The 102nd edition of Italian trade show Pitti Immagine Bimbo will take place on Wednesday 21 and Thursday 22 January 2026 on the Piano Attico of the Central Pavilion at the Fortezza da Basso in Florence (with a dedicated entrance via Porta Faenza) and will showcase around 150 Autumn/Winter 2026/27 collections, over 65% of which are international. Leading kid’s wear names are confirmed, alongside a selection of new brands, projects, and special features. The relocation follows the decision to run concurrently with Pitti Filati, the Florence-based salon presenting international excellence in yarns and knitwear; its exhibitors and visitors will have their own dedicated access.
Pitti Bimbo 102
“Next January’s event,” explains Raffaello Napoleone, CEO of Pitti Immagine, “is very important for Pitti Bimbo, because it confirms and consolidates the direction we have set for the show, aligning it with the many profound transformations in the world of children’s fashion. The most advanced trends in design and materials, the new sensibilities of young consumers- who are increasingly driving purchasing behaviour- the growing importance of lifestyle, a research-driven attitude as a shared entrepreneurial value, the blurring of rigid boundaries between commercial, communication and PR activities… these are the elements that define the show’s current identity, together with meticulous work with the best international retailers, thanks to collaboration with the Italian Trade Agency (ICE).”
“Amid a challenging economic climate,” adds Antonio Cristaudo, commercial director of Pitti Immagine, “we are paying something in terms of the number of sign-ups (companies are making decisions ever closer to the deadlines and I believe we will settle at around 85–90% of the collections present in recent editions), but we are also raising the quality of the offer with a series of high-profile newcomers with strong market relevance.”
Motion is the editorial theme of Pitti Immagine’s winter shows, inspiring movement, change, and evolution. The protagonist of the story and the campaign by Amedeo Piccione is the penguin Pitt who, oddly, feels cold, and so decides to set off on a long journey of exploration, backpack on his shoulders, hat on his head, and skis on his feet, leaving the ice behind, alone but full of hope. His final destination will be, of course, Pitti Bimbo.
“In November we staged a true European roadshow,” say Lisa Chiari, Giuliana Parabiago, and Valeria Santoni, members of the Pitti Bimbo project team together with Tiziana Bellandi from the buyers’ office in unison, “calling at Naples, Paris, Madrid, Barcelona, London, and Milan. This proximity to the market and to the protagonists of kid’s wear is fundamental to laying the foundations for Pitti Bimbo’s new course: together with companies and retailers, we want to shape it, combining the scouting of new brands with the reaffirmation of the show’s most established names and groups, with whom we work to inject energy into and support the manufacturing and commercial sector.”
At Pitti Bimbo 102, The New Edit space will debut- an unprecedented contemporary project for the fair- with a dedicated area in partnership with Bobo Choses, the Spanish brand that in recent years has fused modern design culture with high-quality manufacturing and a conscious focus on sustainability, also achieving commercial success. Also returning are collaborations with Piazza Pirouette, with its stories and inventions curated by Katie Kendrick of Pirouette, offering exhibitors and visitors a space in which to interact (and Pirouette will also take to the runway at the fair with a show titled “The Winter Moth”), and The Family Circle, the Hamburg-based marketplace founded by Nadine Jung, renowned for its carefully curated selection of accessories and lifestyle objects.
Not forgetting the usual exhibition areas Pitti Bimbo 100% and The Kid’s Lab, as well as the sections of “MilK”, “Style Piccoli”, Corriere della Sera’s family magazine, and “Scimparello Magazine”, with the awards it presents to its favourite pieces. Finally, at the workshop “Evolution of the Modern Store. Balance between social media and relationships”, Massimiliano Alvisi, entrepreneur and founder of the Shop Survivor training events, will return to Pitti Bimbo to share valuable tips on how to run a successful shop.
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A year-and-a-half after his fellow co-founder, Max Svärdh, stepped back, Albin Johansson is now doing the same at Axel Arigato, the label they founded together in 2014. In June 2024, the Swedish brand, renowned for its sneakers and chic streetwear, announced the appointment of Jens Werner as creative director, a role previously overseen by Max Svärdh.
Axel Arigato boutique – Axel Arigato
At that time, Johansson remained CEO of the brand, in which the investment firm Eurazeo took a majority stake in 2020. However, in early 2026, the company—which reportedly exceeded SEK 1 billion in turnover in 2024 (over €90 million)—appointed Frédéric Serrant to the role. He brings more than 16 years’ experience in international leadership roles across Asia and Latin America, gained at Adidas, the sports and lifestyle giant.
This expertise is expected to help Axel Arigato enter a new phase after years of expansion. The brand operates more than 15 standalone stores in major Scandinavian cities, as well as in key cities such as London, Paris, New York, Dubai and Berlin. It is also present in numerous department stores worldwide. However, this expansion has also eroded its margins, and the company has had to refine its strategy to limit operating losses.
