Milan witnessed a bumper season of shoe designs this week, where brands focused on their DNA even as they subtly advanced and subverted their codes with audacious new materials and techniques.
No brand made a bigger impact this week than Santoni, which celebrated its 50th anniversary with considerable style.
Santoni Fall/Winter 2025 collection – Courtesy
The house’s latest campaign “Meraviglia – Makers of Beauty for 50 Years” was wrapped around all copies of New York Times sold in Italy. It also showed up on scores of Milan tram stop ad boards. Though the biggest news was a bold new collection named “Meraviglia”, meaning in English “Marvelous”, which translated into two capsules.
For guys, an excellent series made in a multi-layered spicy oceanic blue that included a snazzy new monk meets loafer shoe. For gals, a series in burnished gold, including a micro crystal kitten heel that would flatter any foot.
Add in some beautifully burnished gents shoes that looked like they were polished a thousand times. Or, for the ladies, a series of shearling fur boots that looked rich, comfortable and totally with it.
“Our anniversary is not just a celebration of past achievements but a recognition of the hands that continue to shape Santoni’s future. It is a testament to the makers, the visionaries and the pursuit of beauty that will define Santoni for anther 50 years,” insisted CEO Giuseppe Santoni, sporting his latest spiffy new bespoke suit.
Casadei: To Infinity and beyond
What caught the eye most at Casadei, were design star Giuseppe’s new infinity heels, a chain link made into a sturdy curve that supported some great patent leather boots and sling backs.
Casadei fall/winter 2025 collection – Courtesy
“Not a weapon, but a weapon of seduction,” quipped the designer.
Casadei was all about practicality with punch. Great shearling boots, with visible wool trim, and supper riding boots for the city.
“Women wear ski jackets and Moncler in the city nowadays and not just on the slopes. These styles work with that spirit,” he added.
A venerable brand, but one very with it, like in its multi-room mid-century modern showroom on Via Bigli. Each room decorated differently: tough chic mirrors in one; black and white marble in the next; pure white in a third; and a stack of video monitors in an installation space for the Infinity.
Founded back in the 1950s, Casadei still has its own factory near Rimini, employing 160 people. Made in Italy in March region, this collection was worthy of a celebration.
Stuart Weitzman: Modernism overlooking the Duomo
Tops marks for Stuart Weitzman for its location – the top floor Sala Fontana at the Museo Del Novecento, with fantastic views of the Duomo. And, more tellingly, some great Italian modernist art, dovetailing with the brand’s striking new ideas.
Like its “Vinnie” collection, a range defined by an angular heel and sculptural pointed toe. As well as a very fresh approach to power pumps and power boots, including back-stretch knee-high boots inspired by the brand’s iconic 5050 boot. This Stuart Weitzman classic has been copied by scores of other brands, but nothing beats the original.
One could admire its “Hudson” collection, featuring a new lug-sole silhouette, adding a dash of urban grit with chukka boots, lace-up booties and Chelsea boots. Practical footwear, but with punch.
“Our strategic focus is on developing emotional product driven by our consumer needs, feedback and insights. With innovative new takes on her favorite silhouette, the iconic 5050, and… the best-selling Vinnie, the collection brings our consumer both an homage to our brand’s heritage and a definitive step forward into the next era for the brand,” opined Jonathan Lelonek, SVP, global wholesale, Stuart Weitzman, in a tour of the collection.
Giuseppe Zanotti: Keeping faithful to his DNA
To thine own self be true, Shakespeare wrote, and Giuseppe Zanotti is certainly loyal to that dictum.
“I wanted to get back to my true spirit,” explained Zanotti in his elegant 17th-century palazzo HQ in Milan.
Which is high gloss glamour with soul, creating some great new high heels with precise golden-tipped soles – whether on square shoes or high heels.
Declining the heels with three different heights: 45, 90 or 105 millimeters, and stripping it back to the minimal with several of his classics: the slingback, Brenda, his mule, Myra, and the much-admired, Mary Jane.
Giuseppe also dreamed up some remarkable red-carpet high heels named Intrigo, where clusters of silver crystal buds, mini roses and petals grid the ankle. For the most confident of women – and thus very much a Zanotti gal – the intrigue of Intrigo will be fantastic.
