While remaining stable in 2024, at a slightly lower level than in 2019, European clothing and textile imports accelerated by 21% and 16% respectively in the first quarter, on the eve of the Sino-American trade war, according to data from the French Fashion Institute (IFM).
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In the three months preceding the announcement of Donald Trump‘s tariffs, the EU imported 23.4 billion euros worth of clothing. And at a time when the European textile industry fears that Chinese production will be redirected from the U.S. to Europe, this first quarter already shows a 29% rise in Asian clothing imports.
This rise unsurprisingly concerns the EU’s leading supplier, China (29%), but also benefits its challenger Bangladesh (+33%), not forgetting India (+28%), Cambodia (+38%), Vietnam (+22%), Pakistan (+33%), Sri Lanka (+17%), Indonesia (+12%) and Thailand (+12%). Even Myanmar, still boycotted by some contractors since the coup d’état in 2021, is up by 9%.
As if to underline the regional nature of the phenomenon, the EU’s third-largest supplier of clothing, Turkey, fell back by 1%. And while Morocco grew by 9%, Tunisia contracted by 4%, while Egypt continued the upward trend of the previous year (+22%). The United Kingdom saw a 2% decline.
IFM
In the textile sector, Europe imported 8.7 billion euros worth of materials in three months, including 5.7 billion from Asia (+28%). Here again, all countries in the region benefited to varying degrees, particularly Bangladesh (+42%) and Vietnam (+44%), while Japan (+5%) and South Korea (+10%) also did well. The biggest loser in the Top 20 is the United Kingdom, down 13%, while Morocco is down 9%.
Sharp drop in exports to Asia
The surge in imports has not been accompanied by a reversal of the situation on the export side. After two years of contraction, shipments of clothing and textiles fell by a further 2% and 4% respectively in the first three months of the year, with sharp falls specifically in Asian orders.
Of the 9 billion euros worth of clothing exports, 2.2 billion went to Asia, which reduced its orders by 15%. This decline affected China (-15%), South Korea (-18%), Hong Kong, Taiwan and Singapore, while Japan remained stable. Other notable contractions include the UK (-4%), Canada (-9%), and Australia (-11%). The U.S., on the other hand, accelerated its orders by 6%, following the 2% rise already seen in 2024.
IFM
Textile exports followed this trend. Of the 6.4 billion euros worth of materials exported, 1.3 billion went to Asia, a drop of 14%. This decline was mainly driven by China (-19%), India (-13%), Vietnam (-21%), and South Korea (-22%). The United States, Europe’s biggest textile customer, increased its orders by 2% to 735 million euros, while Morocco (+9%) and Egypt (+27%) posted strong increases.
Italy is about to get the menswear show season under way amid widespread uncertainty caused by the complex economic situation. On the agenda, two unmissable events: Pitti Uomo, scheduled on June 17-20 in Florence, and Milan Fashion Week Men, on June 20-24. This season more than ever, these two events dedicated to the 2026 Spring/Summer collections are relying on major international names to energise their programmes, with Issey Miyake and Paul Smith top of the bill.
Dolce & Gabbana (shown here, a look from last winter), Prada and Armani will be the only top Italian labels to show in Milan this season – world.dolcegabbana.com
Pitti Uomo’s 108th edition will showcase nearly 750 exhibitors, 43% of them from outside Italy, compared to 770 in January 2025 and 790 in June 2024, as well as a plethora of international events and initiatives. The stars of the show will include Tommy Hilfiger, returning to Florence after an eight-year absence with a new menswear project, and Homme Plissé Issey Miyake, the guest of honour.
Pitti Uomo is looking to generate fresh energy with no less than four guest designers, as opposed to two in January. Italian designer Niccolò Pasqualetti, South Korean label Post Archive Faction (PAF), and Children of Discordance, a Japanese label, will be showing alongside Issey Miyake.
A further spotlight on international design will be provided by the new Code Korea project, set up in partnership with the Korea Creative Content Agency; the presentations by the Scandinavian Manifesto collective, in partnership with Copenhagen’s CIFF trade show; J Quality, a section dedicated to Japanese craftsmanship; China Wave, showcasing the best of contemporary Chinese men’s fashion selected by the Chic trade show and China’s National Garment Association; and finally, a selection of Spanish labels promoted by ICEX. Not to mention the 25 French labels that will exhibit, most of them backed by Promas and French public body DEFI.