“I am sincerely impressed by the remarkable work done so far to make Axel Arigato such a strong, distinctive and inspiring brand. It truly reflects the talent, passion and commitment of the teams, and I’m convinced that the brand’s potential is enormous. I look forward to joining the team, learning alongside them and writing the next chapters of the Axel Arigato story together,” commented Serrant, in a LinkedIn post.
Johansson will remain chairman of the board of directors.
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Against the prevailing mood in the United States he so loves, Kinji Teramoto refuses to turn inward. Hence, the man who refers to himself as the “archivenist” — a term he coined — and who has revived the iconic American labels Big Yank and Rocky Mountain Featherbed, is bringing them with him to 30 Galerie Vivienne, in Paris’s 2nd arrondissement. Open from January 20 to 28, the pop-up will primarily showcase RMFC and its down-filled garments, better suited to the current season, with Big Yank shirts taking a back seat.
Kinji Teramoto, passionate “archivenist” and reviver of heritage brands – 35IVE Summers
On arriving in Paris, Teramoto hopes to blend Tokyo’s gentle spirit with the cool elegance of the French capital. This trip from Japan follows the arrival in 2025 of the European branch of 35IVE Summers, the brands’ parent company, in Paris. Accordingly, the success of this pop-up store will determine whether the two labels secure a lasting presence on Parisian streets, a long-standing project for Teramoto and his teams.
A Paris outpost in the pipeline?
Paris represents a particular opportunity for the “archivenist”, not least because his partner at Anatomica, Pierre Fournier, is based there. The City of Light is also an ideal place to raise the profile of RMFC and Big Yank. The two American brands, founded in the late 1960s and in 1919, respectively, were acquired by 35IVE Summers in 2005 and 2012. Based on a series of pieces acquired by Teramoto, both labels have been relaunched with products that marry heritage and modern, Japan-based manufacturing. Should a permanent presence be established, 35IVE Summers would even look to produce locally the pieces sold in Europe, embracing a local production-and-distribution model.
Rocky Mountain Featherbed will take centre stage – Rocky Mountain Feathebed
All of this is underpinned by a highly unusual development cycle. “Garments made in one or two months are incomplete,” Teramoto explained. “We create patterns and produce samples at least three times, then personally try the finished items and wear them for at least six months to observe how they age. This process is our 18-month commitment,” he continued.
Passing on to future generations
The “archivenist”, who rejects the label of collector, believes that every vintage piece carries meaning, having endured through time.
“I only collect what I can truly bring back to life. […] My aim is for the next generation to wear these pieces and in turn pass them on to the next,” he added.
What’s more, RMFC and Big Yank pieces, which revisit designs several decades old, feed the vintage market and will once again be unearthed by new generations.
Big Yank was founded in 1919 by Reliance Company in Chicago – Big Yank
Teramoto’s wish to preserve the aesthetics of archival pieces springs from his passion for the labels he has brought back to life: “What these two brands created was truly iconic. What I felt at the time became my business, beyond mere commercial viability,” he confides. “At the time, I could never have imagined that the pieces I created from these archives would be embraced by the global market.”
RMFC and Big Yank have not only been reborn; they are thriving. Rocky Mountain Featherbed closes 2025 with significant growth in Europe and the Americas, with sales in Japan also on the rise.
Big Yank, meanwhile, is seeing its sales climb in Japan, according to Teramoto. In 2025, the brand appointed BerBer Jin’s Yutaka Fujihara as creative director, a move that “is currently attracting strong interest, at least in Japan.”
He is expected at the Paris pop-up store “to increase brand awareness in Europe and the Americas.”
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From its elegantly appointed 1,000-square-metre showroom at 11 Via Uberto Visconti di Modrone in Milan, which showcases the brand’s entire universe, high-end clothing and accessories label Eleventy presented its Autumn-Winter 2026/27 collection, marked by colours new to the house, an expanded assortment—especially in footwear—and the use of new raw materials such as vicuña, as revenue stabilises and new store openings are readied, starting in Chicago.
Eleventy, Autumn-Winter 2026/27
“It’s an important year for us, one in which we wanted to reinvent ourselves, because we believe it’s right to go back to being special,” Marco Baldassari, who continues to lead the brand he owns as CEO, tells FashionNetwork.com. “We had certainly spent many years operating in our comfort zone, with light colours, which by now are no longer distinctive. So we wanted to introduce new, more sophisticated, darker colours and silhouettes that are new to us, to differentiate ourselves once again from what the market offers.”
“The inspiration for the collection,” Eleventy’s CEO continues, “begins with an inner journey of reconnection with nature, which becomes our stage.”
