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Hugo Boss had tough Q3, annual profit to hit guidance but at lower end

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November 4, 2025

Hugo Boss’s Q3 numbers that were released on Tuesday contained a lot of negatives but the company remained upbeat overall. It saw a 1% constant currency sales dip in Q3, the German fashion giant said, as it cited “persistently challenging market conditions”.

Reuters

“Macroeconomic headwinds and subdued consumer sentiment weighed on global industry development, particularly impacting the performance in key markets such as the UK and China,” it explained.

But it also said it continued its execution of “strategic initiatives” that are strengthening brand relevance, including the successful launch of AW25 collections and its Boss SS26 Fashion Show.

So what happened in Q3? Total group sales on a reported basis fell 4% to €989 million. By brand, Boss Menswear was flat on a currency-adjusted basis and down 3% reported at €764 million. Boss Womenswear fell 9% currency-adjusted and 10% reported to €67 million. And Hugo was down 5% currency-adjusted and 7% reported at €158 million. 

The company saw a 3% currency-adjusted sales improvement in the Americas that “largely compensate[d] for moderate revenue declines” in EMEA (down 2%) and Asia/Pacific (down 4%). But while those currency-adjusted figures don’t look too bad, on a reported basis the Americas fell 3% to €223 million while EMEA was down 3% at €641 million and Asia pacific was down 9% at €101 million. Licenses fell 14% on both a currency-adjusted and reported basis to €25 million.

Clearly exchange rate fluctuations had a big negative impact during the quarter.

But it saw “sustained growth in digital” (+2% currency-adjusted and +1% reported at €201 million) and “sequential improvements” in physical stores where sales were flat currency-adjusted and down 3% reported at €483 million. The decline in physical wholesale of 5% currency-adjusted and 7% reported to €281 million reflected the timing of deliveries.

But the gross margin improved by 100 basis points in Q3, mainly due to efficiency gains in sourcing and lower freight-cost levels. And operating expenses declined by 3%, “reflecting ongoing strict cost discipline and additional efficiency gains”.

Profits outlook

Profits-wise, EBIT was “largely stable” although that doesn’t mean there was no movement as it was down 1% compared to a 1% rise for the year to date.

As for the outlook, the company confirmed its top- and bottom-line guidance for 2025. In line with market expectations, group sales and EBIT are expected to “align with the lower end of guidance ranges”. Those ranges include sales of between €4.2 billion and €4.4 billion, with EBIT ranging from €380 million-€440 million, “due to heightened macroeconomic volatility and significant currency headwinds”.

It added that brand and product initiatives such as the latest Beckham x Boss collection launch combined with ongoing efficiency measures in sourcing, sales, and administration are “expected to support Q4 top- and bottom-line performance”.

CEO Daniel Grieder said: “Despite ongoing global market volatility in Q3, we remained focused on our strategic priorities, emphasising long-term brand strength over short-term gains. In this context, we are particularly encouraged by the sequential improvement in our direct-to-consumer business, as both digital sales and retail improved slightly. At the same time, we achieved meaningful efficiency gains, delivering notable gross margin expansion and streamlined expenses. This is clear evidence of the operational excellence and resilience at the core of our business model.”

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Italian childrenswear remains in decline, 2025 expected to contract by 3.2%

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January 20, 2026

After ending 2024 down 2.1%, Italy’s childrenswear sector is expected to end 2025 with turnover of just over 3 billion euros, a decline of 3.2%, according to preliminary estimates by Confindustria Moda‘s Economic and Statistical Research Office. The value of production is expected to fall by 4.8% year on year.

In foreign trade, childrenswear exports are forecast to decline by 3.2%, bringing the total value of overseas sales to 1.5 billion euros and accounting for 48.9% of sector turnover. By contrast, imports are expected to grow by 1.8%, taking the total to almost 2.6 billion euros.

With regard to foreign markets, the analysis can be limited to babywear, which, according to Istat, fell by 3.9% in the first nine months of 2025 to 112.7 million euros. This negative trend affected both EU (-1.2%) and non-EU (-5.9%) markets.