In its forthcoming summer session, Pitti Uomo will also focus on sport, simultaneously staging Becycle, the cycling industry event first introduced in June 2024. Cycling-related brands great and small will exhibit at Becycle, including Colnago, Passoni, Ashmei and Pas Normal Studios. Becycle will be part of the show’s entirely redesigned ‘I Go Out’ section on contemporary outdoor apparel and equipment.
This season’s edition of Milan Fashion Week Men will be rather low-key, clearly feeling the impact of the global geo-political and economic crisis. It will feature 81 events, including 44 presentations, 17 special events and 15 runway shows, plus five digital shows that will be streamed on the week’s final morning, on Tuesday, June 24. Only three among Italian fashion’s leading names will feature on the Milanese calendar this season: Dolce & Gabbana, Giorgio Armani and Prada, while Zegna will be showing in Dubai, and many other labels have opted to present their menswear collections with womenswear at the September fashion week.
Some emerging labels that have made their mark on the Milanese fashion landscape in recent years will also give this edition a miss, like Magliano, which is replacing its habitual show with a movie screening, JordanLuca, and Indian designer Dhruv Kapoor. Milan will however rely on four ‘new’ names to freshen up the calendar, starting with British label Paul Smith, which is quitting Paris this season to show at its Milanese showroom on June 21.
The other new entries on Milan’s menswear programme are Setchu by Japanese designer Satoshi Kuwata, winner of the 2023 LVMH Prize, which will kick off proceedings on Friday, June 20; long-standing Italian label Fiorucci, in the midst of a major relaunch; and Qasimi, the menswear label by Hoor Al Qasimi, originally from the UAE.
Two comebacks worth mentioning are those of Vivienne Westwood, which will stage a presentation, and Spanish designers Miguel Vieira and David Catalán, showing on Monday, June 23. The same day will end with the first runway show by French designer Emma Rowen Rose with her baroque-chic, made-in-Italy label Rowen Rose, which is set to launch a menswear line on this occasion.
Before passing the baton to Paris, Milan Fashion Week will be enlivened by a few big parties, including those celebrating Dsquared2’s 30th anniversary and Jacob Cohen’s 40th.
Global sportswear brand Champion has widened its association with combat sports, signing Irish fighter Katie Taylor to a multi-year deal. The association has been sealed ahead of the bell ringing for her highly anticipated third bout in the series against Amanda Serrano at Madison Square Garden, airing live on Netflix on 11 July.
The link’s understandable, given Taylor’s “a force in the ring… becoming synonymous with grit, greatness, and unshakable belief and is considered by many to be the greatest female fighter of all-time”, says Champion.
And there’s another good reason for the association: the second bout in the trilogy drew 74 million viewers globally.
To accompany its support, the brand has lunched alimited-edition ‘KT’ Reverse Weave T-shirt “which pays tribute to her extraordinary career”, as well as abespokefight kit and team gear for the Serrano encounter.
The associated apparel line also includes the launch later this year of a “next-generation combat sports range… shaped bydeep collaboration and insightsfrom Taylor”.
Following Champion’s signing in May of UFC Heavyweight Champion Tom Aspinall, the latest collaboration “supercharges Champion’s commitment to the world of combat sports, a space defined by discipline, intensity, and the relentless pursuit of excellence”.
Champion’s association with the sport is long-standing and claims “the invention of the hooded sweatshirt”, as well as “pioneering mesh nylon jerseys for football players… Champion has consistently delivered functional, performance-driven gear rooted in athlete insight. Many of these innovations have transcended sport to become cultural icons”.
White Stuff’s heading to Lyme Regis, Dorset, for its latest (19 June) opening. Showcasing the womenswear brand’s latest summer collections, the 1,300 sq ft store join’s the seaside town’s high street, creating seven new local jobs.
White Stuff
The brand, which says it offers “unique designs, commitment to sustainable fabrics, and community spirit”, said the latest store continues its UK retail expansion strategy and is the fourth of several planned openings this year.
Previous openings were in Broughton Shopping Park, Dalton Park and Eastbourne last month while the brand also opened a travel-specific store ahead of the summer season at London Gatwick airport.
And to celebrate its 40th year, the British lifestyle label delved into its archive to launch a 17-piece collection called ‘Rewind ’85′.
Area manager Jacqueline Powley, said: “Located on the historic Jurassic coast, this new location marks an exciting next step.”
White Stuff currently operates 117 stores and 49 concessions (including John Lewis and M&S) across the UK serving 1.3 million omnichannel customers a year. The brand also sells internationally via its website and has 606 wholesale stockists (178 in the UK and Northern Ireland and a further 428 internationally).