It’s not uncommon to see fashion weeks crop up in cities beyond Milan or Paris. Yet few are as established or as distinctive as Toulouse Fashion Week (TFW). Organised by the Institut des arts et de la mode association, since 2019, it has brought together several hundred visitors and around a dozen designers from across the globe in emblematic venues throughout the Pink City, celebrating fashion and live performance.
Outfit from a collection by Jenia Gala – Toulouse Fashion Week
The 2025 edition will take place on November 28 and 29 under the theme “Heritage”, a nod to the stylistic diversity of countries around the world. Staged at the much-anticipated Interférence – Balma venue, Toulouse Fashion Week appears to have reached a new milestone, according to its president, Fabrice Sauriat. “It’s a culmination,” he explains. “I hadn’t realised, but people couldn’t believe it!” The venue offers 1,000 square metres and a 45-metre U-shaped catwalk, together with a discount on the hire. The hall, which can accommodate between 400 and 600 people, is expected to be a sell-out: “Last year, we welcomed 500 people each evening. This year, we should reach 600,” said Fabrice Sauriat.
Taking part for pleasure
To stage the event, the Institut des arts et de la mode relies on the work of 300 volunteers, from models, photographers, and make-up artists to hairdressers and communications specialists. Toulouse Fashion Week also enjoys support from international fashion weeks (Poland, Berlin, French Guiana, Brazil, and Central Africa). This communications-focused backing has prompted designers from every continent to reach out to TFW. “Designers now contact us,” notes Fabrice Sauriat. “But they take part for pleasure, not for financial gain.” The president estimates that around 20% of the designers scheduled to take part do so not to sell, but to present an artistic expression of their work.
Outfit from a collection by ADN Street – Toulouse Fashion Week/Johan Photographie
This is where the event’s distinctiveness truly shows. The fashion shows are sometimes accompanied by dance, music, and décor, immersing audiences in each designer’s universe. The result is a live spectacle and a different approach to fashion from that of the catwalks in the capitals, “where only the heads move”, in the words of Fabrice Sauriat. Drawn by this multidisciplinary dimension, TFW’s audience is diverse. The curious can become buyers for an evening, after applauding an outfit they like, with prices kept accessible.
Steady, organic growth
In fact, it is the audience that almost entirely funds the artistic gathering, paying for tickets priced between ten and fifty euros. Designers, for their part, pay a modest fee (from one hundred euros), as many are enthusiasts obliged to hold down a job alongside. The aim of Toulouse Fashion Week is to showcase creatives who “don’t have the means to make a name for themselves”, and to offer them a degree of visibility. “Three quarters of the designers will sell their collections within a month,” says the association’s president.
Outfit from a collection by Véronique Magny – Toulouse Fashion Week/Johan Photographie
What began as a dance and fashion gala for brands Fabos and Swarovski in 2016 became Toulouse Fashion Week in 2019. One hundred and fifty people reserved seats for its first edition, organised at the Cépière racecourse with the support of Toulouse City Hall. Titled “Nuit d’Orient”, it brought together designers from Toulouse, Montpellier, and Perpignan, as well as from Morocco, Uganda, Algeria, and Tunisia, for a night of fashion and artistic performances. Edition after edition, the association and its event have grown. Today, Fabrice Sauriat compares TFW to the Victoria’s Secret fashion show, where models and the audience interact in a cabaret atmosphere.
TFW scales up
Among the creative figures at Toulouse Fashion Week is Tonye Aka, patron of this 2025 edition and a master artisan. A TFW participant since 2020, the designer is behind the Tonye’s Fashion brand and Tonye’s Fashion Academy, a fashion training centre based in Toulouse. The event has also shone a light on Charlotte Bardou and her upcycled bag label Bi Ethic, as well as Jenia Gala and her eponymous brand, which has set up two sewing workshops in Toulouse.
Outfit from a collection by Agnès Wuyam – Toulouse Fashion Week
In just a few years, Toulouse Fashion Week has built a local reputation that is now expanding. It has even attracted the attention of Serge Carreira, director of emerging brands at the Fédération de la Haute Couture et de la Mode. But the Institut des arts et de la mode now wants to look beyond TFW, and is working on new projects combining international fashion and the performing arts, some of which could launch as early as 2026.
