in Paris but headquartered in London, reports its financial performance once a year, generally around late May. Revenue fell 4.3% to $18.7 billion in 2024 on a comparative basis with operating profit sliding by almost a third partly due to heavy advertising spending and a rise in hiring.
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