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Italian menswear: exports down 3.2%, imports up 5.5% in the first seven months of 2025

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November 5, 2025

In the first seven months of 2025, Italian menswear saw divergent trends between imports and exports. According to ISTAT data, exports for the period January to July 2025 fell by 3.2% compared with the same period of the previous year, to 5.3 billion euros. Conversely, imports grew by 5.5%, reaching 3.8 billion euros. France remained the main destination for Italian menswear, followed by the US and Germany. The top three sourcing markets, Bangladesh, China, and Spain, recorded double-digit increases. Exports of leather apparel performed well; on the import side, outerwear and knitwear were up.

Brunello Cucinelli – Autumn-Winter 2025/26 – Menswear – Milan – ©Launchmetrics/spotlight

These are the main findings of the Note prepared by the Economic and Statistical Studies Office of Confindustria Moda, published by Pitti Immagine.

With reference to export destinations, the EU market showed a positive trend, with growth of 2.4%, while exports to non-EU countries contracted by 7.8%. Despite the decline, non-EU markets remained the main destination for Italian menswear exports, absorbing 52.2% of the total. In terms of share, 44.8% of menswear imported into Italy came from EU countries, while the remaining 55.2% originated from non-EU markets.

In the period under review, France confirmed its position as the leading market for Italian menswear, with year on year growth of 1.0% to 714 million euros, accounting for 13.4% of total exports. The US followed, consolidating second place with an increase of 6.5% to 561 million euros, equivalent to 10.5% of the total. Germany ranked third, with exports of 527 million euros and a 9.9% share, despite a slight decline of 1.9%. The positive, or at least stable, performance of these three markets—together absorbing more than one-third of the sector’s exports—helped significantly to mitigate the overall decline seen in many other destinations.

In fourth place, China reversed course, falling by 18.4%. Spain ranked fifth, up 5.1%, while the UK, the sixth-largest market by value, fell 7.7% year on year. Japan followed, with a positive change of 3.7%, and Switzerland, a strategic logistics and trading hub for the sector’s leading brands, was down 17.6%. Poland performed very strongly, up 30.1%.

Regarding imports, in the first seven months of 2025 the top three sourcing markets for menswear all showed positive trends. Bangladesh remained the main supplier, with a value of 509 million euros, up 23.3% compared with the same period in 2024; its share of total imports was 13.5%. China ranked second, with 457 million euros and growth of 27.0%, covering 12.1% of total imports and further strengthening its position. Spain was third—and the leading EU country—with 319 million euros and an increase of 13.9%, accounting for 8.5% of the total.

Pakistan (+26.5%), Vietnam (+23.3%) and, in particular, Cambodia (+45.7%) stood out for their dynamism, albeit with still limited shares. India also grew, up 14.8% to 76 million euros. France (-19.8%) and Germany (-21.1%) performed poorly.

By product, in the first seven months of 2025 exports declined across most categories. Only leather apparel stood out, up 8.0%. The sharpest decline was in knitwear, down 5.2%, followed by men’s tailored clothing, down 2.6%.

As for imports, increases were recorded for outerwear, up 8.3%, and knitwear, up 5.0%. Leather apparel also posted a positive, albeit more moderate, result of 1.5%. By contrast, shirts fell 4.6%, and especially ties, which saw the steepest drop at 17.9%.

“The year 2025 began in a still-uncertain context for fashion, and also for Italian menswear, with no concrete signs of recovery. The international macroeconomic framework is shaped by geopolitical tensions, instability in the markets and protectionist measures, especially from the US. The absence of significant expansionary dynamics, combined with a still-uncertain climate of confidence, suggests a continuation of the slowdown already evident in the previous year,” the Note concludes.

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Jaden Smith dreams up a Dadaist debut at Christian Louboutin

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January 21, 2026

Add designer to Jaden Smith’s considerable list of professions- along with actor, singer, and rapper- after the Californian creator dreamed up an impressive Dadaist display for his debut at Christian Louboutin.

Jaden Smith’s take on the world of Christian Louboutin – FashionNetwork.com

 
Evoking a whole plethora of influences from Greek mythology and the Great Paris Exhibitions to Dadaism and the great movement for Civil Rights, in an elaborate set in a disused warehouse in Montparnasse. Mount Parnassus, you will recall, was the home to nine muses in arts and sciences.
 
Two fine works of footwear even had Greek names: The Plato Loafer, a 2017 model with Swisscheese like holes, which Smith updates with the new Neo CL signature on a steel silver coin. And the Asclepius Sling- named after the ancient god of medicine- with the same emblematic coin detail and metallic hardware on the backstrap.

“I brought my personal interest on Greek mythology in as I thought it would resonate with people, as humans at the end of the day are all very similar. I’m combining my perspective of being an African American designer, linked to my more Dadaist thinking into the heritage of a French maison,” explained courteous 27-year-old.

Mythology meets luxury
Mythology meets luxury – FashionNetwork.com

 
Close by stood a Nam June Paik worthy mound of TVs, with video showing images of Martin Luther King’s 1963 March on Washington, The Sphinx, and clips from Dadaist filmmaker Hans Richter.
 
“That art piece is about the overdose of information we experience. This revolution that we are in the midst of right now. And the fact that information is being thrown at us all the time. And the psychological effects of looking at 10 screens at the one time. While also drawing correlations between my ancestry and Christian’s ancestry, and the history of art,” said Smith, attired in a giant gangster jeans, an oversized parka and pearl encrusted beanie.
 