During the period under review, the United Arab Emirates confirmed its position as the leading destination for babywear, posting growth of 18.1% to 10.3 million euros, equivalent to 9.2% of total exports. Despite a 2.3% contraction, Spain climbs to second place and accounts for 9.1%, while France takes third place with growth of 1.3%. The US, a strategic market for babywear, slips to fourth following a marked 17.0% decline, to 8.6 million euros and a 7.6% share. The UK and Germany, the fifth and sixth destination markets respectively, also contracted, but at very different rates: the UK recorded a modest 3.6% decline, with a value of 6.8 million euros, while Germany suffered a more pronounced 16% loss, with turnover of 4.8 million euros, corresponding to 4.3% of total exports for the segment.

Conversely, China, in seventh place, shows moderate growth (+4.5%) to 4.6 million euros, followed by Russia and Poland, with particularly strong increases of 35.3% and 63% respectively. Sales to Israel also rose sharply, up 131.2% to 3.9 million euros, taking its share to 3.5%.

Among other European markets, Portugal and Bulgaria, the eleventh and twelfth, both show increases of 1.9% and 0.3% respectively; while Greece and the Netherlands, in fourteenth and fifteenth positions, show declines of 12.3% and 14.5%, respectively. In the Middle East, in addition to the aforementioned Emirates, Qatar (2.9 million euros, +8.9%) and Saudi Arabia (2.2 million euros, +25.6%) stand out, strengthening their overall contribution.

Finally, with shares of less than 2%, Belgium and Romania show significant growth, with increases of 52.3% and 12.6%, respectively, while Croatia and Japan register smaller negative changes of 7.8% and 0.5%, respectively.

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Monica Vinader enlists Sienna Spiro as face of latest campaign

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January 20, 2026

Monica Vinader has chosen English singer/songwriter Sienna Spiro as the face of the aspirational, ambitious premium jewellery brand. 

Sienna Spiro

The “meaningful collaboration” links the jewellery brand “known for its design integrity and exceptional quality” to “one of music’s most compelling emerging voices… with her lyrics rooted in feeling and intention, qualities that closely align with Monica Vinader’s approach to design”, we’re told.

Throughout the campaign, Spiro wears the new Infinity collections as well as Monica Vinader pieces engraved with lyrics from her song ‘You Stole the Show’.

The engravings spotlight the brand’s personalisation services, “transforming jewellery into objects of meaning, from song lyrics and private messages to personal mantras”, the retailer said.

The brand, which has several stores in London, plus stores at Liverpool One, in Manchester and Edinburgh, appointed a new CEO in November. Sebastian Picardo now heads the previously family-run brand founded by siblings Monica (artistic director) and Gabriela (non-exec director) in 2008.

Picardo’s a seasoned luxury executive who’s worked at Holt Renfrew, Lane Crawford, Burberry, Net-A-Porter and Alexander McQueen

At the time of his appointment, the sisters said Picardo is “perfectly placed to guide our next phase of growth” and will work to accelerate the business’s global reach, “scaling innovation, inspiring existing and new audiences, and setting new standards for modern luxury jewellery”.

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Dfyne opens Glasgow HQ built for growth

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January 20, 2026

Scottish gymwear brand Dfyne has opening a 21,623 sq ft headquarters in Glasgow that “marks a major milestone in the company’s growth just four years after launch”, it said. 

Dfyne

Designed in collaboration with workplace designer/builder Oktra, the new HQ provides a permanent base for Dfyne’s growing team and “reflects the brand’s ambition, identity, and people-first values.. as the business continues to grow”.

The opening marks ‘phase one’ of the project, with further phases planned to extend the workspace and complete the ground floor fit-out, it said. 

The workplace is organised around a series of “clearly defined zones, balancing focused workspaces with informal collaboration areas and spaces to showcase Dfyne products”.

“Cultural storytelling” is also embedded within the design. Brown leather seating in the new meeting booths references a brown leather sofa from Dfyne’s original headquarters – a piece closely associated with the brand’s early days and formative moments.

“This detail symbolises [our] journey from a small founding team to a fast-growing international brand, while maintaining a strong connection to its roots”, it said.

CEO Oscar Ryndziewicz added: “In only four years, and thanks to our incredible community, we’ve grown to such a level that we can create a new, tailor-made space for our team that embodies our brand values. With the creation of unique workspaces, our new HQ is purposefully designed to enable everyone who supported the company’s growth to spark connections and inspire innovation.”

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