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The demerger of Unilever‘s ice cream division, to be named ‘The Magnum Ice Cream Company,’ which had been delayed in recent months by the US government shutdown, will finally go ahead on Saturday, the British group announced.
Reuters
Unilever said in a statement on Friday that the admission of the new entity’s shares to listing and trading in Amsterdam, London, and New York, as well as the commencement of trading… is expected to take place on Monday, December 8.
The longest federal government shutdown in US history, from October 1 to November 12, fully or partially affected many parts of the federal government, including the securities regulator, after weeks without an agreement between Donald Trump‘s Republicans and the Democratic opposition.
Unilever, which had previously aimed to complete the demerger by mid-November, warned in October that the US securities regulator (SEC) was “not in a position to declare effective” the registration of the new company’s shares. However, the group said it was “determined to implement in 2025” the separation of a division that also includes the Ben & Jerry’s and Cornetto brands, and which will have its primary listing in Amsterdam.
“The registration statement” for the shares in the US “became effective on Thursday, December 4,” Unilever said in its statement. Known for Dove soaps, Axe deodorants and Knorr soups, the group reported a slight decline in third-quarter sales at the end of October, but beat market expectations.
Under pressure from investors, including the activist fund Trian of US billionaire Nelson Peltz, to improve performance, the group last year unveiled a strategic plan to focus on 30 power brands. It then announced the demerger of its ice cream division and, to boost margins, launched a cost-saving plan involving 7,500 job cuts, nearly 6% of the workforce. Unilever’s shares on the London Stock Exchange were steady on Friday shortly after the market opened, at 4,429 pence.
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Burberry has named a new chief operating and supply chain officer as well as a new chief customer officer. They’re both key roles at the recovering luxury giant and both are being promoted from within.
Matteo Calonaci becomes chief operating and supply chain officer, moving from his role as senior vice-president of strategy and transformation at the firm.
In his new role, he’ll be oversee supply chain and planning, strategy and transformation, and data and analytics. He succeeds Klaus Bierbrauer, who’s currently Burberry supply chain and industrial officer. Bierbrauer will be leaving the company following its winter show and a transition period.
Matteo Calonaci – Burberry
Meanwhile, Johnattan Leon steps up as chief customer officer. He’s currently currently Burberry’s senior vice-president of commercial and chief of staff. In his new role he’ll be leading Burberry’s customer, client engagement, customer service and retail excellence teams, while also overseeing its digital, outlet and commercial operations.
Both Calonaci and Leon will join the executive committee, reporting to Company CEO Joshua Schulman.
JohnattanLeon – Burberry
Schulman said of the two execs that the appointments “reflect the exceptional talent and leadership we have at Burberry. Both Matteo and Johnattan have been instrumental in strengthening our focus on executional excellence and elevating our customer experience. Their deep understanding of our business, our people, and our customers gives me full confidence that their leadership will help drive [our strategy] Burberry Forward”.
Traditional and occasion wear designer Puneet Gupta has stepped into the world of fine jewellery with the launch of ‘Deco Luméaura,’ a collection designed to blend heritage and contemporary aesthetics while taking inspiration from the dramatic landscapes of Ladakh.
Hints of Ladakh’s heritage can be seen in this sculptural evening bag – Puneet Gupta
“For me, Deco Luméaura is an exploration of transformation- of material, of story, of self,” said Puneet Gupta in a press release. “True luxury isn’t perfect; it is intentional. Every piece is crafted to be lived with and passed on.”
The jewellery collection features cocktail rings, bangles, chokers, necklaces, and statement evening bags made in recycled brass and finished with 24 carat gold. The stones used have been kept natural to highlight their imperfect and unique forms and each piece in the collection has been hammered, polished, and engraved by hand.
An eclectic mix of jewels from the collection – Puneet Gupta
Designed to function as wearable art pieces, the colourful jewellery echoes the geometry of Art Deco while incorporating distinctly South Asian imagery such as camels, butterflies, and tassels. Gupta divides his time between his stores in Hyderabad and Delhi and aims to bring Indian artistry to a global audience while crafting a dialogue between designer and artisan.