Gianvito Rossi: King of the colorists
No brand anywhere quite manages to combine craftsmanship with cool design as Gianvito Rossi. To an almost uncanny extent.
Gianvito Rossi – Courtesy
Take his new Art Deco selection, where the tiniest lines of golden-hued leather are inserted with brilliant delicacy. Made in buttery soft suede in Imperial Roman purple or a deep red rust, the technique was seen to great effect in spike-heel boots; chunky 70s style platforms or slingbacks.
Gianvito also had the most distinctive color palette of any shoe marque this season. Seen in a charming metal tree in his via Santa Spirito showroom, from which hung a dozen high heels in a great array of soft sherbets, bitter oranges, dusty pinks and Connemara green.
“But my favorite will always be the gray, as it is just so deep,” smiled Gianvito.
Alexandre Birman: Tropical curves in new showroom
Last but not least, Alexandre Birman unveiled its brand-new showroom on Via Bigli 11, marking an important new chapter for the Brazilian house.
Underlining its links back to the great stars of Brazilian architecture – from Oscar Niemeyer to Lina Bo Bardi – with many looks. Specifically in the excellent sculptural shapes and heels, echoing those architects’ preferred forms, which in turn, were inspired by the unique topography of Brazil – from its granite seaside boulder to its undulating mountain ridges.
For fall 2025, the standouts include a Tortoise Patent Series – clever twists on classic silhouettes, featuring high-gloss tortoise finishes and grosgrain detailing. While a series of slingbacks with knotted straps suggested the fauna above Rio.
Luxurious materials abounded, notably velvety suedes used to create a stretchy glove boot of great character, while the country’s long tradition in weaving was highlighted in woven leather sandals and pumps, that were admirable and chic.
“For Fall 2025, we wanted to explore how form and function coexist – taking inspiration from modernist architecture and translating that into shoes that feel bold yet effortless,” stressed Guilherme Kfouri, creative director of Alexandre Birman.
The brand Alexandre Birman was founded by its namesake back in 2008. Today, Alexandre serves as the chief executive officer of the brand’s parent company, AZZAS. It is Latin America’s biggest fashion conglomerate.
This season, in its new showroom, the footwear of Alexandre Birman has rarely looked better.
Despite the region’s generalised consumption slump, Italian luxury footwear brand René Caovilla, which generates 79% of its revenue outside its home country, still firmly believes in the Asian market.
René Caovilla, Fall/Winter 2025-26
René Caovilla recently opened a flagship store in Hong Kong, inside the prestigious Harbour City Mall, and on February 20 opened a pop-up store in Bangkok at the Central Embassy, Thailand’s premier luxury shopping destination, adding to the store already active in the city’s Central Chidlom district. The brand also has set its sights on other South-East Asian countries which have shown an interest in its products, like Singapore, Malaysia and Indonesia.
In 2024, René Caovilla performed very positively in the e-tail channel, which posted a 33% revenue growth over 2023 and accounted for 12% of total revenue.
At the recently concluded Milan Fashion Week Women, the brand presented its new collection, ‘The Golden Era’, with golden details centre-stage. The label’s iconic Cleo model features in a version enhanced by a golden pattern inspired by couture ateliers, as do the two new ballet flats, and the mule and slingback models, enriched with a motif made with hand-set crystals, in a nod to exotic destinations.
René Caovilla, Fall/Winter 2025-26
The collection also includes the Full Crystals series, consisting of slingbacks, Mary Janes with a Parisian vibe, boots, ballet flats and kitten-heels models, characterised by cascades of small crystals and featuring mini and split buckles, pointed toes, serpent decorations and directional sparkling details.
The Wave series is inspired by sinuous wave-like elements enveloping the foot and ankle. Slingbacks and stiletto-heeled booties are presented in soft pastel colours and decorated with a row of black crystals, and are available also in dark-brown suede or in black with tone-on-tone crystals.
A novelty for Fall/Winter 2025-26 is Spark, a new serpent element wrapped around the ankle in a spiral of glittering crystals. It is used to embellish sandals in purple, orange and grey metallic fabrics, or in blue, purple and raspberry-coloured velvet, as well as bold knee-high and ankle boots in black stretch Nappa leather.
