Luxury re-commerce brand Fashionphile has entered the UK market through the acquisition of the intellectual property, customer database, and social media channels of Luxe Collective, a former UK-based luxury resale marketplace.
Fashionphile expands to the UK with acquisition of Luxe Collective. – Fashionphile
Founded in 2018 by brothers Ben and Joe Gallagher, Luxe Collective quickly became known for its distinct voice, engaged community, and rapid growth within the luxury resale space. However, after suffering operational and financial setbacks following a high-value theft last year, the company was unable to recover and ultimately ceased operations.
Under the new agreement, Fashionphile will relaunch as Fashionphile UK, beginning operations immediately under the domain LuxeCollectiveFashion.com. Luxe Collective’s social media channels will evolve into “Fashionphile Collective,” while the company builds toward opening a London flagship authentication center and retail store.
The move marks the company’s first major step into the UK and European markets, aligning with its vision to become the world’s most sought-after brand for buying and selling ultra-luxury accessories.
“This acquisition allows us to combine Luxe Collective’s cultural relevance and strong community with Fashionphile’s scale, technology, and authentication expertise,” said Ben Hemminger, co-founder and CEO of Fashionphile.
“The UK has a rich history of luxury resale, but no one is doing it our way at real scale. Together with Ben and Joe Gallagher, we intend to change that.”
As part of the acquisition, the Gallagher brothers will join Fashionphile to lead Fashionphile UK. Joe Gallagher will serve as director of operations for Fashionphile UK, while Ben Gallagher will take on the role of director of brand marketing.
“Luxe Collective has always been about more than resale. Ben and Joe have built a real community that connects with luxury in a fresh and authentic way,” said Sarah Davis, founder and president of Fashionphile.
“The hardships they faced last year were heartbreaking not only for Joe and Ben, but also their entire community. We could not be more thrilled to help bring a breath of life back into the essence of what Ben & Joe Gallagher started. This is about preserving their voice and giving it the resources to thrive on an international stage.”
The acquisition builds on Fashionphile’s ongoing global expansion. In 2023, the company acquired the brand assets of Canadian luxury resale retailer LXRandCo, followed by its 2024 acquisition of Montreal-based Two Authenticators Inc., a distributor of authenticated vintage goods.
In 2025, South Korean fashion takes another step up on the global stage. In a sector where technological innovations are redefining production processes, South Korea stands out for its ability to turn these developments into drivers of growth and global appeal, according to a Spherical Insights study published in November.
South Korean menswear makes its mark internationally, seen here at Pitti Uomo – Pitti Uomo
According to the South Korean Ministry of Trade, Industry and Energy (MOTIE), almost $27 million is set to be invested in 2025 to strengthen the national textile value chain.
This policy forms part of a broader strategy that provides more than $19 billion in support for firms operating in industrial textiles, the creation of an Industrial Textile Alliance, and a certification centre for technical products. The aim is to lift digital transformation across the sector from 35% to 60% and increase South Korea’s share of the global markets for industrial and sustainable textiles from 2-3% to 10% by 2030.
A dynamic domestic market
These ambitions are underpinned by an already robust industry. In 2024, South Korea imported $12.37 billion worth of clothing, including $5.08 billion in menswear. Exports totalled almost $2 billion, of which $1.7 billion comprised synthetic textiles and crocheted fabrics. This momentum reinforces a domestic market characterised by diverse demand, rapid trend adoption and strong cultural influence.
South Korea invests in its textile industry – Shutterstock
At the heart of this evolution lies the global rise of Korean menswear. Korean brands stand out for their attention to detail, mastery of cut and tailoring, and a strong appetite for exploring experimental materials, bold silhouettes and assertive colours. This stylistic approach, oscillating between minimalism and exuberance, meets a growing demand for pieces capable of expressing individual identity, according to the study.
Exports to be developed
The trends for 2025 confirm this direction: oversized cuts, unique patterns, bright colours, sustainable materials, a fusion of traditional and contemporary styles, as well as layering, athleisure and gender-fluid fashion, are at the forefront. From oversized kimono-polos to two-tone pink shirts, the Korean aesthetic offers a balance of comfort, experimentation and sophistication.
Ader Error is one of the young South Korean brands flourishing internationally (here, its collaboration with Zara) – Zara
This creative ecosystem is supported by a myriad of ‘flagship’ brands. Names already recognised worldwide such as Gentle Monster, Andersson Bell, Kusikohc, Hyein Seo and We11done fuel the country’s international aura through their distinct worlds, blending art, streetwear, craftsmanship and conceptual design. In 2025, other labels are taking centre stage: Ader Error and its deconstructivist streetwear, Wooyoungmi and its modern tailoring, ThisIsNeverThat and its distinctly Korean take on streetwear, as well as 87MM, Recto, Amomento, PushButton and Minjukim, whose gender-fluid offerings are gaining visibility.
By combining massive public investment, a capacity for innovation, cultural richness and creative power, South Korea is putting its fashion industry on an upward trajectory in 2025. It can be seen not only as an exporter of aesthetics, but also as a key player in technical and sustainable textiles, with the ambition of playing a central role in contemporary global fashion.
Hugo Boss recently unveiled an ambitious expansion of its growth plan and on Tuesday the German fashion giant said it has secured a revolving credit facility to “ensure the successful execution” of the ‘Claim 5 Touchdown’ growth plan.
Hugo Boss
The €600 million loan (which replaces another loan of the same amount) “was considerably oversubscribed and aims at providing the company with additional financial flexibility”. It’s also linked to the fulfilment of clearly defined sustainability criteria.
“This successful transaction highlights the strong trust our lenders place in our company and its long-term potential,” said CFO/COO Yves Müller.
The loan has a term of five years and includes two options to extend the term by one more year in each case, plus an option to increase the credit amount by up to €300 million.
The company unveiled its strategy in early December, saying its next phase aims to “realign, simplify, and strengthen the business”.
In the short term it’s sacrificing sales and profits as it said that currency-adjusted group sales and profits will both decline next year. But the refreshed strategy aims to “sharpen focus, discipline, and execution across the business”.
It now clearly has the long-term financing to put its plan into operation with the option of even more money on the table if required.
McQueen is aiming to attract attention to its SS26 pre-collection launch with a special installation in its store in the heart of fashion’s capital city, Paris.
McQueen
To celebrate the launch, the label has collaborated with well-known photographer Dafydd Jones, on the installation that features some of his most definitive works, curated by McQueen’s creative director Seán McGirr.
The Rue Saint-Honoré store installation includes 26 of Jones’s original works on public display. The curated selection sits alongside the McQueen pre-collection, “for which these photographs form a core inspiration”.
The installation has just launched and will be in the store until 29 January.
So who is Dafydd Jones? The British photographer is celebrated for his “sharp, satirical depictions of social life, particularly in the 1980s. His career began with prize-winning images of Oxford’s ‘Bright Young Things’, leading to decades of work published in major titles”.
And as well as being in the McQueen store for a limited period, his photos are held in collections including the National Portrait Gallery and the V&A in London.