Another installation was a broken temple with fluted columns on which were perched Jaden’s new bags.  Notably a series of humungous backpacks and biker satchels, some with a dozen exterior zippered pockets with gold lettering reading- coins, pills, keys, tools, phone, documents, phones, and chargers. Alongside a surrealist tote finished like a bucket of overflowing paint and a Dadaist style back made in a black and white photo of an urban madding crowd.

Creator Jaden Smith
Creator Jaden Smith – FashionNetwork.com

 
The whole space was dubbed Christian Louboutin Men’s Exhibition, as a small group of models bathed, inevitably, in red light, circulated wearing the new footwear and bags. Large red fabric rolls made into benches allowed one to enjoy a large video montage, including Jaden as a Wagnerian hero posed in front of gothic castles. Which is where we spotted founder Christian Louboutin, in a video stirring a large vat of red paint, before symbolically handing over a paintbrush to Jaden.
 
“It’s about craftmanship, extreme luxury, and highest level of design. That’s what Christian Louboutin is all about,” said Smith, describing the brand’s DNA.
 
Eyebrows were raised when Christian appointed Jaden to the position of creative director, as Parisian designers with two decades long CVs gritted their teeth that an untrained talent got such a coveted position. However, judging by this display, Jaden Smith has the chops, talent, and grace to be very effective in this role.
 
One suspects the gods of style and time are probably rather pleased.

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The Denim Lab project examines the environmental impact of denim at Milan Fashion Week

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January 21, 2026

To coincide with Milan Fashion Week, the S|STYLE 2025- Denim Lab is setting up at Fondazione Sozzani for an edition devoted to the future of sustainable denim and water management in the textile industry. Led by the S|STYLE Sustainable Style platform, founded in 2020 by independent journalist and curator Giorgia Cantarini, this initiative forms part of an ongoing programme of research and experimentation into responsible innovations applied to contemporary fashion.

Designers brought together for the S|STYLE 2025 – Denim Lab project – Denim Lab

The exhibition, open to the public on September 27 and 28, features a site-specific art installation by Mariano Franzetti, crafted from recycled and regenerative denim. Conceived as an immersive experience, it brings fashion design, technological innovation and artistic expression into dialogue.

Water: a central issue in fashion sustainability

Developed in collaboration with Kering‘s Material Innovation Lab (MIL), the Denim Lab brings together a selection of young international designers invited to create a denim look using low-impact materials and processes. They benefit from technical support and access to textiles developed with innovative technologies aimed at significantly reducing water consumption, chemical use, and the carbon footprint of denim production.

This edition places water at its core, an essential issue for a fabric whose production has traditionally demanded substantial volumes of water, from cotton cultivation through to dyeing and finishing. Denim therefore serves as an emblematic testing ground, both familiar and closely associated with the environmental challenges facing the fashion industry.

Outfit created for the Denim Lab by designer Gisèle Ntsama, one of the participants
Outfit created for the Denim Lab by designer Gisèle Ntsama, one of the participants – Maison Gisèle

The fabrics were developed by PureDenim Srl, a specialist in low-impact dyeing techniques, while treatments and finishes were applied by Tonello Srl, a recognised leader in sustainable washing and finishing technologies. The selected designers, from Europe, Asia, and Africa, each offer a distinctive interpretation of denim, blending formal exploration, textile innovation and reflection on the contemporary uses of clothing.

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It’s official, Next wins race for Russell & Bromley in pre-pack deal

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January 21, 2026

Next has won the bidding race to take over the Russell & Bromley premium footwear business, ending almost a century-and-a-half of family ownership.

Russell & Bromley

Working with bidding partner and stock clearance specialist Retail Realisation, it’s set to takeover the 147-year-old retailer under a pre-pack administration deal.

Crucially, it means 33 of the company’s standalone stores/outlets and nine concessions (many of them in Fenwicks branches) are likely to eventually close.

The extent of the challenges Russell & Bromley faced can be seen from the fact that this is only a £2.5 million cash deal. Next is also paying £1.3 million for some of the retailer’s current stock with Retail Realisation handling the clearance of the rest.

Assuming the deal gets court approval on Wednesday afternoon, Next will own the intellectual property and just three of the stores.

Those stores are in London’s Chelsea and Mayfair, as well as the Bluewater shopping centre in Kent. Interestingly, that Bluewater store is just a stone’s throw away from the former House of Fraser branch that this year will reopen as a Next megastore.

The remaining stores and concessions will continue to trade for “as long as [they] can” as Interpath’s Will Wright and Chris Pole “assess options for them”. Russell & Bromley currently has around 440 employees.

A source close to another bidder, Auralis, told The Times it was disappointing that its offer, which aimed to safeguard jobs and stores, wasn’t given greater priority by those running the sale.

Russell & Bromley CEO Andrew Bromley called the sale decision a “difficult” one but insisted it’s “the best route to secure the future for the brand… we would like to thank our staff, suppliers, partners and customers for their support throughout our history”.

So what are Next’s plans now. That’s not clear. There had been a lot of attention focused on its likelihood of closing the store chain in the run-up to the sale but on Wednesday, Next said that it will “build on the legacy” of the business and “provide the operational stability and expertise to support Russell & Bromley’s next chapter”.

Next had also been reported to be eyeing a similar deal for LK Bennett, but Sky News reported that it has stepped away from this.

It remains one of the most acquisitive retailers on the UK high street, however, and in recent years has bought brands such as Cath Kidston, Joules, FatFace, Made and Seraphine. It also has deals to handle other key brands in the UK market such as Gap, Victoria’s Secret and Laura Ashley.

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