Two signature René Caovilla models are back in the collection, the Chandelier and Margot sandals, featured in bright hues like raspberry, purple, orange, teal and amber, as well as in classic dark grey. Braid, a model launched in Spring 2025 and characterised by a double braid element, is also included in the collection, in seasonal hues and new silhouettes: two mule versions, pointed-toe models, models with ankle serpents, and flip flops with chunky heels. Finally, the bridal collection introduces the new Dalilah model, featuring a T-shaped cross-over on the front of the foot, an ankle strap and white crystals.
René Caovilla, Fall/Winter 2025-26
For the season, the label is also introducing a capsule collection of mini handbags: The little Bucket Bag with all-over rhinestones in orange and gold, also available in black velvet; the Wave clutch-bag, in light pink satin, or in black with all-over rhinestones, and in a velvet version trimmed with black rhinestones, featuring a Serpent bracelet for attaching it to the wrist; and a black mini-trunk with allover rhinestones and a serpent-shaped handle.
Alpargatas, the Brazilian company behind the iconic flip-flop brand Havaianas, bounced back into the black in 2024, posting a net profit of 107.4 million Brazilian reals (€17.7 million), according to a statement released last Monday.
Havaianas’ parent company returns to profit with €17.7 million in earnings for 2024. – Havaianas
This result sharply contrasts the 1.87 billion Brazilian reals (€309 million) loss recorded by the group in 2023, according to financial statements submitted to the São Paulo Stock Exchange. In the fourth quarter of last year, Alpargatas posted a net profit of 2.1 million Brazilian reals (€350,000).
The company’s annual net revenue reached 4.11 billion Brazilian reals (€679.71 million), a 10% increase from 2023. This double-digit growth was largely driven by the strong commercial performance of Havaianas and the “normalization process of sales volume,” according to the financial report. The group recorded 3.1 billion reals in sales within Brazil. In 2024, Alpargatas sold 226.6 million pairs of Havaianas, a 9.5% increase from 2023. Of these, 204.4 million pairs were sold in Brazil, while 22.2 million were sold internationally, though overseas sales declined by 3.1%.
In the fourth quarter, Havaianas sales rose by 4% compared to the same period in 2023. Alpargatas’ EBITDA (earnings before interest, taxes, depreciation, and amortization) also returned to positive territory, reaching 280 million Brazilian reals (€46 million) in 2024. However, in the final three months of the year (October to December), the company’s EBITDA slipped into the red, posting a 1.8 million reals (€300,000) loss, representing a 99.8% decrease in losses compared to the fourth quarter of 2023.
Alpargatas owns Havaianas and Ioasys, an innovation and technology company, and holds a 49% stake in Rothy’s, a North American sustainable footwear brand. According to company data, its products are sold in over 130 countries, and the group operates directly in more than 20 markets.
The consolidation of Italy’s fashion supply chain, the sector’s evolving challenges amid global shifts, changing consumer habits, and trade tensions—these were key topics discussed last week when Minister of Enterprise and Made in Italy, Adolfo Urso, met with François-Henri Pinault, chairman and CEO of Kering, on February 26 at the Ministry of Enterprise and Made in Italy (MIMIT) in Rome. The conversation went beyond a simple exchange of views, highlighting the critical role of Italy’s luxury and fashion supply chain—an essential pillar for Kering, the powerhouse behind Gucci, Saint Laurent, Bottega Veneta, Balenciaga, Alexander McQueen, Boucheron, and Pomellato.
Pinault and Adolfo Urso
According to an official statement, during the meeting, Adolfo Urso emphasized the government’s commitment to the fashion industry and outlined upcoming initiatives aimed at strengthening this strategic sector for Made in Italy.
The minister reiterated that for 2025, the Ministry of Enterprise and Made in Italy (Mimit) has allocated €250 million for the industry, distributed between development contracts and mini-contracts. These funds are intended to support the green and digital transition while promoting sustainability in fashion. Urso also reaffirmed the government’s commitment to various European policy discussions affecting the sector.
Several Kering fashion houses and key industry leaders will attend the minister-led meeting in Milan in the coming weeks. The discussion will evaluate the sector’s overall health and introduce new measures to support its growth.