Brown, therefore, assumes a central role in Eleventy’s wardrobe, as do very deep, almost black greys—like the winter sky—alongside forest greens and burgundy.
“This change has been noticed and, I must say, warmly received by buyers, also because I think it’s right to rekindle the desire of a consumer who perhaps had found the market a bit flat, lacking truly new propositions, where everything seems interchangeable,” the entrepreneur notes.
“It’s one of the contributing factors to this global downturn in fashion and luxury sales. More than tariffs, which in my view have somewhat distracted from the real issue—the strengthening of the euro, alongside the weakening of the yen and the dollar—pricing has certainly played a part, and in many cases the end consumer has not found it justified. With a very balanced price-to-quality proposition, Eleventy has not been particularly affected by this phenomenon. I hope this new collection of ours will reignite a great deal of desire, because we have completely reinvented ourselves, including in terms of fit and aesthetic.”
Eleventy, Autumn-Winter 2026/27
Eleventy, which in late 2025 opened its first flagship in Lisbon, will continue its programme of monobrand openings in 2026. The most significant will be in Chicago, in the United States.
“The U.S. is our most important market, thanks also to the mentality of the American consumer, who tends to spend more and is more inclined to purchase than the European customer,” Baldassari observes.
Eleventy currently employs 200 people and has 18 monobrand stores managed directly from headquarters, plus 22 with franchise partners, for a total of 40 monobrand stores. In the multibrand channel, the Milan-based label is carried in around 300 carefully selected doors worldwide.
“To be special, and thereby sell a quality product, you also have to be more selective in distribution, sometimes sacrificing opportunities in favour of a longer-term vision,” the CEO said.
The womenswear collection is growing within Eleventy’s business; today it accounts for 25 per cent of revenue, with turnover rising to 127 million euros from approximately 100 million in 2024 (it was 43 million euros in 2022 and 65 million in 2023, ed.), with 18 per cent generated in Italy and 82 per cent abroad. After the US comes the Middle East, Europe overall, and Asia, where Baldassari highlights South Korea and Japan as growth markets, while China remains to be defined.
Eleventy, Autumn-Winter 2026/27
The agreement between the European Union and Mercosur to further liberalise trade between them “is certainly a new opportunity that we will not fail to evaluate with great attention and interest,” said the founder, in the presence of Gianmarco Tamberi, who has officially become Eleventy’s new brand ambassador.
“The choice of Gianmarco Tamberi is due to two fundamental reasons. First, we are Italian and we want to bring Italy to the world, which an athlete like him represents excellently. Second, the alignment of our respective values: to achieve the results we have, we have made many sacrifices, with hard work, consistency, commitment and discipline. These are all elements that unite our paths,” the founder continued.
Since in recent years fashion has first seen the rise of tennis-inspired style and then that of skiing (preceded about fifteen years earlier by golfwear and polowear), can athleticwear be trendy in the coming years as well?
In other words, will athletics succeed in conveying its values to the general public, as it has almost never managed to do in the past? “Achieving results certainly helps to spur similar developments,” Tamberi replies.
“We were coming out of a period (from around 2000 to 2015) when athletics had a huge void of champions in Italy. Now something has shifted, especially since the Tokyo 2020 Olympics, after the famous five gold medals we managed to bring home. Results can allow the personalities who achieve them to emerge; otherwise it’s difficult to bring a movement to public attention. Today, many young people in athletics are coming through,” explains the high jumper, who in his discipline has won at least once everything there was to win, having been Olympic champion at the Tokyo 2020 Games, world champion in Budapest 2023, world indoor champion in Portland in 2016, and three-time European champion (2016, 2022, 2024), not to mention victories at the European Indoors and two Diamond League finals reached.
Eleventy, Autumn-Winter 2026/27
“The collaboration with Eleventy came about very naturally, as we share similar values,” confirms the Ancona-born athlete. “For a few years I had the honour of being a Giorgio Armani ambassador, whom I take this opportunity to thank and acknowledge. When that partnership ended, several companies came forward to have me as a testimonial, but I couldn’t find any that resonated with me and with what I want to represent and communicate. Then Marco Baldassari got in touch. And everything clicked into place naturally.”
Founded in Milan in 2007 by Marco Baldassari and Paolo Zuntini, joined in 2009 by Andrea Scuderi, and now majority controlled (65 per cent) by the Fashion Cube fund—a holding company composed of the VEI Capital fund and a Gulf financial group that controls all the sales networks of the high-end apparel and accessories company—Eleventy works exclusively with natural Italian materials and 100% made in Italy production. Present in more than 30 countries, it also has directly operated stores in cities such as Milan, New York, Paris, Tokyo, Seoul and Dubai.
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